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A Unique Experience © M Music Chapel A unique experience © M. Cooreman Music Chapel 70 Artists in residence 12 Associated Artists in residence 25 nationalities 6 Masters in residence & 2 Guest Masters: José van Dam, voice Chair granted by an anonymous donor Sophie Koch, Guest Master - voice Augustin Dumay, violin Miguel da Silva, viola & chamber music Gary Hoffman, cello Chair supported by Mr. & Mrs Eric Le Jeune Louis Lortie, piano Chair granted by Baillet Latour Fund Artemis Quartet, chamber music Jean-Claude Vanden Eynden, Guest Master - chamber music "Community Projects" Chair Chair granted by Fondation Futur21 Main Sponsor Co-sponsors Under the Honorary Chairmanship of Her Majesty Queen Paola Augustin Dumay, violin Gary Hoffman, cello José van Dam, voice Miguel da Silva, viola & interdisciplinary chamber music Artemis Quartet, chamber music Music and the training of young people mean a lot to me, and I am delighted to see them combined here at the Queen Elisabeth Music Chapel. My dearest wish is that the level of excellence of the Music Chapel will help young talents give their best and create an international musical elite, beyond borders and cultures. Louis Lortie, piano Sophie Koch, Guest master - voice Jean-Claude Vanden Eynden, Guest master - interdisciplinary chamber music 2 3 An artistic project at the origin of the Music Chapel A Queen’s project Openness, flexibility and excellence Inaugurated on 12 July 1939, the Queen Elisabeth Music An overhaul of the contents in 2004 Chapel provides high-level training to exceptional Sixty-five years after the inauguration, in 2004, the young talents. A training center of excellence with an Music Chapel set about reorganizing thoroughly its international scope and reputation, its curriculum is training and professional insertion program. The reserved for outstanding musicians (the musical elite artistic training of the Music Chapel rests on three of tomorrow) in the disciplines of piano, violin, cello, pillars: viola, chamber music and voice. At the time of its • Openness: although anchored in the Belgian creation already, the renowned critic Emile Vuillermoz landscape, the Music Chapel has an international described the Music Chapel as a sort of “modern Villa vocation; Medici”. • Flexibility: the Music Chapel seeks to adapt itself to each young artist’s profile by providing him or her with a tailor-made program (variable cycles); • Excellence: the Masters in Residence, as well as the Guest Masters – currently José van Dam, Miguel da Silva, Augustin Dumay, Louis Lortie, Gary Hoffman, the Artemis Quartet, Sophie Koch and Jean-Claude Vanden Eynden – and their guests (Frank Braley, Christopher Warren-Green, Christian Arming, Tabea Zimmermann, Roberto Diaz, Giuliano Carmignola, Piotr Anderszewsky, Stéphane Denève, Gauthier and Renaud Capuçon, Pavel Vernikov, Frans Helmerson, Philip Setzer,...), bear witness to the importance of knowledge transmission from one generation to the next. Enter the Laboratory! © M. Cooreman 4 5 © M. Roobaert 2018–2019 Backstage A training, performance and creative center, the “The need to develop and to pass on to the next but also and especially a place that is open to the world Music Chapel wishes, with its new label for 2018- generation high standards of value is more urgent than and of which the essential pillar, the transmission of 19, to give a voice to all the actors in residence: the ever. The human element, in the fate of our beloved art knowledge, draws young talents from around the young talents, masters, teachers and the team of the that is music, cannot be minimized. As teachers, artists world.” Music Chapel! It also wishes to share a glimpse of life and presenters, we are both pioneers and guardians, Augustin Dumay backstage with all those who have a passion for this and that must always be the case.” knowledge-transmission project. The Music Chapel Gary Hoffman is alive through its network of artists – 70 artists in “We, ‘the oldies’ have had the privilege of knowing, residence, 42 associated artists, 25 nationalities, 6 working with and learning from eminent artists whom masters in residence and 2 guest masters as well as “What I find particularly important for the young our students will never know and who yet are at the many guest artists throughout the year – as well as musicians of today, and what I was fortunate enough basis of their learning and the foundations of their through its performance projects: 300 concerts, a to benefit from during my studies at the Music Chapel, future.” is the transmission of a series of tools that make it Eckart Runge, Artemis Quartet & Trio Zadig "MuCH" and "on Tour" season, two festivals and many José Van Dam coproductions abroad. possible to become one’s own «best teacher” – you have to learn how to ask the right questions, to become artistically independent, critical and honest with “To give the young the confidence and the tools yourself and with the score.” necessary to develop their artistic personality, and to help them prepare for a career that is constantly Vineta Sareika (Artemis Quartet) changing.” Bernard de Launoit Sophie Koch Executive President “I hope to help open up gifted young musicians to the rich world of possible interpretations, young musicians who must learn this demanding task of the “To pass on musicality means to share the knowledge modern world: to continue the in-depth exploration of gained by experience. Among the different stages of a their art with the utmost interiority in a space whose musician’s career, this project by the Queen Elisabeth temptations are often far removed from the genuine Music Chapel seeks to be an episode that tends to objectives of an artistic quest at the service of the great perfect a young artist.” composers.” Miguel da Silva Louis Lortie “The Chapel is highly original, and the very opposite of those high-level institutions that are often centered on themselves. The Chapel is not only a place of learning, 6 7 Manuel Vioque-Judde, viola & Tabea Zimmermann, viola Kerson Leong, violin © M. Cooreman A center of artistic excellence Each musician’s training is individually tailored Belgium, Brussels Philharmonic, Royal Philharmonic (France), Cran-Montana Classics (Switzerland), Festival • Milos Popovic, Works for piano by R. Schumann European network of opera academies. The Music The quality of this exceptional setting as well as the according to six axes: Orchestra of Liège, Orchestre Royal de Chambre de of Ravello, Pietrasanta in Concerto (Italy), International (2006) Chapel is part of the enoa network. The enoa network proximity between the staff of the Music Chapel, the Wallonie, Brussels Chamber Orchestra, La Monnaie Festival of Symphonic Music of El Jem (Tunisia), Istanbul • Trio Dali, Sonatas by M. Ravel (2008) was born from the wish of a number of operatic teaching team and the young musical talents, form an 1. High-level training: the presence of the masters, each Symphony Orchestra, Vlams Radio Choir, Octopus, Les Foundation for Culture & Arts, Ephesus Foundation institutions – opera academies, festivals, foundations integral part of the pedagogical project. of whom is pursuing an intense professional career in • OPRL and soloists of the Music Chapel, Violin Métamorphoses, etc. (Turkey), TIbor Varga Festival (Switzerland), LacMus and producers – to work more closely together to the world of music, constitutes the cornerstone of our concertos by H. Vieuxtemps (2010) 6. Community Projects: A new social dimension (first Festival (Italy), etc. support the professional integration of the most pedagogical project. The transmission of knowledge International orchestras: Koninklijk Concert- • Sinfonia Varsovia, conducted by Augustin Dumay, called “Durability”) was introduced at the Music Chapel talented young artists and to support the development with the master occurs for instance through the gebouworkest (NL), London Chamber Orchestra Home productions: MuCH Music Season (since 2015), with Hrachya Avanesyan, Violin concerto and other in 2012 already with the arrival of Maria João Pires of their artistic ambitions. With the backing of the informal transmission of professional experience as (UK), Sinfonia Varsovia (Poland), Kansai Philharmonic Music Chapel Gala Concert, Music Chapel Festival at works by A. Dvorak (2011) and the launch of the Equinox choirs. The creation European Commission’s Culture Programme since 2011 well as the master’s accompaniment and support Orchestra (Japan), Musica Viva (Russia), Chamber Flagey (since 2010), with the 2019 edition devoted to • Nikita Boriso-Glebsky and soloists of the Music of a “Community Projects” chair in 2016, with the and Creative Europe Programme since 2016, enoa has during the young musical talent’s first steps of his or Orchestra of Philadelphia (US), Orchestre National de a “Tribute to Ysaÿe”, MuCH Waterloo Festival (since Chapel, Works by A. Lalo (2012) support of the private foundation Futur21, reinforces been working to train emerging artists and promote her professional insertion, and the shared experience Lille (France), Orchestre de Bienne Soleure, Ensemble 2017). • Orchestre Philharmonique Royal de Liège, Christian the Music Chapel’s desire to broaden the field of social their mobility, while encouraging the creation and of performing side by side. In order to carry out this Appassionato, etc. Arming and soloists of the Music Chapel, Complete applications offered to the young talents enrolled in all International tours: Queen Elisabeth Musical Voyage performance of new operas all over Europe. Thanks training,
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