2021 Winners List
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kumu Hina Kplus a Place in the Middle Kurzfilm Dazwischen
a_f_JahrAnmeldeNr GENERATION KUMU HINA KPLUS A PLACE IN THE MIDDLE KURZFILM DAZWISCHEN Dean Hamer Sie fühlt sich wie ein Junge, mehr noch als die meisten Jungen selbst. USA 2014 Joe Wilson Der Dokumentarfilm begleitet die elfjährige Hawaiianerin Ho’onani, 25 Min. · QuickTime ProRes · Farbe · die davon träumt, an ihrer Schule die traditionelle Hula-Gruppe anzu- Dokumentarfilm führen. Das erzählerische Tanztheater gilt als Herzschlag des hawai- ianischen Volks und verlangt viel Übung. Auch hier möchte Ho’onani Regie Dean Hamer, Joe Wilson Story Kumu Hina Wong-Kalu auf die Seite der Jungen. Eigentlich ist das nicht erlaubt, aber Ho’onani Schnitt Nels Bangerter hat Glück mit ihrer charismatischen Lehrerin Kumu Hina. Sie weist Animation Jared Greenleaf, Jed Henry Ho’onani einen besonderen Platz in der Mitte zu. Denn auch im alten Musik Makana Hawaii gab es schon ein Leben zwischen den Geschlechtern. Einen Produzenten Dean Hamer, Joe Wilson Platz für diejenigen, die beide umarmen, Mann und Frau. Kumu Hina Dean Hamer Geboren 1951 in Montclair, weiß, wovon sie spricht. Sie war vor über 20 Jahren ein Mann. Produktion New Jersey. Er ist Wissenschaftler, Sachbuch- Mit ihrem tiefem Wissen vermittelt Kumu Hina den Schülern die Kul- Qwaves Bestsellerautor und preisgekrönter Haleiwa, USA Filmemacher mit einem Publikum aller tur ihrer Vorfahren, die aller christlichen Missionarstätigkeit zum Trotz nicht vergessen ist. Das Zauberwort heißt Aloha. Es bedeutet ein Leben +1 808 6299895 Altersgruppen, dem er komplexe und [email protected] kontroverse Themen näherbringt. Mit seinem in Harmonie mit dem Land. Und es meint Liebe, Respekt und Wert- schätzung für jede und jeden. Partner Joe Wilson lebt er am Nordufer der Weltvertrieb Hawaii-Insel O’ahu. -
Tisch School of the Arts
18 Visible TISCH SCHOOL New York University EOFvidence THE ARTS August 11-14, 2011 NEW YORK, WELCOME EVER VIGILANT, IS THE CITY THAT never sleeps, a perfect setting for an international TO YOU ALL! conference on documentary film. We extend our thanks to Tisch School of the Arts, Cinema Studies Pro- WITHIN THE BROADER CONTEXT fessor, and Visible Evidence 18 Conference Director, Jon- of our Moving Image Archiving and Preservation Program athan Kahana for his energetic efforts to bring the confer- and Certificate Program in Culture and Media, the De- ence to the Big Apple. Professor Kahana has deployed his superb organizational skills to assemble an impressive set of partment of Cinema Studies at NYU is committed to sponsoring institutions and panelists over the four days of the developing both pedagogy and practice in the field conference and we are grateful to him and the legion of vol- of documentary. The fact that this year we are unteers and participating institutions who made hosting Visible Evidence 18 is a demonstra- this event possible. The Visible Evidence 18 Con- ference is a bittersweet occasion: we celebrate a tion of that commitment as well as a validation, great filmmaker, the “dean” of documentary film, as Jonathan Kahana writes, of documentary film-mak- George Stoney, Professor Emeritus in the Tisch ers’ long love affair with New York. I want to congratulate School’s Kanbar Institute of Film and Television, Professor Kahana for putting together this stellar conference and we pay tribute to our school’s beloved and renowned theorist and historian, the late Rob- and mobilizing such a wide range of institutional collabora- ert Sklar, Professor Emeritus in the department tors across the city. -
The Making of a Short Film About George Helm
‘Apelila (April) 2020 | Vol. 37, No. 04 Hawaiian Soul The Making of a Short Film About George Helm Kolea Fukumitsu portrays George Helm in ‘Äina Paikai's new film, Hawaiian Soul. - Photo: Courtesy - - Ha‘awina ‘olelo ‘oiwi: Learn Hawaiian Ho‘olako ‘ia e Ha‘alilio Solomon - Kaha Ki‘i ‘ia e Dannii Yarbrough - When talking about actions in ‘o lelo Hawai‘i, think about if the action is complete, ongoing, or - reoccuring frequently. We will discuss how Verb Markers are used in ‘o lelo hawai‘i to illustrate the completeness of actions. E (verb) ana - actions that are incomplete and not occurring now Ke (verb) nei - actions that are incomplete and occurring now no verb markers - actions that are habitual and recurring Ua (verb) - actions that are complete and no longer occurring Use the information above to decide which verb markers are appropriate to complete each pepeke painu (verb sentence) below. Depending on which verb marker you use, both blanks, one blanks, or neither blank will be filled. - - - - - - - - - I ka la i nehinei I keia manawa ‘a no I ka la ‘apo po I na la a pau Yesterday At this moment Tomorrow Everyday - - - - - - - I ka la i nehinei, I kEia manawa ‘a no, I ka la ‘apo po, lele - - I na la a pau, inu ‘ai ka ‘amakihi i ka mele ka ‘amakihi i ka ka ‘amakihi i ke ka ‘amakihi i ka wai. mai‘a. nahele. awakea. - E ho‘i hou mai i ke-ia mahina a‘e! Be sure to visit us again next month for a new ha‘awina ‘o-lelo Hawai‘i (Hawaiian language lesson)! Follow us: /kawaiolanews | /kawaiolanews | Fan us: /kawaiolanews ‘O¯LELO A KA POUHANA ‘apelila2020 3 MESSAGE FROM THE CEO WE ARE STORYTELLERS mo‘olelo n. -
Practitioner, and Community Leader Hinaleimoana Wong-Kalu to UH West Oʻahu for a Film Screening and a Series of Presentations This February
NEWS RELEASE Contact: Julie Funasaki Yuen, (808) 689-2604 Feb. 9, 2015 [email protected] Public Information Officer UH West Oʻahu Distinguished Visiting Scholar Hinaleimoana Wong-Kalu to discuss Pacific Islander culture and transgender identity Free film screening of “Kumu Hina” Feb. 23 KAPOLEI --- The University of Hawai‘i – West O‘ahu welcomes Distinguished Visiting Scholar and Kanaka Maoli teacher, cultural practitioner, and community leader Hinaleimoana Wong-Kalu to UH West Oʻahu for a film screening and a series of presentations this February. Wong-Kalu is a founding member and outreach specialist for Kulia Na Mamo, a community organization with a mission to improve the quality of life for māhū wahine (transgender women) and cultural director for Hālau Lōkahi public charter school. All events are free and open to the public, and sponsored by the UHWO Distinguished Visiting Scholars Program. The program brings seasoned scholars and practitioners in the humanities, social sciences, and indigenous arts, traditions and cultures to UH West Oʻahu for the benefit of students, faculty, staff and the community. “Kumu Hina” reception, film screening and discussion Monday, Feb. 23, 4-7 p.m. UH West Oʻahu, Campus Center Multi-purpose Room, C208 UH West Oʻahu will host a film screening of the documentary “Kumu Hina” followed by a discussion with Distinguished Visiting Scholar Hinaleimoana Wong-Kalu and “Kuma Hina” Director/Producers Joe Wilson and Dean Hamer. “Kumu Hina” is told through the lens of Hinaleimoana Wong-Kalu, an extraordinary Native Hawaiian who is both a proud and confident māhū (transgender woman) and an honored and respected kumu (teacher) and community leader. -
Kumu Hina Premieres on Independent Lens Monday, May 4, 2015 on PBS
FOR IMMEDIATE RELEASE CONTACT Lisa Tawil, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ Kumu Hina Premieres on Independent Lens Monday, May 4, 2015 on PBS Film About a Transgender Teacher in Hawaii Brings an Ancient Cultural Perspective to National Debate on Transgender Rights “In high school, I was teased and tormented for being too girlish. But I found refuge in being Hawaiian. What I hope most to leave with my students is the true meaning of aloha: love, honor, and respect. It’s a responsibility I take very seriously.” — Kumu Hina (San Francisco, CA) — At a time when transgender and gender nonconforming people across the U.S. and around the world have achieved unprecedented visibility in popular culture, but continue to suffer extreme violence, harassment, discrimination, and isolation, Independent Lens presents Kumu Hina, a moving film from Hawaii that offers a bold new perspective on gender diversity and inclusion through cultural empowerment. Directed and produced by Dean Hamer and Joe Wilson, Kumu Hina premieres on Independent Lens Monday, May 4, 2015, 10:00- 11:00 PM ET (check local listings), as part of Asian American and Pacific Islander Heritage Month programming on PBS. Credit: Qwaves, LLC Kumu Hina is the inspiring story of Hina Wong- Kalu, a transgender native Hawaiian teacher and cultural icon who brings to life Hawaii’s traditional embrace of mahu — those who embody both male and female spirit. The film traces Hina’s evolution from a timid high school boy to her position as a married woman and cultural director of a school in one of Honolulu’s grittier neighborhoods. -
Hawai'i Teacher's Guide
A PLACE IN THE MIDDLE HAWAI'I TEACHER'S GUIDE APlaceintheMiddle.org/Hawaii 'ANO'AI KE ALOHA! I mau ka 'ike kupuna o ke au I hala iā kākou nā hanauana o ke au nei. (May the ancestral understandings of the past live on through the practices of the present generation.) Mahalo to each and every one of you who have become part of the social change effort represented by A Place in the Middle. I hope that it will help you find the confidence, strength, determination, and fortitude to do what you need to do, whether simply to be yourself and live your truths, or to create an opportunity for empowerment and acceptance for someone who is without, just as my family did for me. My grandmothers, my mother and father, and others in my family empowered me to identify by culture first. In doing so, Iʻve found a very distinct and honorable place in which to exist. Iʻm very grateful for the lessons Iʻve acquired from all my mentors, teachers, and role models and am even more excited that these insights and lessons are able to live on via this film through you. The cultural empowerment that I hope you experience is a part of the collective wisdom my family and mentors imparted upon me, and now I leave it with you to give you confidence and strength for the paths and journey ahead. Hinaleimoana Kwai Kong Wong-Kalu Story Creator Thank you for bringing A Place in the Middle into your classroom. With your help, it can broaden your students’ understanding of Hawaiian culture, history and philosophy, and deepen their appreciation of why Kanaka Maoli traditions and values are important today. -
Opening Night of Slamdance 2020 NYC Premiere Official Selection
World Premiere Official Selection - Opening Night of Slamdance 2020 NYC Premiere Official Selection - Doc Fortnight 2020 The Museum of Modern Art USA, 2020, 74 minutes, in English Official site: http://filmaboutafatherwho.com World Sales: [email protected] Publicity: [email protected] SYNOPSIS: Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8mm and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings. With a nod to the Cubist renderings of a face, Sachs’ cinematic exploration of her father offers simultaneous, sometimes contradictory, views of one seemingly unknowable man who is publicly the uninhibited center of the frame yet privately ensconced in secrets. In the process, Sachs allows herself and her audience inside to see beyond the surface of the skin, the projected reality. As the startling facts mount, Sachs as a daughter discovers more about her father than she had ever hoped to reveal. DIRECTOR’S STATEMENT BY LYNNE SACHS: Since I began making films in the mid-1980s, I’ve been collecting images, recording sounds and writing text for a film about my father. It took me three decades to complete the film, and so many things have happened in that period. Life goes on, and each day brings surprises, joys and disappointments. In 2020, I will premiere Film About a Father Who, the third film in what ultimately became a trilogy (including States of UnBelonging, 2005, and The Last Happy Day, 2009) of essay films that explore the degree by which one human being can know another. -
A Film by Mark Street in Montevideo, Uruguay, a Radio DJ Opens up the Airwaves and Real Life Comes Bursting Through
HASTA NUNCA A Film by Mark Street In Montevideo, Uruguay, a radio DJ opens up the airwaves and real life comes bursting through. “Esto no es la radio; esto es la vida real.” SYNOPSIS / SINÓPSIS ‘Hasta Nunca’ follows Mario Ligetti, a middle-aged DJ in Montevideo, Uruguay whose call-in radio show exposes the city’s “Secrets and Stories”. As Mario’s life becomes more entangled with that of his callers and listeners, his public and private personas are blurred and the intimate nuances of a city and its residents are revealed. The !lm is the product of a close collaboration between North American !lmmaker Mark Street and an Uruguayan cast and crew, led by producer Uzi Sabah and lead actor Rufo Martínez, a real life DJ and television personality. Shot in cinéma vérité style, ‘Hasta Nunca’ takes a deeper look at one of Latin America’s under represented countries, carefully touching upon local themes like the lingering effects of the dictatorship and the illegality of abortion. The !lm interweaves documentary and !ction, scripted narrative and improvisation, and is as much a portrait of Montevideo as it is the story of one of its chroniclers. ‘Hasta Nunca’ sigue los pasos de Mario Ligetti, un DJ cuarentón en Montevideo, Uruguay cuyo programa de radio expone las “Historias y secretos” de esta ciudad a través de las llamadas de sus oyentes. Mientras la vida de Mario se va enredando con las de los que lo llaman y escuchan, sus personalidades pública y privada se confunden, y los matices íntimos de una ciudad y sus residentes salen a la luz. -
Pressed”, I Guided My Collective in a “Simultaneous Dramaturgy”
YOUR DAY IS MY NIGHT 你的白天是我的黑夜 a film by Lynne Sachs 64 min., HD, Color, Stereo & 5.1 Surround, 2013 Chinese, English & Spanish with English Subtitles While living in a “shift-bed” apartment in the heart of New York Cityʼs Chinatown, a household of immigrants shares their stories of personal and political upheaval. World Premiere: Museum of Modern Art, Documentary Fortnight 2013 Contact: Lynne Sachs, director and producer Sean Hanley, co-producer [email protected] [email protected] www.lynnesachs.com 718.522.5856 917.292.5856 YOUR DAY IS MY NIGHT Synopsis: Since the early days of New York's Lower East Side tenement houses, working class people have shared beds, making such spaces a fundamental part of immigrant life. Initially documented in Jacob Riisʼ now controversial late 19th Century photography, a “shift-bed” is an actual bed that is shared by people who are neither in the same family nor in a relationship. Simply put, itʼs an economic necessity brought on by the challenges of urban existence. Such a bed can become a remarkable catalyst for storytelling as absolute strangers become de facto confidants. In this provocative, hybrid documentary, the audience joins a present-day household of immigrants living together in a shift-bed apartment in the heart of Chinatown. Seven characters (ages 58-78) play themselves through autobiographical monologues, verité conversations, and theatrical movement pieces. Retired seamstresses Ellen Ho and Sheut Hing Lee recount growing up in China during the turmoil of the 1950s when their families faced violence and separation under Chairman Maoʼs revolutionary, yet authoritarian regime. -
Summer + Fall 2021 Courses
SUMMER 2021 CLASSES COURSE# CLASS DAY + TIME INSTRUCTOR IMA 78066 Socially Engaged Art and New 15 sessions - 3 credits Betty Yu Media Practices for Social Justice Mondays + Wednesdays, 4-7pm June Production 7th - July 26th hybrid IMA 78318 Public Humanities for Digital 5 sessions - 1 credit James Levy Media Artists: Engaging "Place" Thursdays, July 8 - July 29th 5-7pm + and History in New York Saturday July 31st from 11am-3pm Production online IMA 78346 Immediate Site: Requiem Tuesdays June 15, 29, & July 13 Kara Lynch Production synchronous from 4-7pm & Tuesdays June 22 & July 6 will be one-on-one meetings online FALL 2021 CLASSES 1-CREDIT CLASSES: COURSE # CLASS DAY + TIME INSTRUCTOR IMA 78301 Intensive Tools and Techniques Sat + Sun September 11th + 12th JT Takagi Sound Recording 10:30am - 6pm in person IMA 78303 Intensive Tools and Techniques Sat + Sun September 18th + 19th Sean Hanley Camera Fundamentals 10:30am - 6pm SECTION 1 in person IMA 78303 Intensive Tools and Techniques Sat + Sun October 23rd + 24th Sean Hanley Camera Fundamentals 10:30am - 6pm SECTION 2 in person IMA 78302 Intensive Tools and Techniques Sat + Sun September 25th + 26th Sean Hanley Lighting 10:30am - 6pm SECTION 1 in person IMA 78302 Intensive Tools and Techniques Sat + Sun November 6th + 7th Sean Hanley Lighting 10:30am - 6pm SECTION 2 in person IMA 78313 Premiere Editing and Post Fri, Sat, Sun, October 1st, 2nd, 3rd Iris Devins Production Workflow 10:30am - 3pm online 3-CREDIT CLASSES: MONDAYS: COURSE # CLASS DAY + TIME INSTRUCTOR IMA 78087 Digital Resistance -
20200221122423.Pdf
“Nothing is solitary, everything is in solidarity. Man is in solidarity with the planet, the planet is in solidarity with the sun. The sun is in solidarity with the star, the star is in solidarity with the nebula, the nebula, the stellar group, is in solidarity with infnity. Remove an element from this formula and the polynomial becomes disorganized, the equation staggers; creation loses meaning in the cosmos, and democracy loses its raison d’être on earth.” 1 -Victor Hugo These words, which were written in the 19th century, couldn’t be more valid today. On the one hand, they appear to appeal to the ecological, social and political emergency in which we are living, a subject that is also dealt with in many of the flms that you’ll be seeing in Punto de Vista. On the other hand, if we take these words to the small cultural sphere in this part of the still privileged world, they make me refect on our work. A festival must generate an emotional and intellectual fabric based on the flms and the persons convened. It is a mistake to think that the festival ends with its closing session, because that internal earth tremor produced by the collective force (that of the flms, that of the spectators affected by the flms who exchan- ge impressions with others who are also impacted by an emotion), that tremor expands in time, in space and in awareness, in a way that is very diffcult to measure. And precisely this multi-dimensional expanded current, combined with a chain of affections and recollections that are already imprinted on us, are all involved in generating the transformation that we are working for, those of us who still believe in magic, as a young man called Stan Brakhage taught us.2 I would like Punto de Vista to be something of all this, we’ve created it with this spirit very much in mind, aiming to bring works, artists and gestures that embody the values that we want for our world. -
Pacific Islanders in Communications Celebrates 30Th Anniversary
FOR IMMEDIATE RELEASE May 1, 2021 Video here: https://vimeo.com/536605581/1661506e75 A scene from DISTANT LEARNING, a documentary directed A scene from E HAKU INOA: TO WEAVE A by Sergio M. Rapu. Photo courtesy of PIC NAME, a documentary directed by Christen Hepuakoa Marquez.Photo courtesy of PIC PACIFIC ISLANDERS IN COMMUNICATIONS CELEBRATES 30TH ANNIVERSARY (Honolulu, Hawaii) This May, celebrate Pacific Islander stories and storytellers with Pacific Islanders in Communications (PIC). This year marks the 30th Anniversary of the media organization and their global collective of established and emerging content creators throughout Native Hawaiian, Pacific Islander, and diaspora communities. PIC is the only national public media organization that is committed to supporting, advancing, and developing Pacific Island media content and talent that results in a deeper understanding of Pacific Island history, and culture. To amplify the legacy of films and filmmakers in the collective, the PIC will screen a diverse collection of films will be available in various virtual platforms starting this spring and throughout the rest of the year. “Pacific Islanders have the unique challenge of being both invisible and hypervisible at the same time, especially as part of a widely diverse group of peoples”, said Leanne Kaʻiulani Ferrer, Executive Director of Pacific Islanders in Communications. “This is why it’s important to engage multiple communities and bring them together with Pacific Islander media makers to enrich the cultural landscape. Despite the Pandemic, and having to shelter in place, we value this 1 opportunity to share our Pacific Islander stories virtually across the ocean. When we cultivate new audiences we expand the spaces where our full selves are reflected, honored, and respected.” During May, a wide selection of films will be available for audiences via virtual film festivals.