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“Nothing is solitary, everything is in solidarity. Man is in solidarity with the planet, the planet is in solidarity with the sun. The sun is in solidarity with the star, the star is in solidarity with the nebula, the nebula, the stellar group, is in solidarity with infnity. Remove an element from this formula and the polynomial becomes disorganized, the equation staggers; creation loses meaning in the cosmos, and democracy loses its raison d’être on earth.” 1 -Victor Hugo

These words, which were written in the 19th century, couldn’t be more valid today. On the one hand, they appear to appeal to the ecological, social and political emergency in which we are living, a subject that is also dealt with in many of the flms that you’ll be seeing in Punto de Vista. On the other hand, if we take these words to the small cultural sphere in this part of the still privileged world, they make me refect on our work.

A festival must generate an emotional and intellectual fabric based on the flms and the persons convened. It is a mistake to think that the festival ends with its closing session, because that internal earth tremor produced by the collective force (that of the flms, that of the spectators affected by the flms who exchan- ge impressions with others who are also impacted by an emotion), that tremor expands in time, in space and in awareness, in a way that is very diffcult to measure. And precisely this multi-dimensional expanded current, combined with a chain of affections and recollections that are already imprinted on us, are all involved in generating the transformation that we are working for, those of us who still believe in magic, as a young man called Stan Brakhage taught us.2 I would like Punto de Vista to be something of all this, we’ve created it with this spirit very much in mind, aiming to bring works, artists and gestures that embody the values that we want for our world.

Garbiñe Ortega, Punto de Vista Artistic Director

1. Victor Hugo, Proses philosophiques, (1860-1865) 2. When he was 22 years old, Stan Brakhage wrote: “This is to introduce myself: I am young and I believe in magic. I am learning how to cast spells. My profession is transforming.” Essential Brakhage: Selected Writings on Filmmaking by Stan Brakhage, edited by Bruce R. McPherson (2001) OS | OFFICIAL SELECTION

The Offcial Selection brings us one of the most innovative and daring views of the Festival. The international jury will award the Punto de Vista prizes, which include the Punto de Vista First Prize for Best Film, the Jean Vigo Prize for Best Director, the Prize for Best Short Film, the Audience Prize for Best Film and the Youth Prize for Best Film.

RE | RETROSPECTIVES There will be three retrospectives this year. The retrospective programme of Ute Au- rand, Helga Fanderl, Jeannette Muñoz and Renate Sami highlights the exchanges and correspondences in their work; An Oceanic Feeling, curated by the academic and critic Erika Balsom, shows how the ocean has been represented over the history of cinema; and Haden Guest, director of the Harvard Film Archive, presents the American flmmaker Anne Charlotte Robertson through a sample of her work.

DOKB | DOKBIZIA 2018 saw the inception of DOKBIZIA, an interdisciplinary encounter which aims to create a crossroads between languages and artists that work with and around what is real. This programme, which deals with the documentary on and off the screen, provides a tour through different formats: screenings, performative lec- tures, staged and site-specifc pieces and performances .

LABS | PUNTO DE VISTA LABS Punto de Vista Labs is a space for knowledge sharing and collective creation. This year Rabih Mroué, Simon Field, Isaki Lacuesta, Xabier Erkizia, Mónica Va- lenciano, Idoia Zabaleta, Andrea Lissoni, Ricardo Matos Cabo and Aurora Fer- nández Polanco will be taking part.

FO | ARTISTS IN FOCUS The contemporary focuses spotlight monographic programmes of artists who work with the moving image and that are rarely featured at non-fction festivals. The focuses this year will be on Francis Alÿs, Beatriz Santiago Muñoz and Tacita Dean’s work. SS | SPECIAL SESSIONS The special sessions aim to expand the documentary concept beyond flm screenings. One-off performances, exhibitions and shows which bring the image, the word and live music together.

X | X FILMS

Since 2009 the Festival has invited three flmmakers to submit a project for a documentary flm essay to be shot in Navarra. A jury selects the winning proposal, which then premieres at the next edition of Punto de Vista. This year the tenth flm to win X Films, Gorria by the Navarrese flmmaker Maddi Barber, will be screened; and Maider Fernández, Alberto Gracia and Laida Lertxundi have been invited as candidates for X Films 2020. Punto de Vista is celebrating the 10th anniversary of the X Films Project and is programming a special session at Civivox Condestable, where all the winning flms will be shown.

EP | EDUCATIONAL PROGRAMME

Aimed primarily at young audiences, this programme proposes a series of activities to raise awareness and audiovisual appreciation, while offering younger members of the public tools with which to build their own critical perspective on the reality around them and become bearers of these values in their environment. The group Zazpi T’erdi, flmmaker Marina Lameiro, artist Carlos Casas and the Drac Màgic cooperative will be laying on a range of workshops.

PA | PARALLEL ACTIVITIES During the Festival there will be other activities such as the recording of the Spanish Radio 3 programmes “Tres en la carretera” and “El séptimo vicio”, which will include interviews with guests and live concerts. Punto de Vista nights will offer evening sessions where different flmmakers will DJ at the Club Nicolette and El Nebula bar. Also, after the closing ceremony, there will be a cocktail party (invitation required) at the Media Luna Bar. useful information

FESTIVAL VENUE Baluarte. Open to the public from: 9:30 am to 1:30 pm and from 4:00 pm to 10:30 pm (From Monday 2nd to Saturday 7th March) Email: [email protected] Phone: + 34 948 066 195 Web: www.puntodevistafestival.com

TICKETS AND FESTIVAL PUBLICATION SALES Hall Baluarte. From 9:30 am to 1:30 pm and from 4:00 pm to 10:30 pm Baluarte square s/n, 31002. Box Offce from 11:00 am to 2:00 pm and from 5:00 pm to 8:00 pm (from Monday to Saturday)

Online: www.baluarte.com OTHER FESTIVAL VENUES PLANETARIO DE PAMPLONA Sancho Ramírez street, s/n How to get there by bus from Baluarte: bus numbers 4 and 12 FILMOTECA DE NAVARRA Antonio Pérez Goyena promenade, 3 How to get there by bus from Baluarte: bus number 12 KATAKRAK Mayor street, 54 CLUB NICOLETTE Tejería street, 32 BAR EL NEBULA San Francisco street, 24 CIVICAN Pío XII Avenue, 2 CIVIVOX CONDESTABLE Mayor street, 2 BAR MEDIA LUNA De la Media Luna street, 15 GELTOKI Former Bus Station, Av. Conde Oliveto, 6 TEATRO GAYARRE Av. Carlos III, 1 MONDAY 2 OF MARCH

10:00 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 1. 90’

OVERSEAS Sung-A Yoon. Belgium, France. 2019. 90’. DCP Every year, 200,000 women leave the Philippines to become household service workers in industrialized countries all over the world. Before going abroad, the women are required to attend a comprehensive training programme, validated by a National Cer- tifcate. MONDAY 2 MONDAY

12:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 2. 68’

LA ESPADA ME LA HA REGALADO Miriam Martín. Spain. 2019. 17’. DCP The Casa de Campo is one of the largest public parks in the world, a real forest. In the images, its 2019: the green of the earth shining anew for us or the children’s unexpected use of bridges and ponds. In the sounds, its 1936, the forest torn in two, the defence of Madrid.

AVANT D’OUBLIER HÉLIOPOLIS Valentin Noujaïm. France, Egypt. 2019. 22’. 2K y 8mm, transfer DCP My family have begun to forget their Egyptian roots and, on as- king my grandmother Malo to recount the frst part of her life in Cairo, I am confronted by the memories of an exiled Arabic wo- man, lost in a troubled sea of memories.

PLAYBACK. ENSAYO DE UNA DESPEDIDA Agustina Comedi. Argentina. 2019. 14’. DCP Memories woven through unique footage were the actresses of Kalas Group resist to trans genocide using the stage as a place of resistance.

EARLY YEARS Sung-A Yoon. Belgium, France. 2019. 90’. DCP Morgan Quaintance. UK. 2019. 15’. 16mm, transfer DCP Early Years is a portrait of Jamaican-born artistic polymath Barba- ra Samuels. It features an account of her frst generation, diasporic experience in London, and her discovery of the liberatory possibilities for self-actualisation offered by an early entry into creative life.

*With Miriam Martín, Valentin Noujaïm and Agustina Comedi in attendance 16:30 h - Cámara (Baluarte) SS

TRIBUTE TO BARBARA HAMMER. 74’

Barbara Hammer has helped to write the history of feminist cinema. She was an experimental pioneer who put lesbian life on screen, and proposed new ways of telling about sexuality and the body. One year after her death, Punto de Vista pays tribute to this essential artist.

AUDIENCE Barbara Hammer. USA. 1982. 33’. 16mm, transfer DCP. B&W The artist flms the audiences at screenings of her flms in San Fran- cisco, during the Gay Pride Week.

DYKETACTICS Barbara Hammer. USA. 1974. 4’. 16mm, transfer DCP. B&W A celebration of lesbian sensuality and sexuality. A popular lesbian “commercial,” 110 images of sensual touching montages in A, B, C, D rolls of “kinaesthetic” editing.

GENERATIONS Barbara Hammer. USA. 2010. 15’. DCP Barbara Hammer hands the camera to Gina Carducci, a young queer flmmaker. Shooting in Coney Island, the flmmakers fnd that the inevitable fact of aging echoes in the architecture of the amusement park and in the emulsion of the flm medium itself.

BENT TIME Barbara Hammer. USA. 1983. 22’. 16mm, transfer DCP A one point perspective visual path across the USA beginning in- side a linear accelerator—or, atom-smashing device—and travelling to high-energy locations.

*With the curator Marta Selva in attendance 16:30 h - Corona (Baluarte) RE

AN OCEANIC FEELING - PROGRAMME 1. 67’ 2 MONDAY

The retrospective will drift idiosyncratically through the history of representations of the sea in documentary cinema, in search of refections on what it means to belong to the world in our time of ecological, humanitarian and political emergency. Curated by Erika Balsom. BARQUE SORTANT DU PORT - VUE N° 9 Louis Lumière. France. 1897. 45’’. 35mm, transfer DCP. B&W WHAT THE WATER SAID, NOS. 1-3 David Gatten. USA. 1997. 16’. 16mm. B&W LOOKING AT THE SEA Peter Hutton. USA, Ireland. 2001. 15’. 16mm. B&W blue mantle Rebecca Meyers. USA. 2010. 35’. 16mm

*With the curator Erika Balsom in attendance

19:00 h - Cámara (Baluarte) SS

OPENING NIGHT

ZUMIRIKI Oskar Alegria. Spain. 2019. 122’. DCP Zumiriki is a diary of a castaway in memories; four months of a Walden experience in a lost paradise with two hens, a small vegetable garden and a clock that stopped forever at 11 hours, 36 minutes and 23 seconds. An invisible memory in a submerged island.

*With Oskar Alegria in attendance TUESDAY 3 OF MARCH

10:00 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 3. 92’

HE VENIDO A LEER LA NOCHE Manuel Fernández-Valdés. Spain. 2019. 92’. DCP Mónica Valenciano is a dancer and choreographer. Her meetings with Raquel allow her to explore the possibilities of an introspec- tive dance inspired by the grace of spontaneous gesture.

* With Manuel Fernández-Valdés in attendance 12:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 4. 68’

CÉZANNE Luke Fowler. UK, France. 2019. 4’. 16mm, transfer DCP Filmed with a Bolex H16 camera and 200ft of flm, on location in Aix en provence, in and around the studio and garden of the painter 3 TUESDAY Paul Cézanne and also on the mountain Saint Victoire, the focus of a long running series of paintings made between 1882 and 1906.

A MONTH OF SINGLE FRAMES Lynne Sachs (made with and for Barbara Hammer). USA. 2019. 14’. DCP In 1998, flmmaker Barbara Hammer had an artist residency in a shack. While there, she shot flm and kept a journal. In 2018, Barbara began her process of dying by revisiting her personal archive. She gave all of her material from the residency to Lynne Sachs and invited her to make a flm. NOTAS, ENCANTACIONES: PARTE I Alexandra Cuesta. Ecuador, USA. 2020. 19’. 16mm, transfer DCP An autobiographical collection of instances that describe the action of living in a post-industrial landscape, the end of a love story and the politics of what is private and what is public.

A TONGUE CALLED MOTHER Eva Giolo. Belgium. 2019. 18’. 16mm, transfer DCP A Tongue Called Mother captures the actions and words of three generations of women in the same family and children learning to read, meditating on words learnt and forgotten through the body.

QUEEN Manuel Fernández-Valdés. Spain. 2019. 92’. DCP Kathryn Elkin. UK. 2019. 13’. DCP In Queen , bodily labour, performance, leisure and domestic work are drawn into comparison via an irreverent musical memoir.

*With Lynne Sachs, Alexandra Cuesta and Eva Giolo in attendance 16:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 2. 68’

EARLY YEARS Morgan Quaintance. UK. 2019. 15’. 16mm, transfer DCP Early Years is a portrait of Jamaican-born artistic polymath Barba- ra Samuels. It features an account of her frst generation, diasporic experience in London, and her discovery of the liberatory possibilities for self-actualisation offered by an early entry into creative life.

*With Miriam Martín, Valentin Noujaïm and Agustina Comedi in attendance

16:30 h - Corona (Baluarte) RE

AN OCEANIC FEELING - PROGRAMME 2. 93’

The retrospective will drift idiosyncratically through the history of representations of the sea in documentary cinema, in search of refections on what it means to belong to the world in our time of ecological, humanitarian, and political emergency. Curated by Erika Balsom. LA PIEUVRE Jean Painlevé. France. 1927. 13’. 35mm, transfer 16mm. B&W FINIS TERRAE Jean Epstein. France. 1929. 80’. Blu-ray. Silent *With the curator Erika Balsom in attendance 16:30 h - Gola (Baluarte) SS

PAISAIA - PROGRAMME 1. 67’

PAISAIA brings together the most recent and daring flms of Basque-Navarre documen- Miriam Martín. Spain. 2019. 17’. DCP tary production; a sample of works proposed as an open exercise of aesthetic and narrative exploration. This year, the selection of titles questions the concept of memory.

PARA VER LO QUE QUIERO VER NECESITO MÁS QUE LOS OJOS Arnau Padilla. Spain. 2019. 7’. Super 8 and 16mm, transfer DCP TUESDAY 3 TUESDAY An orphic journey. A flm buried in winter and dug out in spring. Valentin Noujaïm. France, Egypt. 2019. 22’. 2K y 8mm, transfer DCP The death and resurrection of a flm; the celebration of the cir- cular mystery.

URA SARTU ZEN BARRURA Peru Galbete. Spain. 2019. 16’. DCP When I was little there was a big food in the neighbourhood. The neighbours survived, but many of the memories we kept in the Agustina Comedi. Argentina. 2019. 14’. DCP basement did not make it. My father saved and cleaned various slides one by one; however, the water had given them a different meaning. XULIA Lur Olaizola. Spain. 2019. 16’. DCP In 1985, when Xulia was admitted to a detoxifcation centre, an event marked her life. Years later she wrote Futuro imperfecto, a memory exercise transformed into a book. What remains? How to trace the remnants of the past? Xulia is a journey that delves into the memory of a whole generation. MEDVEDEK Ainhoa Gutiérrez. Spain. 2019. 14’. DCP The arrival of two Slovenian bears in the Pyrenees of Navarre alters its balance. The bear has been a natural inhabitant of the Pyrenees for a million years. However, its disappearance led to the transformation of the area.

LABO Jesús María Palacios. Spain. 2019. 14’. DCP Labo is a journey through the memory of the former Francisco Franco Labour University of Tarragona, not just through its buil- dings but also through the memory of those that inhabited it. A trip to our past that will give us a better understanding of our present and future.

*With Arnau Padilla, Peru Galbete, Lur Olaizola, Ainhoa Gutiérrez and Jesús María Palacios in Jean Painlevé. France. 1927. 13’. 35mm, transfer 16mm. B&W attendance

*With the curator Erika Balsom in attendance 19:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 3. 92’

* With Manuel Fernández-Valdés in attendance

19:30 h - Corona (Baluarte) RE

Meditations about the present: the films of Ute Aurand, Helga Fanderl, Jeannette Muñoz and Renate Sami PROGRAMME 1. 59’

* T h e flmmakerswillbeinattendance 19:30 h - Gola (Baluarte) DOKB

MY BODY, YOUR BODY, OUR BODIES: SOMATIC CINEMA AT HOME AND IN THE WORLD An expanded cinema screening, talk and poetry reading by Lynne Manuel Fernández-Valdés. Spain. 2019. 92’. DCP Sachs (In English)

Lynne Sachs guides the audience through her own evolution as a flmmaker by sharing excerpts from her flms. She explores the fraught and bewildering challenge of looking at the human form from behind the lens. Inspired by the performative self-portrait “body flms” of conceptual artist Vito Acconci. TUESDAY 3 TUESDAY 22:00 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 1. 90’

Jeannette Muñoz. 2014 - ongoing project. 18’. 16mm. Silent *With Sung-A Yoon in attendance

Ute Aurand. Germany. 2009. 15’. 16mm. Silent

Helga Fanderl. France. 2012. 3’. Super 8 22:00 h - Corona (Baluarte) RE

Helga Fanderl. France. 2010. 1’. Super 8 AN OCEANIC FEELING - PROGRAMME 3. 153’

Helga Fanderl. USA. 2010. 3’. Super 8 The retrospective will drift idiosyncratically through the history of representations of the sea in documentary cinema, in search of refections on what it means to belong to the Helga Fanderl. Netherlands. 2011. 1’. Super 8 world in our time of ecological, humanitarian and political emergency. Curated by Erika Balsom. Helga Fanderl. Netherlands. 2011. 2’. Super 8

Helga Fanderl. France. 2010. 40’’. Super 8 THE SHIRANUI SEA Noriaki Tsuchimoto. Japan. 1975. 153’. 16mm Helga Fanderl. Canada. 2010. 3’. Super 8

Renate Sami. Germany. 1955. 4’. 16mm

Renate Sami. West Germany. 1983. 8’. 16mm. B&W *With the curator Erika Balsom in attendance WEDNESDAY 4 OF MARCH

10:00 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 5. 67’

RESERVE Gerard Ortín Castellví. Spain. 2020. 27’. DCP Reserve constructs a story about the fragile balance of a terri- tory after the disappearance of the predator, where the complex co-existence between humans and non-humans presents a dis- tinctly marked anthropogenic ecosystem.

NOW, AT LAST! Ben Rivers. Brasil, UK. 2019. 40’. 16mm, transfer DCP A flm of a sloth, using three-colour separation to show sloth time.

*With Gerard Ortín Castellví and Ben Rivers in attendance

12:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 6. 56’

WHO IS AFRAID OF IDEOLOGY? Marwa Arsanios. Lebanon, Kurdistan, Syria. 2019. 56’. DCP The Kurdish Women’s Liberation Movement has been disrupting gender and ecological hierarchies across the Middle East. Arsa- nios tracks the movement’s infuence and the efforts of autonomous women’s groups to reclaim land amidst the Rojava revolution. 12:30 h - Luneta (Baluarte) LABS

CONVERSATIONS Conversation between Mónica Valenciano and Idoia Zabaleta

Mónica Valenciano is a National Dance Prize winner, choreographer, dancer, poet and painter. Idoia Zabaleta is a choreographer, cultural manager, teacher and director of the company Moare Danza.

16:00 h - Civivox Condestable X

XFILMSX

X Films was created with the aim of supporting emerging flmmakers and shining light on new flms in Navarre. The collection of flms generated through this project constitutes a fundamental archive through which a portrait of the region has been confgured, and which already forms part of its cinematographic heritage. To celebrate the 10th anniversary of

the X Films Project, a special session will be held to screen all the winning flms. 4 WEDNESDAY

-Tickets available at Civivox- 16:00 h CARRETERA DE UNA SOLA DIRECCIÓN Xiana Gómez-Díaz. Spain. 2016. 25’. DCP GOITIK BEHERA, BEHETIK GORA Usue Arrieta, Vicente Vázquez. Spain. 2012. 31’. DCP NOTAS DE LO EFÍMERO Chus Domínguez. Spain. 2011. 28’. DCP 18:00 h LA CASA DEL MEU PARE (LA CASA DE MI PADRE) Francina Verdés Oliva. España. 2014. 60’. DCP 19:30 h EL OTRO MAPA DE ABAUNTZ Marwa Arsanios. Lebanon, Kurdistan, Syria. 2019. 56’. DCP Aitor Gametxo. Spain. 2015. 60’. DCP

*With Xiana Gómez-Díaz, Usue Arrieta, Vicente Vázquez, Chus Domínguez, Francina Verdés Oliva and Aitor Gametxo in attendance 16:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 5. 67’

NOW, AT LAST! Ben Rivers. Brasil, UK. 2019. 40’. 16mm, transfer DCP A flm of a sloth, using three-colour separation to show sloth time.

*With Gerard Ortín Castellví and Ben Rivers in attendance

16:30 h - Corona (Baluarte) RE

Meditations about the present: the films of Ute Aurand, Helga Fanderl, Jeannette Muñoz and Renate Sami PROGRAMME 3. 49’

The flms of these four flmmakers stress the inseparability between flmmaking and living. This retrospective takes the hive of mutual support and appreciation that the relationships between them constitute as a point of departure. There are flms dedicated to one another and sporadic collaborations. GRABMÄLER Helga Fanderl. France. 2004. 2’. Super 8. B&W BROADWAY Helga Fanderl. USA. 2006. 3’. Super 8. B&W PFLASTERZEICHNEN Helga Fanderl. Italy. 2006. 3’. Super 8 GOLFHAUS Helga Fanderl. USA. 2006. 3’. Super 8 BLEIERNE WELLEN Helga Fanderl. USA. 2006. 20’’. Super 8 SCHATTEN AUF ROTER WAND Helga Fanderl. USA. 2006. 55’’. Super 8 SCHLITTSCHUHLAUFEN Helga Fanderl. Germany. 2002. 3’. Super 8 WARRIORS MARK Helga Fanderl. USA. 2007. 2’. Super 8 LOUÏE Helga Fanderl. USA. 2007. 50’’. Super 8 GLETSCHER Gerard Ortín Castellví. Spain. 2020. 27’. DCP Helga Fanderl. Germany. 2006. 3’. Super 8 ENVÍO 1 PARA UTE AURAND Jeannette Muñoz. Germany. 2005. 1’. 16mm. Silent ENVÍO 6 PARA SOFÍA WERDER Jeannette Muñoz. Switzerland. 2007. 6’. 16mm ENVÍO 8 PARA HELGA FANDERL Jeannette Muñoz. France. 2009. 2’. 16mm. Silent Ben Rivers. Brasil, UK. 2019. 40’. 16mm, transfer DCP ENVÍO 24 PARA HELGA FANDERL Jeannette Muñoz. UK. 2010. 3’. 16mm. B&N. Silent ENVÍO 26 PARA FERNANDO ORREGO Y REINHARDT SCHULZ Jeannette Muñoz. Chile. 2013. 6’. 16mm. B&N. Silent ENVÍO 29 PARA CLAUDINO MUÑOZ Jeannette Muñoz. Chile. 2013. 6’. 16mm. Silent ENVÍO 32 PARA FERNANDO ORREGO Jeannette Muñoz. Chile. 2017. 2’. 16mm. Silent ENVÍO 34 PARA TANIA MASANTI 4 WEDNESDAY Jeannette Muñoz. Switzerland. 2017. 2’. 16mm *Theflmmakerswillbeinattendance

16:30 h - Gola (Baluarte) DOKB

THOSE THAT, AT A DISTANCE, RESEMBLE ANOTHER (A IMAGEN Y SEMEJANZA) Jessica Sarah Rinland. UK, Argentina, Spain. 2019. 67’. 3D animation and 16mm film, transfer DCP

Meditation upon the endless tactility of museological and ecological conservation, inviting refection about forms of representation, replicas and embodiments of various materials, disciplines and institutions.

*With Jessica Sarah Rinland in attendance 19:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 4. 68’

CÉZANNE Luke Fowler. UK, France. 2019. 4’. 16mm, transfer DCP Filmed with a Bolex H16 camera and 200ft of flm, on location in Aix en provence, in and around the studio and garden of the painter Paul Cézanne and also on the mountain Saint Victoire, the focus of a long running series of paintings made between 1882 and 1906.

NOTAS, ENCANTACIONES: PARTE I Alexandra Cuesta. Ecuador, USA. 2020. 19’. 16mm, transfer DCP An autobiographical collection of instances that describe the action of living in a post-industrial landscape, the end of a love story and the politics of what is private and what is public.

QUEEN Kathryn Elkin. UK. 2019. 13’. DCP In Queen , bodily labour, performance, leisure and domestic work are drawn into comparison via an irreverent musical memoir.

*With Lynne Sachs, Alexandra Cuesta and Eva Giolo in attendance 19:30 h - Corona (Baluarte) RE

AN OCEANIC FEELING - PROGRAMME 4. 95’

CONTADINI DEL MARE Vittorio de Seta. Italy. 1955. 11’. 35mm, transfer digital file COSTA DA MORTE Lois Patiño. Spain. 2013. 84’. Digital file

Alexandra Cuesta. Ecuador, USA. 2020. 19’. 16mm, transfer DCP 4 WEDNESDAY

*With the curator Erika Balsom in attendance

Eva Giolo. Belgium. 2019. 18’. 16mm, transfer DCP

19:30 h - Gola (Baluarte) DOKB

UNCUT: FROM THE FILM ARCHIVE OF Kathryn Elkin. UK. 2019. 13’. DCP GORDON MATTA-CLARK Lecture by Hila Peleg

Artist Gordon Matta-Clark considered architecture to be dynamic by nature—part of a lar- ger social and political system. The curator Hila Peleg will present content of rare original flm reels and videos from the Canadian Center of Architecture (CCA) Gordon Matta-Clark Archive. 22:00 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 6. 56’

WHO IS AFRAID OF IDEOLOGY? Marwa Arsanios. Lebanon, Kurdistan, Syria. 2019. 56’. DCP The Kurdish Women’s Liberation Movement has been disrupting gender and ecological hierarchies across the Middle East. Arsanios tracks the movement’s infuence and the efforts of autonomous women’s groups to reclaim land amidst the Rojava revolution.

22:00 h - Corona (Baluarte) RE

Meditations about the present: the films of Ute Aurand, Helga Fanderl, Jeannette Muñoz and Renate Sami PROGRAMME 2. 74’

IN DIE ERDE GEBAUT Ute Aurand. Germany. 2008. 42’. 16mm. Silent FILMTAGEBUCH 1975-85 Renate Sami. Germany. 2005. 32’. DCP

*Withtheflmmakersinattendance 22:00 h - Gola (Baluarte) FO

IN FOCUS: FRANCIS ALŸS- PROGRAMME 1. 61’ Marwa Arsanios. Lebanon, Kurdistan, Syria. 2019. 56’. DCP

SANDLINES. The Story of History Francis Alÿs in collaboration with the Iraq-based Ruya Founda- tion and Julien Devaux. Iraq. 2018-2019. 61’. DCP The children of a mountain village near Mosul reenact a century of Iraqi history, from the secret agreement of Sykes/Picot signed in 1916 to the realm of terror established by the Islamic State in 2016. The children revisit their past to understand their present. WEDNESDAY 4 WEDNESDAY THURSDAY 5 OF MARCH

10:00 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 7. 80’

maɬ ni – towards the ocean, towards the shore Sky Hopinka. USA. 2020. 80’. DCP This flm follows Sweetwater Sahme and Jordan Mercier’s wande- rings in each of their worlds as they wonder through and contem- plate the afterlife, rebirth and the place in-between.

12:00 h - Luneta (Baluarte) PA

Presentation of the book Meditaciones sobre el presente: Ute Aurand, Helga Fanderl, Jeannette Muñoz, Renate Sami

The flms of Ute Aurand, Helga Fanderl, Jeannette Muñoz and Renate Sami, who work in the avant-garde experimental flm tradition, have been widely recognized at prestigious international festivals such as Berlinale, Oberhausen, New York and Rotterdam.

This publication, the frst to explore the connections in their work, is a portrait of the cons- tellation of collaborations they developed over the years, of their friendship and of the infuence they exerted on each other. The four flmmakers will participate in the presentation of the book; together with the editors, Garbiñe Ortega and María Palacios Cruz; and several collaborators who have contributed with their texts.

12:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 8. 67’

VALDEDIÓS Elena Duque. Spain. 2019. 3’. DCP Gualterius built a monastery in Valdediós in the 13th century. In Valdediós, there is a wall, there is a horse, there is a path, there is a whole universe. Shot in Super 8, the flm combines that footage with painted animation and stop-motion collages. MALEMBE Luis Arnias. Venezuela, USA. 2019. 13’. 16mm, transfer DCP Like an Afro-latino beat. Malembe is a song and an answer. A song from home, and an answer from very far away.

APIYEMIYEKÎ? Ana Vaz. Brazil, France, Portugal, Netherlands. 2019. 27’. DCP A cinematographic portrait that departs from an archive that Bra- zilian educator and indigenous rights militant Egydio Schwade found in his house, where over 3,000 drawings made during the frst literacy process by the Waimiri-Atroari, a people native to the Brazilian Amazon, are currently kept.

JIÍBIE Laura Huertas Millán. Colombia, France. 2019. 24’. DCP The fabrication ritual of the green coca powder (called mambe or “Jiíbie”) unveils an ancestral myth of kinship. In the Muiná-Muruí community, the coca plant is not a product, but a sacred interlocu- tor, the beating heart of a collective body.

*With Elena Duque, Luis Arnias, Ana Vaz and Laura Huertas Millán in attendance

16:00 h - Civivox Condestable X

XFILMSX

X Films was created with the aim of supporting emerging flmmakers and shining light on new flms in Navarre. The collection of flms generated through this project constitute a fundamental archive through which a portrait of the region has been confgured, and which already forms part of its cinematographic heritage. To celebrate the 10th anniversary of the X Films Project, a special session will be held to screen all the winning flms. 5 THURSDAY -Tickets available at Civivox-

16:00 h DIME QUIÉN ERA SANCHICORROTA Jorge Tur Moltó. Spain. 2013. 63’. DCP 18:30 h LA VÍA FLOTANTE Zazpi T’erdi. Spain. 2019. 25’. DCP LA COSA VUESTRA María Cañas. Spain. 2018. 40’. DCP NUEVO ALTAR Velasco Broca. Spain. 2017. 23’. DCP

*WithJorgeTurMoltó,ZazpiT’erdiandVelascoBrocainattendance 16:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 7. 80’

16:30 h - Corona (Baluarte) RE

Meditations about the present: the films of Ute Aurand, Helga Fanderl, Jeannette Muñoz and Renate Sami PROGRAMME 4. 63’

AM MEER Ute Aurand. Germany. 1995. 3’. 16mm SAKURA, SAKURA Ute Aurand. Germany. 2015. 2’. 16mm BROADWAY MAI 95 Renate Sami. Germany. 1996. 30’. 16mm. B&W KARUSSELL Helga Fanderl. France. 2017. 3’. Super 8, transfer 16mm. B&W BAGATELLE Helga Fanderl. France. 2017. 3’. Super 8, transfer 16mm. B&W FÜR P. Helga Fanderl. Germany. 2016. 2’. Super 8, transfer 16mm. B&W PROCESO HACIA UNA PELÍCULA PERFORMANCE BY JEANNETTE MUÑOZ. 20’

*Withtheflmmakersinattendance 16:30 h - Gola (Baluarte) RE

AN OCEANIC FEELING - PROGRAMME 5. 56’

THE BLACKEST SEA Peggy Ahwesh. USA. 2016. 10’. DCP ATLANTIQUES Mati Diop. France, Senegal. 2009. 15’. DCP HYDRA DECAPITA The Otolith Group. UK. 2010. 31’. DCP

*With the curator Erika Balsom in attendance

Ute Aurand. Germany. 1995. 3’. 16mm 18:30 h - Luneta (Baluarte) LABS

Ute Aurand. Germany. 2015. 2’. 16mm 5 THURSDAY CONVERSATIONS

Renate Sami. Germany. 1996. 30’. 16mm. B&W Conversation between Rabih Mroué and Aurora Fernández

Rabih Mroué is a theatre director, actor, visual artist and playwright. He is a co-founder of Helga Fanderl. France. 2017. 3’. Super 8, transfer 16mm. B&W the Beirut Art Center (BAC) and editor of the magazineTDR/The Drama Review. Aurora Fernández Polanco is a professor of Theory and History of Contemporary Art at Univer- sidad Complutense de Madrid. She has written essays on contemporary art and visual Helga Fanderl. France. 2017. 3’. Super 8, transfer 16mm. B&W studies, and curated several exhibitions.

Helga Fanderl. Germany. 2016. 2’. Super 8, transfer 16mm. B&W *In English PROCESO HACIA UNA PELÍCULA PERFORMANCE BY JEANNETTE MUÑOZ. 20’ 19:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 8. 67’

MALEMBE Luis Arnias. Venezuela, USA. 2019. 13’. 16mm, transfer DCP Like an Afro-latino beat. Malembe is a song and an answer. A song from home, and an answer from very far away.

*With Elena Duque, Luis Arnias, Ana Vaz and Laura Huertas Millán in attendance 20:00 h - Filmoteca de Navarra FO

IN FOCUS: TACITA DEAN. 62’

Tacita Dean‘s art is carried by a sense of history, time and place, light quality and the essence of the flm itself. The focus of her work is the truth of the moment, the flm as a Elena Duque. Spain. 2019. 3’. DCP medium and the sensibilities of the individual.

HIS PICTURE IN LITTLE Tacita Dean. UK. 2017. 15’. 35mm PROVIDENCE Tacita Dean. UK. 2017. 5’. 35mm. Silent

Luis Arnias. Venezuela, USA. 2019. 13’. 16mm, transfer DCP EDWIN PARKER Tacita Dean. UK. 2011. 26’. 16mm PORTRAITS Tacita Dean. UK. 2016. 16’. 16mm

Ana Vaz. Brazil, France, Portugal, Netherlands. 2019. 27’. DCP

Laura Huertas Millán. Colombia, France. 2019. 24’. DCP 5 THURSDAY

22:00 h - Cámara (Baluarte) DOKB

CEMETERY Carlos Casas. France, UK, Poland, Uzbekistan. 2019. 85’. DCP Artist Carlos Casas traces the journey of an elephant and his ma- hout to a sacred hidden elephant cemetery. As they move toward the mythical place through the jungle, questions open up about death, reincarnation, immortality, and where Hindu and Buddhist traditions collide.

*With Carlos Casas in attendance 22:00 h - Corona (Baluarte) RE

Meditations about the present: the films of Ute Aurand, Helga Fanderl, Jeannette Muñoz and Renate Sami PROGRAMME 5. 44’

JAPAN MÄRZ 2013 Renate Sami. Germany. 2014. 4’. DCP CAPE COD Renate Sami. Germany. 2018. 3’. DCP LISA Ute Aurand. Germany. 2017. 4’. 16mm FOUR DIAMONDS Ute Aurand. Germany. 2016. 4’. 16mm PUCHUNCAVÍ (6’ fragment) Jeannette Muñoz. 2014 - ongoing project. 6’. 16mm. Silent SCHATTENBILD I Helga Fanderl. Italy. 2018. 2’. Super 8, transfer 16mm. B&W WEIßE VORHÄNGE Helga Fanderl. Germany. 2018. 3’. Super 8, transfer 16mm. B&W SANFELICES TREPPENHAUS Helga Fanderl. Italy. 2018. 2’. Super 8, transfer 16mm. B&W FRAUENBRÜNDL (FÜR G.) Helga Fanderl. Germany. 2018. 3’. Super 8, transfer 16mm. B&W STEINERNE STADT Helga Fanderl. Spain. 2018. 3’. Super 8, transfer 16mm. B&W YALI Helga Fanderl. Turkey. 2012. 2’. Super 8 ABENDGLITZERN Helga Fanderl. Turkey. 2012. 1’. Super 8 IM NACHMITTAGSLICHT Helga Fanderl. Germany. 2013. 1’. Super 8 KAKIBAUM III Helga Fanderl. France. 2011. 3’. Super 8 GROßE WASSER Helga Fanderl. Canada. 2012. 3’. Super 8

*Withtheflmmakersinattendance 22:00 h - Gola (Baluarte) RE

Harvard Film Archives presents: ANNE CHARLOTTE ROBERTSON’S FIRST PERSON CINEMA - PROGRAMME 1. 57’

This retrospective highlights the range of Anne Charlotte Robertson’s extraordinary cinema, an artist who navigated that rich interstitial space between the vanguard center and that ambiguous periphery associated with the outsider artist.

Renate Sami. Germany. 2014. 4’. DCP PIXILLATION Anne Charlotte Robertson. USA. 1976. 3’. Super 8, transfer DCP. No dialogue Renate Sami. Germany. 2018. 3’. DCP TALKING TO MYSELF Ute Aurand. Germany. 2017. 4’. 16mm Anne Charlotte Robertson. USA. 1985. 3’. Super 8, transfer DCP Ute Aurand. Germany. 2016. 4’. 16mm LOCOMOTION Jeannette Muñoz. 2014 - ongoing project. 6’. 16mm. Silent Anne Charlotte Robertson. USA. 1981. 7’. Super 8, transfer DCP

Helga Fanderl. Italy. 2018. 2’. Super 8, transfer 16mm. B&W FIVE YEAR DIARY, REEL 22. A SHORT AFFAIR (AND) GOING Helga Fanderl. Germany. 2018. 3’. Super 8, transfer 16mm. B&W CRAZY, AUG. 23-SEPT. 1, 1982 Anne Charlotte Robertson. USA. 1982. 27’. Super 8, Helga Fanderl. Italy. 2018. 2’. Super 8, transfer 16mm. B&W transfer DCP

Helga Fanderl. Germany. 2018. 3’. Super 8, transfer 16mm. B&W APOLOGIES 5 THURSDAY Anne Charlotte Robertson. USA. 1986. 17’. Super 8, transfer DCP Helga Fanderl. Spain. 2018. 3’. Super 8, transfer 16mm. B&W

Helga Fanderl. Turkey. 2012. 2’. Super 8

Helga Fanderl. Turkey. 2012. 1’. Super 8

Helga Fanderl. Germany. 2013. 1’. Super 8 *With the curator Haden Guest in attendance

Helga Fanderl. France. 2011. 3’. Super 8

Helga Fanderl. Canada. 2012. 3’. Super 8 FRIDAY 6 OF MARCH

9:30 h - Luneta (Baluarte) PA

NAPARDOCS Annual meeting of documentary flmmakers from Navarre organized by the Navarre Asso- ciation of Production Companies and Audiovisual Professionals, NAPAR. It is a space for debate around three working tables on direction, production and distribution, which will be moderated by people invited by the Festival. Experiences, projects, information, advice and trends will be shared in a session that is open to the participation of professionals and the general public.

10:00 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 9. 53’

APPARITION Ismaïl Bahri. Tunisia, France. 2019. 3’. DCP Only the shadows cast by the hands reveal what is hidden by the light: a crowd gathering on 20 March 1956, Tunisia’s Inde- pendence Day.

AQUÍ Y ALLÁ Melisa Liebenthal. Argentina, France. 2019. 21’. DCP Study that asks for the meaning of being at home and of belonging. The director uses photos, maps and Google Earth to connect places, not just belonging to her past, but also to the complex migratory history of her family.

*With Melisa Liebenthal in attendance 12:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 10. 114’

UN FILM DRAMATIQUE Éric Baudelaire. France. 2019. 114’. DCP For four years, Éric Baudelaire met with twenty students from the flm group at Dora Maar middle school in Saint-Denis. Time for them to grow, and to fnd the form of a flm in which they are the true subjects: its characters, its authors and its promise.

*WithÉricBaudelaireandtwoprotagonistsoftheflminattendance

12:30 h - Gola (Baluarte) LABS Ismaïl Bahri. Tunisia, France. 2019. 3’. DCP RISING TIDES—THE DOCUMENTARY FILMS OF T S U C H I M O T O N O R I A K I Screening and talk by Ricardo Matos Cabo

The great Japanese flmmaker Tsuchimoto Noriaki dedicated much of his career to making flms about the small fshing communities affected by mercury industrial pollution in the Minamata area. This illustrated talk will complement the screening of The Shiranui Sea (1975) and provide an introductory overview of his flmography. FRIDAY 6 FRIDAY 16:30 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 10. 114’

*WithÉricBaudelaireandtwoprotagonistsoftheflminattendance

16:30 h - Corona (Baluarte) X

X FILMS 2020

Screening of X Films 2020 invited flmmakers’ works.

Maider Fernández Iriarte GURE HORMEK Alberto Gracia MICROFUGAS O QUINTO EVANXEO DE GASPAR HAUSER (8’ fragment) LA ESTRELLA ERRANTE (4’ fragment)

Laida Lertxundi FOOTNOTES TO A HOUSE OF LOVE THE ROOM CALLED HEAVEN

*With Maider Fernández Iriarte, Alberto Gracia and Laida Lertxundi in attendance 16:30 h - Gola (Baluarte) LABS

THE ECHO IMAGES. Isaki Lacuesta Masterclass

Cinema exists beyond the movie theaters, it has infnite forms. Lacuesta will exhibit some of his installations, exhibitions and interactive concerts, all works that he still considers to be flms however devised in relation to the space, inviting the spectator to move, act and be the fnal editor.

17:00 h - Luneta (Baluarte) LABS

C O N V E R S AT I O N S . Conversation between Simon Field and Andrea Lissoni

Simon Field directed the flm department of the Institute of Contemporary Arts, and the International Film Festival Rotterdam. He is the producer of several flms by Apichatpong Weerasethakul, and has co-produced flms by Tsai-Ming Liang and Paz Encina, among others. Andrea Lissoni is co-founder and programmer of VDrome, he was curator at the Tate Modern, and is currently the Artistic Director of The Haus der Kunst museum in Munich.

*In English

19:30 h - Cámara (Baluarte) X

X F I L M S X FILMS 2019 winner project- PREMIERE

GORRIA FRIDAY 6 FRIDAY Maddi Barber. Spain. 2020. 22’. 16mm, transfer digital file Entrails, a fock of sheep, one spring. The cooing of doves and songs hummed. Some vultures, bones, fowers and many hands. Gorria won the 2019 Punto de Vista X Films Project.

*With Maddi Barber in attendance 19:30 h - Corona (Baluarte) FO

IN FOCUS: BEATRIZ SANTIAGO MUÑOZ. 58’

Beatriz Santiago Muñoz is an artist whose expanded moving-image work is entangled with Boalian theater, experimental ethnography and feminist thought. Her recent work is on the sensorial unconscious of anti-colonial movements, and on everyday poetic work in the Caribbean.

MARCHÉ SALOMON Beatriz Santiago Muñoz. Haiti. 2015. 16’. Digital file Two young workers at a busy Port-au-Prince open air market have a conversation about the mystical properties of common objects and whether the divine can inhabit any kind of object.

MATRULLA Beatriz Santiago Muñoz. Puerto Rico. 2014. 7’. 16mm, transfer digital file Since 1971, Pablo Díaz Cuadrado has been living a few miles away from the Matrullas Lake, located at the central mountain chain of Puerto Rico. In this place Pablo plants and stores ancient grains and seeds, raises bees and prepares himself for the moment in which water and food will no longer be available. ONEIROMANCER Beatriz Santiago Muñoz. USA. 2017. 26’. Digital file Oneiromancer is the frst of a series of works on the sensorial unconscious of the Puerto Rican anti-colonial movement. It centers on the fgures, places and leftover materials of the members of the Fuerzas Armadas de Liberación Nacional, a clandestine group, who were sentenced for seditious conspiracy. GOSILA Beatriz Santiago Muñoz. Puerto Rico. 2018. 9’. 16mm, transfer digital file I was given a few minutes to compose a history of the world with fve objects for a crowd in the auditorium. Gosila is a flm about disorder, sense-making from the ground up, slowness and the work days after the hurricane. 19:30 h - Gola (Baluarte) RE

AN OCEANIC FEELING - PROGRAMME 6. 83’

FROM GULF TO GULF TO GULF CAMP (Shaina Anand, Ashok Sukumaran). United Arab Emirates, India, Yemen, Somalia, Qatar, Pakistan, Oman, Kuwait, Kenya, Iraq, Iran. 2013. 83’. DCP

*With the curator Erika Balsom in attendance

20:30 h - Planetario DOKB

OJO SONORO Carte blanche to Carlos Casas

Ojo sonoro programme is a short sound programme composed of four pieces that have been a key infuence on Carlos Casas’ work and that have shaped in some ways the development of his last project Cemetery.

Sanctuary Chris Watson. 2020. 40’ Presque rien n°1, le lever du jour au bord de la mer Luc Ferrari. 1967–1970. 21’ Benthic Storm Francisco López. 1993. 8’ (part of Azoic Zone) FRIDAY 6 FRIDAY L’œil écoute Bernard Parmegiani. 1970 22:00 h - Cámara (Baluarte) OS

OFFICIAL SELECTION 9. 53’

APPARITION Ismaïl Bahri. Tunisia, France. 2019. 3’. DCP Only the shadows cast by the hands reveal what is hidden by the light: a crowd gathering on 20 March 1956, Tunisia’s Inde- pendence Day.

ONCE REMOVED Lawrence Abu Hamdan. Lebanon. 2019. 29’. DCP Once Removed is a portrait of the time-travelling life of Bassel Abi Chahine, a historian who managed to obtain an unparalleled inventory of extremely rare objects, photographs and interviews related to the People’s Liberation Army and Progressive Socialist Party during the Lebanese Civil War. AQUÍ Y ALLÁ Melisa Liebenthal. Argentina, France. 2019. 21’. DCP Study that asks for the meaning of being at home and of belonging. The director uses photos, maps and Google Earth to connect places, not just belonging to her past, but also to the complex migratory history of her family.

*With Melisa Liebenthal in attendance

22:00 h - Corona (Baluarte) RE

Harvard Film Archives presents: ANNE CHARLOTTE ROBERTSON’S FIRST PERSON CINEMA PROGRAMME 2. 64’ This retrospective highlights the range of Anne Charlotte Robertson’s extraordinary cinema, an artist who navigated that rich interstitial space between the vanguard center and that ambiguous periphery associated with the outsider artist.

MAGAZINE MOUTH Anne Charlotte Robertson. USA. 1983. 7’. Super 8, transfer digital file KAFKA KAMERA Anne Charlotte Robertson. USA. 1985. 3’. Super 8, transfer digital file FIVE YEAR DIARY, REEL 1. THE BEGINNING- THANKSGIVING, NOVEMBER 3- DECEMBER 13, 1981 Anne Charlotte Robertson. USA. 1981. 27’. Super 8, transfer digital file FIVE YEAR DIARY, REEL 2. DEFINITIONS OF FAT AND THIN, DECEMBER 13-22, 1981 Anne Charlotte Robertson. USA. 1981. 27’. Super 8, transfer digital file

*With the curator Haden Guest in attendance 22:00 h - Gola (Baluarte) FO

IN FOCUS: FRANCIS ALŸS-PROGRAMME 2. 45’

REEL-UNREEL Videodocumentation of an action. Francis Alÿs with Julien Devaux and Ajmal Maiwandi. Afghanistan. 2011. 19’. DCP Reel-Unreel takes its point of departure in the classic street game in which children keep a wheel in continuous motion with the help of a stick. Here the bicycle wheel is replaced by a flm reel.

THE SILENCE OF ANI Francis Alÿs in collaboration with Antonio Fernández Ros, Julien Devaux, Félix Blume and Kars’ teenagers. Turkish-Armenian border. 2015. 13’. DCP. B&W Ani, a city on the Turkish-Armenian border, lies today in a state of total abandon, after centuries of successive invasions. Alÿs gave instruments to imitate birds to a bunch of teens from the surround- ing villages. The kids called the birds and create the illusion that the city comes back to life. CHILDREN’S GAMES #16 / HOPSCOTCH Francis Alÿs. Sharya refugee camp in Iraq. 2016. 4’. DCP In the series Children’sGames, Alÿs presents scenes of children at play around the world. Hopscotch is a popular playground game in which players toss a small object into numbered triangles outlined on the ground and then hop or jump through the spaces to retrieve the object.

CHILDREN’S GAMES #10 / PAPALOTE Francis Alÿs. Afghanistan. 2011. 4’. DCP A ten year old boy fying a kite. He is gesticulating like crazy, emit- ting frenzied gesture language, conversing in stops and starts with the heavens or at least with the gusting wind.

CHILDREN’S GAME #12 / SILLAS Francis Alÿs in collaboration with Elena Pardo and Félix Blume. Mexico. 2012. 5’. DCP Children can easily turn simple, ordinary things—chairs, coins, sand, 6 FRIDAY stones, plastic bottles—into the foundation of unlikely and fantastical universes. In Oaxaca, Mexico, they play Sillas, a game of elimination involving chairs and music, with one fewer chair than players. SATURDAY 7 OF MARCH

10:30 h - Corona (Baluarte) X

X FILMS presentation

Screening of X Films 2020 invited flmmakers’ works (only for accreditation holders).

*With Maider Fernández Iriarte, Alberto Gracia and Laida Lertxundi in attendance 11:00 h - Cámara (Baluarte) EP

VIAJE HACIA LA LUZ. 47’ A selection of animated short flms aimed at children and young people; an invitation to enjoy the immersive experience of cinema at the Pamplona Planetarium through the animal kingdom and freworks.

FOGOS Marcos Pérez, Martin Pawley. Spain. 2017. 14’. DCP The worry about safety measures has distanced us from freworks. Fogos, shot from the point of view of the pyrotechnics, brings the public back to the centre of the action.

ANGLERFISH Julia Ocker. Germany. 2018. 4’. DCP. No dialogue The little anglerfsh gets scared when the lights go off.

PLODY MRAKŮ Alžběta Skálová. Check Republic. 2017. 10’. DCP. No dialogue Furry lives in a clearing surrounded by dark woods with a pack of animal friends. Their only food is rare orange seeds that transform into large glowing fruit as soon as they touch the ground.

COUCOULEURS Oana Lacroix. Switzerland. 2018. 6’. DCP. No dialogue In a large forest where single-coloured birds live, they have all found a place in the tree that resembles them. But what happens when a bird has two colours?

EL TIGRE SIN RAYAS Raúl Robin Morales. France. 2018. 9’. DCP. No dialogue A little tiger decides to take a long journey in search of his lost stripes.

RACCOON AND THE LIGHT Hanna Kim. USA. 2018. 4’. DCP. No dialogue A raccoon fnds a fashlight in the woods. As he is a nocturnal animal, he loves the night but the light will allow him to explore the dark and discover some of the creatures that live in it. SATURDAY 7 SATURDAY 12:00 h - Gola (Baluarte) DOKB

MAKE ME STOP SMOKING Presentation of ideas under study A non-academic lecture by Rabih Mroué Rabih Mroué reconstructs the radical heterogeneous landscape of Lebanon, destroyed by crises and wars. He pieces together countless anonymous and personal documents, videos, photos, newspaper clippings and eyewitness reposts, to create a complex system of meandering narrations.

12:30 h - Cámara (Baluarte) SS

PAISAIA - PROGRAMME 2. 69’

PAISAIA brings together the most recent and daring flms of Basque-Navarre documentary production; a sample of works proposed as an open exercise of aesthetic and narrative exploration. This year, the selection of titles questions the concept of memory.

ENERO Ione Atenea. Spain. 2019. 69’. DCP An intimate portrait of old age through the stories of two octoge- narian women: the flmmaker’s grandmothers. While the camera relays the gestures and materiality of their aging bodies, they tell us of their lives, the passage of time and death.

*With Ione Atenea in attendance 16:15 h - Cámara (Baluarte) SS

ZUMIRIKI (in Basque) Oskar Alegria. Spain. 2019. 122’. DCP Zumiriki is a diary of a castaway in memories; four months of a Walden experience in a lost paradise with two hens, a small vegetable garden and a clock that stopped forever at 11 hours, 36 minutes and 23 seconds. An invisible memory in a submerged island.

*With Oskar Alegria in attendance

16:30 h - Corona (Baluarte) RE

Harvard Film Archives presents: ANNE CHARLOTTE ROBERTSON’S FIRST PERSON CINEMA PROGRAMME 3. 81’

FIVE YEAR DIARY, REEL 80. EMILY DIED, MAY 14-SEPTEMBER 26, 1994 Anne Charlotte Robertson. USA. 1994. 27’. Super 8, transfer digital file FIVE YEAR DIARY, REEL 81. MOURNING EMILY, SEPTEMBER 17-JANUARY 29, 1995 Anne Charlotte Robertson. USA. 1995. 27’. Super 8, transfer digital file MELON PATCHES, OR REASONS TO GO ON LIVING Anne Charlotte Robertson. USA. 1998. 27’. Super 8, transfer digital file

*With the curator Haden Guest in attendance SATURDAY 7 SATURDAY 18:30 h - Teatro Gayarre DOKB

LA MELANCOLÍA DEL TURISTA Theatre of documentary objects Oligor and Microscopía

La melancolía del turista is the decomposition of the instants and objects that give shape to the idea of a paradise, a gallery of mirages on what lies behind a sublime landscape that no longer exists or that never existed. Created and produced by Shaday Larios and Jomi Oligor, the work questions the life of the images associated with leisure and takes a critical look at the imagery of vacation.

20:00 h - Cámara (Baluarte) SS

CLOSING NIGHT PUNTO DE VISTA AWARDS CEREMONY 2020

Session where the decision of the jury will be announced, which will award the Festival prizes to the Offcial Selection flms.

PARA ESTAR AQUÍ Y ALLÁ AL MISMO TIEMPO Isaki Lacuesta and Amanda Villavieja

Projection with voice and live sound performance. Two voices that intertwine, singing and storytelling. We will travel to South Africa, Russia, Cuba, Qatar, Mexico, Spain and the neighborhood around the corner, based on “images I have seen and flmed, which remind me of other images, which I have never seen or flmed.” Special sound editing will be done by Amanda Villavieja for this screening.

*With Isaki Lacuesta in attendance BAR MEDIA LUNA MEDIA BAR EL NEBULA NICOLETTE CLUB on Friday6that11:00 pmtherewillbeaGrandeDays concertinElNebula. veral flmmakers who will go up to the booth to play the music that inspires them. In addition, the bar Media Luna will become the meeting place where you can enjoy the sessions of se From Monday 2nd to Saturday 7th in the evening, the Club Nicolette, the bar El Nebula and PUNTO DE VISTA’S NIGHTS - - - interviews withinvitedflmmakersandliveconcerts. include will and capacity) full until admission (free public the to open be will programmes The Lara. Ruiz Isabel by Tolentinocarretera” Javier la by “Tresen vicio” and séptimo “El programmes: fagship its of two Katakrak from produce to Pamplona to moves 3 Radio PUNTO DE VISTA’S AFTERNOONS WITH RADIO 3

From Monday 2nd to Saturday 7th Saturday to 2nd Monday From Katakrak - pm 7:30 | 5th Thursday to 3rd Tuesday From Thursday 5thMarch March 4th Wednesday March: 3rd Tuesday C Several filmmakers inattendance C Several filmmakers inattendance C Programme: “Unencuentro con.Oskar Alegria” Monday 2nd,Tuesday 3rd andWednesday 4th, from 11:30pm 32 street Tejería Closing cocktail. By invitation only. only. invitation By cocktail. Closing Saturday 7th,from 10:30pm De laMediaLuna street 15 5 Friday Concert Thursday 5thandFriday 6th-11:00pm San Francisco street 24 oncert: oncert: oncert: € *Tickets available twohours earlierat ElNebula 6th - Concert starts at 11:00 pm pm 11:00 at starts Concert - 6th

Melenas Iseo &Dodosound La Furia La GRANDE DAYS : Tres enlacarretera El séptimovicio

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SATURDAY 7

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