TINDERBOX Adds the PRODIGY to the Impressive List of Headliners

Total Page：16

File Type：pdf, Size：1020Kb

2015-02-03 10:00 CET TINDERBOX adds The PRODIGY to the impressive list of headliners TINDERBOX adds The PRODIGY to the impressive list of headliners Furthermore adding HOZIER, MODEST MOUSE and MILKY CHANCE The Prodigy (UK) has cut a solitary path of noise through the unruly landscape of electronic music for the last 25 years. Known as one of the world's most energetic live bands and loved at festivals and clubs throughout the world. They have released a long list of world famous club classics like Breathe, Smack My Bitch Up, Voodoo People and Firestarter. They have released five groundbreaking albums. The sixth "The Day Is My Enemy" to be released in March. We look forward to an explosion of a party at TINDERBOX Friday, June 26. Modest Mouse (US), from Washington State, are impossible to categorize other than the indefinable Indie. In the twenty years they have existed, their audience has grown bigger and bigger, and their wonderful concerts often ends in total party and chaos, where the stage and the audience forms one big melting pot. Their quirky songs can be much longer than the standard 3-4 minutes, sometimes up to 11 minutes - simply because the joy of playing takes over. Modest Mouse is the band that broke the rules and became a completely unpredictable success. They come to Tinderbox backed by the new album "Strangers to Ourselves" to be released in March and play Friday, June 26. Hozier (IRL) is the artist name of 24 -year-old Andrew Hozier-Byrne. Based on the big hit "Take Me To Church", his debut album kicked off with a huge hype. He came unexpectedly, as an unknown and a completely unimpressed songwriter. The hype proved to be true; the album lived up to expectations. Hozier is something special, with his strong songs and lyrics Clash Magazine named him "soulful, spiritual and seductive". Reviewers, radio stations and audience just adored him. We look forward to a special concert Friday, June 26 at TINDERBOX. Milky Chance (D) is the group name for the duo Clemens and Philipp. Another completely fresh breakthrough that is booked for TINDERBOX. The duo's debut album, and especially the single "Stolen Dance", spread virally on internet and radio stations across the United States and Europe. Was quickly followed up by sell-out tours. Milky Chance are singer/songwriters that mixes alternative folk and reggae, adding Clemens unique vocal on top. Milky Chance plays Saturday, June 27. Further info; Ole Dreyer // [email protected] // Tel: +45 4017 2206 Tinderbox, Kommunikationschef Ole Dreyer, [email protected] Kontaktpersoner Pressekontakt Pressekontakt [email protected] 92829297.

Copy Link

Recommended publications

Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen.
[Show full text]
Sun Sentinel Sunsentinel.Com Monday, March 14, 2016 PN Go! Monday Your Guide to Getting Out, Brought to You by the Staff of Southflorida.Com
6D | Sun Sentinel SunSentinel.com Monday, March 14, 2016 PN Go! Monday Your guide to getting out, brought to you by the staff of SouthFlorida.com Monday PICK OF THE WEEK: SUNDAY Thursday Monday marks the holiest of math- “Spring Awakening,” the rock mu- ematical holidays, Pi Day, and to cele- sical spun around the German play brate, Funky Buddha Brewery will written by Frank Wedekind, drew serve pie-flavored craft beer inside the headlines in January for its new taproom (1201 NE 38th St., Oakland Broadway version, which featured Park). The geeky afternoon kicks off deaf actors among its cast. So we’re with beer tappings at 3:14 p.m. (of eager to see what Slow Burn Theatre, course), and includes Blueberry Cob- on a roll with recent musicals “Big bler Ale, Carrot Cake Wheat, Lemon Fish” and “Violet,” can do in its Meringue Berliner, Key Lime Berliner, mounting of Steven Sater and Duncan Strawberry Shortcake Wheat Wine, Sheik’s Tony-winning drama, opening Muy Bonita brown ale, German Choc- 7:30 p.m. Thursday at the Broward olate Cake brown ale and Red Velvet Center (201SW Fifth Ave., Fort Lau- English red ale. At 8 p.m., eight beer derdale). The cautionary tale involves nerds will bury their faces in apples adolescent students whose sexuality and blueberries for a pie-eating con- and passage into adulthood is being test (a no-hands rule applies), with the stifled by a repressive community. $45, top three finishers vying for Funky through April 3, via Ticketmaster.com. Buddha gift cards ($20-$100) and 954-462-0222 or BrowardCenter.org.
[Show full text]
STEVE DUB – MIXER, PRODUCER, CO-WRITER (Selected Discography)
STEVE DUB – MIXER, PRODUCER, CO-WRITER (Selected Discography) Beyond The Wizard’s The Soft Bounce (LP) Phantasy Add Prod/Mix Sleeve Slovenlie Forthcoming EP Global Prod/Mix New Order Complete Music (LP) Mute Mix Chris Olsson Forthcoming tracks TBC Mix HOST Forthcoming EP Global Add-Prod/Mix Mandall & Forbes Really Love CR2 Vocal Prod/Mix Fuel Fandango Aurora (LP) Warner Add Prod/Mix Shelter Point Forthcoming tracks Space + Time Add-Prod/Mix 19Hundred ‘Oh Boy’ feat DAZE (single) Soundplate Mix The Chemical Brothers Born In The Echoes (LP) Virgin EMI Rec/Eng/Mix Sander Kleinenberg Wicked Things feat. Audio Spinnin’ Co-write/Prod/Mix Bullies (single) The Chemical Brothers This Is Not A Game feat. Miguel Republic Mix (OST - The Hunger Games: Mockingjay Pt. 1) Erol Alkan Illumination (EP) Phantasy Sound Mix Ali Love P.U.M.P (LP) Crosstown Co-write/Prod/Mix Rebels Clean Bandit New Eyes (LP tracks) Warner Mix Klaxons Love Frequency (LP tracks) Sound Wave Prod/Mix Jagwar Ma ‘Man I Need’, ‘Let Her Go’ Marathon Mix (HoWlin’ LP) Tinie Tempah Looking Down The Barrel Parlophone Mix (Demonstration LP) Jack Beats Somebody To Love (LP) Sony Mix Jack Beats Careless (LP) Sony Mix Dev Bass Down Low feat. The Universal Co-write/Prod/Mix Cataracs (5K Remix) Republic Jakwob Electrify feat. Jetta (single) Mercury Co-write/Add- Prod/Mix Sander Kleinenberg ‘Closer’ and ‘Wish I Said’ (5K LP) This Is Co-write/Prod/Mix Recordings Sasha Cut Me Down (single) Last Night On Mix Earth The Feeling Searched Every Corner Mix Island UNKLE Where Did The Night Fall (LP) Surrender All Mix The Chemical Brothers Further (LP) Virgin Mix Tiësto & MarK Knight Beautiful World feat.
[Show full text]
Home Learning Pack Year 10 Terms 3 & 4
HOME LEARNING PACK YEAR 10 TERMS 3 & 4 1 CONTENTS How to use this pack 3 English 4 Maths - Foundation 32 Maths - Higher 80 Science 115 History 124 Geography 158 French 183 Spanish 188 Drama 201 Photography 204 Personal Development 217 Sociology 223 Religion and Philosophy 287 Physical Education 307 Dance 322 2 HOW TO USE THIS BOOKLET In this booklet you will find a menu of tasks related to the subjects and topics that you study. There are opportunities for you to revise material you have previously studied, practice skills that you have learned in class and sometimes learn something new. As a minimum you will a pen and some paper to complete these tasks. If you need these, please collect from the reception desk at the academy. For some of the mind- mapping tasks you might wish to use coloured pens or pencils but they are not essential. Some tasks may ask you to create packs of flashcards. You can use any kind of paper or card for this but don’t worry if you don’t have enough, just choose another task. While you are not in school you should follow your normal school timetable and complete an hour of work for each hour you would normally be studying that subject in school. You may find that, without the support of your teacher you complete tasks more slowly than you would do in a lesson and that is absolutely fine. If you get really stuck on something, move on to the next task and/or seek help from the internet, a parent/guardian or by e-mailing or phoning your teacher if possible.
[Show full text]
«Was Chunnt Ächt No Aues?»
NORDWESTSCHWEIZ MITTWOCH, 31. OKTOBER 2018 KULTUR 17 Electro-Punk «Was chunnt ächt no aues?» The Prodigy zitieren sich selbst Literatur Der Mundart-Autor Ernst Burren bleibt sich treu und blickt im schwermütigen Sie haben die Kombination von Geschichtenband «I däm Auter no nes Gschleipf» seinen Figuren in die verknorzten Seelen Punk und Rave-Kultur aus dem Un- tergrund in die MTV-bestrahlten Wohnzimmer weltweit gebracht: VON HANSRUEDI KUGLER The Prodigy. Jetzt will es das Trio mit dem siebten Album «No Tou- Schon im Buchtitel hört man das kopf- rists» wieder wissen. schüttelnde Missfallen der biederen Ihre Karriere begann 1990 in der Volksmeinung: Pfui, so was gehöre Untergrundszene, sie galten aber sich doch nicht, so spät im Leben noch bald als «Wunderkind» – so der eine Liebschaft anfangen – in diesem Bandname übersetzt. Die Kerle mit Alter! «Es Gschleipf» tönt schliesslich Punk-Attitüde setzten nicht auf Gi- bünzlihaft abschätzig. Ernst Burren tarre und Schlagzeug, sondern auf zeigt hier seine Meisterschaft, den ein- elektronische Musik mit schnellen fachen Leuten aufs Maul zu schauen und immer wieder nacheinander ab- und Biederkeit leise zu verspotten. Mit gespielten Ausschnitten von Rhyth- seiner Mentalitätsforschung kommt er mus-Aufnahmen, den Samples. seit Jahrzehnten sprachlich ungewöhn- Breakbeat wurde das Ganze dann lich nahe an seine Figuren, die sich genannt. Mit dazugemischten ver- dem Erzähler in nachbarschaftlicher schiedenen Musikrichtungen mach- Plauderei anvertrauen. Die Mundart ten The Prodigy schliesslich aggres- hilft ihm dabei enorm. sivere elektronische Tanzmusik auf Ironischerweise entpuppt sich das der ganzen Welt bekannt. Gedankt missmutige, neidische Schimpfen in wurde es ihnen mit millionenfach der kurzen Erzählung «Bettmeraup» als verkauften Platten, entsprechenden berechtigte Warnung.
[Show full text]
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
[Show full text]
2. Case Study: Anime Music Videos
2. CASE STUDY: ANIME MUSIC VIDEOS Dana Milstein When on 1 August 1981 at 12:01 a.m. the Buggles’ ‘Video Killed the Radio Star’ aired as MTV’s first music video, its lyrics parodied the very media pre- senting it: ‘We can’t rewind, we’ve gone too far, . put the blame on VTR.’ Influenced by J. G. Ballard’s 1960 short story ‘The Sound Sweep’, Trevor Horn’s song voiced anxiety over the dystopian, artificial world developing as a result of modern technology. Ballard’s story described a world in which natu- rally audible sound, particularly song, is considered to be noise pollution; a sound sweep removes this acoustic noise on a daily basis while radios broad- cast a silent, rescored version of music using a richer, ultrasonic orchestra that subconsciously produces positive feelings in its listeners. Ballard was particu- larly criticising technology’s attempt to manipulate the human voice, by con- tending that the voice as a natural musical instrument can only be generated by ‘non-mechanical means which the neruophonic engineer could never hope, or bother, to duplicate’ (Ballard 2006: 150). Similarly, Horn professed anxiety over a world in which VTRs (video tape recorders) replace real-time radio music with simulacra of those performances. VTRs allowed networks to replay shows, to cater to different time zones, and to rerecord over material. Indeed, the first VTR broadcast occurred on 25 October 1956, when a recording of guest singer Dorothy Collins made the previous night was broadcast ‘live’ on the Jonathan Winters Show. The business of keeping audiences hooked 24 hours a day, 7 days a week, promoted the concept of quantity over quality: yes- terday’s information was irrelevant and could be permanently erased after serving its money-making purpose.
[Show full text]
“All Politicians Are Crooks and Liars”
Blur EXCLUSIVE Alex James on Cameron, Damon & the next album 2 MAY 2015 2 MAY Is protest music dead? Noel Gallagher Enter Shikari Savages “All politicians are Matt Bellamy crooks and liars” The Horrors HAVE THEIR SAY The GEORGE W BUSH W GEORGE Prodigy + Speedy Ortiz STILL STARTING FIRES A$AP Rocky Django Django “They misunderestimated me” David Byrne THE PAST, PRESENT & FUTURE OF MUSIC Palma Violets 2 MAY 2015 | £2.50 US$8.50 | ES€3.90 | CN$6.99 # "% # %$ % & "" " "$ % %"&# " # " %% " "& ### " "& "$# " " % & " " &# ! " % & "% % BAND LIST NEW MUSICAL EXPRESS | 2 MAY 2015 Anna B Savage 23 Matthew E White 51 A$AP Rocky 10 Mogwai 35 Best Coast 43 Muse 33 REGULARS The Big Moon 22 Naked 23 FEATURES Black Rebel Motorcycle Nicky Blitz 24 Club 17 Noel Gallagher 33 4 Blanck Mass 44 Oasis 13 SOUNDING OFF Blur 36 Paddy Hanna 25 6 26 Breeze 25 Palma Violets 34, 42 ON REPEAT The Prodigy Brian Wilson 43 Patrick Watson 43 Braintree’s baddest give us both The Britanys 24 Passion Pit 43 16 IN THE STUDIO Broadbay 23 Pink Teens 24 Radkey barrels on politics, heritage acts and Caribou 33 The Prodigy 26 the terrible state of modern dance Carl Barât & The Jackals 48 Radkey 16 17 ANATOMY music. Oh, and eco light bulbs… Chastity Belt 45 Refused 6, 13 Coneheads 23 Remi Kabaka 15 David Byrne 12 Ride 21 OF AN ALBUM De La Soul 7 Rihanna 6 Black Rebel Motorcycle Club 32 Protest music Django Django 15, 44 Rolo Tomassi 6 – ‘BRMC’ Drenge 33 Rozi Plain 24 On the eve of the general election, we Du Blonde 35 Run The Jewels 6
[Show full text]
Violent Crime, Moral Transformation, and Urban Redevelopment in Post-Katrina New Orleans
THE BLESSED PLACEMAKERS: VIOLENT CRIME, MORAL TRANSFORMATION, AND URBAN REDEVELOPMENT IN POST-KATRINA NEW ORLEANS by Rebecca L. Carter A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2010 Doctoral Committee: Professor Gillian Feeley-Harnik, Chair Professor Thomas E. Fricke Associate Professor Stuart A. Kirsch Associate Professor Paul Christopher Johnson © Rebecca L. Carter All rights reserved 2010 DEDICATION For Evan ii ACKNOWLEDGMENTS There aren‟t enough words to fully express my gratitude for the guidance, encouragement, and generous support I have received during the completion of this dissertation and my doctoral degree. It has been a long but extremely rewarding process; an endeavor that has unfolded over the span of the last six years. Of that time, three years were spent completing coursework and training at the University of Michigan, Ann Arbor; two years (July 2007 – July 2009) were spent doing ethnographic fieldwork in New Orleans, Louisiana; and the final year was spent writing up in my home state of Tennessee, as part of a dissertation writing and teaching fellowship based at Middle Tennessee State University. To be afforded the time and the occasion to work as an anthropologist and ethnographer at all is something of a luxury; I frequently remind myself what a dream job and a privilege it is. There are many people that I must thank for the opportunity, and for their help in seeing the research through until the end. So many, that in many ways the finished product is perhaps best situated as a collective and collaborative project rather than a solo venture.
[Show full text]
Titre Construit 1Er Responsable Série Edith Piaf
Titre construit 1er responsable Série Edith Piaf (1963-2003) (20) : Volume 20 : Carnegie Hall 1956-1957 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (19) : Volume 19 : Carnegie Hall 1956 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (18) : Volume 18 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (17) : Volume 17 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Léo chante Ferré (16) : Léo chante l'espoir Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (16) : Volume 16 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Intégrale 1965-1995 (16) : Disque 16 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Léo chante Ferré (15) : Léo chante Et ... basta ! Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (15) : Volume 15 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] L'Intégrale (15) : Les Marquises Brel, Jacques L'Intégrale / Jacques Brel [Universal Music France S.a] Intégrale 1965-1995 (15) : Disque 15 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] L'Intégrale studio de Claude Nougaro (14) : Embarquement immédiat Nougaro, Claude L'Intégrale studio de Claude Nougaro / Claude Nougaro [Mercury France] Intégrale 1965-1995 (14) : Disque 14 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Edith Piaf (1963-2003)
[Show full text]
Neil Mclellan Complete CV
Neil McLellan Producer / Mixer / Programmer Producer / Songwriter Neil McLellan, currently the Creative Director of New York based multi-service Production company The Lodge, has enjoyed past successes with groups from Oasis to Madonna. He is internationally recognized for his work with the British dance act, The Prodigy, with his production, writing and mixing credits on all of their most successful releases. Prodigy ‘Invaders Must Die’ / Album MIx Senser Forthcoming Album Add Prod / Mix Prodigy ‘Always Outnumbered, Never Outgunned’ Co-prod / Mix / Co-write Carl Cox ‘Second Sign’ Album / Singles Co-prod / Co-write U.N.K.L.E. Sunna / Single Mix Terrorvision ‘Good To Go’ / Album / Singles Prod / Mix Brother Brown ‘Starcatching Girl’ / Single Add Prod / Mix Sasha ‘Xpander’ / single Mix Manu Chao ‘50 Millions’ / Single Mix Southern Fly Forthcoming album Co-Prod / Mix Regular Fries ‘Mash Man’ / album Prog / Prod Gintare ‘Earthless’ / album Mix Carl Cox ‘Phuture 2000’ / single Mix Bedlam A Go Go ‘Estate Style Entertainment’ / single Prod / Mix Supercharger ‘We Rock’ / single Mix Prodigy ‘Smack My Bitch Up’ / single Eng / Mix ‘Firestarter’ / single Eng / Mix ‘Breathe’ / single Eng / Mix ‘Minefield’ / single Eng / Mix ‘Music For The Jilted Generation’ / album Co-Prod / Mix ‘Voodoo People’ / single Co-Prod / Mix ‘Full Throttle’ / single Co-Prod / Mix ‘No Good (Start The Dance)’ / single Co-Prod / Mix ‘One Love’ / single Co-Prod / Mix ‘Poison’ / single Mix Erasure ‘Cowboy’ / album Co-Prod / Mix Archive ‘Londinium’ / album / singles Co-Prod / Mix
[Show full text]
70000TONS of METAL Survival Guide
www.insomniac.games/game/spider-man-ps4 PAGE 6 MASS MEDIA INK MASS MEDIA MAG PAGE 7 Volume 3 • Issue #8 PUBLISHER/EDITOR ROD BLACK WRITERS ROD BLACK MARK HENNION HEATHER MOSS AMANDA PEUKERT PHOTOGRAPHERS ROD BLACK MARK HENNION TRANSCRIBER/COPY EDITOR ROD BLACK LAYOUT & COVER DESIGN ROD BLACK, FOTO DOOR FRONT COVER FOTO DOOR, PHOTO SABINA KELLEY, MODEL SHOWOFF MAKE-UP, MUA A’QUA SWIMWEAR, BIKINI BACK COVER KEVIN MILLET, PHOTO RICK GENEST, MODEL WEB/SOCIAL MEDIA http://www.facebook.com/MassMediaMagazine http://instagram.com/MassMediaMagazine http://twitter.com/MMMmagazineTW https://www.youtube.com/channel/UCsKzCGD4EX6wqd_FTFWfPcg MASS MEDIA GROUP, LLC PO Box 22968 Portland, OR 97269 Mass Media Magazine is printed on 10% recycled (post consumer waste) paper us- ing soy-based inks. Our printer meets or exceeds all Federal Resource Conservation Act (RCRA) standards and is a certified member of the Forest Stewardship Council. Mass Media Magazine aka MMM Magazine (ISSN 2474-2368) Pub- lished Quarterly by Mass Media Group, LLC. PO Box 22968 Portland, OR 97269. Advertising rates furnished upon request. SEND ALL ADVERTISING INFORMATION AND MATERIALS TO PO Box 22968 Portland, OR 97269. DIRECT ALL SUBSCRIPTION INQUIRIES TO OUR OFFICIAL SITE AT www.MassMediaMagazine.com or via EMAIL at info@wearemmm. com. All Advertising is subject to approval before acceptance. Mass Media Group, LLC. reserves the right to refuse any ad for any reason whatsoever. Only actual pub- lication of an advertisement constitutes acceptance thereof, but does not constitute agreement for continued publication in any form. Oregon law applies to and controls all materials contained herein.
[Show full text]