Part 4: the University of Tokyo (Wakabayashi) and Nationai

Total Page:16

File Type:pdf, Size:1020Kb

Part 4: the University of Tokyo (Wakabayashi) and Nationai or my last "News from Japan" article, I have asked Alfredo Petrov to be coauthor. Alfredo regularly travels Fto Japan for the Osaka and Tokyo mineral shows and to lead field excursions around the country. He lived in Nagoya for four years and may have the unique distinction of heing the only person to have heen escorted on a mineral collect- ing trip hy several Yakuza (members of the Japanese mafia); next time you see Alfredo ask for the full story! It is midsummer at this writing, and there are only two apan words to describe Kyoto: hot and sticky It may be a coinci- dence, but in the stifling heat and humidity one wonders if this city was chosen for an international congress on global Part 4: The University of Tokyo warming (resulting in the Kyoto Protocol) for visual flair. With the arrival of early summer in Kyoto comes the build- (Wakabayashi) and Nationai Science ing of noryo yuka (waterfront decks) at restaurants and Museum (Sakurai) Collections and izakaya (hars) along the Kamo River and elsewhere. The warm nights are made more pleasant by sitting on tatami a Plethora of Local Monuments and (traditional rush matting that is used as a floor covering), Mineral and Mining Museums savoring cold sake (rice wine), unagi (braised eel), and cold soha (buckwheat noodles) or other seasonal delicacies while enjoying cool breezes from the river. For a more energetic and lively respite from the heat, rooftop beer gardens, afford- JOHN RAKOVAN ALFREDO PETROV ing nice views of the city and the sunset over the western Department of Geology 531 N. James Street mountains, are a great (and less expensive) alternative. Miami University Peekskill, New York 10566 Oxford, Ohio 45056 alfredopetrov@ Summer is also host to two of the largest matsuri (festivals) [email protected] earthlink.net in Japan. During the entire month of July the ancient capi- tal of Kyoto is taken back in time during the Giort Matsuri, which originated in A.D. 869. During this festival many streets in Gion and central Kyoto are closed at night to all but foot traffic. They are lined with countless street vendors offering games and Japanese festival foods such as takoyaki (balls of egg*battered octopus) and tomorokoshi (grilled ears of corn brushed with soy sauce). Another summer delicacy common in Kyo-ryori (Kyoto cuisine) is hamo (pike eel). Hamo is an exceptionally bony fish and conjures up images of esophageal acupuncture until it is expertly prepared through the art of honekiri (bone-slicing). Master chefs are said to make up to ten cuts per centimeter. When grilled, it is wonderful and not to be missed. Many people, even a gaijin (an outside person), attending the festival wear yukata (a light-weight summer version of a kimono for both men and women). The focus of the street festival is the construction of parade floats (called hoko and yama), many of which are several hundred years old and may weigh as much as ten tons. Gion Matsuri reaches its pinnacle on 17 July when thirty-two yama and hoko are paraded through downtown Kyoto. Pacific Ocean August is the season of o-hon, the festival of the dead, one of the most important events in Japan. Many of the temples N in Kyoto have special ceremonies during this time, from 500 kilometers Dr. John Rakovan, an executive editor o/Rocks 8f Minerals, A is a professor of mineralogy and geochemistry at Miami University in Oxford, Ohio. Alfredo Petrov is a geologist and part-time mineral dealer Figure I. Map of Japan, by \WlHam Besse. and collecting guide. 188 ROCKS & MINERALS Figure 3. Arsenopyrite, Obira mine, Oita Prefecture; Wakabayashi collection, Department of Min- eralogy, University of Tokyo. Specimen about 10 cm across. Figure 2. Vivianite on pyrite, Ashio mine, Tochigi Prefecture; Wakabayashi collection, Department of Mineralogy, University of Tokyo. Crystal about 5 cm long. the lighting of countless paper latiterns and candles to the immense bonfires {gozan okuribi). On 16 August, the last day of the o-bon festival, gozan okurihi, in the shape of Chinese language characters (kanji), or Buddhist-related symbols, are lit on five of the tnountains around Kyoto, including Daimonji (see yozakura ishi below). Custom holds that the lanterns illuminate the path that the ancestors' spirits must take to move on to the next world. To learn more about contemporary Japan and Japanese culture, I highly recommend Nipponia, a fun, quarterly magazine that is available in print and online at http://web- japan.org/nipponia/backnumber/index.html. Another great Web site is Web Japan (http://web-japan.org/). Figure 4. Cfaalcopyrite, Arakawa mine, Akita Prefecture; Wak- abayashi collection. Department of Mineralogy, University of Tokyo. Specimen about 12 cm across. University of Tokyo Mineral Collection The University of Tokyo was the first university in Japan to offer a program in mineralogy, and Tsunashiro Wada, the first Japanese professor of mineralogy, taught there for much of his career. Wada amassed what is still considered the finest collection of Japanese minerals. Its excellence is largely the result of the Japanese government's intervention, based on their interest in exhibiting the mineral wealth of their country at the 1873 International Exposition in Vienna and the 1877 National Exhibition in Tokyo (Nambu 1970). After his retirement from the university, Wada kept much of the collection, which was eventually sold to Mitsubishi Corporation and is now an important part of the exhibit at the Ikuno Mineral Museum. The University of Tokyo's col- lection, which today consists of approximately 27,000 items and 950 different mineral species. More than 2,000 of these specimens comprise the Wakabayashi collection, another of what are considered the four tnost important collections of Japanese minerals. Figure 5. Chalcopyrite, Arakawa mine, Akita Prefecture (side view of specimen in figure 4), Wakabayashi collection. Depart- ment of Mineralogy, University of Tokyo. Volume 81. May/|une 2006 189 Figure 6. Chalcopyrite, Arakawa mine, Akita Prefecture; Wakabayashi collection, Department of Mineralogy, University of Tokyo. Crystal about 7 cm long. Figure 8. Linarite, Kisamori mine, Akita Prefecture; Wakabayashi collection, Department of Mineralogy, University of Tokyo. Largest crystals about 5 cm long. Figure 7. Arsenopyrite, Obira mine, Oita Prefecture; Wakabayashi collection, Department of Mineralogy, University of Tokyo. Specimen about 20 cm across. Yaichiro Wakabayashi (1874-1943) was born in Kanaza- wa, Ishikawa Prefecture, on 30 August 1874 (fig. 10). In 1889 he earned a doctoral degree from the Imperial University of Tokyo (University of Tokyo, today) and soon thereafter went to work for the Mitsubishi Company, Ltd., starting his career as a mining engineer. He eventually became chief engineer in both the Mitsubishi Company and the Mitsubishi Mining Company and contributed greatly to Japanese developments in mining technology in the early twentieth century. Wak- Figure 9. Pyromorphite, Kisamori mine, Akita Prefecture; Wakabayashi collection. Department of abayashi was an avid mineral collector, and his professional Mineralogy, University of Tokyo. Single crystals to appointments afforded him many unique opportunities to 6 mm long. 190 ROCKS & MINERALS Figure 12. Stibnite, Icbinokawa mine, Ehime Prefecture; Sakurai collection, National Science Museum, Tokyo. Specimen 50 cm long. Figure 10. Satoshi Matsubara Dr. Yaichiro photo. Wakabayashi. language reference (extensive although not comprehensive) about Japanese minerals and mineral localities. The col- lection has numerous strengths including many specimens of chalcopyrite with varying and unusual morphologies from Akita Prefecture. Other noteworthy specimens in the university's collection that were not part of the Wakabayashi collection include a large, artificially constructed group of Ichinakawa stibnite crystals and a sharp, lustrous 2.6-cm pyroxmangite crystal on matrix. Today the University of Tokyo mineral collection is housed in the museum on the university's Hongo (Main) Campus. The museum building is just south of the Akatnon (Red Gate) entrance to the campus. Dr. Tokuhei Tagai, a miner- Figure 11. alogist in the Department of Earth and Planetary Science, Dr. Kinichi Sakurai. is curator of the collection. The museum is very active, and specimens rotate on and off display several times a year. The National Science Museum Collection field collect. He had a discerning eye and collected speci- The National Science Museum (NSM) in Tokyo houses mens not only for their beauty and rarity but also for their a collection of more than forty-eight thousand mineral scientific worth. specimens, most of which are from Japan. Approximately On his sixtieth birthday, Wakabayashi donated his entire 90 percent of the mineral species found in Japan and many collection to the Mineralogical Institute of the University Japanese type-specimens are represented. The number of of Tokyo. Today it resides in the University Museum, which acquisitions is considerable—in recent years more than was founded in 1966. Research on the collection after its two thousand specimens annually—as the result of the donation has led to the recognition of approximately thirty research activity of museum scientists. Much of the collec- new species, including wakabayashilite, which was named tion was donated by mining companies and private collec- in honor of Wakabayashi and was found in the collection tors. Among these, the most notable and important is the labeled as orpiment. collection of Dr. Kinichi Sakurai (fig. 11). More than fifteen A detailed catalog of the Wakabayashi mineral collec- thousand specimens compose what is considered the great- tion (Sadanaga and Bunno 1974) was published in English est private collection of minerals put together in Japan. and is available on the Internet at http://www.um.u-tokyo. Parts of a biography of Sakurai (Miyajima 2000; in Japa- ac.jp/publish_db/bulletin/no07/no07000.html. This thor- nese), paraphrased in English by one of us (AP) and his wife, ough description of the specimens is an excellent English- Tomoko, are given here: Volume 81, May/|une 2006 191 Figure 15.
Recommended publications
  • Japanese Suiseki for Display at the BCI Convention, Visions of the American West, June 21 to 24, 2012
    promoting international friendship through bonsai bonsai-bci.com Japanese suiseki for display at the BCI convention, Visions of the American West, June 21 to 24, 2012 Auction of Japanese Stone Donation Please note that all proceeds from this auction will go to Bonsai Clubs International. Bonsai Clubs International members have an unusual opportunity to acquire an authentic Japanese suiseki while supporting BCI. If you are not a member, you can join at this time and participate in the auction! What: Eighteen stones, each with it’s own hand In the case of tie bids, the bid with the earliest carved base, were donated by members of the submission date and time will be considered as the International Viewing Stone Association in Japan successful bid. for display at the BCI convention and for auction to benefit BCI. Please remember that people at the live auction can outbid online submissions. See the Stones: During the BCI convention, the stones will be on display in the Lupine Room of the What if I win the bid? Successful bidder at the Denver Marriott Tech Center. Prior to the convention, live auction can pick up their stones immediately larger photos of these stones can be viewed online after the auction and after they have paid the BCI at www.bonsai-bci.com. Treasurer for their winning bid. Online winners will be notified within one week following the close of How do I buy one? The stone will be auctioned at the convention. Successful online winner will be the closing dinner of the BCI convention. The best required to pay for the stone and for actual packing way of insuring success is to attend the convention and shipping costs before the stones are shipped to and be present at the auction.
    [Show full text]
  • Kondo T Biography
    Takahiro Kondo Curriculum Vitae Born 1958, Kyoto, Japan 1978-1982 Hosei University, Tokyo, Japan, Faculty of Literature 1984-1985 Kyoto Prefectural Technical Institute of Ceramics, Kyoto, Japan 1985-1986 Kyoto Municipal Institute of Industrial Research, Kyoto, Japan 2002-2003 Edinburgh College of Art, Edinburgh, MA Design and Applied Art (with support through a fellowship from the Japanese Ministry of Culture) 2018 Artist in Residence, Gardiner Museum, Toronto, Canada Working in Japan Takahiro Kondo lives and works in Kyoto in what was his grandfather’s original studio in the hills of Yamashina. His grandfather, Yuzo Kondo (1902 -1985), was named a Living National Treasure in 1977 for his work in sometsuke or underglaze cobalt blue decoration. Despite his weighty heritage, Kondo did not start working in ceramics until 1986. His early ceramics followed a more traditional path, but he soon established his own independent artistic identity creating dynamic modern work, using simple slabbed forms and experimenting with other media such as metals and cast glass. His experiments with metals resulted in the creation of his unique “silver mist” glaze, for which he is now well known. Kondo draws inspiration from the natural world, with water being a central theme. His work took on another dimension after the disaster of 3/11 when he created a series of meditative figures, the Reduction series, to call attention to the causes and consequences of the events in the Tohoku area for all of Japan. Another important aspect of his career has been his special relationship with Scotland, where inter alia, he gained an MA Design from Edinburgh College of Art, and also learned glassmaking techniques.
    [Show full text]
  • Icom Kyoto 2019
    Kyoto International Conference THEME WELCOME TO KYOTO VENUE Center (ICC Kyoto) MUSEUMS AS CULTURAL HUBS: KYOTO was named “World’s Best City” in the ICOM KYOTO 2019 e Future of Tradition Travel & Leisure World’s Best Awards 2015 25th General Conference The theme, “Hubs” aims to highlight 2 key concepts: As the former imperial capital, Kyoto has more than ▶ Museums as “Networks” ーsupporting 1,200 years of history and tradition, 1,681 Buddhist collaborative partnerships with one another temples and 812 Shinto shrines, including 17 UNESCO MUSEUMS AS CULTURAL HUBS World Heritage sites. With a bustling academic center ▶ Museums as “Cores” ーinvigorating The Future of Tradition communities at the local level. that is young at heart, it is rightly a must-see destination. The sub-theme “The Future of Tradition” aims to link museums to the future whilst respecting traditions. We look forward to discussing these timely topics with participants from all over the world. GREETINGS MUSEUMS IN KYOTO KYOTO has more than 200 museums KYOTO is well connected to ACCESS Japan’s international airports Kyoto is home to numerous cultural ICOM HQ facilities and museums, with a wide Paris ICOM President range of exhibits, such as Art, Suay AKSOY History, Craftworks, and Kyoto, Contemporary culture. JAPAN Our museums maintain a good relationship with each other. Chubu Centrair The ICOM General Conference, held every three years, Int. Airport (NGO) Tokyo Narita Int. Airport (NRT) Fukuoka Airport Express+ provides an important opportunity for ICOM members Airport (FUK) Shinkansen Train Airport Express+ 30min+36min Shinkansen Train Metro+ from 139 countries to share experiences, future TOKYO 60min+2hrs 15min Shinkansen Train KYOTO prospects, and advance expertise and leadership in the 5min+2hrs 44min OSAKA NAGOYA Tokyo Haneda eld of cultural heritage and museums.
    [Show full text]
  • Representations of Pleasure and Worship in Sankei Mandara Talia J
    Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively).
    [Show full text]
  • Getting to Know the Many Facets of Japan
    Feature Getting to Know the Many Facets of Japan 智Kyoto University’s Rich Tapestry of Research If you want to get to know Japan from many different angles, Kyoto University is the place to visit. This issue of Research Activities introduces only a small part of the research projects under way at the university. We hope that you will find something here that grabs your interest, and stimulates your curiosity to find out about the many other research activities going on at Kyoto University. Japan Modren History Where do our images of Kyoto and Japan come from? Collaborative Research on Kyoto, Japan’s Ancient Capital, and other Historical Cities. We are accustomed to seeing the city of Kyoto represented by graceful and elegant images, such as exquisitely crafted Japanese cuisine and confectionary, traditional craftwork such as Nishijin textiles and Kiyomizuyaki pottery, and the scenery of old temples and shrines or the Higashiyama mountains. You may be surprised to learn, however, that such images of Kyoto did not evolve naturally over time, but were contrived and created in modern times for political reasons. In order to “catch up” with powerful Western nations and become one of the world’s “the first- PHOTO: Wikipedia rate countries,” the nation-state of Japan, which The Hō-ō-do Hall of Byodo-in Temple (Uji City), an established image of Kyoto in modern history had been established during the Sino–Japanese and Russo–Japanese Wars, adopted a national policy to employ kokufu bunka (Japan’s traditional national culture) as the image for Kyoto City and a symbol of national identity.
    [Show full text]
  • Rethinking Interaction Between Indigenous Traditional Knowledge and Modern
    International Workshop Proceedings Rethinking Interaction between Indigenous Traditional Knowledge and Modern Traditional Interaction between Indigenous Rethinking Rethinking Interaction between Indigenous Traditional Knowledge and Modern Knowledge Edited by Yugo Tomonaga and Shincha Park International Workshop Rethinking Interaction between Indigenous Traditional Knowledge and Modern Knowledge October 15, 2017 Wagenkan 202, Fukakusa Campus Ryukoku University Edited by Yugo Tomonaga and Shincha Park ©2018 All Rights Reserved The opinions expressed in this publication are those of the author/s and do not necessarily reflect the view of Ryukoku University. No part of this publication shall be reproduced in any form without the permission of the author/s. This publication has been supported by JSPS KAKENHI Grant Number 16K03246 for the project “Environmental Anthropological Study of Watershed Management among Indigenous people in Australia and Japan”, and Social-Cultural Research Institute, Ryukoku University, for the project “Comparative Studies on Environmental Management of Catchment and Forest as the Water Source in Australia and Japan”. Echika.T Rethinking Interaction between Indigenous Traditional Knowledge and Modern Knowledge 2017.10.15 (SUN) 10:00 - 17:00 Ryukoku University Fukakusa Campus Wagenkan, Room 202 By JSPS KAKENHI Grant Number 16K03246 TEL: 075-366-2201 / 077-543-7670 E-mail: [email protected] / [email protected] PHOTOS Martin F. Nakata Yasukatsu Matsushima Akio Tanabe Yugo Tomonaga Liying Lin Kinhide
    [Show full text]
  • Lake Biwa Comprehensive Preservation Initiatives
    Bequeathing a Clean Lake Biwa to Future Generations Lake Biwa Comprehensive Preservation Initiatives ― Seeking Harmonious Coexistence with the Lake's Ecosystem ― Lake Biwa Comprehensive Preservation Liaison Coordination Council Lake Biwa Comprehensive Preservation Promotion Council Contents 1 Overview of Lake Biwa and the Yodo River Basin ○ Overview of the Yodo River Basin 1 ○ Water Use in Lake Biwa and the Yodo River Basin ○ Land Use in Lake Biwa and the Yodo River Basin 2 Overview of Lake Biwa ○ Lake Biwa, an Ancient Lake 2 ○ Dimensions of Lake Biwa 3 Development of Lake Biwa and the Yodo River Basin ○ Early History 3 ○ Expanded Farmlands, Increased Rice Production and Subsequent Development of Commerce ○ A Political Center and Cradle of Culture and Tradition ○ Industrial and Economic Development after the Meiji Restoration ○ Changing Lifestyles 4 Background of Lake Biwa Comprehensive ○ Farmland Development and Flooding in the Edo Period (1603 - 1868) 5 Development Program ○ Flood Control During the Meiji Period (1868 - 1912) ○ Modern Projects for Using Water of Lake Biwa ○ Increasing Demand for Water in the Showa Period (1926 - 1989) 5 Lake Biwa Comprehensive Development Program ○ Program System 7 ○ Breakdown of the Program Expenses ○ Environmental Preservation ○ Flood Control ○ Promotion Effective Water Use 6 Outcomes of the Lake Biwa ○ Effects of Flood Control Projects 9 Comprehensive Development Program ○ Effects of Projects Promoting Effective Use of Water ○ Effects of Environmental Preservation Projects 7 Current Situation of
    [Show full text]
  • 2009 Annual Meeting Program
    2009 Annual Meeting Program Papers to be presented at the 42nd Annual Meeting in Tokyo, October 10−12, 2009 Oral Presentations (Each presentation has been allowed 15 min, i.e. 12 min for presentation and 3 min for questions; *speakers) October 10 (Saturday) Oral Presentation Room # 1 (Lecture Hall) Ecology and Early Life History 1 09:00− Reproductive biology of the three species of genus Dasyatis in Ariake Bay. Keisuke FURUMITSU* and Atsuko YAMAGUCHI 2 09:15− The respiration method of the Manta Ray (Manta birostris). Minoru TODA*, Keiichi UEDA, Senzo UCHIDA, and Hiroaki SOMA 3 09:30− Gut contents of Longheaded Eagle Ray Aetobatus flagellum captured in the coastal water of Okayama Prefecture. Yoshinori KAMEI*, Masami HAMAGUCHI, and Yasuhisa KAYANO 4 09:45− Larval and juvenile fishes collected by light trap in Palau. Toshiaki MORI*, Jiro SAKAUE, and Takashi ASAHIDA 5 10:00− Settlement habitat choice by Chaetodon supeculum. Sosuke OGURI*, Youhei NAKAMURA, Tomonori HIRATA, Shiori HIRATA, and Kosaku YAMAOKA <Short Break> Ecology and Ontogeny 6 10:30− Feeding competition among four stream-dwelling fishes in the Kamo River, Mie Prefecture. Daisuke ISHIZAKI*, Taiga YODO, and Motoi YOSHIOKA 7 10:45− Fish assemblage changes in spring ponds in the Shigenobu River watershed: effects of bank improvement and exotic fish. Ryota KAWANISHI*, Yuka FUJIWARA, Yuki UCHIDA, Yoshifumi SUMIZAKI, and Mikio INOUE 8 11:00− Analysis on spawning migration of Lake Biwa fishes by the stable isotope ratios. Takuya ITO*, Yosuke YURA, Uniro KAWASHIMA, Atsushi MARUYAMA, and Masahide YUMA 9 11:15− Predation of parasite's eggs by host's juveniles in an interspecific brood parasitic system of fishes.
    [Show full text]
  • Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji
    Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji By Ó 2018 Ye-Gee Kwon Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chair: Sherry D. Fowler ___________________________ Amy E. McNair ___________________________ Maya Stiller ___________________________ Maki Kaneko ___________________________ Kyoim Yun Date Defended: 5 October 2018 The dissertation committee for Ye-Gee Kwon certifies that this is the approved version of the following dissertation: Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji ___________________________ Chair: Sherry D. Fowler Date Approved: 5 October 2018 ii Abstract This dissertation investigates a sculptural group of Enma and his entourage that was once enshrined in an Enma hall located within the Kyoto temple Rokuharamitsuji precinct, and hopes to highlight the role that significant yet understudied sculptures played in the development of the cult of Enma and the Ten Kings in premodern Japan. Rokuharamitsuji is of great importance to study the cult of Enma and the Ten Kings not only for its rare early sculptures of Enma and his two assistants created in the thirteenth century when the cult began to flourish in Japan, but also for the later addition of a seventeenth-century Datsueba sculpture, which reveals the evolution of the cult through its incorporation of Japanese popular belief. This study examines how the Rokuharamitsuji sculptural group presented images of hell within a designated space and conveyed messages of salvation to their beholders, responding to the environs of the salvation- oriented temple.
    [Show full text]
  • Salvelinus Leucomaenis) in the Lake Biwa Water System
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kyoto University Research Information Repository Mitochondrial DNA Population Structure of the White-Spotted Title Charr (Salvelinus leucomaenis) in the Lake Biwa Water System Kikko, Takeshi; Kuwahara, Masayuki; Iguchi, Kei'ichiro; Author(s) Kurumi, Seiji; Yamamoto, Shoichiro; Kai, Yoshiaki; Nakayama, Kouji Citation Zoological Science (2008), 25(2): 146-153 Issue Date 2008-02 URL http://hdl.handle.net/2433/108573 Right (c) 日本動物学会 / Zoological Society of Japan Type Journal Article Textversion publisher Kyoto University ZOOLOGICAL SCIENCE 25: 146–153 (2008) © 2008 Zoological Society of Japan Mitochondrial DNA Population Structure of the White-Spotted Charr (Salvelinus leucomaenis) in the Lake Biwa Water System Takeshi Kikko1*†, Masayuki Kuwahara2, Kei’ichiro Iguchi3, Seiji Kurumi4, Shoichiro Yamamoto5, Yoshiaki Kai6 and Kouji Nakayama7 1Samegai Trout Farm, Shiga Prefectural Fisheries Experimental Station, Kaminyu, Maibara, Shiga 521-0033, Japan 2Lake Biwa Museum, 1091 Oroshimo, Kusatsu, Shiga 525-0001, Japan 3National Research Institute of Fisheries Science, Fisheries Research Agency, Komaki 1088, Ueda, Nagano 386-0031, Japan 4Imazu Junior High School, Hirokawa 924, Takashima, Shiga 520-1611, Japan 5National Research Institute of Fisheries Science, Fisheries Research Agency, Nikko, Tochigi 321-1661, Japan 6Maizuru Fisheries Research Station, Field Science Education Research Center, Kyoto University, Nagahama, Maizuru, Kyoto 625-0086, Japan 7Division of Applied Biosciences, Graduate School of Agriculture, Kyoto University, Kyoto 606-8502, Japan A phylogeographic analysis of mitochondrial DNA sequences was performed in order to elucidate the origin, dispersal process, and genetic structure of white-spotted charr in the Lake Biwa water system.
    [Show full text]
  • Kyoto University Newsletter
    Greetings from Kyoto-U AUTUMN 2012 Issue 22 Raku-Yu Kyoto University Newsletter CONTENTS Editor in Chief 1 Kyoto University’s Approach to Internationalization and Globalization Hiroshi MATSUMOTO, President of Kyoto University Kengo AKIZUKI 2 Features Associate Editor Evolution of Kyoto University Alumni Associations Outside Japan Naoko SAITO — Serving as Bridges with the University — Senior Editors Seifu-so Designated as an Important Cultural Property of Japan Martin CIESKO Annular Solar Eclipse: An Observation Event and Lecture Takumi FURUTA A Kyoto University Student Team Wins Second Prize at the Third Masaru KOBAYASHI International Contest of Applications in Nano / Micro Technology (iCAN’12) Satoshi MATSUSHITA 6 Forefronts of Research at Kyoto University Kazuya NAKAMURA Recent Solar Activity Hiroshi OKUYAMA Kiyoshi ICHIMOTO, Professor, Kwasan and Hida Observatories, Graduate School of Science Timothy William STEWART Ethics and “Face” Daichi UCHIBORI Yoshiyuki SATO, Professor, Graduate School of Human and Environmental Studies ESSAY Editorial Collaborator 10 KOSOSHA CO.,LTD. Variety of Economic Policy Outcomes and the Role of Institutions Dimiter IALNAZOV, Associate Professor, Graduate School of Economics Printed by INTERVIEW 11 KOSAIDO CO.,LTD. “This is a very interesting international cooperation project. In addition to promoting a spirit of self-support and independence among local people, the project helps me develop my own view of humankind.” Yusuke MIYAZAKI, the Faculty of Engineering 12 What’s Happening in International Relations © The Committee of Public Relations Introducing The Kyoto-DC Global Career Development Program for International Organizations of Kyoto University Kyoto University Students and Staff Participate in the 13th AUN Educational Forum and Young Speakers Contest at Vietnam National University, Ho Chi Minh City A Note on Order of Names As a general rule, names appearing The 18th Kyoto University International Symposium: Partnering Asian Academics toward Human Security in Raku-Yu are written in given Development name/family name order.
    [Show full text]
  • Heian: a Time and Place
    Heian: A Time and Place Ann Jannetta and J. Thomas Rimer The Japanese word "Heian" evokes an image of Japan's history and literature as they developed in this capital city from the eighth to the twelfth century. The name "Heian" means "Peace and Tranquility," words which in fact describe the political order, social stability, and rich cultural development which we now associate with Japan's Heian period. The site of Heian on the Kamo River was chosen by Emperor Kanmu (r. 781-806), who took the bold step of moving the massive imperial bureaucracy to Heian from the former capital at Nara in 794. While earlier capital city sites can be seen scattered over the plains and valleys of Japan's Kansai region, depicting the instability of political power within the imperial court before Emperor Kanmu came to power, the move to Heian would be a permanent one. Heian, now called Kyoto (which means "capital city"), would remain Japan's capital for more than a thousand years. Like Japan's earlier capitals, Heian was built to resemble magnificent Chang'an (present-day Xi'an), the Chinese capital during the Tang dynasty. During the Taika (645-650) and Nara periods (Nara period spanned 710-784), Japanese envoys (called Kentōshi) had visited Tang China and had witnessed its place at the center of Chinese political power and culture. They had returned to Japan and reproduced Changan's layout and architectural features, putting the emperor and his court at the center of Japan's political, religious, and social life. The site of Heian was considered an excellent one for several reasons.
    [Show full text]