DOCSLIB.ORG

Reassessing the Modernist Elements in Siegfried Sassoon's War Writing

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reassessing the Modernist Elements in Siegfried Sassoon's War Writing A RELUCTANT MODERNIST: Reassessing the Modernist Elements in Siegfried Sassoon’s War Writing Un MODERNISTE RETICENT: Reevaluation des elements modemistes dans les Merits de guerre de Siegfried Sassoon. A Thesis Submitted to the Division of Graduate Studies of the Royal military College of Canada by Finley Lawrence Mullally, CD Lieutenant-Colonel In Partial Fulfilment of the Requirements for the Degree of Master of Arts September 2012 © This thesis may be used within the Department o f National Defence but copyright for open publication remains the property of the author. Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-93349-7 Our file Notre reference ISBN: 978-0-494-93349-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission. In compliance with the Canadian Conformement a la loi canadienne sur la Privacy Act some supporting forms protection de la vie privee, quelques may have been removed from this formulaires secondaires ont ete enleves de thesis. cette these. While these forms may be included Bien que ces formulaires aient inclus dans in the document page count, their la pagination, il n'y aura aucun contenu removal does not represent any loss manquant. of content from the thesis. Canada ROYAL MILITARY COLLEGE OF CANADA COLLEGE MILITAIRE ROYAL DU CANADA DIVISION OF GRADUATE STUDIES AND RESEARCH DIVISION DES ETUDES SUPERIEURES ET DE LA RECHERCHE This is to certify that the thesis prepared by/Ceci certifie que la these redigee par FINLEY LAWRENCE MULLALLY entitled/intitulee A RELUCTANT MODERNIST: REASSESSING THE MODERNIST ELEMENTS IN SIEGFRIED SASSOON’S WAR WRITING/ Un MODERNISTE RETICENT: REEVALUATION d e s El e m e n t s modernistes d a n s l e s e c r it s de g u e r r e d e Sie g f r ie d SASSOON. complies with the Royal military College of Canada regulations and that it meets the accepted standards of die Graduate School with respect to quality, / satisfait aux reglements du College militaire royal du Canada et qu’elle respecte les normes aceptees par la Faculte des etudes superieures quant a la qualite, for the degree of / pour le diplome de MASTER OF ARTS / MAITRE DES ARTS Signed by the final examining committee: / Signe par les membres du comite examinateur de la soutenance de these _______________________________. Chair / President _______ . External Examiner / Examinateur exteme __________________________________. Supervisor / Directeur de these __________________________. Supervisor / Directeur de these Approved by the Head of Department: / Approuve par le Directeur du Department: __________________________ Date: ______ To the Librarian: this thesis is not to be regarded as classified. / Au Bibliothecaire: Cette these n’est pas consideree comme a publication restreinte. Main Supervisor / Directeur de these pricipal ABSTRACT Mullally, Finley Lawrence. M.A. in War Studies. The Royal Military College of Canada. July 2012. A RELUCTANT MODERNIST: REASSESSING THE MODERNIST ELEMENTS IN SIEGFRIED SASSOON’S WAR WRITING/Un MODERNISTE RETICENT: REEVALUATION DES ELEMENTS MODERNISTES DANS LES ECRITS DE GUERRE DE SIEGFRIED SASSOON. Dr Tom Vincent and Dr Steven Lukits. Siegfried Sassoon was one of the English Poets included in Edward Marsh’s Georgian Poetry anthologies and tended, as did his fellows, to nineteenth-century conservatism, romanticism and sentimentality. His war poetry however, at least that written after his first encounter with trench warfare, shifts dramatically into a verse characterised by themes of outrage, despair, iconoclasm, and futility, elements associated with modernist forms of literature. Sassoon is often presented in First World War literary criticism as a Georgian, steeped in the optimism of the nineteenth century, who is temporarily transformed into a sort of accidental modernist. This interpretation is supported by Sassoon, who claimed to reject modernism as an ideology and who returned to composing Georgian verse after the war; however, when Sassoon revisited his war experience in a trilogy of prose accounts, collectively The Complete Memoirs of George Sherston. he could only memorialise the event using existential and modernist modes. Through a close comparison between the Complete Memoirs and the war poetry, deconstructing the writing thematically rather than aesthetically, this study asserts that Sassoon is unable to reconcile his experience of the war with his nineteenth-century world view. What emerges is a portrait of a writer attempting to regain the rational optimism and social conservatism of prewar, rural England, but who has had his access to this world irrevocably severed. The Complete Memoirs provide no resolution to the essential problems of anger, despair, guilt, futility and meaninglessness Sassoon experiences in the war and explores in his poetry. This study of Sassoon’s war writing repositions him in the canon of early twentieth century writers as a modernist and demonstrates the transformative power of the Great War upon the literary traditions that it engendered. RESUME Siegfried Sassoon dtait l’un des podtes anglais dont l’oeuvre dtait reprdsentde dans les anthologies de Georgian Poetry fpoesie gdorgiennel d’Edward Marsh et tendait, comme ses confreres, vers le conservatisme, le romantisme et la sentimentality qui dtaient caractdristiques du dix-neuvidme sidcle. Ses podmes de guerre, cependant, du moins ceux qu’il avait dents aprds sa premidre expdrience de la guerre de tranchdes, se distingue de fagon radicale par des vers ddnotant l’outrage, le ddsespoir, l’iconoclasme et la futilitd, soit des dldments qui sont associds aux formes modemistes de littdrature. Sassoon est souvent prdsentd par les critiques littdraires de la Premidre Guerre mondiale comme un gdorgien, trempd dans le optimisme du dix-neuvidme sidcle, temporairement transformd en une espdee de modemiste accidentel. Cette interprdtation est appuyde par Sassoon, qui a affirmd rejeter la modemitd en tant qu’iddologie et qui s’est remis k composer des vers gdorgiens aprds la guerre; toutefois, lorsque Sassoon s’est penchdk nouveau sur l’expdrience qu’il avait vdcue pendant la guerre dans une trilogie de comptes rendus sous forme de prose, regroupds sous le titre The Complete Manoir&-of George Sherston (mdmoires complete de George Sherston. il ne pouvait commdmorer l’dvdnement qu’en utilisant les modes existentiel et modemiste. En s’appuyant sur une comparaison dtroite entre les podmes figurant dans les mdmoires complets et les podmes de guerre, cette dtude fait valoir, au moyen de la ddconstruction des dcrits en fonction de critdres lids aux thdmes plutot qu’d l’esthdtisme, que Sassoon est incapable de rdconcilier son expdrience de la guerre et sa vision du monde caractdristique du dix-neuvidme sidcle. II s’en ddgage un portrait de l’auteur qui tente de retrouver l’optimisme rationnel et le conservatisme social de l’Angleterre rurale d’avant la guerre, mais qui a vu son lien avec ce monde irrdvocablement ddtruit. Les mdmoires complets ne comportent aucune solution aux probldmes essentiels que sont la coldre, le ddsespoir, la culpability, la futility et l’absence de sens que Sassoon explore dans ses podmes. Cette dtude des dcrits de guerre de Sassoon le repositionne, au sein de l’dventail des auteurs du ddbut du vingtidme sidcle, comme un modemiste, et ddmontre la puissance transformatrice de la Guerre des Guerres sur les traditions littdraires qu’elle a engendrdes. Acknowledgements This paper grew out of work I did for Professor Peter Archambault’s cultural history course, “Total War and the Twentieth Century,” where I was introduced to Paul Fussell and the connection between literary modernism and the First World War. I am very grateful to Professor Emeritus Tom Vincent, my principal teacher and advisor, who set me along this trajectory and who steered me back on course whenever my own intellect led me into the low ground. Professor Steven Lukits, Head of the English Department, sharpened my focus and provided the motivation I needed to finish the project and 1 owe him for his close criticism and scrupulous editing. Any errors remaining in the text were placed there afterwards by me so that my friends would know that I wrote it. My wife, Leydin, has accompanied me on this and several other more dubious journeys always with grace, humour and grit. I could wish for no better companion and I am ever thankful for the unyielding support I receive daily from her. She has always helped me discern my duty and she remains the sole measure of my aspirations. This work was interrupted about halfway through when I deployed to Afghanistan on Operation Athena. When I picked it up again during post-deployment leave, I reread Sassoon with fresh eyes and new insight. My own experiences allowed me a more personal understanding of the essential issues at play in Sassoon’s war writing; I must acknowledge a debt to Sassoon as thinking about his books has helped me find my own way home.
Load more

Recommended publications
  • The History/Literature Problem in First World War Studies Nicholas Milne-Walasek Thesis Submitted to the Faculty of Graduate
    The History/Literature Problem in First World War Studies Nicholas Milne-Walasek Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Nicholas Milne-Walasek, Ottawa, Canada, 2016 ii ABSTRACT In a cultural context, the First World War has come to occupy an unusual existential point half- way between history and art. Modris Eksteins has described it as being “more a matter of art than of history;” Samuel Hynes calls it “a gap in history;” Paul Fussell has exclaimed “Oh what a literary war!” and placed it outside of the bounds of conventional history. The primary artistic mode through which the war continues to be encountered and remembered is that of literature—and yet the war is also a fact of history, an event, a happening. Because of this complex and often confounding mixture of history and literature, the joint roles of historiography and literary scholarship in understanding both the war and the literature it occasioned demand to be acknowledged. Novels, poems, and memoirs may be understood as engagements with and accounts of history as much as they may be understood as literary artifacts; the war and its culture have in turn generated an idiosyncratic poetics. It has conventionally been argued that the dawn of the war's modern literary scholarship and historiography can be traced back to the late 1960s and early 1970s—a period which the cultural historian Jay Winter has described as the “Vietnam Generation” of scholarship.
    [Show full text]
  • Sassoon, Siegfried (1886-1967) by Tina Gianoulis
    Sassoon, Siegfried (1886-1967) by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2005, glbtq, inc. Reprinted from http://www.glbtq.com Siegfried Sassoon in 1916. The grueling, seemingly endless years of World War I brought a quick education in devastation and futility to hundreds of thousands of young British men, including those who grew up in privilege. One of these was the gay "war poet," Siegfried Sassoon. Brought up in the leisured life of a country gentleman, Sassoon enlisted in the military just as the war was beginning. His poetry reflects the evolution of his attitudes towards war, beginning with a vision of combat as an exploit reflecting glory and nobility, and ending with muddy, bloody realism and bitter recrimination towards those who profited from the destruction of young soldiers. Sassoon came of age during a sort of golden period of Western homosexual intelligentsia, and his friends and lovers were some of the best-known writers, artists, and thinkers of the period. Born on September 8, 1886 in Weirleigh, England, in the county of Kent, Siegfried Louvain (some give his middle name as Loraine, or Lorraine) Sassoon was the son of a Sephardic Jewish father and a Catholic mother. His parents divorced when young Siegfried was five, and his father died of tuberculosis within a few years. While still a teenager, Sassoon experienced his first crush on another boy, a fellow student at his grammar school. He studied both law and history at Clare College, Cambridge, but did not receive a degree. He did, however, meet other gay students at Cambridge, and would later count among his friends such writers associated with Cambridge as his older contemporary E.
    [Show full text]
  • Nielsen Collection Holdings Western Illinois University Libraries
    Nielsen Collection Holdings Western Illinois University Libraries Call Number Author Title Item Enum Copy # Publisher Date of Publication BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.1 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.2 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.3 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.4 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.5 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. PG3356 .A55 1987 Alexander Pushkin / edited and with an 1 Chelsea House 1987. introduction by Harold Bloom. Publishers, LA227.4 .A44 1998 American academic culture in transformation : 1 Princeton University 1998, c1997. fifty years, four disciplines / edited with an Press, introduction by Thomas Bender and Carl E. Schorske ; foreword by Stephen R. Graubard. PC2689 .A45 1984 American Express international traveler's 1 Simon and Schuster, c1984. pocket French dictionary and phrase book. REF. PE1628 .A623 American Heritage dictionary of the English 1 Houghton Mifflin, c2000. 2000 language. REF. PE1628 .A623 American Heritage dictionary of the English 2 Houghton Mifflin, c2000. 2000 language. DS155 .A599 1995 Anatolia : cauldron of cultures / by the editors 1 Time-Life Books, c1995. of Time-Life Books. BS440 .A54 1992 Anchor Bible dictionary / David Noel v.1 1 Doubleday, c1992.
    [Show full text]
  • The Dead and Their Bodies in World War I Poetry
    The Hilltop Review Volume 9 Issue 2 Spring Article 4 June 2017 Glorious and Execrable: The Dead and Their Bodies in World War I Poetry Rebecca E. Straple Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/hilltopreview Part of the Literature in English, British Isles Commons, and the Modern Literature Commons Preferred Citation Style (e.g. APA, MLA, Chicago, etc.) Chicago This Article is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in The Hilltop Review by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 14 Rebecca Straple Glorious and Execrable: The Dead and Their Bodies in World War I Poetry “Unburiable bodies sit outside the dug-outs all day, all night, the most execrable sights on earth: In poetry, we call them the most glorious.” – Wilfred Owen, February 4, 1917 Rebecca Straple Winner of the first place paper Ph.D. in English Literature Department of English Western Michigan University [email protected] ANY critics of poetry written during World War I see a clear divide between poetry of the early and late years of the war, usually located after the Battle of the Somme in 1916. Af- ter this event, poetic trends seem to move away from odes Mto courageous sacrifice and protection of the homeland, toward bitter or grief-stricken verses on the horror and pointless suffering of the conflict. This is especially true of poetry written by soldier poets, many of whom were young, English men with a strong grounding in Classical literature and languages from their training in the British public schooling system.
    [Show full text]
  • Neurasthenia, Robert Graves, and Poetic Therapy in the Great War Juliette E
    Student Publications Student Scholarship Fall 2017 Neurasthenia, Robert Graves, and Poetic Therapy in the Great War Juliette E. Sebock Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Cultural History Commons, European History Commons, Literature in English, British Isles Commons, and the Military History Commons Share feedback about the accessibility of this item. Sebock, Juliette E., "Neurasthenia, Robert Graves, and Poetic Therapy in the Great War" (2017). Student Publications. 588. https://cupola.gettysburg.edu/student_scholarship/588 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Neurasthenia, Robert Graves, and Poetic Therapy in the Great War Abstract Though Robert Graves is remembered primarily for his memoir, Good-bye to All That, his First World War poetry is equally relevant. Comparably to the more famous writings of Sassoon and Owen, Graves' war poems depict the trauma of the trenches, marked by his repressed neurasthenia (colloquially, shell-shock), and foreshadow his later remarkable poetic talents. Keywords Robert Graves, poetry, great war, World War I, shell-shock Disciplines Cultural History | European History | Literature in English, British Isles | Military History Comments Written for HIST 219: The Great War. Creative Commons License Creative ThiCommons works is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This student research paper is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/ student_scholarship/588 Neurasthenia, Robert Graves, and Poetic Therapy in the Great War Juliette Sebock By 1914, hysterical disorders were easily recognisable, in both civilian and military life.
    [Show full text]
  • War Poetry: Impacts on British Understanding of World War One
    Central Washington University ScholarWorks@CWU All Undergraduate Projects Undergraduate Student Projects Spring 2019 War Poetry: Impacts on British Understanding of World War One Holly Fleshman Central Washington University, [email protected] Follow this and additional works at: https://digitalcommons.cwu.edu/undergradproj Part of the European History Commons, Military History Commons, and the Social History Commons Recommended Citation Fleshman, Holly, "War Poetry: Impacts on British Understanding of World War One" (2019). All Undergraduate Projects. 104. https://digitalcommons.cwu.edu/undergradproj/104 This Undergraduate Project is brought to you for free and open access by the Undergraduate Student Projects at ScholarWorks@CWU. It has been accepted for inclusion in All Undergraduate Projects by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. Table of Contents Abstract……………………………………………………………………….. 2 Body………..………………………………………………………………….. 3 Conclusion ……………………………………………………………………. 20 Bibliography ………………………………………………………………….. 24 End Notes ……………………………………………………………………... 28 1 Abstract The military and technological innovations deployed during World War I ushered in a new phase of modern warfare. Newly developed technologies and weapons created an environment which no one had seen before, and as a result, an entire generation of soldiers and their families had to learn to cope with new conditions of shell shock. For many of those affected, poetry offered an outlet to express their thoughts, feelings and experiences. For Great Britain, the work of Rupert Brooke, Siegfried Sassoon, Wilfred Owen and Robert Graves have been highly recognized, both at the time and in the present. Newspaper articles and reviews published by prominent companies of the time make it clear that each of these poets, who expressed strong opinions and feelings toward the war, deeply influenced public opinion.
    [Show full text]
  • Hemingway: Works and Days
    English Language and Literature Studies; Vol. 3, No. 1; 2013 ISSN 1925-4768 E-ISSN 1925-4776 Published by Canadian Center of Science and Education Hemingway: Works and Days Shahla Sorkhabi Darzikola1 1 Department of English, Payame Noor University, Iran Correspondence: Shahla Sorkhabi Darzikola, Payame Noor University, Firozkooh, Tehran, Iran. Tel: 98-912-238-4192. E-mail: [email protected] Received: December 9, 2012 Accepted: January 11, 2013 Online Published: January 29, 2013 doi:10.5539/ells.v3n1p77 URL: http://dx.doi.org/10.5539/ells.v3n1p77 Abstract Considering Hemingway’s life and activities in different period of his life is one of the important legal issues that have gained particular significance of the reflection on his life on his works. So the later years of Hemingway’s life (1948-1962) are examined. The important fact that Hemingway was included in American Literature collected works cannot be overvalued. His style and theme issue are both conventional and classic of American text and he broke different fictional ground when he started printing his short stories. This article tries to delve more deeply how Hemingway's life impacted on his works. Keywords: existentialism, identity, nihilist, struggle, human belief, responsibility 1. Introduction Twentieth century has been at the mercy of various events which have been illustrated by intellectuals in different fields. Ernest Hemingway, the illustrious novelist has dealt with the question of existence in his works. In this article among the many characteristics revealing existence, the major ones including the themes of identity and existence have been analyzed with regard to the techniques of the writer in his major works.
    [Show full text]
  • Boston College Collection of Siegfried Sassoon Before 1930-1964 MS.1986.051
    Boston College collection of Siegfried Sassoon before 1930-1964 MS.1986.051 https://hdl.handle.net/2345.2/MS1986-051 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Biographical note ........................................................................................................................................... 5 Scope and Contents ........................................................................................................................................ 5 Collection Inventory ....................................................................................................................................... 6 I: Manuscript ............................................................................................................................................... 6 II: Correspondence ...................................................................................................................................... 6 III: Printed works .......................................................................................................................................
    [Show full text]
  • Private Cooper's War 1918-2018
    Private Cooper’s War PRIVATE COOPER’S WAR 1918-2018 Stephen Cooper Copyright Stephen Cooper, 2014 The right of Stephen Cooper to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 1 Private Cooper’s War ARTHUR COOPER 1886-1918 Arthur’s medals and identity disc; and the medallion sent to his widow in 1921 2 Private Cooper’s War For Arthur’s great-great grandsons, William & Toby born 2012 and 2014 3 Private Cooper’s War CONTENTS 1 ‘BLOWN TO BITS’ 2 THE KING’S LIVERPOOL REGIMENT 3 KAISERSCHLACHT, 1918 4 POST-WAR Bibliography Illustrations 4 Private Cooper’s War 1 ‘BLOWN TO BITS’ Links to the Past My grandfather Arthur Cooper (b. 1886) was killed on the Western Front, on or around 12 April 1918. I have two letters about him, written to me by my aunt Peg some 40 years ago, when I was young and she was already old.1 I have no letters written by Arthur himself, nor postcards. Did he write any? The answer may be no, because he was only in France and Flanders a short time, though that would not explain any failure to write home from Norfolk, where he spent some months. Certainly, no letters or postcards have survived; but Paul Fussell’s book The Great War and Modern Memory makes it clear that I am probably not missing much. All letters and postcards written by the troops were censored; and in Old Soldiers Never Die Frank Richards tells how the men were ‘not allowed to say what part of the Front [they] were on, or casualties, or the conditions [they] were living in, or the names of the villages or towns [they] were staying in.’ In any event the Tommies communicated in clichés, partly because - true to the national stereotype - they were phlegmatic; and partly because there was a widely shared view that it didn’t do any good, and certainly didn’t cheer the family up, to complain about one’s lot.
    [Show full text]
  • With the Old Breed: at Peleliu and Okinawa PDF Book
    WITH THE OLD BREED: AT PELELIU AND OKINAWA PDF, EPUB, EBOOK Professor of Biology E B Sledge | 384 pages | 05 Sep 2011 | Random House Publishing Group | 9780891419198 | English | New York, United Kingdom With the Old Breed: At Peleliu and Okinawa PDF Book Jocko Podcast Boo There were funny moments as well—the men reminding their green lieutenant of his earlier pledge to charge the Japanese with his knife and pistol and turn the tide of war all by himself, as said lieutenant is frantically digging a really deep foxhole after his first taste of combat. Eugene Sledge's book didn't lessen my love for that time period, nor my awe and gratitude for the men who served Another loss for my reading enjoyment is they also have such a close order view of what is going on, that you loose any big picture overview. But what really sets this apart are the author's honest descriptions of how he felt and his motivations in combat - comradeship, bravery, anger, You've read the other reviews, so you already know how good this is. Aug 16, Kate rated it it was amazing Shelves: war , history , wwii. His story was later central to Ken Burns' series, "The War. So all the armchair generals who think we messed up by dropping the A-Bomb need to read this book and remember that it took more than 80 days and over , dead Japanese to get a six mile island named Okinawa. Use your imagination, but add "hungry, tired, exhausted to the limits of your endurance, need to shit and there is no toilet or TP or privacy or even a trench anywhere and several thousand men are all crowded together in the same situation and also you're under heavy shelling and your buddies are getting blown to bits right and left.
    [Show full text]
  • T. E. Lawrence Papers: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/c8bg2tr0 No online items T. E. Lawrence Papers: Finding Aid Finding aid prepared by Gayle M. Richardson, April 30, 2009. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2009 The Huntington Library. All rights reserved. T. E. Lawrence Papers: Finding mssTEL 1-1277 1 Aid Overview of the Collection Title: T. E. Lawrence Papers Dates (inclusive): 1894-2006 Bulk dates: 1911-2000 Collection Number: mssTEL 1-1277 Creator: Lawrence, T. E. (Thomas Edward), 1888-1935. Extent: 8,707 pieces. 86 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: The collection consists of papers concerning British soldier and author T.E. Lawrence (1888-1935) including manuscripts (by and about Lawrence), correspondence (including over 150 letters by Lawrence), photographs, drawings, reproductions and ephemera. Also included in the collection is research material of various Lawrence collectors and scholars. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Boxes 82-86 -- Coin & Fine Art, Manuscript & Rare Book Dealers. Restricted to staff use only. These boxes include provenance, price and sale information; please see Container List for an item-level list of contents. Publication Rights All photocopies, for which the Huntington does not own the original manuscript, may not be copied in any way, as noted in the Container List and on the folders.
    [Show full text]
  • “Lest We Forget”: Canadian Combatant Narratives of the Great War by Monique Dumontet a Thesis Submitted to the Faculty of G
    “Lest We Forget”: Canadian Combatant Narratives of the Great War by Monique Dumontet A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba In partial fulfillment of the requirements of the degree of Doctor of Philosophy Department of English, Film, and Theatre University of Manitoba Winnipeg, Manitoaba Copyright © 2010 by Monique Dumontet Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-70307-6 Our file Notre référence ISBN: 978-0-494-70307-6 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]