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Can They Change?
See Pages 3, 4, 5 $1.00 WWW.5TJT.COM VOL. 10 NO. 15 22 TEVES 5770 ,una ,arp JANUARY 8, 2010 INSIDE FROM THE EDITOR’S DESK POWER TO THE PEOPLE Faux Frumkeit BY LARRY GORDON Stacey Solomon 22 What Does Jimmy Want? SECURITY THREAT Hannah Reich Berman 29 “When it comes to airline the world. Defining Death Down security,” says Yehuda Dafna, Our talk with Yehuda Dafna Rabbi Avi Shafran 30 “America is backwards.” Dafna, a about security at airports and on MindBiz resident of Woodsburgh and a airlines was of course precipitat- Esther Mann, LMSW 31 member of several Five Towns ed by the events of December shuls, is the president and 25, when a lone terrorist, pur- Yitzhak Ahronovitch, a’h founder of ISS Action, Inc., and portedly a functionary of Al Rabbi Yair Hoffman 75 speaks from two decades of Qaeda, attempted to set off extensive experience with air- explosive materials on an airlin- line security. er approaching Detroit’s interna- The ISS offices are located at tional airport. The terrorist JFK Airport, and the company passed through screeners at air- Howard Kopel, the first Orthodox Jew elected to the Nassau County Legislature since its inception in 1996, being sworn in on Monday at the employs more than 150 people ports in both Nigeria and Cradle of Aviation Museum by U.S. Congressman Peter King as Mr. Kopel and provides security consult- began his term as a member of the new Republican majority. ants to scores of airlines around Continued on Page 15 See Page 61 HEARD IN THE BAGEL STORE Shidduchim:Letters Not So Fast to thewith length Editor of courtship, logic Dear Editor, would have us insist that a cou- Where The Time Goes Welcome to the shidduch ple really get to know each other Bat Mitzvah of Ayala scene. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Shlomo Yehuda Rechnitz ש ש ילמה י הודה רכני 2 ותערב ימלא פי 1
בסייד DAVID FADIDA YOSSI RUBIN PRESENT COMPOSED BY SHLOMO YEHUDA RECHNITZ ש ש ילמה י הודה רכני 2 ותערב ימלא פי 1 /l,rtp, ouhv kf wl,kv, hp tknh COMPOSED BY: id you ever try buying something vkugf ub,rh,g lhbpk crg,u WvbEz ,gk hbfhka, kt SHLOMO YEHUDA RECHNITZ Doffering the store owner your own ohcrv lhnjrc oujr tbT /icrefu rendition of “Figaro Figaro”. You probably (y) /hbczg, kt hjf ,ukff SUNG BY: lrhg iuhmk l,bhfa cav LEVY FALKOWITZ didn't get too far. As our obligation is to L,Esm vdv, ouhv kf hbuak od ohkaurhk vsucgv rsxu MUSIC AND CHOIR ARRANGED BY: bring Korbonos to the Bais Hamikdash (sf) /h,gr haEcn urpj hf uac hf YOELI DICKMAN to offer to the Aibeshter, instead we (ohkdr aka ;xun) (t"g ohkhv,) beseech him to accept our Davening in its place. We all know this galus is far COMPOSED BY: SHLOMO YEHUDA RECHNITZ SUNG BY: MBD & MOTTY STEINMETZ uite a few years ago, my brother-in-law, Tzvi Belsky came too long and painful to endure. Please ARRANGED BY: MOSHE LAUFER to LA for a visit along with a friend from Passaic. I forget sing along and join me, MBD and Motty Q CHOIR ARRANGED BY: ELI LAUFER his name but he asked me if it’s possible to teach some - Steinmetz as we beseech You Hashem, one how to compose a song. We sat down together at let these words be sweet in your ears the piano, and although it took a while, I showed him and let them carry us home. -
Yearbook Cover 07
Dear Campers and Staff of Camp Agudah: As I sit here and write this letter its hard to believe that another fun filled summer has come to a close. This summer was one of change in camp starting from the beautiful new main building which our wonderful director Meir Frishman worked so hard throughout the year to make sure it would be ready for us – thank you so much. A lot of people worked very hard in order to make this yearbook happen and I would like to apologize now for anyone I may have forgotten. Firstly, I would like to express my hacoras hatov to Hashem for his ever lasting kindness. I would like to thank our head counselor Rabbi Kaufman for making Camp Agudah the ruach filled place that it is. Rabbi Karfiol, thank you for the censorship of the yearbook it would have been a different yearbook with out you. Rabbi Wolf, Rabbi Feivelson, Rabbi Lichtman, Rabbi Bald, Rabbi Zucker, Rabbi Neiman, thank you for making Camp Agudah what it is and always being there for me. Avi Taub, thank you for making this summer one of the most interesting and fun filled summers in Camp Agudah history. Mrs. Rand, thank you for all your computer help, sorry for making your life so difficult. Eli Serebrowski, Sholom Lerner, thank you for taking time out of your busy hatzalah schedule to provide all those hours of technical assistants. Mordechi Zakatinsky, thank you for your assistance and for taking the pictures, they came out great. Sheya Lundner, thank you for taking time out of your day and staying up all night to help type. -
Manchester Page 37
Friday November 16, 2007 JEWISH TELEGRAPH 37 We have a real musical treat for readers at www.jewishtelegraph.com — first up we are giving away the triple DVD Don’t Forget The Motorcity, absolutely crammed with all the greatest Motown hits and then we have compilation albums Love — The Collection and Clubmix Classics ONLY ONLINE Joshua’s makes London bow PEOPLE VIOLINIST Joshua Bell will attracted the attention of cousins, growing up we would PICTURE: TIMOTHY WHITE perform at Cadogan Hall in Josef Gingold, one of the best- have musicals, we would get London on Sunday. known violin teachers in together around the holidays The Grammy Award winner America. Under his tutelage, and everyone played an has recorded more than 39 Bell’s career really took off. instrument.” albums and was named Bell, whose mother is Billboard magazine’s Jewish, said: “We weren’t Bell is also planning to Classical Artist of the Year in strongly religious Jews, but premiere a concerto written 2004. there was a strong cultural for him by the 15-year-old Bell, 39, was raised on a feeling of being Jewish.” Jewish prodigy Jay Greenberg farm in Indiana. All Bell’s heroes were at Carnegie Hall, New York. He started his musical Jewish violinists including Bell has already recorded a career at the age of four when Gingold, Jascha Heifetz, Fritz CD of Greenberg’s Fifth he stretched elastic bands Kreisler and Yehudi Menuhin. Symphony, written when the across his chest of drawers He added: “I feel very close composer was 12. and played melodies. -
Bald Bookletnewlook Layout 1 3/2/11 6:42 PM Page 1
Bald BookletNewlook_Layout 1 3/2/11 6:42 PM Page 1 NEW YORK BOYS CHOIR A YITZY BALD PRODUCTION PROGRAM 1 MA’AMINIM 2 LIBI 3 ELAH 4 CHESED 5 AL HASULAM 6 V’AHAVTA 7 RIDE THE WAVES 8 TEN 9 GALEY 10 M’LOICH 11 CHALOMOS 12 YEHUDI © 2011 Yitzy Bald Productions All Rights Reserved. Unauthorized Duplication /Broadcast is against the law & Halacha. Please Support Jewish Music By Not Copying, E-mailing or Uploading This CD. Thank You. For Concerts, Performances, Booking Information, General Information, and Auditions please call: 718-471-1828 • 917-225-3113 • E-mail [email protected] Bald BookletNewlook_Layout 1 3/2/11 6:42 PM Page 2 Bald BookletNewlook_Layout 1 3/2/11 6:42 PM Page 3 E N E W C H O H Y O Y S I R T O R K B INTRODUCTION Why is it, that Sefer Vayikra is the first chumash taught to children before they are taught Sefer Bereishis? Chazal say: “let the pure ones come and talk about purity”. This means that because Sefer Vayikra talks about korbanos, which leads a person to purity, then the pure ones (i.e. children) should first talk about these concepts. Baruch Hashem after producing, composing, and arranging many albums, I have decided to share my music in a venue that holds a very special place in my heart: choirs. Let “the pure ones” sing Hashem’s praises. Over the past 30 years, I have been attending and working for Camp Agudah in different capacities, includ- ing producing the choirs for the Cantata, a play that is performed a day before Tisha B’av. -
The Unique Cultural & Innnovative Twelfty 1820
Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939 -
MUSIC HISTORY M73 PAGE 1 of 14
MUSIC HISTORY M73 April 14, 2017 To: Muriel Mc Clendon, Chair General Education Governance Committee Attn: Myrna Dee C. Kikuchi, Program Representative A265 Murphy Hall Mail Code: 157101 From: Elisabeth Le Guin Department of Musicology RE: Proposal for GE credit for Music History M73 and 69 On behalf of the department of Musicology, I am submitting the attached proposals to allow our new courses, Music History M73: Music & Religion in Popular Culture and Music History 69: Music & Politics, to satisfy the university’s GE requirement in Visual and Performance Arts Analysis and Practice, Historical Analysis, and Social Analysis effective Fall 2017. These innovative new courses were designed with the principles of general education in mind and were created in an attempt to meet the increased demand for diverse popular music courses. The Department of Musicology has been proposing new GE that address the aspects of listening and music that intersect with other disciplines such as social sciences, history, ethics, and politics. We would also like to use the experience and expertise of Professors Shana Redmond and Mark Kligman, whose research is addressing these topics. Please note that although courses in Music History have tended to be classified under “Visual and Performance Art Analysis and Practice,” we are applying for Historical and Social Analysis GE credit, as well, in view of both the interdisciplinary nature of the topic and the broad spectrum of approaches explored in the course. If you have any questions or require further clarification on our proposal, I can be reached at [email protected] or 310-206-5187. -
Rabbi Solomon D. Goldfarb
.,,., .,,., JACOB'S LOVE FOR RACHEL SOLOMON D. GoLDFARB MOSES AND THE BURNING BUSH ANDRE NEHER MILTON'S " SAMSON AGONISTES" AND JUDGES 13-16 MAATA BERL SHAPIRO BIBLICAL SOURCES RELATING TO PRAYER HYMAN ROUTTENBERG QUIZ ON THE BOOK OF ISAIAH H AIM H ALPERN THE FAMILY CORNER BEMIDBAR AND DEV A RIM Vol. JV Sum1.0er 1976 11-r'J 11-r DOR le DOR Published by the WORLD JEWISH BIBLE SOCIETY President: EPHRAIM KA.TZIR Chairman: DR. HAIM GEV AR YAHU Vice President: HARRY RusKIN Vice Chairman: DR. LouiS KATZOFP Treasurer: BEN ZION LURIA Chairman of the World Council of the Beth Hatenakh: DR. IsRAEL GOLDSTEIN Chairman of Budget and Finance: DR. DAVID GOLDSTEIN Chairman for North America: DR. AZRIEL EISENBERG, New York City Chairman for Latin America: MosHE GuTENTAG, Buenos Aires Chairman for Europe: HERMANN WOHLMANN, Zurich Editor: LoUIS KATZOFF Assistant Editor: SHIMON BAKON EDITORIAL BOARD: HYMAN ABRAMOWITZ S. GERSHON LEVI HAIM GEVARYAHU SOL LIPTZIN HAROLD D. HALPERN BEN ZION LURIA JOSEPH HALPERN MAX M. ROTHSCHILD Dor le Dor is publi,hcd by the World Jewish Dtble Society fo r the English reading public and is directed rrimari ly to the interest~ of Jewish laymen who v. ish t<' deer>en their under standing of tho:i• heruage through Bible study and ar>t'rC.:tauo n. - - ---- -------- --- - WORLD JEWISH BIBLE SOCIETY, I R Abarbanel Str., JERUSALEM An affiliate Of the DEI' ARTME"'T OF EDLCATtOr-. Al'.D CUI.Tl' RE tl'. THE OtASPORA OF THI: WORLD ZJONtST ORGA'ItZATIO' We mourn the loss of RABBI SOLOMON D. GOLDFARB Assistant Editor of Dor le-Dor 151 RABBI SOLOMON D. -
Oorah Auction Still Only $5 a Prize. 2 Early Bird
A sefer Torah...$36,000 cash...a car... WIN IT FOR ONLY $5! ...while bringing Yidden closer to Torah and Mitzvos OORAH AUCTION STILL ONLY $5 A PRIZE. 2 EARLY BIRD BONUS RAFFLE A sefer Torah...$36,000 cash...a car... ENTER BY: WIN IT FOR ONLY $5! 1.20.2020 ...while bringing Yidden closer to Torah and Mitzvos *minimum $25 donation 3 DONATE $100 YOUR Get 2 tickets in DOUBLEDOUBLE each of the 20 $5 prizes you choose, THAT’S TICKETS!TICKETS! 40 ENTRIES! DOUBLE YOUR CHANCES! TRIPLETRIPLEYOUR TICKETS!TICKETS! DONATE $250 TRIPLE YOUR Get 3 tickets in each of the 50 $5 prizes you choose, THAT’S 150 ENTRIES! CHANCES! 4 IT HOW WORKS DONATE $50 DONATE $100 DONATE $250 GET DOUBLE ENTRIES GET TRIPLE ENTRIES Get in each of the in each of the 10 20 50 $5 prize $5 prizes $5 prizes entries you choose you choose ENTER ANYTIME 24/6 OORAHAUCTION.ORG NEED HELP? CALL 1-877-7-AUCTION OR WHATSAPP 732-FIVEISH AUCTION DRAWING DATE: MAY 16, 2020 Get To Know Yourself! While you browse the amazing auction prizes, take the most insightful personality quiz you’ll ever find! Enjoy answering the very relevant and highly intuitive question on each page. Record your answers on a piece of paper, check your score, and find out... TYPE TAKE THE QUIZ. Starting on page 6. !Then see how you score on page 58 טייפ WHAT ARE YOU? 5 More Than A Vacation, It's Going Home. Rabbi Benzion Klatzko, Founder Shabbat.com Senior Manager at Olami, and Azarya Klatzko A 1. -
Basya Schechter
UNIT 5 APPENDICES A PROGRAM OF THE LOWELL MILKEN FUND FOR AMERICAN JEWISH MUSIC AT THE UCLA HERB ALPERT SCHOOL OF MUSIC UNIT 5: THE TIMES THEY ARE A-CHANGIN’: PART 2 – INNOVATORS & INFLUENCERS | APPENDICES 1 APPENDIX A: TOOLS/WORKSHEETS UNIT 5: THE TIMES THEY ARE A-CHANGIN’: PART 2 – INNOVATORS & INFLUENCERS | APPENDICES 2 Group Activity Worksheet: Gerald Cohen For Gerald Cohen Background and Early Influences • Gerald’s interview emphasized the importance of education, mentorship, and being surrounded by Jewish musical culture. This is highlighted by his reflections of his own upbringing and his role as a Jewish music pedagogue vis-a-vis HUC, JTS, HaZamir Teen Choir, etc. » What does this tell you about the relationship between Jewish education and music education? » How does this reflect traditional Jewish values? • From early in his musical experiences, art music and Jewish culture were deeply intertwined, leaving little or no distinction between the two. » What does this say about the role of external cultural forces on one’s artistic output? Inspiration • Is there anything interesting about the differences between Gerald’s cantorial and art music influences? • Text » Gerald’s process is often driven by a text, whether Biblical or from a prayer. – How does this text driven process relate to Jewish values and study? – What observations can you make about the relationship between music and text? – How is the musical setting of the text a midrash on the text itself? Personal Observations • Does art music have a place in your current Jewish -
Lifeboat Ethics
Lifeboat Ethics Parshiyot Behar Bechukotai - 57811 One of the great moral and ethical scenarios debated by philosophers, ethicists and spiritual leaders alike is a category of decision making known as “lifeboat ethics,” a term coined by the ecologist Garrett Hardin in a 1968 article titled “Tragedy of the Commons.” In this article, he described the following scenario: A lifeboat that can hold 60 passengers has room for 10 more people, but 100 people are waiting to be saved. If the lifeboat takes on everyone, all the passengers will drown; if the boat takes on no one, the current passengers will live; if it takes on an additional ten passengers, they will survive as well, but the journey will become more risky, and difficult decisions will have to be made as to who should be saved. These questions are not merely thought experiments. During last week’s catastrophe in Meron, Hatzalah workers and helpful civilians had to make similar decisions, electing- in the midst of the raging chaos- to dedicate their energies toward saving certain lives, by definition preventing them from saving others. 1 Prepared in partnership with Rabbi Shaanan Gelman 1 ©2021 Rabbi Ariel Rackovsky After introducing the prohibition of Ribit, charging interest to one’s fellow Jew, the Torah concludes the mandate with the following statement: אַל־ ִתּ ַ֤קּח ֵמֽ ִאתּ ֙וֹ ֶ֣נ ֶשׁ ְו ַת ְר ֔ ִבּית ְויֵָ֖ר ָאת ֵמֽ ֱאקי ְו ֵ֥חי אָ ִ֖חי ִע ָמּֽ׃ do not exact from him advance or accrued interest, but fear your God. Let him live by your side as your kinsman.