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Kondo T Biography
Takahiro Kondo Curriculum Vitae Born 1958, Kyoto, Japan 1978-1982 Hosei University, Tokyo, Japan, Faculty of Literature 1984-1985 Kyoto Prefectural Technical Institute of Ceramics, Kyoto, Japan 1985-1986 Kyoto Municipal Institute of Industrial Research, Kyoto, Japan 2002-2003 Edinburgh College of Art, Edinburgh, MA Design and Applied Art (with support through a fellowship from the Japanese Ministry of Culture) 2018 Artist in Residence, Gardiner Museum, Toronto, Canada Working in Japan Takahiro Kondo lives and works in Kyoto in what was his grandfather’s original studio in the hills of Yamashina. His grandfather, Yuzo Kondo (1902 -1985), was named a Living National Treasure in 1977 for his work in sometsuke or underglaze cobalt blue decoration. Despite his weighty heritage, Kondo did not start working in ceramics until 1986. His early ceramics followed a more traditional path, but he soon established his own independent artistic identity creating dynamic modern work, using simple slabbed forms and experimenting with other media such as metals and cast glass. His experiments with metals resulted in the creation of his unique “silver mist” glaze, for which he is now well known. Kondo draws inspiration from the natural world, with water being a central theme. His work took on another dimension after the disaster of 3/11 when he created a series of meditative figures, the Reduction series, to call attention to the causes and consequences of the events in the Tohoku area for all of Japan. Another important aspect of his career has been his special relationship with Scotland, where inter alia, he gained an MA Design from Edinburgh College of Art, and also learned glassmaking techniques. -
Getting to Know the Many Facets of Japan
Feature Getting to Know the Many Facets of Japan 智Kyoto University’s Rich Tapestry of Research If you want to get to know Japan from many different angles, Kyoto University is the place to visit. This issue of Research Activities introduces only a small part of the research projects under way at the university. We hope that you will find something here that grabs your interest, and stimulates your curiosity to find out about the many other research activities going on at Kyoto University. Japan Modren History Where do our images of Kyoto and Japan come from? Collaborative Research on Kyoto, Japan’s Ancient Capital, and other Historical Cities. We are accustomed to seeing the city of Kyoto represented by graceful and elegant images, such as exquisitely crafted Japanese cuisine and confectionary, traditional craftwork such as Nishijin textiles and Kiyomizuyaki pottery, and the scenery of old temples and shrines or the Higashiyama mountains. You may be surprised to learn, however, that such images of Kyoto did not evolve naturally over time, but were contrived and created in modern times for political reasons. In order to “catch up” with powerful Western nations and become one of the world’s “the first- PHOTO: Wikipedia rate countries,” the nation-state of Japan, which The Hō-ō-do Hall of Byodo-in Temple (Uji City), an established image of Kyoto in modern history had been established during the Sino–Japanese and Russo–Japanese Wars, adopted a national policy to employ kokufu bunka (Japan’s traditional national culture) as the image for Kyoto City and a symbol of national identity. -
Rethinking Interaction Between Indigenous Traditional Knowledge and Modern
International Workshop Proceedings Rethinking Interaction between Indigenous Traditional Knowledge and Modern Traditional Interaction between Indigenous Rethinking Rethinking Interaction between Indigenous Traditional Knowledge and Modern Knowledge Edited by Yugo Tomonaga and Shincha Park International Workshop Rethinking Interaction between Indigenous Traditional Knowledge and Modern Knowledge October 15, 2017 Wagenkan 202, Fukakusa Campus Ryukoku University Edited by Yugo Tomonaga and Shincha Park ©2018 All Rights Reserved The opinions expressed in this publication are those of the author/s and do not necessarily reflect the view of Ryukoku University. No part of this publication shall be reproduced in any form without the permission of the author/s. This publication has been supported by JSPS KAKENHI Grant Number 16K03246 for the project “Environmental Anthropological Study of Watershed Management among Indigenous people in Australia and Japan”, and Social-Cultural Research Institute, Ryukoku University, for the project “Comparative Studies on Environmental Management of Catchment and Forest as the Water Source in Australia and Japan”. Echika.T Rethinking Interaction between Indigenous Traditional Knowledge and Modern Knowledge 2017.10.15 (SUN) 10:00 - 17:00 Ryukoku University Fukakusa Campus Wagenkan, Room 202 By JSPS KAKENHI Grant Number 16K03246 TEL: 075-366-2201 / 077-543-7670 E-mail: [email protected] / [email protected] PHOTOS Martin F. Nakata Yasukatsu Matsushima Akio Tanabe Yugo Tomonaga Liying Lin Kinhide -
Mie Aichi Shizuoka Nara Fukui Kyoto Hyogo Wakayama Osaka Shiga
SHIZUOKA AICHI MIE <G7 Ise-Shima Summit> Oigawa Railway Steam Locomotives 1 Toyohashi Park 5 The Museum Meiji-mura 9 Toyota Commemorative Museum of 13 Ise Grand Shrine 17 Toba 20 Shima (Kashikojima Island) 23 These steam locomotives, which ran in the This public park houses the remains of An outdoor museum which enables visitors to 1920s and 1930s, are still in fully working Yoshida Castle, which was built in the 16th experience old buildings and modes of Industry and Technology order. These stations which evoke the spirit century, other cultural institutions such as transport, mainly from the Meiji Period The Toyota Group has preserved the site of the of the period, the rivers and tea plantations the Toyohashi City Museum of Art and (1868–1912), as well as beef hot-pot and other former main plant of Toyoda Automatic Loom the trains roll past, and the dramatic History, and sports facilities. The tramway, aspects of the culinary culture of the times. The Works as part of its industrial heritage, and has mountain scenery have appeared in many which runs through the environs of the park museum grounds, one of the largest in Japan, reopened it as a commemorative museum. The TV dramas and movies. is a symbol of Toyohashi. houses more than sixty buildings from around museum, which features textile machinery and ACCESS A 5-minute walk from Toyohashikoen-mae Station on the Toyohashi Railway tramline Japan and beyond, 12 of which are designated automobiles developed by the Toyota Group, ACCESS Runs from Shin-Kanaya Station to Senzu on the Oigawa Railway ACCESS A 20-minute bus journey from as Important Cultural Properties of Japan, presents the history of industry and technology http://www.oigawa-railway.co.jp/pdf/oigawa_rail_eng.pdf Inuyama Station on the Nagoya Railroad which were dismantled and moved here. -
Illumination Event in the Kibune Area During the Period
NEWS RELEASE - Illumination of Maple Leaves to Color the Night Skies of Autumn - Illumination event in the Kibune area during the period November 2 (Sat.) - 24 (Sun.) Together with Kibune Tourism Association, Eizan Electric Railway Co., Ltd., which serves the northern part of the city of Kyoto, is holding an illumination event in the Kibune area from the 2nd (Sat.) to the 24th (Sun.) of November 2019. In this event, the leaves of maple trees, which turn a vivid red in autumn, will be lit up at night. Along the Eizan Railway lines, illumination will light up the Maple Tree Tunnel and the maple trees in the vicinity of Ninose and Kibuneguchi stations. In addition, lanterns and other lighting will be set up in the precincts of Kifune-jinja Shrine and streets lined with Japanese-style inns. When going through the illuminated Maple Tree Tunnel, the trains will turn off the lighting in the cars and slow down as they pass by the red-leaved trees, which make a magical sight when lit up at night. At Kifune-jinja Shrine, candles will be lit inside the Kasuga lanterns along the road leading up to the shrine gate, and illumination will make the deep red of the leaves on maple trees around the main hall and other structures stand out against the night sky along with the shrine buildings. Make sure not to miss the beautiful autumn scenery coloring the skies over the Rakuhoku district of Kyoto. For details, see the attachment. Maple Tree Tunnel Kifune-jinja Shrine End 1 Outline of the Kibune Area Illumination Event 23 days, November 2 (Sat.) - 24 (Sun.), 2019 1. -
Kyoto University Newsletter
Greetings from Kyoto-U AUTUMN 2012 Issue 22 Raku-Yu Kyoto University Newsletter CONTENTS Editor in Chief 1 Kyoto University’s Approach to Internationalization and Globalization Hiroshi MATSUMOTO, President of Kyoto University Kengo AKIZUKI 2 Features Associate Editor Evolution of Kyoto University Alumni Associations Outside Japan Naoko SAITO — Serving as Bridges with the University — Senior Editors Seifu-so Designated as an Important Cultural Property of Japan Martin CIESKO Annular Solar Eclipse: An Observation Event and Lecture Takumi FURUTA A Kyoto University Student Team Wins Second Prize at the Third Masaru KOBAYASHI International Contest of Applications in Nano / Micro Technology (iCAN’12) Satoshi MATSUSHITA 6 Forefronts of Research at Kyoto University Kazuya NAKAMURA Recent Solar Activity Hiroshi OKUYAMA Kiyoshi ICHIMOTO, Professor, Kwasan and Hida Observatories, Graduate School of Science Timothy William STEWART Ethics and “Face” Daichi UCHIBORI Yoshiyuki SATO, Professor, Graduate School of Human and Environmental Studies ESSAY Editorial Collaborator 10 KOSOSHA CO.,LTD. Variety of Economic Policy Outcomes and the Role of Institutions Dimiter IALNAZOV, Associate Professor, Graduate School of Economics Printed by INTERVIEW 11 KOSAIDO CO.,LTD. “This is a very interesting international cooperation project. In addition to promoting a spirit of self-support and independence among local people, the project helps me develop my own view of humankind.” Yusuke MIYAZAKI, the Faculty of Engineering 12 What’s Happening in International Relations © The Committee of Public Relations Introducing The Kyoto-DC Global Career Development Program for International Organizations of Kyoto University Kyoto University Students and Staff Participate in the 13th AUN Educational Forum and Young Speakers Contest at Vietnam National University, Ho Chi Minh City A Note on Order of Names As a general rule, names appearing The 18th Kyoto University International Symposium: Partnering Asian Academics toward Human Security in Raku-Yu are written in given Development name/family name order. -
Kyoto University Walking Map (PDF)
Here are five tours for you to feel the different charms of Kyoto University. The more you walk, the more the University becomes visible! The more you know about A year at Welcome to KYOTO Kyoto University Kyoto University Kyoto University Short Tour Architectual Tour Gourmet Tour Scenic Tour Neighborhood Tour UNIVERSITY Kyoto University was established in 1897 as the second Imperial University in Japan. The University This is an introductory tour for people new to This tour features points on campus such as There are a lot of dining halls, cafes, and It is possible to feel the changing seasons by The historical city of Kyoto is dotted with more Kyoto University. It is possible to walk around and historical architecture statues, monuments, and restaurants at Kyoto University open to the general viewing the different flowers and plants at Kyoto than 2,000 Shinto shrines and Buddhist temples. has three large campuses, and the Main Campus is Kyoto University was founded in 1897. For over April ・Entrance ceremony WALKING filled with history and charm that remains since its see the major spots on campus in a short period of memorial trees. The buildings are worth looking at public. Each campus has its own characteristics. University. There is no doubt that photogenic These include the 17 cultural assets such as 120 years, it built a history with Yoshida campus at ・Kouhousai Festival (Online Only) time. This course is recommended for people who even if it is from the outside. This course is We recommend selecting a different place to suit scenes can be found, against the backdrop of the Kinkaku-ji, Kiyomizu-dera, and Nijo Castle that foundation. -
“Premium Car” Service Has Commenced with Designated Seating
Keihan Holdings Co., Ltd. Keihan Electric Railway September 26, 2017 “Premium Car” Service Has Commenced with Designated Seating Keihan Electric Railway provides rail services in Osaka, Kyoto and Shiga Prefectures. On August 20, we began our “Premium Car” service with designated seating on our Keihan Main Line between Yodoyabashi Station in Osaka and Demachiyanagi Station in Kyoto. e Premium Car is the car number six (sixth car from the Kyoto side) in our eight-car limited express trains, the only car with designated seating available through advanced booking. Limited express trains oen run out of seats due to the large number of passengers, but the Premium Car features reserved seating so you can be sure you will have a seat. Check out these other great features not ordinarily found on limited express cars. Main features: • Dedicated onboard attendants • Three seats per row with a 2+1 arrangement for plenty of room • Luggage storage space for large belongings • A large tabletop, convenient for laptops and other uses (unavailable with certain seats) • Free Wi-Fi • An electrical outlet at each seat Photographs of the Premium Car: To ride on the Premium Car, a Premium Car ticket must be purchased in addition to the regular passenger ticket for the ride interval. e cost of a Premium Car ticket is 400 or 500 yen, depending on the ride interval. See the Keihan Electric Railway website for how to purchase tickets, operating schedules and other information in multiple languages. e Keihan Electric Railway website is available in the following -
Open Call for Proposals
Examples of Collaborations As a launch project for the competition,“ KYOTO STEAM 2020 International Art Open call for artists to create with Corporations and Competition Launch Exhibition” will be held as below. This exhibition features artists Research Institutes and partners’ jointly created works selected by a jury. new works of art in collaboration with corporations and research institutes KYOTO STEAM 2020 International Art Competition Launch Exhibition Saturday, October 31–Sunday, December 6, 2020 10:00 a.m.–6:00 p.m. Closed on Mondays (except public holidays) Visitors with ticket reservations are given priority admission. Please visit the official Kyoto City KYOCERA Museum of Art website for more information. Venue: Higashiyama Cube, Kyoto City KYOCERA Museum of Art 124 Okazaki Enshoji-cho, Sakyo-ku, Kyoto, 606-8344, Japan Tel.: +81 075 771 4334 Official website: https://kyotocity-kyocera.museum KYOTO Admission: adults ¥1,000 (incl. tax), free for junior high school students or younger KYOTO STEAM 2022 Free admission for high school students who reside or attend school in Kyoto City (student ID required), and those with certified International Art Competition disabilities and one accompanying adult Participating Artists, Corporations, Research Institutes Ichihara Etsuko (media artist) × Digital Hollywood University Graduate School and Hacosco Inc. Kubo Gaetan (artist) × KOTOBUKI CORPORATION and TOWN ART Co., Ltd. Suzuki Taro (media artist) × Fukuoka Weaving Co., Ltd. Hayashi Yuki (video artist) × Center for iPS Cell Research and Application, -
Nanban Art and Its Globality: a Case Study of the New Spanish Mural the Great Martyrdom of Japan in 1597*
21-56 Nanban Art and its Globality Rie Arimura Nanban Art and its Globality: A Case Study of the New Spanish Mural The Great Martyrdom of Japan in 1597* Rie Arimura** DOI: http://dx.doi.org/10.15446/hys.n36.73460 Abstract | Traditionally, nanban art has been seen as a simple product of exchanges between Japan, Portugal and Spain. The historiography tends to solely focus on artistic contributions of the Society of Jesus due to the foundation of a painting school in Japan. Thereby, the relevance of the Indo-Portuguese route in the cross-cultural history has been emphasized. However, the research advances of the last decades identify that nanban works consist of artistic inheritances from diverse regions of the world which were connected through the Portuguese and Spanish transoceanic routes. Similarly, Japanese nanban art influenced the artistic productions on the other side of the world. In summary, nanban art cannot be understood without taking into account its global implications. This paper clarifies the changes in epistemological understanding of nanban art, and its redefinitions through a historiographical review. This work also shows the important role of Spanish America in the artistic exchange mechanisms; these interactions occurred reciprocally. Therefore, the New World was one of the regions where Japanese art significantly influenced local productions. To exemplify this phenomenon, we address the influence of nanban art on the mural painting The great martyrdom of Japan in 1597 in Cuernavaca, Morelos, Mexico. Keywords | (Thesaurus) arts; art history; Asian art; Latin American art. (Author) nanban art; kirishitan art; Spanish American colonial art. Arte namban y su globalidad: un caso del mural novohispano El gran martirio de Japón en 1597 Resumen | Tradicionalmente, el arte namban ha sido visto como un simple producto de intercambios entre Japón, Portugal y España. -
UMAC 2019 University Museums and Collections As Cultural Hubs: the Future of Tradition
UMAC 2019 University Museums and Collections as Cultural Hubs: The Future of Tradition Preliminary Program http://umac.icom.museum/activities/conferences/ 31 August 17.00-19.00 UMAC Board Meeting, University Museum of Cultures, Kyoto University of Foreign Studies 19.00 UMAC Board Dinner with UMAK Board, Keynotes and other Guests (by invitation) 1 September Kyoto University Museum 9.00-13.00 Pre-Conference Workshops (max. 20 participants each, themes tba) 14.00-18.00 Pre-Conference Workshops (max. 20 participants each, themes tba) 18.00-19.00 Working Groups Meetings: - Teaching Tools - Standards - UMAC Futures 2 September ICC Kyoto Morning: ICOM Opening Ceremony + ICOM Keynotes UMAC: Room 510 13.30 UMAC 2019 Opening Session - Akiko Fukuno, Co-Chair UMAC 2019 - Hiroshi Minami, Co-Chair UMAC 2019 - Marta C. Lourenço, UMAC Chair 14.00 Keynote Addresses - Seishi Namiki, Chair of the University Museum Association of Kyoto (UMAK), Director of Museums and Archives of Kyoto Institute of Technology - Keynote to be announced 15.00 Session 1: Special Session (Plenary: 4x5 min talks focussed on a theme and then in-depth discussion) 16.00 Break 16.30 Session 2: Special Session (Plenary: 4x5 min talks focussed on a theme and then in-depth discussion) 18.00 Opening Party 3 September ICC Kyoto Morning: ICOM Keynotes UMAC: Room 510 13.30 Session 3: Joint Session with ICTOP (Plenary) The P-MUS Project: Results and Questions Marta C. Lourenço, UMAC President Darko Babic, ICTOP President 15.00 Session 4: Poster Session (Plenary) 16.00 Break 16.30 UMAC AGM -
Title 京都大学図書館機構概要 2019/2020( 英語版 English Version )
京都大学図書館機構概要 2019/2020( 英語版_English Title version ) Author(s) Citation (2018): 1-18 Issue Date 2018-12 URL http://hdl.handle.net/2433/236033 Right Type Others Textversion publisher Kyoto University Outline of the Kyoto University Library Network published in 2019 Edited and published : by Kyoto University Library Network Yoshida-Honmachi, Sakyo-ku, Kyoto 606-8501, JAPAN TEL.+81-75-753-2691 FAX.+81-75-753-2629 The latest information is available on the website 2019 2020 https://www.kulib.kyoto-u.ac.jp/?lang=en Mission The mission of the Kyoto University Library Network is to provide a first-rate academic and information infrastructure that is consistent with Kyoto University's Mission Statement and worthy of an educational Statement and research center that ranks as one of the highest in the world. The Library Network will do its utmost to support the teaching and research objectives of the University, and to collect, classify and preserve Message from academic information resources and newly created intellectual knowledge, the intellectual property of mankind, to enable the University to contribute to the academic community both in Japan and internation- the Director-General ally. It will also endeavor constantly to offer the highest-quality and most advanced information service possible.Hence, the Kyoto University Library Network strives to achieve the following objectives. Meeting the needs of students, Director-General Kyoto University Library Network 1 faculty, and staff Takashi Hikihara, Ph.D. Coordinating with libraries 8 at home and abroad Since its foundation in 1897, Kyoto University has Kyoto University Library Network provides an envi- mandates the online publication of research Gathering academic 2 information been a leading university in promoting world-class ronment to read and make use of both printed and results (such as academic papers by Kyoto knowledge with the commitment to cultivate digital resources including online journals and University faculty members) via the Kyoto Univer- academic freedom.