Download a Northern Town Press
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
In My Blood It Runs
History. Learning. Love. Resistance. IN MY BLOOD IT RUNS Directed by Maya Newell In Collaboration with Dujuan Hoosan, Carol Turner, Megan Hoosan, James Mawson, Margaret Anderson LOGLINE When Dujuan cannot run nor fight alone, he faces the history that runs straight into him and realises that not only has he inherited the trauma and dispossession of his land, but also the resilience and resistance of many generations of his people which holds the key to his future. SYNOPSIS Ten-year-old Dujuan is a child-healer, a good hunter and speaks three languages. As he shares his wisdom of history and the complex world around him we see his spark and intelligence. Yet Dujuan is ‘failing’ in school and facing increasing scrutiny from welfare and the police. As he travels perilously close to incarceration, his family fight to give him a strong Arrernte education alongside his western education lest he becomes another statistic. We walk with him as he grapples with these pressures, shares his truths and somewhere in-between finds space to dream, imagine and hope for his future self. “When you go out bush every week, you learn how to control your anger, and you learn how to control your life” 2 “Aboriginals have still survived here.” LONG SYNOPSIS Ten-year-old Dujuan is a child-healer, a good hunter and speaks three languages. As he shares his wisdom of history and the complex world around him we see his spark and intelligence. Yet Dujuan is ‘failing’ in school and facing increasing scrutiny from welfare and the police. -
Final Hannah Online Credits
Hannah Gadsby’s Oz – Full Series Credits WRITTEN & PRESENTED BY HANNAH GADSBY ------ DIRECTED & CO-WRITTEN BY MATTHEW BATE ------------ PRODUCED BY REBECCA SUMMERTON ------ EDITOR DAVID SCARBOROUGH COMPOSER & MUSIC EDITOR BENJAMIN SPEED ------ ART HISTORY CONSULTANT LISA SLADE ------ 1 Hannah Gadsby’s Oz – Full Series Credits ARTISTS LIAM BENSON DANIEL BOYD JULIE GOUGH ROSEMARY LAING SUE KNEEBONE BEN QUILTY LESLIE RICE JOAN ROSS JASON WING HEIDI YARDLEY RAYMOND ZADA INTERVIEWEES PROFESSOR CATHERINE SPECK LINDSAY MCDOUGALL ------ PRODUCTION MANAGER MATT VESELY PRODUCTION ASSISTANTS FELICE BURNS CORINNA MCLAINE CATE ELLIOTT RESEARCHERS CHERYL CRILLY ANGELA DAWES RESEARCHER ABC CLARE CREMIN COPYRIGHT MANAGEMENT DEBRA LIANG MATT VESELY CATE ELLIOTT ------ DIRECTOR OF PHOTOGRAPHY NIMA NABILI RAD SHOOTING DIRECTOR DIMI POULIOTIS SOUND RECORDISTS DAREN CLARKE LEIGH KENYON TOBI ARMBRUSTER JOEL VALERIE DAVID SPRINGAN-O’ROURKE TEST SHOOT SOUND RECORDIST LACHLAN COLES GAFFER ROBERTTO KARAS GRIP HUGH FREYTAG ------ 2 Hannah Gadsby’s Oz – Full Series Credits TITLES, MOTION GRAPHICS & COLOURIST RAYNOR PETTGE DIALOGUE EDITOR/RE-RECORDING MIXER PETE BEST SOUND EDITORS EMMA BORTIGNON SCOTT ILLINGWORTH PUBLICITY STILLS JONATHAN VAN DER KNAPP ------ TOKEN ARTISTS MANAGING DIRECTOR KEVIN WHTYE ARTIST MANAGER ERIN ZAMAGNI TOKEN ARTISTS LEGAL & BUSINESS CAM ROGERS AFFAIRS MANAGER ------ ARTWORK SUPPLIED BY: Ann Mills Art Gallery New South Wales Art Gallery of Ballarat Art Gallery of New South Wales Art Gallery of South Australia Australian War Memorial, Canberra -
NZIFF 2019 Wellington Programme
WELLINGTON 26 JULY – 11 AUGUST 2019 BOOK AT NZIFF.CO.NZ NZIFF0719_WELLINGTON-1.indd 1 19/06/19 2:40 PM Join our newsletter or follow us on social media, to keep up with the centenary programme of events. @mccahonhouse mccahonhouse.org.nz mccahon100.org.nz MH1425FANZIFF0719_WELLINGTON-1.indd McCahon100 NZIFF ad.indd 2 2 12/06/1919/06/19 5:362:40 PM 48th Wellington International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand 26 JULY – 11 AUGUST 2019 EMBASSY THEATRE PENTHOUSE CINEMAS ROXY CINEMA LIGHT HOUSE CINEMA CUBA PROUDLY SUPPORTED BY LIGHT HOUSE CINEMA PETONE SOUNDINGS THEATRE, TE PAPA CITY GALLERY WELLINGTON READING CINEMAS, PORIRUA General Manager: Sharon Byrne Programmer: Sandra Reid Programme Manager: Michael McDonnell Assistant to the General Manager: Caroline Palmer Communications Manager: Melissa Booth Publicist: Sally Woodfield Wellington Festival Manager: Elizabeth Ireland Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Publications Manager: Tim Wong Programme Consultant: Chris Matthews Content Manager: Ina Kinski Content Assistant: Lauri Korpela Technical Adviser: Ian Freer Online Content Coordinator: Sanja Maric Audience Development Coordinator: Emma Carter Guest Coordinator: Lauren Day Social Media Coordinator: David Oxenbridge Communications Assistant: Lynnaire MacDonald Communications Assistant (Auckland): Camila -
Stunt Love Press Book
Presented by South Australian Film Corporation, Adelaide Film Festival and Closer Productions Sales Contact Closer Productions Writer and Director Matthew Bate Producer Caroline Man Executive Producer Sophie Hyde Editor Karryn De Cinque Motion Graphics Raynor Pettge Original Music Benjamin Speed Sound Production Pete Best Scott Illingworth Cinematographer Nick Matthews USA Cinematographer Bryan Mason Executive Consultant John McGowan Documentary inspired by the book J.P. McGowan: Biography of a Hollywood Pioneer by John J. McGowan A Closer production www.closerproductions.com.au © Closer Productions Pty Ltd, South Australian Film Corporation and Adelaide Film Festival 2 Synopsis The story of Australia’s J.P ‘Jack’ McGowan plays like a Hollywood script. An epic romance set against the birth of cinema featuring high adventure, war, fame and great love won and lost. J.P was one of Hollywood’s first stunt directors, who with his wife and on-screen daredevil Helen Holmes, paved the way for the action-adventure blockbusters we know today. Long before ‘Brangelina’ it was Jack and Helen who ruled Hollywood’s silver screens. Longer Synopsis The story of Australia’s J.P ‘Jack’ McGowan plays like a Hollywood script. An epic romance set against the birth of cinema featuring high adventure, war, fame and great love won and lost. J.P was one of Hollywood’s first stunt directors, who with his wife and on-screen daredevil Helen Holmes, paved the way for the action-adventure blockbusters we know today. Long before ‘Brangelina’ it was Jack and Helen who ruled Hollywood’s silver screens. Jack McGowan was born in the small railway town of Terowie in South Australia. -
Government Publishing SA So As to Be Received No Later Than 4 P.M
No. 43 1501 THE SOUTH AUSTRALIAN GOVERNMENT GAZETTE PUBLISHED BY AUTHORITY ALL PUBLIC ACTS appearing in this GAZETTE are to be considered official, and obeyed as such ADELAIDE, THURSDAY, 4 APRIL 2002 CONTENTS Page Appointments, Resignations, Etc............................................. 1502 Authorised Betting Operations Act 2000—Notice.................. 1502 Constitution Act 1934—Notice............................................... 1503 Copyright Act 1968—Notice .................................................. 1503 Corporations and District Councils—Notices ......................... 1533 Liquor Licensing Act 1997—Notices............................ 1517, 1529 Local Government Act 1999—Notices ................................... 1519 Mining Act 1971—Notices ..................................................... 1523 Partnership Act 1891—Notice ................................................ 1535 Petroleum Act 2000—Notices................................................. 1524 Private Advertisements............................................................ 1534 Proclamations.......................................................................... 1502 Public Trustee Office—Administration of Estates .................. 1534 Radiation Protection and Control Act 1982—Notice.............. 1525 REGULATIONS Water Resources Act 1997 (No. 16 of 2002)—Erratum ..... 1530 Fisheries Act 1982 (No. 17 of 2002) ................................... 1531 Road Traffic Act 1961—Notice.............................................. 1526 Roads (Opening -
History. Learning. Love. Resistance
History. Learning. Love. Resistance. Directed by Maya Newell In Collaboration with Dujuan Hoosan, Carol Turner, Megan Hoosan, James Mawson, Margaret Anderson “Profoundly moving” “Dujuan is magnetic” “Remarkable” “Breathtaking” SYDNEY FILM FESTIVAL MIFF CRITICS ACADEMY FILUMS SUPAMODU LOGLINE When Dujuan cannot run nor fight alone, he faces the history that runs straight into him and realises that not only has he inherited the trauma and dispossession of his land, but also the resilience and resistance of many generations of his people which holds the key to his future. SYNOPSIS Ten-year-old Dujuan is a child-healer, a good hunter and speaks three languages. As he shares his wisdom of history and the complex world around him we see his spark and intelligence. Yet Dujuan is ‘failing’ in school and facing increasing scrutiny from welfare and the police. As he travels perilously close to incarceration, his family fight to give him a strong Arrernte education alongside his western education lest he becomes another statistic. We walk with him as he grapples with these pressures, shares his truths and somewhere in-between finds space to dream, imagine and hope for his future self. “When you go out bush every week, you learn how to control your anger, and you learn how to control your life” Dujuan 2 LONG SYNOPSIS Ten-year-old Dujuan is a child-healer, a good hunter and speaks three languages. “This man camed on a ship, As he shares his wisdom of history and the complex world around him we see his spark and intelligence. Yet Dujuan is ‘failing’ in school and facing increasing and he was the first man on scrutiny from welfare and the police. -
About the Film Synopsis Project History Production Interview with Eddie White
About the film The Cat Piano is an 8-minute short film by The People’s Republic of Animation, co-directed by Eddie White and Ari Gibson, and produced by Jessica Brentnall. The story is told in the form of a poem written by Eddie White, which is narrated by iconic Australian artist Nick Cave. The film’s co-investors were the Bigpond Adelaide Film Festival and The South Australian Film Corporation. Synopsis In a city of singing cats, a lonely beat poet falls for a beautiful siren. When a mysterious dark figure emerges, kidnapping the town's singers for his twisted musical plans, the poet must save his muse and put an end to the nefarious tune that threatens to destroy the city. Project History The Cat Piano was inspired by a haunting etched image of a Katzenklavier, a 17th century German instrument (perhaps only theoretical) invented for the entertainment of a depraved German prince. The instrument was constructed from a row of caged cats whose tails were pierced with a spike when the corresponding keys were struck, resulting in a pained meowing symphony. Upon discovering the Katzenklavier, Eddie White knew this cruel, but strangely amusing musical instrument had to be brought to life as a film. The film began as a personal project between Eddie White and Ari Gibson during their spare time in mid-2007. Producer Jessica Brentnall became involved as the film’s producer and secured the iconic voice of Nick Cave to provide the narration, which was recorded in November that year while Nick Cave was on tour in Australia with his band, Grinderman. -
Downloads Supersede Wishes to See It Develop with Benefi Ts to the Help Sections of Bookstores Are the Only Things Traditional Distribution Channels
Southern Screens : Southern Stories Building a New Screen Culture in South Australia Peter Wintonick Thinker in Residence 2005 Peter Wintonick | Southern Screens : Southern Stories Southern Screens : Southern Stories Building a New Screen Culture in South Australia Prepared by Peter Wintonick Department of the Premier and Cabinet c/- GPO Box 2343 Adelaide SA 5001 January 2006 ©All rights reserved – Crown – in right of the State of South Australia ISBN 0-9752027-8-2 www.thinkers.sa.gov.au 1 Peter Wintonick Foreword Based in Montreal, Peter Wintonick is an Peter Wintonick’s period as an Adelaide Thinker It provides a thorough analysis of the four internationally pre-eminent fi gure in digital in Residence in 2005 was highly constructive, ‘spheres’ critical to the creation of a thriving documentary media production. Peter has been a and it stimulated vibrant and necessary debate and globally plugged-in digital documentary producer, director, critic, advisor, media activist and about the future of the South Australian fi lm sector in South Australia: education, the screen editor of all manner of independent fi lm, video industry. industry, the community and infrastructure. and new-media, an array which includes dramatic features, theatrical documentaries, web-sites and Through his wit, insight and experience, he The report also includes a series of valuable educational and socio-political works. delivered on the great promise of his residency and challenging recommendations – covering – which was to engage, enthuse, and enable. everything from the promotion of greater He is most noted for co-producing and directing, ‘media literacy’ in our schools to increased with Mark Achbar, one of the most successful Peter’s time in South Australia coincided with support for the Media Resource Centre. -
Music&Cinema
MUSIC&CINEMA FESTIVAL INTERNATIONAL DU FILM D’AUBAGNE - 2018 DU FILM D’AUBAGNE INTERNATIONAL FESTIVAL e e 19 19 FESTIVAL INTERNATIONAL DU FILM D’AUBAGNE illustration Julien Loïs - artwork [email protected] 19-24 MARS 2018 AVEC UNE VALISE BIEN FAITE, ON N’EST JAMAIS PRIS DE COURT. - © « Negative space » produit par Ikki Films COURT-CIRCUIT Le magazine du court métrage Tous les samedis après minuit À retrouver sur arte.tv/courtcircuit © LIRST LES TS ’UTEU FT E CEU U NUS FNT ÊE – #laSacemSoutient L’Action culturelle de la Sacem encourage la création de musique originale pour l’image et accompagne les compositeurs SACEM.FR © Pobytov Dossier Insertion Aubagne 160x240 02-18.indd 1 16/02/2018 12:25 ASSOCIATION ALCIMÉ FESTIVAL INTERNATIONAL DU FILM D'AUBAGNE 63, chemin de la Vallée 13400 Aubagne - France +33 442 18 92 10 - www.aubagne-filmfest.fr - [email protected] Achevé d’imprimer sur les presses de l’imprimerie CCi à Marseille pour le compte des Éditions de la Tarente Marseille ISBN 9782916280394 - Dépot légal mars 2018 PRIX DE VENTE : 10 € Programme ........................................................................................................................................4 SOMMAIRE Éditoriaux ...............................................................................................................................................6 Jury court métrage ...............................................................................................................10 Jury long métrage..................................................................................................................12 -
Annual Report 2007-08 2
ANNUAL REPORT 2007-08 2 Australian Film Television and Radio School Australian Film, Television and Radio School The Entertainment Quarter, 130 Bent Street, Moore Park, NSW, 2021 PO Box 2286, Strawberry Hills, NSW, 2012 Tel +61 (0)2 9805 6611 Fax +61 (0)2 9887 1030 [email protected] www.aftrs.edu.au www.makeit.aftrs.edu.au www.aftrs.edu.au/publications State Offices and Representatives Queensland Victoria Judith Wright Centre of Level 1, 1010 Latrobe Street Contemporary Arts Docklands VIC 3008 420 Brunswick Street Tel +61 (0)3 9602 2300 PO Box 1480 Fax +61 (0)3 9642 0718 Fortitude Valley QLD 4006 [email protected] Tel +61 (0)7 3257 7646 Contact: Richard Leathem Fax +61 (0)7 3257 7641 [email protected] Western Australia Contact: Alex Daw eCentral Room A-116, 140 Royal Street South Australia East Perth WA, 6004 44A High Street Tel +61 (0)8 6211 2272 Kensington SA 5068 Fax +61 (0)8 9221 5100 Tel +61 (0)8 8331 9577 Contact: Paul Finlay Fax +61 (0)8 8331 9522 [email protected] Contact: Paul Finlay Tasmania Suite 27, Level 1, Salamanca Square Hobart TAS, 7000 PO Box 15, Battery Point, Hobart TAS 7000 Tel +61 (0)3 6223 5983 Fax +61 (0)3 6227 1738 [email protected] Contact: Edwina Morris © Commonwealth of Australia 2008 ISSN 0819-2316 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without earlier written permission from the Commonwealth available from AusInfo. -
Official Selection Retrospectives Fanomenon Cinema Versa Short Film City
Official Selection Retrospectives Fanomenon Cinema Versa Short Film City 27th Leeds International Film Festival WELCOME We are thrilled to present the complete programme for the 27th Leeds International Film Festival. Inside this year’s catalogue, all 318 selected films are featured, spanning five major programme sections that together celebrate the incredible diversity and unstoppable creativity of worldwide filmmaking culture. The Film Festival’s mission to make this culture easily accessible to a growing audience is led by the global reach of the Official Selection, which this year brings previews and premieres of 30 acclaimed new feature films to Leeds. In Retrospectives, classic films are revived in new settings and master filmmakers whose work is rarely screened are honoured in special seasons, with the focus this year on Masaki Kobayashi and Walerian Borowczyk. The home of world genre cinema at the Film Festival is Fanomenon and for 2013 there is an enormous feast of fantasy, horror, action, animation, sci-fi, family treats, cult classics, and the unclassifiable. The documentary section Cinema Versa gives voice to vital issues and marginalised figures, presents fascinating profiles of musicians, and supports unique collaborative events. The final and also the largest section, Short Film City is an epic selection of outstanding short films, with this year 38 countries represented across competitions and panoramas. We hope you enjoy the programme. Film Festival Team Official Selection 7 Retrospectives 25 Masaki Kobayashi 26 Walerian