Andrew Wannigman, Baritone

Total Page:16

File Type:pdf, Size:1020Kb

Andrew Wannigman, Baritone Andrew Wannigman, baritone [email protected] 617-792-9270 Height 6’3” – Weight 220 lbs Voice Teacher – Kim Josephson *Denotes Upcoming Engagement Roles *Figaro Il barbiere di Siviglia Long Island Lyric Opera 2020 *Count Monterone Rigoletto Mill City Summer Opera 2020 *Rigoletto (cover) Rigoletto Mill City Summer Opera 2020 Sharpless Madama Butterfly Long Island Lyric Opera 2019 Marcello La Boheme Union Avenue Opera 2019 Andrews Stonewall (World Premiere) New York City Opera 2019 Escamillo la Tragédie de Carmen City Lyric Opera 2019 Stanley Bound (New York Premiere) Fresh Squeezed Opera 2019 Le Dancaire Carmen Mill City Summer Opera 2018 Valentin Faust Natchez Festival of Music 2018 Fredrik Egerman A Little Night Music Natchez Festival of Music 2018 Tyler Falling Out (Premiere Reading) New York Theater Festival 2018 John Buchanan, Jr. Summer and Smoke Converse College (Guest Artist) 2018 Jigger Craigin Carousel Union Avenue Opera 2017 Dr. Malatesta Don Pasquale University of Oklahoma Opera Theatre 2017 Dandini La Cenerentola Opéra Louisiane 2016 Mr. Gobineau The Medium Painted Sky Opera 2016 Pausanias Une éducation manquée Painted Sky Opera 2016 Gandalf / Smaug The Hobbit Tulsa Opera 2016 Alvaro Florencia en el Amazonas Tulsa Opera 2016 Eugene Onegin Eugene Onegin (in English) OU Opera Theatre 2016 Father Ragtime University Theatre 2015 Pirate King Pirates of Penzance Cimarron Opera 2015 Sciarrone Tosca Mill City Summer Opera 2014 Maximilian Candide Skylark Opera 2014 Morales Carmen Cedar Rapids Opera Theatre 2014 Franklin Delano Roosevelt The Turing Project (Workshop Reading) American Lyric Theater NYC 2013 Bill Bobstay HMS Pinafore Opera New Jersey 2012 Tom/John Face on the Barroom Floor Cedar Rapids Opera Theatre 2012 Papageno The Magic Flute Opera Iowa 2011 Baritone 3x3=∞ (North American Premiere) Juventas New Music Ensemble 2010 Father Hansel and Gretel Opera Iowa 2010 Thomas Putnam The Crucible Boston Opera Collaborative 2009 Fiorello Il barbiere di Siviglia Opera North 2009 Count Almaviva Le nozze di Figaro NEC Opera Theater 2008 Ipparco Egisto NEC Opera Theater 2008 Mr. Ford The Merry Wives of Windsor Luther College 2006 Oratorio/Concert Works Soloist, The Song of the Bow (Cantata for Baritone, Trumpets, Percussion, Harp) – Manhattan School of Music, Nov. 2018 (World Premiere) Soloist, L'ultimo viaggio di Ulyss (Cantata for Baritone, Horn and Piano) – Manhattan School of Music, Nov. 2017 (World Premiere) Soloist, V. Williams’ Five Mystical Songs – Westminster Presbyterian Chancellor Choir & Orchestra – Oklahoma City, April 2017 Soloist, Handel’s Messiah (Christmas portion) – Westminster Presbyterian Chancellor Choir & Orchestra – Oklahoma City, Dec. 2016 Soloist, Saint-Saëns’ Christmas Oratorio – Westminster Presbyterian Chancellor Choir & Orchestra – Oklahoma City, Dec. 2015 Baritone, John Adams’ The Wound-Dresser (staged performance) – University of Oklahoma – Oct. 2015 Soloist, J.S. Bach’s St. Matthew Passion – The Messiah Festival – Lindsboro, KS, April 2015 Soloist, Dubois’ Seven Last Words of Christ – Westminster Presbyterian Chancellor Choir & Orchestra – Oklahoma City, March 2015 Awards/Distinctions Programs Semi-finalist: McCammon Voice Competition, 2018 Tulsa Opera – Resident Artist (2016) Pavel Lisitsian Award (Audience Choice): Lois Alba Competition, 2017 Opera New Jersey – Victoria J. Mastrobuono Emerging Artist (2012) Third Place: The American Prize in Voice (professional opera-male), 2016 Des Moines Metro Opera – James Collier Young Artist (2010, 2011) Third Place: Benton-Schmidt Competition, 2014 Opera North – Young Artist (2009) Honorable Mention: Schubert Club Competition, 2014 Cedar Rapids Opera Theatre – Young Artist (2007, 2008) Conductors Stage Directors Coaches Brian DeMaris Scott Schoonover Michael Sakir David Lefkowich Alison Moritz Fenlon Lamb Marilyn Horne Michael Borowitz Keith Chambers David Neely Octavio Cardenas William Ferrara A. Scott Parry Lorne Richstone Daniel Kleinknecht Kostis Protopapas Louis Burkot Bob Neu Nic Muni Ken Page .
Recommended publications
  • Pavel Lisitsian Discography by Richard Kummins
    Pavel Lisitsian Discography By Richard Kummins e-mail: [email protected] Rev - 17 June 2014 Composer Selection Other artists Date Lang Record # The capital city of the country (Stolitsa Agababov rodin) 1956 Rus 78 USSR 41366 (1956) LP Melodiya 14305/6 (1964) LP Melodiya M10 45467/8 (1984) CD Russian Disc 15022 (1994) MP3 RMG 1637 (2005 - Song Listen, maybe, Op 49 #2 (Paslushai, byt Anthology Vol 1) Arensky mozhet) Andrei Mitnik, piano 1951 Rus MP3 RMG 1766 (2006) 78 USSR 14626 (1947) LP Vocal Record Collector's Armenian (trad) Armenian girls (Hayotz akhchikner) Matvei Sakharov, piano 1947 Arm Society 1992 Armenian girls (Hayotz akhchikner) LP Melodiya 45465/6 (1984) Armenian (trad) (arranged by Aleksandr Dolukhanian) Matvei Sakharov, piano 1948 Arm MP3 RMG 1766 (2006) Armenian girls (Hayotz akhchikner) 1960 (San LP New York Records PL 101 Armenian (trad) (arranged by Aleksandr Dolukhanian) Maro Ajemian, piano Francisco) Arm (1960) Crane (Groong) 1960 (San LP New York Records PL 101 Armenian (trad) (arranged by Aleksandr Dolukhanian) Maro Ajemian, piano Francisco) Arm (1960) Russian Folk Instrument Orchestra - Crane (Groong) Central TV and All-Union Radio LP Melodiya 45465/6 (1984) Armenian (trad) (arranged by Aleksandr Dolukhanian) - Vladimir Fedoseyev 1968 Arm MP3 RMG 1766 (2006) LP DKS 6228 (1955) Armenian (trad) Dogwood forest (Lyut kizil usta tvoi) Matvei Sakharov, piano 1955 Arm MP3 RMG 1766 (2006) Dream (Yeraz) (arranged by Aleksandr LP Melodiya 45465/6 (1984) Armenian (trad) Dolukhanian) Matvei Sakharov, piano 1948 Arm MP3 RMG
    [Show full text]
  • Wuthering Heights Artist Biographies Jesse Blumberg (Mr
    Wuthering Heights Artist Biographies Jesse Blumberg (Mr. Lockwood) Baritone Jesse Blumberg is an artist equally at home on opera, concert, and recital stages. Last season, he performed the role of the Celebrant in Bernstein's Mass at London's Royal Festival Hall under the baton of Marin Alsop, debuted with Boston Lyric Opera as Harlekin in Ariadne auf Naxos, and performed recitals in Paris with the Mirror Visions Ensemble. In 2007, he created the role of Connie Rivers in The Grapes of Wrath (recorded by P.S. Classics) at the Minnesota Opera, and later made his Utah and Pittsburgh Opera debuts in the same production. Other recent appearances include leading and featured roles with Annapolis Opera, Opera Delaware, Opera Vivente and the Boston Early Music Festival. In concert, Jesse has been a featured soloist with American Bach Soloists, Los Angeles Master Chorale, Sacred Music in a Sacred Space and the Berkshire Choral Festival. He has also given the world premieres of two important chamber works: Ricky Ian Gordon's Green Sneakers (recorded by Blue Griffin Recording) and Lisa Bielawa's The Lay of the Love and Death, the former at the Vail Valley Music Festival, and the latter at Alice Tully Hall. He has toured with the Mark Morris Dance Group and the Waverly Consort, and given recitals for the Marilyn Horne Foundation. Last season, he and pianist Martin Katz performed Schubert's two monumental song cycles, Die schöne Müllerin and Winterreise, over one weekend in Ann Arbor, and will soon repeat this pairing in New York City. Jesse has been recognized in many song and opera competitions, and in 2008 was awarded Third Prize at the International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years.
    [Show full text]
  • Deutsche Nationalbibliografie 2012 T 04
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 04 Stand: 18. April 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT04_2012-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • Central Opera Service Bulletin
    CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.
    [Show full text]
  • Operaharmony
    #OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too .
    [Show full text]
  • Hansel and Gretel
    LEON WILSON CLARK OPERA SERIES SHEPHERD SCHOOL OPERA and the SHEPHERD SCHOOL CHAMBER ORCHESTRA present HANSEL AND GRETEL An opera in three acts by Engelbert Humperdinck Libretto by Adelheid Wette Richard Bado, conductor Debra Dich son, stage director and choreographer October 26, 28, 30 and November 1 7:30 p.m. Wortham Opera Theatre Cel e b ratin . g1; 1975 -2005 1/7 Years THE SHEPHERD SCHOOL t ~ IC RICE UNIVERSITY CAST (in order of vocal appearance) Wednesday, October 26; Friday, October 28; Sunday, October 30 Gretel. Angela Mortellaro Hansel. Kira Austin-Young Mother . Valerie Rogotzke Father. Colm Estridge Sandman . Audrey Walstrom Dew Fairy Hannah Nelson Witch . James Hall Tuesday, November 1 Gretel. Hannah Nelson Hansel . Audrey Walstrom Mother . Valerie Rogotzke Father. Raines Taylor Sandman. Kelly Duerr Dew Fairy Amanda Conley Witch . James Hall Angels and Gingerbread children: Rebecca Henry, Andrea Leyton­ Mange, Catherine Ott-Holland, Quinn Shadko, Lauren Snouffer, Ryan Stickney, Meghan Tarkington, Emily Vacek Demons: Grace Field, Katina Mitchell, Keith Stonum, Dan Williamson Members of the SHEPHERD SCHOOL CHAMBER ORCHESTRA Larry Rachleff, music director Violin I Cello Trumpet Kristi Helberg, Madeleine Kabat John Williamson concertmaster Victoria Bass Jonathan Brandt Rachelle Hunt Cristian Macelaru Double Bass Trombone Kristiana Matthes Jordan Scapinello, Colin Wise principal Pei-Ju Wu Harp Edward Botsford Kaoru Suzuki Earecka Tregenza Violin II Flute Timpani Steven Zander, Leslie Richmond Evy Pinto principal Oboe 'v Jessica
    [Show full text]
  • Carmen EC 20|12|02 4:13 PM Page 8
    110238-39 bk Carmen EC 20|12|02 4:13 PM Page 8 the officers, with whom he has fellow feeling as a this dangerous place and calling on Heaven to protect ADD warrior in the bull-ring. He then concentrates his her. 7 The voice of Escamillo is heard, exciting his Great Opera Recordings attention on Carmen, who rejects his advances. & rival’s jealousy, when he tells Don José of his love for 8.110238-39 When Escamillo and the officers have gone, Lillas Carmen. They fight and Escamillo slips and falls, but Pastia calls in two smugglers, planning to bring their quarrel is interrupted by the appearance of Carmen contraband into Spain from Gibraltar. Carmen at first and the smugglers. 8 Micaëla approaches, challenged 2 CDs refuses to join the enterprise, since she is in love with by one of the smugglers. She tells Don José of his BIZET Don José. * The smugglers try to persaude her to enrol mother’s mortal illness and her desire to see him before Don José in their enterprise. ( She dances for him, ) she dies. Carmen, supported by Escamillo, tells Don and persuades him to ignore the call back to barracks. ¡ José to go away with her, which he does, hesitating as Carmen He tells her of his love for her, recalling the flower that he goes. she had thrown him. ™ She reproaches him for not Solange Michel • Raoul Jobin • Martha Angelici • Michel Dens loving her, trying to persuade him to join her and the Act IV smugglers £ but he refuses, vowing to leave her, until Chorus and Orchestra of the Opéra-Comique, Paris the voice of Zuniga is heard, calling for Carmen.
    [Show full text]
  • Spring 2015 CUES Internet at the Speed of Whoa
    OPERAVolume 55 Number 05 | Spring 2015 CUES Internet at the speed of whoa. XFINITY® Internet delivers the fastest and most reliable in-home WiFi for all rooms, all devices, all the time. To learn more call 866-620-9714 or visit comcast.com Restrictions apply. Not available in all areas. Features and programming vary depending on area and level of service. WiFi claims based on April and October 2013 study by Allion Test Labs, Inc. Actual speeds vary and are not guaranteed. Reliably fast speed based on February 2013 FCC Broadband Report. Call for restrictions and complete details. ©2014 Comcast. All rights reserved. All trademarks are property of their respective owners. DIE WALKÜRE APRIL 18, 22, 25, 30 MAY 3 SWEENEY TODD APRIL 24, 26, 29 MAY 2, 8, 9 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Kim Anderson Paul Hopper Perryn Leech Elizabeth Lyons Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera instagram.com/hougrandopera Readers of Houston Grand Opera’s Opera Cues magazine are the Mobile: HGO.org most desirable prospects for an advertiser’s message.
    [Show full text]
  • Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
    Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet
    [Show full text]
  • La Bohème Cast 2020 Biography
    La Bohème Cast 2020 Biography (Vallo della Lucania, Italy) Italian Soprano Maria Agresta began her vocal studies at the Salerno Conservatory as a mezzo-soprano, later switching to soprano and studying with Raina Kabaivanska. After winning several international competitions she made her professional operatic debut in 2007. Engagements include Mimì and Micaëla (Carmen) for the Metropolitan Opera, New York, Suor Angelica for Liceu, Barcelona, Marguerite (Faust) for Salzburg Festival, Leonora (Il trovatore), Liù (Turandot), Donna Elvira (Don Giovanni) and Leonora (Oberto) for La Scala, Milan, Norma for Théâtre des Champs- Élysées and in Madrid, Turin and Tel Aviv, Mimì for Arena di Verona, Paris Opéra, Bavarian State Opera, Teatro Regio, Teatro di San Carlo, Naples, and Torre del Lago Festival, Elvira (I puritani) for Paris Opéra, Violetta (La traviata) for Berlin State Opera and Bavarian State Opera, Elena (I vespri siciliani) in Turin, Leonora (Il trovatore) for Palau de les Arts Reina Sofía, Valencia, Amelia (Simon Boccanegra) for Rome Opera, La Fenice, Venice, Dresden Semperoper and Berlin State Opera with Daniel Barenboim, Amalia (I masnadieri) for La Fenice and Julia (La Vestale) for Dresden Semperoper. Agresta performs widely in concert with such conductors as Barenboim, Nicola Luisotti, Michele Mariotti, Zubin Mehta, Carlo Montanaro, Riccardo Muti, Noseda and Christian Thielemann. Source: Royal Opera House (Brașov, Romania) Aurelia Florian was born in Romania where she has completed her musical studies (singing and piano), she studied at the Music faculty of the university of Transylvania in Brasov and specialized herself in belcanto singing in master classes with the Romanian soprano Mariana Nicolesco. At the Romanian Atheneum Bucharest (with the George Enescu Philharmonic Orchestra) she was highly acclaimed for singing the soprano part in Mahler’s IV symphony (under M° David Gimenez Carreras), and in 2009 she had a big success with the contemporary opera “Celan” written and conducted by Peter Ruzicka.
    [Show full text]
  • Carol I. Crawford's Accomplishments at Tulsa Opera
    FOR IMMEDIATE RELEASE FOR MORE INFORMATION May 25, 2007 Lisa Price: (918)688-2166 or (918)582-4035 CAROL I. CRAWFORD TO LEAVE AT CONCLUSION OF 2008-2009 SEASON Carol I. Crawford announced today that she will leave her position as General Director of Tulsa Opera, Inc. at the conclusion of the 2008-2009 Season, bringing to a close a 16-year tenure as the administrative and artistic head of the nationally acclaimed opera company. The timing will allow the Board of Directors to partner with Ms. Crawford on Tulsa Opera’s 60th Anniversary celebrations in 2007-2008 and a leadership transition season in 2008-2009. Ms. Crawford joined Tulsa Opera as Artistic Director in 1993 and was appointed General Director in 1997. A nationwide search for her successor will begin in the fall, with an appointment hoped within the next 18 months. Ms. Crawford and her successor will work together to consolidate the institutional and artistic momentum of the organization, in line with the Board’s long-term strategic plans. “All good things must come to an end, and while we are deeply saddened by Carol’s decision, we certainly understand it,” said Henry G. Will, president of the Tulsa Opera Board of Directors. “We are grateful that Carol has graciously agreed to remain with us for another two seasons while the Board implements an orderly national search and timely leadership transition. Her extraordinary artistry and leadership commitment to Tulsa Opera have elevated this art form within our community and placed this company squarely on the national stage. She has been an enormous cultural ambassador for the city of Tulsa, and she will be sorely missed.” “I am so proud of all we have achieved together,” said Ms.
    [Show full text]
  • 20Th-Century Repertory
    Mikrokosmos List 635. - 2 - July 2018 ....20TH-CENTURY REPERTORY 1 Andricu, Mihail: Sym a IV-a; Simfonietta 12 - cond.Bacs, Sbarcea S ELECTRECOR ST-ECE 1922 A 12 2 Andriessen, Hendrik: Sym 2 & 3 - cond.Otterloo, Fournet (live with scores) S DONEMUS 70713 A 20 3 Andriessen, Henrik: Sym 1/ Paap: Garlands of Music/ Horst: Reflexions Sonores - DONEMUS DAVS 6804 A 8 cond.Hupperts, Otterloo, Haitink all live with scores S 4 Berio: Epifanie, Folk Songs, Sequenza VI, Chemins II, III - C.Berberian, Trampler, 2 x RCA RK 11530 A 15 Juilliard Ens, London SO, cond.Berio S 5 Blacher: Concertante Music, Pno Con 2 - G.Herzog, cond.Rosbaud (gatefold) DGG LP 16402 A 12 GY2 (p.1956) 10" 6 Blockx, Jan: Vlaamse Kermis/Poot, Marcel: Sinfonietta in G - cond.L.Gras 10" DECCA 143361 A 40 7 Carter, Elliott: Vars for Orch, Double Con - Rosen pno, Jacobs hrpschrd, CBS S 3461093 A 8 cond.Prausnitz S 8 Djabadary: Rhapsodie Geoprgienne (pf, orch); Tiflisiana (orch); Pno Con - H.Goraieb VOXIGRAVE V30ST 7240 A 10 pno, RTL SO, cond.Froment S 9 Draeseke, Felix: Mass in a (Leichlinger Kantorei, cond.Follert), 6 Fugues for Pno POLYPHONIA POL 63018 A 8 (Haas arr and plays organ) 1983 S 10 Egk, Werner: La Tentation de St Antoine/Arriaga: SQ 3 - M.Hendriks ms, Markl AARTON 8335 A 12 Quartet 1983 S 11 Eimert, Herbert: Einfuhrung; Etude; 5 Pieces; Glockenspiel (electronic music) DGG LP 16132 A 50 (p.1957) 10" 12 Enescu: Sonata for Vln & Pno No.2 (Cozighian vln, V.Gheorghiu pno); Sonata for Vcl & ELECTRECOR ST-ECE 1804 A 12 Pno Op.26\2 (Gutu vcl, E.Cosma pno) S 13 Enescu: Vox Maris
    [Show full text]