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Erewhon Fall 2021
198 EREWHON CATALOG FALL 2021 EREWHON CATALOG FALL 2021 Lonely Castle in the Mirror Mizuki Tsujimira n a tranquil neighborhood of Tokyo seven students are avoiding going to school I– hiding in their darkened bedrooms, unable to face their family and friends – until the moment they find the mirrors in their bedrooms are shining. At a single touch, they are pulled from their lonely lives into to a wondrous castle straight out of a Grimm’s fairy tale. This whimsical place, oddly lacking in food and running water but full of electrical sockets, is home to a petulant girl in a mask, named Wolf Queen and becomes their playground and refuge during school hours. Hidden within the walls they're told is a key that will grant one wish, and a set of clues with which to find it. But there's a catch: the key must • Bestselling, prizewinning, be found by the end of the school year and they must leave the premises by five international success: Lonely Castle o'clock each day or else suffer a fatal end. has sold half a million copies and was a #1 bestseller in Japan. It was As time passes, a devastating truth emerges: only those brave enough to share the winner of the Japan Booksellers their stories will be saved. And so they begin to unlock each other's stories: how Award, voted for by the booksellers a boy is showered with more gadgets than love; how another suffers a painful across Japan. Translation rights have sold in Italy, France, Taiwan, Korea, and unexplained rejection and how a girl lives in fear of her predatory stepfather. -
Murakami Haruki's Short Fiction and the Japanese Consumer Society By
Murakami Haruki’s Short Fiction and the Japanese Consumer Society By © 2019 Jacob Clements B.A. University of Northern Iowa, 2013 Submitted to the graduate degree program in East Asian Language and Cultures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ___________________________ Chair: Dr. Elaine Gerbert ___________________________ Dr. Margaret Childs ___________________________ Dr. Ayako Mizumura Date Defended: 19 April 2019 The thesis committee for Jacob Clements certifies that this is the approved version of the following thesis: Murakami Haruki’s Short Fiction and the Japanese Consumer Society _________________________ Chair: Dr. Elaine Gerbert Date Approved: 16 May 2019 ii Abstract This thesis seeks to describe the Japanese novelist Murakami Haruki’s continuing critique of Japan’s modern consumer-oriented society in his fiction. The first chapter provides a brief history of Japan’s consumer-oriented society, beginning with the Meiji Restoration and continuing to the 21st Century. A literature review of critical works on Murakami’s fiction, especially those on themes of identity and consumerism, makes up the second chapter. Finally, the third chapter introduces three of Murakami Haruki’s short stories. These short stories, though taken from three different periods of Murakami’s career, can be taken together to show a legacy of critiquing Japan’s consumer-oriented society. iii Acknowledgments I would like to thank my committee, Dr. Maggie Childs and Dr. Ayako Mizumura, for their guidance and support throughout my Master's degree process. In particular, I would like to thank Dr. Elaine Gerbert her guidance throughout my degree and through the creation of this thesis. -
Recommended Reading for AP Literature & Composition
Recommended Reading for AP Literature & Composition Titles from Free Response Questions* Adapted from an original list by Norma J. Wilkerson. Works referred to on the AP Literature exams since 1971 (specific years in parentheses). A Absalom, Absalom by William Faulkner (76, 00) Adam Bede by George Eliot (06) The Adventures of Huckleberry Finn by Mark Twain (80, 82, 85, 91, 92, 94, 95, 96, 99, 05, 06, 07, 08) The Aeneid by Virgil (06) Agnes of God by John Pielmeier (00) The Age of Innocence by Edith Wharton (97, 02, 03, 08) Alias Grace by Margaret Atwood (00, 04, 08) All the King's Men by Robert Penn Warren (00, 02, 04, 07, 08) All My Sons by Arthur Miller (85, 90) All the Pretty Horses by Cormac McCarthy (95, 96, 06, 07, 08) America is in the Heart by Carlos Bulosan (95) An American Tragedy by Theodore Dreiser (81, 82, 95, 03) The American by Henry James (05, 07) Anna Karenina by Leo Tolstoy (80, 91, 99, 03, 04, 06, 08) Another Country by James Baldwin (95) Antigone by Sophocles (79, 80, 90, 94, 99, 03, 05) Anthony and Cleopatra by William Shakespeare (80, 91) Apprenticeship of Duddy Kravitz by Mordecai Richler (94) Armies of the Night by Norman Mailer (76) As I Lay Dying by William Faulkner (78, 89, 90, 94, 01, 04, 06, 07) As You Like It by William Shakespeare (92 05. 06) Atonement by Ian McEwan (07) Autobiography of an Ex-Colored Man by James Weldon Johnson (02, 05) The Awakening by Kate Chopin (87, 88, 91, 92, 95, 97, 99, 02, 04, 07) B "The Bear" by William Faulkner (94, 06) Beloved by Toni Morrison (90, 99, 01, 03, 05, 07) A Bend in the River by V. -
The New Selection for Oprah's Book Club 2.0! RUBY a Novel by Cynthia Bond
The New Selection for Oprah’s Book Club 2.0! RUBY A Novel By Cynthia Bond Select Praise for RUBY “Bond proves to be a powerful literary force, a writer whose unflinching yet lyrical prose is reminiscent of Toni Morrison’s.” —O, The Oprah Magazine “Channeling the lyrical phantasmagoria of early Toni Morrison and the sexual and racial brutality of the 20th century east Texas, Cynthia Bond has created a moving and indelible portrait of a fallen woman ... Bond traffics in extremely difficult subjects with a grace and bigheartedness that makes for an accomplished, enthralling read.” —San Francisco Chronicle “In Ruby, Bond has created a heroine worthy of the great female protagonists of Toni Morrison … and Zora Neale Hurston … Bond’s style of writing is as magical as an East Texas sunrise, with phrases so deftly carved, the reader is often distracted from the brutality described by the sheer beauty of the language.” —Dallas Morning News An Indie Next Pick, Barnes & Noble “Discover Great New Writers” Selection, Library Journal “Breakout Literary Fiction” Pick, and a Southern Living Book Club Selection! In describing her debut novel, RUBY (Hogarth; February 10, 2015), Cynthia Bond has said “there are moments, spices, that have been stirred in slowly—from my life and from the stories of others.” She has drawn upon her own experiences, her family’s history, and the heartbreaking tales she’s heard through the years working with homeless and at-risk youth, including the brutal devastation of human trafficking, and woven these threads together to create a story that is truly unforgettable. -
Literature's Postmodern Condition
Literature’s Postmodern Condition: Representing the Postmodern in the Translated Novel Name: Deirdre Flynn Award: PhD Institution: Mary Immaculate College, University of Limerick Supervisor: Dr Eugene O’Brien Submitted to the University of Limerick, date Literature’s Postmodern Condition: Representing the Postmodern in the Translated Novel ii Declaration I hereby declare that this thesis represents my own work and has not been submitted, in whole or part, by me or another person, for the purpose of obtaining any other qualification. Signed: ___________________ Date: iii Dedication To Kafka Tamura for sending me into this metaphysical storm iv Acknowledgements I would like to thank my supervisor, Dr Eugene O’Brien, for all his help, guidance and support; my family for their patience; and Shane Keogh for everything. v Portions of this thesis have been disseminated at the following conferences and in the following publications: Conferences ‘The Postmodern Protagonist: Publicly Positioned and Privately Prejudiced’ Public/Private Conference, Mary Immaculate College, May 2011. ‘If Modern Life is Rubbish, What is Postmodern Life?’ The Contemporary: An International Conference of Literature and the Arts, June 24 – 26, 2011, Nayang University, Singapore. ‘When Work Doesn’t Work’ RePresentations of Working Life Conference, November 18-20, 2011, Erlangen University, Germany. ‘Adventures in the Postmodern Wonderland’ Future Adventures in Wonderland: The Aftermath of Alice Conference, December 1, 2011, HIC Dragonnes, Manchester. ‘Postmodern Literature: Murakami’s International Chronicle’ What Happens Now: 21st Century Writing in English, July 16-18, 2012, Lincoln University. ‘Positioning the Postmodern Female’ Otherness in philosophy, theory and art practice, November 23, 2012, The Centre vi for Otherness, Limerick. -
07 THEMES O a AUTHORS.Indd
American Literature, 07 Themes, Other American Authors Page 1 of 3 Read On Autobiography Jung Chang, Wild Swans Tobias Wolff, This Boy’s Life Detective Stories James Lee Burke, Cadillac Jukebox; The Neon Rain Ed McBain, Killer’s Choice; Fiddlers Patricia Cornwell, ‘The Scarpetta Mystery Series’ (Potter’s Field; Point of Origin, etc.) James Ellroy, The Black Dahlia; L. A. Confidential Sue Grafton, ‘The Millhone Mysteries’ (A Is for Alibi; B Is for Burglar, etc.) Dashiell Hammett, The Thin Man; The Maltese Falcon Patricia Highsmith, The Ripley novels (Ripley’s Game, etc.) Elmore Leonard, Freaky Deaky; Out of Sight; Get Shorty Walter Mosley, Always Outnumbered, Always Outgunned; Devil in a Blue Dress Scott Turow, Presumed Innocent Historical Novels / Rewriting History Thomas Berger, Little Big Man Caleb Carr, The Alienist Colleen McCullogh, The First Man in Rome Michael Schaara, The Killer Angels Martin Cruz Smith, The Indians Won; Rose This page may be photocopied. © Gleerups Utbildning AB and the authors www.gleerups.se/entree American Literature, 07 Themes, Other American Authors Page 2 of 3 Horror Thomas Harris, The Silence of the Lambs Stephen King, Carrie; Misery; The Shining Dean Koontz, Darkness Comes Peter Straub, Ghost Story Science Fiction / Fantasy Isaac Asimov, I, Robot (filmed in 2004); Nightfall (the title story has been voted the best SF story ever written) James Blish, stories based on the TV series Star Trek; After Such Knowledge series Ray Bradbury, Fahrenheit 451 Orson Scott Card, Ender’s Game Philip Dick, Do Androids -
Stardom: Industry of Desire 1
STARDOM What makes a star? Why do we have stars? Do we want or need them? Newspapers, magazines, TV chat shows, record sleeves—all display a proliferation of film star images. In the past, we have tended to see stars as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have explored the active role of the star in producing meanings, pleasures and identities for a diversity of audiences. Stardom brings together some of the best recent writing which represents these new approaches. Drawn from film history, sociology, textual analysis, audience research, psychoanalysis and cultural politics, the essays raise important questions for the politics of representation, the impact of stars on society and the cultural limitations and possibilities of stars. STARDOM Industry of Desire Edited by Christine Gledhill LONDON AND NEW YORK First published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1991 editorial matter, Christine Gledhill; individual articles © respective contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Vision a Connected World Where Diversity of Thought Matters
Mission HT nurtures a legacy of leadership and excellence in education, connecting knowledge, power, passion, and values. Vision A connected world where diversity of thought matters. Accreditation Huston-Tillotson University is accredited by the Southern Association of Colleges and Schools Commission on Colleges to award associate, baccalaureate and masters degrees. Contact the Commission on Colleges at 1866 Southern Lane, Decatur, Georgia 30033-4097 or call 404-679-4500 for questions about the accreditation of Huston-Tillotson University. From the President Everyday presents new opportunities to tell the world about this historic jewel in the heart of Austin, Texas— Huston-Tillotson University. I have met extraordinary students, passionate faculty and staff, proud alumni, and supportive community leaders. Thank you for making my transition a smooth one. was particularly moved by the motto that the leaders of the Samuel Huston College and Tillotson College crafted after merging the two institutions into one: In Union, Strength! These words are a testament to the hopefulness that the Ileaders envisioned. HT flourishes as a result of the combined strength of those who hold it dear, and I am proud to be a part of this great legacy. This edition of the Ram Magazine highlights the progress of the University and promotes the successes of faculty and students. It is the culminating work of President Emeritus Dr. Larry L. Earvin. I recognize the plateau of this labor of devotion to HT as my platform to continue moving the University forward. His culminating work is my platform to continue the progress of HT. As you read through these pages, take a minute to note many HT accomplishments. -
The Literary Landscape of Murakami Haruki
Akins, Midori Tanaka (2012) Time and space reconsidered: the literary landscape of Murakami Haruki. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/15631 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Time and Space Reconsidered: The Literary Landscape of Murakami Haruki Midori Tanaka Atkins Thesis submitted for the degree of PhD in Japanese Literature 2012 Department of Languages & Cultures School of Oriental and African Studies University of London Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Horror Goes Beyond What Most People Think of When They Hear the Term – Unnecessary and Overabundance of Killing, Gore, Or Even “Torture Porn”
Horror goes beyond what most people think of when they hear the term – unnecessary and overabundance of killing, gore, or even “torture porn”. Unfortunately, for most, this concept of horror stems mostly from film. However, horror in literature goes far beyond this. Horror can be seen as art, commentary on society, a form that brings about community, shows the face of humanity, as history, and yes, a good scare and lingering disturbance. What is horror? - Concept of horror o Not just fear, but strong fear o Horror differs per individual ▪ Known vs. unknown • One of H.P. Lovecraft's most famous quotes about the genre is that: "The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown” ▪ Seen vs. hidden ▪ Fight vs. flight ▪ Fear or anxiety - Why/how do we experience horror? o Different aspects of horror o Literary theories of horror ▪ Rejection of filth / unclean (Kosher) / bodily fluids • Carnivore vs. herbivore ▪ We are “above” that which has been rejected and abjected (objective vs. subjective) ▪ Freud / Marx / Feminism ▪ Mother – birth, menstruation, Oedipus ▪ Expulsion of sin - Why do we enjoy horror? [The paradox] - Evolution of horror o Culture / history o Literature ▪ From the epic poem to the classic to the schlock to the ??? • Epic of Gilgamesh and mythology • Holy books • Beowulf • The Monk • Mary Shelley, Bram Stoker, Poe ▪ Horror as a new genre - Horror in books classified as horror o Divine Comedy – Dante Aligheri (14th century) o Doctor Faustus – Christopher Marlowe (1592) o The Monk – Matthew Gregory Lewis (1796) o Frankenstein – Mary Wollstonecraft Shelley (1818) o Tales of Mystery and Imagination – Edgar Allan Poe (1838) o Dr. -
Making a Way out of No Way: Zora
ABSTRACT “‘Making a Way Out of No Way’: Zora Neale Hurston’s Hidden Discourse of Resistance” explores how Hurston used techniques she derived from the trickster tradition of African American folk culture in her narratives in order to resist and undermine the racism of the dominant discourse found in popular literature published during her lifetime. Critics have condemned her perceived willingness to use racist stereotypes in her work in order to pander to a white reading audience. This project asserts that Hurston did, indeed, don a “mask of minstrelsy” to play into her reading public’s often racist expectations in order to succeed as an academic and as a creative writer. At the same time, however, she crafted her narratives in a way that destabilized those expectations through use of sometimes subtle and sometimes blatant points of resistance. In this way, she was able to participate in a system that was rigged against her, as a woman and as an African American, by playing into the expectations of her audiences for economic and professional advantages while simultaneously undermining aspects of those expectations through rhetorical “winks,” exaggeration, sarcasm, and other forms of humor that enabled her to stay true to her personal values. While other scholars have examined Hurston’s discourse of resistance, this project takes a different approach by placing Hurston’s material in relation to the publishing climate at the time. Chapter One examines Mules and Men in the context of the revisions Hurston made to her scholarly work to transform her collection of folktales into a cohesive book marketed to a popular reading audience. -
Fantastic Fantasy
FANTASTIC FANTASY World Fantasy Award WinnWinninginginging NOVELS Deer Park Public Library 44 Lake Avenue, Deer Park NY 11729 (631) 586-3000 www.deerparklibrary.org 1975: The Forgotten Beasts of Eld by Patricia A. McKillip 1998: The Physiognamy by Jeffrey Ford 1976: Bid Time Return by Richard Matheson 1999: The Antelope Wife by Louise Erdrich 1977: Doctor Rat by William Kotzwinkle 2000: Thraxas by Martin Scott 1978: Our Lady of Darkness by Fritz Leiber 2001: Declare by Tim Powers 1979: Gloriana by Michael Moorcock Galveston by Sean Stewart 1980: Watchtower by Elizabeth A. Lynn 2002: The Other Wind by Ursula Le Guin 1981: The Shadow of the Torturer by Gene Wolfe 2003: The Facts of Life by Graham Joyce 1982: Little Big by John Crowley Ombria in Shadow by Patricia A. McKillip 1983: Nifft the Lean by Michael Shea 2004: Tooth and Claw by Jo Walton 1984: The Dragon Waiting by John M. Ford 2005: Jonathan Strange & Mr. Norrell by Susanna Clarke 1985: Mythago Wood by Robert Holdstock 2006: Kafka on the Shore by Haruki Murakami 1986: Song of Kali by Dan Simmons 2007: Soldier of Sidon by Gene Wolfe 1987: Perfume by Patrick Suskind 2008: Ysabel by Guy Gavriel Kay 1988: Replay by Ken Grimwood 2009: The Shadow Year by Jeffrey Ford 1989: Koko by Peter Straub Tender Morsels by Margo Lanagan 1990: Lyoness: Madouc by Jack Vance 2010: The City & The City by China Miéville 1991: Only Begotten Daughter by James Morrow 2011: Who Fears Death by Nnedi Okorafor Thomas the Rhymer by Ellen Kushner 2012: Osama by Lavie Tidhar 1992: Boy’s Life by Robert R.