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Tisch School of the Arts
18 Visible TISCH SCHOOL New York University EOFvidence THE ARTS August 11-14, 2011 NEW YORK, WELCOME EVER VIGILANT, IS THE CITY THAT never sleeps, a perfect setting for an international TO YOU ALL! conference on documentary film. We extend our thanks to Tisch School of the Arts, Cinema Studies Pro- WITHIN THE BROADER CONTEXT fessor, and Visible Evidence 18 Conference Director, Jon- of our Moving Image Archiving and Preservation Program athan Kahana for his energetic efforts to bring the confer- and Certificate Program in Culture and Media, the De- ence to the Big Apple. Professor Kahana has deployed his superb organizational skills to assemble an impressive set of partment of Cinema Studies at NYU is committed to sponsoring institutions and panelists over the four days of the developing both pedagogy and practice in the field conference and we are grateful to him and the legion of vol- of documentary. The fact that this year we are unteers and participating institutions who made hosting Visible Evidence 18 is a demonstra- this event possible. The Visible Evidence 18 Con- ference is a bittersweet occasion: we celebrate a tion of that commitment as well as a validation, great filmmaker, the “dean” of documentary film, as Jonathan Kahana writes, of documentary film-mak- George Stoney, Professor Emeritus in the Tisch ers’ long love affair with New York. I want to congratulate School’s Kanbar Institute of Film and Television, Professor Kahana for putting together this stellar conference and we pay tribute to our school’s beloved and renowned theorist and historian, the late Rob- and mobilizing such a wide range of institutional collabora- ert Sklar, Professor Emeritus in the department tors across the city. -
Radio Transmission Electricity and Surrealist Art in 1950S and '60S San
Journal of Surrealism and the Americas 9:1 (2016), 40-61 40 Radio Transmission Electricity and Surrealist Art in 1950s and ‘60s San Francisco R. Bruce Elder Ryerson University Among the most erudite of the San Francisco Renaissance writers was the poet and Zen Buddhist priest Philip Whalen (1923–2002). In “‘Goldberry is Waiting’; Or, P.W., His Magic Education As A Poet,” Whalen remarks, I saw that poetry didn’t belong to me, it wasn’t my province; it was older and larger and more powerful than I, and it would exist beyond my life-span. And it was, in turn, only one of the means of communicating with those worlds of imagination and vision and magical and religious knowledge which all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists heard and saw and ‘tuned in’ on. Poetry was not a communication from ME to ALL THOSE OTHERS, but from the invisible magical worlds to me . everybody else, ALL THOSE OTHERS.1 The manner of writing is familiar: it is peculiar to the San Francisco Renaissance, but the ideas expounded are common enough: that art mediates between a higher realm of pure spirituality and consensus reality is a hallmark of theopoetics of any stripe. Likewise, Whalen’s claim that art conveys a magical and religious experience that “all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists . ‘turned in’ on” is characteristic of the San Francisco Renaissance in its rhetorical manner, but in its substance the assertion could have been made by vanguard artists of diverse allegiances (a fact that suggests much about the prevalence of theopoetics in oppositional poetics). -
Poetry Project Newsletter
THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 10 #223 LETTERS & ANNOUNCEMENTS FEATURE PERFORMANCE REVIEWS KARINNE KEITHLEY & SARA JANE STONER REVIEW LEAR JAMES COPELAND REVIEWS A THOUGHT ABOUT RAYA BRENDA COULTAS REVIEWS RED NOIR KEN L. WALKER INTERVIEWS CECILIA VICUÑA POEMS DEANNA FERGUSON CALENDAR BRANDON BROWN REVIEWS AARON KUNIN, LAUREN RUSSELL, JOSEPH MASSEY & LAUREN LEVIN TIM PETERSON REVIEWS JENNIFER MOXLEY DAVID PERRY REVIEWS STEVE CAREY JULIAN BROLASKI REVIEWS NATHANAËL (NATHALIE) STEPHENS BILL MOHR REVIEWS ALAN BERNHEIMER DOUGLAS PICCINNINI REVIEWS GRAHAM FOUST ERICA KAUFMAN REVIEWS MAGDALENA ZURAWSKI MAXWELL HELLER REVIEWS THE KENNING ANTHOLOGY OF POETS THEATER ROBERT DEWHURST REVIEWS BRUCE BOONE $5? 02 APR/MAY 10 #223 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Corrine Fitzpatrick PROGRAM ASSISTANT: Arlo Quint MONDAY NIGHT COORDINATOR: Dustin Williamson MONDAY NIGHT TALK SERIES COORDINATOR: Arlo Quint WEDNESDAY NIGHT COORDINATOR: Stacy Szymaszek FRIDAY NIGHT COORDINATORS: Nicole Wallace & Edward Hopely SOUND TECHNICIAN: David Vogen BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Nicole Wallace INTERNS: Sara Akant, Jason Jiang, Nina Freeman VOLUNTEERS: Jim Behrle, Elizabeth Block, Paco Cathcart, Vanessa Garver, Erica Kaufman, Christine Kelly, Derek Kroessler, Ace McNamara, Nicholas Morrow, Christa Quint, Lauren Russell, Thomas Seeley, Logan Strenchock, Erica Wessmann, Alice Whitwham The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. Checks should be made payable to The Poetry Project, St. -
Joshua Musicant, Med, BA Eng, BA Psy Las Vegas, NV, USA | (702) 379-1522 | [email protected]
Joshua Musicant, MEd, BA Eng, BA Psy Las Vegas, NV, USA | (702) 379-1522 | [email protected] NEVADA EDUCATOR LICENSE No: 0000097251 (exp: 5/19/2026) EDUCATION California Institute of Integral Studies (CIIS) Master of Fine Art (MFA), Interdisciplinary Arts and Writing Fall 2019 Areas of Concentration: Creative Writing/Reading, Poetry, Fiction, Literary Theory and Criticism, Small Press Publishing, Pedagogy, Graphic Memoir and Visual Storytelling, Visual Arts, Internet Article Writing Jack Kerouac School of Disembodied Poetics, Naropa University Master of Fine Art (MFA), Creative Writing and Poetics Summer 2018 Areas of Concentration: Creative Writing/Reading, Disembodied Poetics, Experimental Poetics Literary Theory and Criticism, Beat Theory, Small Press Publishing, Pedagogy Graphic Memoir and Visual Storytelling Delusionism in Arts, Genre, and Philosophy Cuban Literature, History, and Culture Association of Writers and Writing Programs Summer Writing Program 2018, Capitalocene, Three Week Intensive Summer 2018 Areas of Concentration: Creative Writing/Reading, Disembodied Poetics, Literary Theory and Criticism Autobiographical Fiction, Letterpress Printing, Songworks Summer Writing Program 2017, New Weathers, Three Week Intensive Summer 2017 Areas of Concentration: Creative Writing/Reading, Disembodied Poetics, Literary Theory and Criticism, Dakini Poetics, Eco Poetics, Soundscape Poetry Installation Design Summer Writing Program 2016, Indra’s Net Poetics, Four Week Intensive Summer 2016 Areas of Concentration: Creative Writing/Reading, -
Here to Attend the Stella Adler Studio the Mysteries
THE FLEA THEATER JIM SIMPSON ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF THE MYSTERIES ED SYLVANUS ISKANDAR CONCEPT AND DIRECTION JILL RAFSON DRAMATURGY DAVID DABBON MUSIC DIRECTION AND ARRANGMENTS DAVID DABBON ORIGINAL MUSIC CHAse BROCK CHOREOGRAPHY COLLABORATIONTOWN ADDITIONAL CREATIVE SUPPORT MICHAEL WIeseR FIGHT DIRECTION AMY JO JACKSON VOICE AND TEXT DIRECTION JASON SHERWOOD SCENIC DESIGN SETH REIseR LIGHTING DESIGN LOREN SHAW COSTUME AND HAIR DESIGN JEREMY S. BLOOM SOUND DESIGN MARIssA BERGMAN PROPS MASTER KARA KAUFMAN PRODUCTION STAGE MANAGER BETH DEMBROW MANAGING DIRECTOR BENJAMIN D. RUSH TECHNICAL DIRECTOR RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE This work was supported by an Exploration grant from the Doris Duke Charitable Foundation to The Flea Theater for the Building Demand for the Performing Arts Program. PlayWRIGHTS (in order of performance) ACT I - THE FALL Dael Orlandersmith........Song of the Trimorph (Lucifer’s Lament) Liz Duffy Adams....................................................Falling for You Jason Williamson........................The Eighth Day (Creation Hymn) Johnna Adams............................................................God’s Rules Madeleine George.............................A Worm Walks into a Garden, or The Fall of Man Jorge Ignacio Cortinas..........................................Right of Return David Henry Hwang..................................................Cain and Abel Trista Baldwin...................................................................Build -
Annual Report 2012
Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector. -
Saints of Hysteria a Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad
Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Saints of Hysteria A Half-Century of Collaborative American Poetry Edited by Denise Duhamel, Maureen Seaton & David Trinidad Soft Skull Press Brooklyn, NY 2007 Contents Denise Duhamel, Maureen Seaton & David Trinidad i Introduction Charles Henri Ford et al. International Chainpoem 1 Neal Cassady, Allen Ginsberg & Jack Kerouac Pull My Daisy 3 Copyright © 2007 by Denise Duhamel, Maureen Seaton & David Trinidad Jack Kerouac & Lew Welch Masterpiece 5 Cover art: Good’n Fruity Madonna © 1968 Joe Brainard John Ashbery & Kenneth Koch Used by permission of the Estate of Joe Brainard. A Postcard to Popeye 7 Crone Rhapsody 9 Credits & acknowledgments for the poems begin on page 389. Jane Freilicher & Kenneth Koch The Car 12 Soft Skull project editor & book designer: Shanna Compton Bill Berkson & Frank O’Hara St. Bridget’s Neighborhood 13 A note on the text: Because the poems in this anthology were created over seven decades Song Heard Around St. Bridget’s 16 by more than 200 authors, certain idiosyncrasies of style, orthography, and form St. Bridget’s Efficacy 17 have been preserved in order to present the works as their authors intended. These Reverdy 19 variations are characteristic textural effects of the collaborative process Bill Berkson, Michael Brownstein & Ron Padgett and should not be interpreted as errors. Waves of Particles 21 Ron Padgett & James Schuyler Soft Skull Press Within the Dome 22 55 Washington Street -
2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc. -
Notre Dame Shakespeare Festival 2008 Program
July 19 – September 19, 2014 World-class theatre. Right next door. Henry IV • The Merry Wives of Windsor • ShakeScenes • Much Ado About Nothing program_cover_art2014.indd 1 6/30/14 1:36 PM Laura & Jack B. Smith, Jr. are proud sponsors of NOTRE DAME SHAKESPEARE FESTIVAL Giving Back to the Community TABLE OF CONTENTS 2–4 About Shakespeare at Notre Dame and the Notre Dame Shakespeare Festival 5 A Note from the Ryan Producing Artistic Director 6 Festival Events and Ticket Information 8–10 Welcome to the 2014 Season 12–15 Professional Company: HENRY IV 17–19 Young Company: THE MERRY WIVES OF WINDSOR 21–22 ShakeScenes 25–26 Actors From The London Stage: MUCH ADO ABOUT NOTHING 29–39 Notre Dame Shakespeare Festival Cast and Company Profiles 40 Sponsors, Endowments, and Benefactors INSIDE BACK COVER Acknowledgments Festival Production Photographer — Peter Ringenberg LEFT: Robert Jenista, Tim Hanson, Ross Henry, and Kyle CENTER: Young Company Director West Hyler and RIGHT: Cheryl Turski instructs the Young Company in a Techentin work on the HENRY IV set. Stage Manager Nellie Petlick lead a rehearsal of THE movement class. MERRY WIVES OF WINDSOR. SHAKESPEARE AT NOTRE DAME Dear Friends: Dear Friends: Here we are again: summer at Notre Welcome to the 2014 season of the Dame and that means the Notre Notre Dame Shakespeare Festival. It’s Dame Shakespeare Festival. a year of celebrations for all things Shakespeare here on campus. 2014 As always, there are the rich and var- marks not only Shakespeare’s 450th ied delights of local groups perform- birthday, but also the 150th anni- ing in ShakeScenes. -
2021 Winners List
A project of the Thomas A. Edison Media Arts Consortium Celebrating our 40th Anniversary and “fueling the independent spirit since 1981” c/o Hoboken Historical Museum, 1301 Hudson Street, Hoboken, NJ 07030 PO Box 3426, Hoboken, NJ 070030, 201-856-6565 The 40th Annual Thomas Edison Film Festival Collection - 2021 Jury’s Stellar Awards The Ephemeral Orphanage – Animation 15 min. by Lisa Barcy, Chicago, IL, US A group of tattered paper dolls daydream alternate realities and surreptitiously explore the hidden lives of their strict and secretive caregivers. Hijinks ensue and discoveries are made as the characters live out their childhood fantasies. Created with found paper dolls cut from a 1920’s newspaper and found in an attic, the film explores the adults attempt to dictate what girls learn, and the children’s talent for discovering forbidden knowledge. The Toxic Pigs of Fukushima – Documentary 35 min. by Otto Bell, NY, NY, US The Great East Japan Earthquake of 2011 triggered a tsunami, nuclear meltdown and mass evacuations in Fukushima Prefecture. Today, as part of a Government push to encourage resettlement, local hunters have been enlisted to dispose of radiated wild boars that now roam the abandoned streets and buildings. The film follows a lone hunter into an isolated and changed landscape. Along the way, other citizens who still live near the reactor share their perspectives on the aftermath. “The Toxic Pigs of Fukushima” was inspired by the photographs of co-producers Toru Hanai and Yuki Iwanami. The original score was written and performed by renowned ambient artist Midori Takada. 1 De-Eschatology – Experimental 5 min. -
Conference Booklet
THE PROLONGED DEATH OF THE HIPPIE 1967–1969 12–14 SEPTEMBER 2019 CONFERENCE|MUSIC|POETRY WITH ED SANDERS ANNE WALDMAN AND MANY OTHERS 1 The poem of America has reached the time of my youthful rebellion the years of Civil Rights marches & what they used to call the “mimeograph revolution” with its stenciled magazines & manifestoes & the recognition of rock & roll & folk-rock as an art form […] Its consonants are the clicks of kisses in tipis & rapes in huts of fists in gloves & skins in rainbows of death more common than hamburger and life more plentiful than wheat of women more certain & men more willing to wake up thinking each day could be paradise & weeping or shrugging when it wasn’t […] And then comes the question of evil. It was hard for a person like myself […] to realize my Nation veers in & out of evil but evil is the only word for some of it From: Edward Sanders, America: A History in Verse, Vol. 3: 1962–1970 (2004). THURSDAY, 12 SEPTEMBER 11:00 –12:30 Intro (p. 8) Welcome Address (Philipp Schweighauser) Introduction (Christian Hänggi) Timeline 1967–1969 (Peter Price) 14:00–15:45 Panel: Music (p. 9) Chair: Christian Hänggi “A Short Time To Be There”: Life, Death, and The Grateful Dead (Andrew Shields) The Hippie and the Freak. Reflections on a Pop-Cultural and Sub-Cultural Difference in Regard of Frank Zappa’s Art (Alexander Kappe) Why Bob Dylan Did Not Sing in Woodstock And Why He Was No Hippie (But a Real Hipster) – The Re-Invention of Popular Music as a Medium of Poetry and Messianic Hope (Martin Schäfer) 16:00–17:30 Panel: Religion & Spirituality (p. -
The Poetry of Nazim Hikmet
THE BELOVED UNVEILED: CONTINUITY AND CHANGE IN MODERN TURKISH LOVE POETRY (1923-1980) LAURENT JEAN NICOLAS MIGNON SCHOOL OF ORIENTAL AND AFRICAN STUDIES UNIVERSITY OF LONDON THESIS SUBMITTED FOR THE DEGREE OF PHD ProQuest Number: 10731706 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731706 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2 Abstract The thesis explores the ideological aspect of modern Turkish love poetry by focusing on the works of major poets and movements between 1923 and 1980. The approach to the theme of love was metaphorical and mystical in classical Ottoman poetry. During the period of modernisation (1839-1923), poets either rejected the theme of love altogether or abandoned Islamic aesthetics and adopted a Parnassian approach arguing that love was the expression of desire for physical beauty. A great variety of discourses on love developed during the republican period. Yahya Kemal sets the theme of love in Ottoman Istanbul and mourns the end of the relationship with the beloved who incarnates his conservative vision of national identity.