Official Selection Retrospectives Fanomenon Cinema Versa Short Film City

Total Page:16

File Type:pdf, Size:1020Kb

Official Selection Retrospectives Fanomenon Cinema Versa Short Film City Official Selection Retrospectives Fanomenon Cinema Versa Short Film City 27th Leeds International Film Festival WELCOME We are thrilled to present the complete programme for the 27th Leeds International Film Festival. Inside this year’s catalogue, all 318 selected films are featured, spanning five major programme sections that together celebrate the incredible diversity and unstoppable creativity of worldwide filmmaking culture. The Film Festival’s mission to make this culture easily accessible to a growing audience is led by the global reach of the Official Selection, which this year brings previews and premieres of 30 acclaimed new feature films to Leeds. In Retrospectives, classic films are revived in new settings and master filmmakers whose work is rarely screened are honoured in special seasons, with the focus this year on Masaki Kobayashi and Walerian Borowczyk. The home of world genre cinema at the Film Festival is Fanomenon and for 2013 there is an enormous feast of fantasy, horror, action, animation, sci-fi, family treats, cult classics, and the unclassifiable. The documentary section Cinema Versa gives voice to vital issues and marginalised figures, presents fascinating profiles of musicians, and supports unique collaborative events. The final and also the largest section, Short Film City is an epic selection of outstanding short films, with this year 38 countries represented across competitions and panoramas. We hope you enjoy the programme. Film Festival Team Official Selection 7 Retrospectives 25 Masaki Kobayashi 26 Walerian Borowczyk 29 European Catalyst Films 32 Classic Thrillers at Leeds Town Hall 35 Special Screenings 39 Basha Poster Exhibition 45 Fanomenon 47 Panorama 48 Day of the Dead 7 55 Night of the Dead 13 57 Anime Day 2013 59 Fanomenon Cult Classics 62 Fanomenon Greats at Leeds Town Hall 66 Fanomenon Shorts (Méliès d’Argent Competition, 68 NOTD Shorts, Love & Hate, Sci-FI) Cinema Versa 77 Underground Voices 78 Music on Film 88 Special Events 94 Short Film City 101 Louis Le Prince International Short Film Competition 103 World Animation Award 109 British Short Film Competition 114 Yorkshire Short FIlm Competition 116 European Panoramas (Belgium, France, Lithuania, 118 Spain) Special Programmes (Euro Docs, Vive le tour!, Guest 122 Film Focus: BAF!, Cherry Kino) Index 129 Leeds International Film Festival is organised by the Leeds Film section of Leeds City Council, which also presents Leeds Young Film Festival (leedsyoungfilm.com). The Leeds Film office is located at Leeds Town Hall, The Headrow, Leeds LS1 3AD (tel 0113 247 8398). 3 PARTNERS Presented by Leading Partners Funding Partners Hospitality Partners Supporting Partners Centre for World Cinemas School of Modern Languages and Cultures Film Festival Catalogue and Guide designed by Martin Grund at leedsfilm.com designed by Jonathan Alderson at Trailer reel designed by Michael Hoskin MEDIA A privileged place for meetings, exchanges and discovery, of young professionals, their educational initiatives and the festivals provide a vibrant and accessible environment for the importance they give to strengthening inter-cultural dialogue. widest variety of talent, stories and emotions that constitute In 2013, the festivals supported by the MEDIA Programme have Europe’s cinematography. programmed more than 40.000 screenings of European works The MEDIA Programme of the European Union aims to to nearly 3 million cinema-lovers. promote European audiovisual heritage, to encourage the transnational circulation of films and to foster audiovisual MEDIA is pleased to support the 27th edition of Leeds industry competitiveness. International Film Festival and we extend our best wishes to all The MEDIA Programme acknowledges the cultural, of the festival goers for an enjoyable and stimulating event. educational, social and economic role of festivals by co- financing every year almost 100 of them across Europe. MEDIA PROGRAMME These festivals stand out with their rich and diverse European European Union programming, networking and meeting opportunities for For more information on MEDIA please visit professionals and the public alike, their activities in support ec.europa.eu/culture/media/ 4 FILM FESTIVAL TEAM Chris Fell Film Festival Director Alex King Programme Manager Nick Jones Communications Manager Martin Grund Design Manager Molly Cowderoy Short Film City Manager Jamie Cross Venues and Volunteers Manager Mylène Bronner Film Festival Assistant Laura Pascual Serrano Film Festival Assistant Mat Steel Prints Manager John-Paul Burgess Projections Manager Symon Culpan Short Film City Projections Manager Wendy Cook Short Film City Programmer Laura Ager Short Film City Programmer Laurence Boyce Short Film City International Consultant Richard Moss Guide Distribution Assistant Darren Potter Commercial Manager Maria Terron Busteros Commercial Assistant Programming Official Selection Chris Fell, Alex King Retrospectives Chris Fell, Alex King, Daniel Bird (Walerian Borowczyk) Fanomenon Chris Fell, Martin Grund, Alex King Cinema Versa Alex King Short Film City Molly Cowderoy, Wendy Cook, Laura Ager, Laurence Boyce, Chris Fell Leeds City Centre Box Office Staff Shirley Shortall, Helen Richmond, Margaret Rooke, Richard McInulty, Emma Shortall Film Festival Venue Coordinators Laura Ager, Liz Ainge, Kane Briggs, Hollie Rebecca Bryan, Molly Cowderoy, Sylvia Gwendolen Coates, Jessica Feehan, Martha Julian, Tom Kendall, Katie Lee, Rachael Pocock, Edward Salkeld Film Festival Venue Volunteers Layla Afkhami, Callum Aldcroft, Toby Amos, Hayley Atkinson, Owen Atkinson, Robb Barham, Rodolfo Barradas Simoes, Michael Barry, Laura Beddows, Justina Beniusyte, Lee Bentham, James Blackie, Ben Booth, Georgina Booth, Elisabeth Borrowdale, Rachel Breach, Izzy Brittle, Frank Brown, Isabella Brown, Holly Butler, Pete Cann, Boyd Christopher Greenan, Alice Clenshaw, Alix Clifford, Jonathan Cooper, Sean Culligan, Evan Davies, Sabrina Delle, Niall Donegan, James Dudley, Laura Eglington, Caleb Elliott, Joshua Farrar, Isabella Faull, Rhiannon Flood, Lauren Frankland, Alex Garbutt, Grazyna Garlewicz, George Glover, Bryony Good, Riva Graham, Rachel Green, Zaineb Hadi, Gemma Haigh, Colin Hall, Matthew Hamblin, Natalie Hami Dindar, Billy Harrington-Roberts, Dave Harris, Dilys Hartley, Amy Hatton, Stephanie Hawker, Frances Hinds, Lotte Horrie, Laura Howard, Rhys Jones, Harvey Jubb, Oriel Kenny, Ursula Klingel, Hannah Kreczak, Lai Kwan, Catharine Langan, Zheng Li, Javon Li, Mhairi MacDonald, David Maguire, Kathryn Marshall, James Mason, Thomas Mawson, Kate McCall, Sam McCall, Hannah McCann, Amy McCutcheon, Josh Millmore, Christine Moore, Emily Murray, Jacqui Ong, Povilas Ostasevicius, Robert Palmer, Ashley Panton, Quynh Pham, Jamie Philips, Georgina Pickford, Katarzyna Piontas, Joseph Pratt, Anna Ratcliffe, Daniel Reddington, Holly Ridge, Layla Robleh, Thom Robson, James Ryan, Alistair Ryder, Adam Simons, Jack Smith, Steven Smith, Hannah Smith, Harvey Solomon-Brady, Finnian Spencer, Ella Statham, Zac Stones, Brian Stubbs, Juliet Swerling, Julia Syrzistie, Darcy Taranto, Caroline Thomas, Katie Thompson, Abigail Timmins, Anna Trotter, Eleanor Turner, Bridget Van Emmenis, Louise Watson, Emily Wilson, Ruei-Jen Wu, Han Xue, Tong Zhang Film Festival Digital Content Volunteers Georgia Ball, Edward Barber, Maya Boland, Jordan Burnett, Lewis Campbell, Sam Copp, Harriet Denton, Zoe East, Samantha Fogarty, Tobias Gottwald, Zaineb Hadi, Holly Hodson, Jess Lane, Sam Lanes, Libby Molineaux, Sally Molineaux, Samuel Monk, Charly Murgatroyd, Kara Nelson, Robert Palmer, James Ryan, Ben Sayers, Bethan Seller, Dorian Sheridan, Zubeir Tai, Abigail Timmins, Jess Williams, Simonas Zizliaukas 5 OFFICIAL SELECTION The Official Selection hosts special screenings of some of the most acclaimed films of the year. Opening LIFF27 is Alfonso Cuarón’s Gravity in 3D, hailed as the greatest space film since 2001: A Space Odyssey. Major awarded films in the Official Selection include outstanding Romanian drama Child’s Pose, which won the Golden Bear at the Berlin Film Festival, and remarkable love story Blue is the Warmest Colour, winner of the Cannes Palme d’Or. Other Cannes successes in the Official Selection include Alexander Payne’s oddball comedy road movie Nebraska and Alain Guiraudie’s striking and offbeat Stranger by the Lake. For many critics, the best film of the year is Norte, the End of History, an unforgettable four-hour narrative dissection of crime and punishment from maverick Filipino filmmaker Lav Diaz. The Official Selection is also home to fascinating new discoveries, including Kazakh director Emir Baigazin’s multi- award winning debut Harmony Lessons, an intense drama of corruption and violence. Another bold debut in a very different style is The Strange Little Cat from German film student Ramon Zürcher, a minimalist depiction of domestic mayhem over one day in a Berlin flat. Receiving rave reviews at the Toronto Film Festival, Concrete Night is the latest feature from veteran Finnish filmmaker Pirjo Honkasalo, a visually stunning drama about a teenage boy’s downfall. Closing LIFF27 is a rare screening of Hungarian director György Pálfi’s unique Final Cut: Ladies and Gentlemen, an irresistible celebration of cinema, telling the ultimate love story using tiny excerpts from hundreds of movies ranging across film history. After Lucia All is Lost Blue is the Warmest Colour The Celestial Wives of the Meadow Mari Child’s Pose Circles Computer Chess Concrete Night Final Cut, Ladies and Gentlemen The Future Gloria Gravity Harmony
Recommended publications
  • FCC-06-11A1.Pdf
    Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service ..............................................................................................................
    [Show full text]
  • Contour Stream Player for Field
    Quick Reference Guide: Field and Dispatch Contour Stream Player for Field Contour Stream Player Overview Customer Education • The Contour Stream Player is a device that allows customers to Demonstrate how to use the equipment: watch the most popular streaming content like Netflix, YouTube, and Amazon Prime Video on their TV – without switching inputs or apps • Turn on the set top box. It should display the main menu pictured • Utilize the Wireless 4K Contour Stream Player for all new installs below. Eligible customers: • Using the voice remote, test the YouTube app by saying “YouTube • For new and existing Cox Internet subscribers who take Panoramic Cox Communications How to buy movies and TV shows on Contour WiFi TV” o Hardware: PW3 or PW6 with the Wireless 4K Contour • Test Video on Demand Stream Player only (requires CHSI) • Note: Technicians will be unable to test live linear channels/Focus • Current Contour 2 customers can downgrade to Contour Stream on the Contour button, Apps, and On Demand Services Player (retention only) and need to swap for the Wireless 4k Contour Stream Player. OTT Apps SVODs Netflix Outside TV Amazon Prime DogTV Differences in Installation: Contour 2 and Contour Stream Player YouTube Baby/Kid Genius YouTube Kids Stingray Karaoke iHeart Radio Gaiam TV Fit & Yoga • Follow BAU installation process for IPTV/cDVR NPR One KidStream ESPN 3 Curiosity Stream • Technician must put a MoCA filter on the Demarc or point of entry Tubi TV Up Faith & Family • MoCA should be auto-enabled when an Wireless 4K Contour Stream Anime Network Player is active OnDemand Eros Now! Movie Rentals Too Much for TV • Techs cannot swap Wireless Contour Stream Players for wired Movie Purchase Here TV Contour Receivers during a new install.
    [Show full text]
  • 5Bfbeeac3776649f9b212fdfb326
    5 Foreword raymond Walravens 9 opening and Closing Ceremony / awards 10 world Cinema Amsterdam Competition 20 mexiCan landsCapes Features 22 new mexiCan Cinema presentation paula Astorga riestra 24 postCards From a new mexiCan Cinema Carlos BonFil 42 mexiCan landsCapes shorts 46 speCial sCreenings (out oF Competition) 51 speCials 55 world Cinema Amsterdam open Air 62 world Cinema Amsterdam on Tour 63 we would like to thank 67 index Filmmakers A – Z 69 index Films A – Z 70 sponsors and partners Foreword From 12 through 22 August, the best independently world Cinema Amsterdam Competition produced films from Latin America, Asia and Africa The World Cinema Amsterdam competition programme will be brought together in one festival: World Cinema features nine truly exceptional films, taking us on a Amsterdam. fascinating odyssey around the world in Chad, South Africa, Thailand, Malaysia, Turkey, the Philippines, World Cinema Amsterdam is a new initiative by Argentina, Mexico and Nicaragua, and presenting work independent art cinema Rialto, which for many years both by filmmakers who have more than earned their has been promoting the presentation of films and spurs and debut films by young, talented directors. filmmakers from Africa, Asia and Latin America. Award winners from renowned foreign festivals such as Cannes or Berlin, and films that have captured our In 2006, Rialto started working towards the realization attention elsewhere will have their Dutch or Amsterdam of its long-cherished dream: to set up a festival of its premieres during the festival. own dedicated to presenting the many pearls of world The most recent productions by the following cinema.
    [Show full text]
  • Amat Escalante
    Amat Escalante Escalante nació por en Barcelona, España, Escalante was born fortuitously in Barcelona, proveniente de una familia compuesta de padre Spain, as his family, composed by a Mexican mexicano y madre americana. La primera etapa father and an American mother. He spent most de su vida transcurrió en Guanajuato, México, y of his early years in Guanajuato, Mexico, but en el año 2001 se mudo a España para estudiar moved to Spain in 2001 to study film editing and edición y sonido en el Centro para Estudios sound at the Center for Cinematographic Studies Cinematográficos de Catalunya (Centre d’Estudis of Catalonia (Centre d’Estudis Cinematogràfics Cinematogràfics de Catalunya, CECC). Después de Catalunya, CECC). After his stint in Barcelona, de su estadía en Barcelona, se matriculó en la he joined the International School of Film and Escuela Internacional de Cine y Televisión (EICTV) Television (EICTV) in Havana, Cuba; Back in en La Habana, Cuba; de regreso en México dirigió Mexico, he directed a short film AMARRADOS un pequeño corto cinematográfico AMARRADOS (2002) that received an award at the 2003 (2002) que recibió una condecoración en Berlinale Berlinale International Film Festival. He worked Internacional Film Festival en su edición 2003. as an assistant of Carlos Reygadas in BATALLA Trabajó como asistente de Carlos Reygadas en EN EL CIELO (2005), which entered the 2005 BATALLA EN EL CIELO (2005) la cual compitió Cannes Film Festival. Reygadas co-produced en el año 2005 en Cannes Film Festival. Reygadas some of Escalante’s first films. One of those coprodujo algunos de los primero filmes de films SANGRE (2005), was included in Un Escalante.
    [Show full text]
  • Rokni Haerizadeh in Conversation with Sohrab Mohebbi
    gather his followers and they would all read Rokni Haerizadeh poetry and drink and dance. When there were in conversation with electricity cuts, it would all happen by Sohrab Mohebbi candlelight. Those houses were part of an interior life that was so different from life outside. Sohrab: I feel like we shouldn’t talk about Tehran. Do you think we can talk about Tehran S: Yeah, your house represented that kind of today? interior life. It was more than just a place to party. Rokni: No, I don’t really think so. R: Right, it gave you relative freedom as S: We can’t, right? an artsy kid, in the way art can. It gave you the option to not be a player and to be R: I mean, what’s the point of talking about a little different. We were working toward it? It makes us sound like delusional old building something new, confronting and men.... It’s been so long since the two of us responding to society, being rebels, anar- have had a conversation in the first place. chists.... It also allowed us to exist We’ve both spent so much time trying to break uniquely as a group. There was this inside away from what we once were. What can those joke between us. Imagine you’re at a gather- memories do for us now? What good are they ing, and all of a sudden you go up to someone other than being very personal? Maybe what and whisper in his ear, “You see that guy we can talk about is the fact that we lived over there? He’s not my brother.
    [Show full text]
  • For Student Success
    TRANSFORMING School Environments OUR VISION For Student Success Weaving SKILLS ROPES Relationships 2018 Annual Report Practices to Help All Students Our Vision for Student Success City Year has always been about nurturing and developing young people, from the talented students we serve to our dedicated AmeriCorps members. We put this commitment to work through service in schools across the country. Every day, our AmeriCorps members help students to develop the skills and mindsets needed to thrive in school and in life, while they themselves acquire valuable professional experience that prepares them to be leaders in their careers and communities. We believe that all students can succeed. Supporting the success of our students goes far beyond just making sure they know how to add fractions or write a persuasive essay—students also need to know how to work in teams, how to problem solve and how to work toward a goal. City Year AmeriCorps members model these behaviors and mindsets for students while partnering with teachers and schools to create supportive learning environments where students feel a sense of belonging and agency as they develop the social, emotional and academic skills that will help them succeed in and out of school. When our children succeed, we all benefit. From Our Leadership Table of Contents At City Year, we are committed to partnering Our 2018 Annual Report tells the story of how 2 What We Do 25 Campaign Feature: with teachers, parents, schools and school City Year AmeriCorps members help students 4 How Students Learn Jeannie & Jonathan Lavine districts, and communities to ensure that all build a wide range of academic and social- 26 National Corporate Partners children have access to a quality education that emotional skills to help them succeed in school 6 Alumni Profile: Andrea Encarnacao Martin 28 enables them to reach their potential, develop and beyond.
    [Show full text]
  • Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
    Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis.
    [Show full text]
  • FROM BULLDOGS to SUN DEVILS the EARLY YEARS ASU BASEBALL 1907-1958 Year ...Record
    THE TRADITION CONTINUES ASUBASEBALL 2005 2005 SUN DEVIL BASEBALL 2 There comes a time in a little boy’s life when baseball is introduced to him. Thus begins the long journey for those meant to play the game at a higher level, for those who love the game so much they strive to be a part of its history. Sun Devil Baseball! NCAA NATIONAL CHAMPIONS: 1965, 1967, 1969, 1977, 1981 2005 SUN DEVIL BASEBALL 3 ASU AND THE GOLDEN SPIKES AWARD > For the past 26 years, USA Baseball has honored the top amateur baseball player in the country with the Golden Spikes Award. (See winners box.) The award is presented each year to the player who exhibits exceptional athletic ability and exemplary sportsmanship. Past winners of this prestigious award include current Major League Baseball stars J. D. Drew, Pat Burrell, Jason Varitek, Jason Jennings and Mark Prior. > Arizona State’s Bob Horner won the inaugural award in 1978 after hitting .412 with 20 doubles and 25 RBI. Oddibe McDowell (1984) and Mike Kelly (1991) also won the award. > Dustin Pedroia was named one of five finalists for the 2004 Golden Spikes Award. He became the seventh all-time final- ist from ASU, including Horner (1978), McDowell (1984), Kelly (1990), Kelly (1991), Paul Lo Duca (1993) and Jacob Cruz (1994). ODDIBE MCDOWELL > With three Golden Spikes winners, ASU ranks tied for first with Florida State and Cal State Fullerton as the schools with the most players to have earned college baseball’s top honor. BOB HORNER GOLDEN SPIKES AWARD WINNERS 2004 Jered Weaver Long Beach State 2003 Rickie Weeks Southern 2002 Khalil Greene Clemson 2001 Mark Prior Southern California 2000 Kip Bouknight South Carolina 1999 Jason Jennings Baylor 1998 Pat Burrell Miami 1997 J.D.
    [Show full text]
  • Westminsterresearch the Artist Biopic
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
    [Show full text]
  • Modernism in Iran:1958-1978 Colin Browne & Pantea Haghighi
    In conversation: Modernism in Iran:1958-1978 Colin Browne & Pantea Haghighi Pantea Haghighi and Colin Browne met on June 20, 2018 to discuss Modernism in Iran: 1958-1978, which ran from January 26 to May 5, 2018 at Griffin Art Projects in North Vancouver, BC. Colin Browne: I’m speaking with Pantea Haghighi, owner and curator of Republic Gallery in Vancouver, BC, about an exhibition she organized recently entitled Modernism in Iran: 1958-1978. Would you be willing to describe it for us, along with your intentions? Pantea Haghighi: Sure. The exhibition featured works by Mohammad Ehsai, Monir Shahroudy Farmanfarmaian, Mansour Ghandriz, Farideh Lashai, Sirak Melkonian, Bahman Mohasses, Faramarz Pilaram, Behjat Sadr, Parviz Tanavoli, Mohsen Vaziri-Moghaddam, and Charles Zenderoudi. These artists played an important role in establishing Modernism in Iran during the cultural renaissance that occurred between 1958 and 1978. In Iran, their work is referred to as Late Modernism. I decided to divide the gallery in half. On one side I placed the work of those artists who were exploring their national artistic identity, returning to old Persian motifs in order to identify with Modernism. On the other side, I placed the work of artists who were heavily influenced by Western art. When you entered the room, you were immediately aware of the two different expressions of Iranian Modernism. CB: I want to ask about the show, but let’s frst talk about what might be called Early Modernism in Iran. PH: Early Modernism dates from around 1940, when the School of Fine Arts at the University of Tehran opened.
    [Show full text]
  • Film at Lincoln Center New Releases Series & Festivals March 2020
    Film at Lincoln Center March 2020 New Releases The Whistlers Bacurau The Truth The Traitor Series & Festivals Rendez-Vous with French Cinema Mapping Bacurau New Directors/ New Films Members save $5 Tickets: filmlinc.org Elinor Bunin Munroe Film Center 144 West 65th Street, New York, NY Walter Reade Theater 165 West 65th Street, New York, NY FESTIVAL Rendez-Vous with French Cinema MARCH 5–15 Co-presented with UniFrance, the 25th edition of Rendez-Vous demonstrates that the landscape of French cinema is as fertile, inspiring, and distinct as ever. Organized by Florence Almozini with UniFrance. ( In-Person Appearance) Special Student Savings! $50 All-Access Pass NEW YORK PREMIERE Deerskin Quentin Dupieux, France, 2019, 77m Oscar- winner Jean Dujardin and Adèle Haenel star in a rollicking take on the midlife crisis movie, directed by Rendez-Vous mainstay Quentin Dupieux. A Greenwich Entertainment release. Sunday, March 8, 9:15pm Saturday, March 14, 9:00pm NORTH AMERICAN PREMIERE An Easy Girl Rebecca Zlotowski, France, 2019, 92m Cuties Rebecca Zlotowski’s fourth feature taps into the universal hunger of adolescence, and OPENING NIGHT • NEW YORK PREMIERE U.S. PREMIERE imbues an empathetic coming-of-age story The Truth Burning Ghost with a sharp class critique. A Netflix release. Hirokazu Kore-eda, France/Japan, 2019, 106m Stéphane Batut, France, 2019, 104m Winner of Saturday, March 7, 9:00pm In his follow-up to the Palme d’Or–winning the prestigious Prix Jean Vigo, this smoldering Thursday, March 12, 4:00pm Shoplifters, Hirokazu Kore-eda casts two titans feature debut from Stéphane Batut is an of French cinema, Catherine Deneuve and entrancing tale of aching romanticism on the NEW YORK PREMIERE Juliette Binoche, in a film structured around the precipice of life and death.
    [Show full text]
  • Re Missing!: Local Podcast Explores Cultural Blindspots Nothing Missing with Tony (Left) and Matt (Right) Behind the Mic
    SENE on Screen: The beloved film festival returns for its 13th year For more than a decade, the annual SENE (rhymes with scene) Film Festival has celebrated film, art and music, and this year’s festival, which takes place October 13 – 16, will screen 130 films from around the world. SENE was created by producing director Don Farias and artistic director Phil Capobres, who work to create a welcoming atmosphere for festival entrants and attendees. And their efforts paid off — for four years in a row, SENE was named one of the Top 50 Film Festivals Worth the Entry Fee by MovieMaker Magazine, one of the most respected voices in the film industry, and was rated one of the best reviewed festivals by FilmFreeway. The festival made its COVID comeback over the summer. “We were thrilled that we were able to host fun events for visiting filmmakers in June,” said Farias. “It’s the first time in over a year that the world felt almost normal. I was impressed with the attendance, especially since I was not sure if people were actually ready to leave their homes. It was nice to see the filmmakers meeting new friends at our networking events. Everyone was ready to collaborate and begin creating films again. We expect October to be bigger with more filmmakers attending.” SENE has been a powerful force in building community within the local film world, and while the festival receives films from all around the world, it makes a point to highlight all things local. The festival will kick off on Wednesday, October 13, with a special screening of local filmmaker Christian De Rezendes’ SLATERSVILLE, a much-anticipated episodic documentary on the 200-year history of the first industrialized mill village in the U.S., located in the heart of the Blackstone Valley.
    [Show full text]