Lawrence Harris

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Lawrence Harris c/o International Music Talents Philippe Kahn-Salmon 59, Quai de Valmy 75010 Paris Tel : 01 40 40 94 75 / GSM : 06 71 63 43 33 [email protected] Licence d'agent artistique 1010 Role Opera Company Year di Luna Il Trovatore San Antonio Opera 2009 Frank Annie Get Your Gun (tour) Sue B. Music Productions 2009 Roberto Piazza Novana (Premiere) Teatro Ricardo Castro (Mexico) 2008 Soloist Beethoven's 9th Symphony Texarkana Symphony Orchestra 2008 Soloist Verdi Concert Altamura/Caruso Int'l Competition 2008 Soloist Verdi Concert Richard Tucker Foundation 2008 Scarpia Tosca Texarkana Symphony Orchestra 2008 Rigoletto Rigoletto Sherman Symphony 2008 Melchior Amahl & the Night Visitors Fort Worth Opera 2007 Melchior Amahl & the Night Visitors Opera East Texas 2007 High Priest Samson et Dalila Hawaii Opera Theatre 2007 High Priest Samson et Dalila Centre Symphony (NYC) 2007 Germont La Traviata Long Island Symphony 2007 Rigoletto Rigoletto New Rochelle Opera 2007 Burgomaster The Red Mill Little Orchestra Society 2007 Melchior Amahl & the Night Visitors Little Orchestra Society 2006 Rigoletto Rigoletto Garden State Philharmonic 2006 Germont La Traviata San Antonio Opera 2006 Scarpia Tosca Philadelphia Kimmel Center 2006 Lebret Cyrano (workshop) Michigan Opera Theatre 2006 Amonasro Aida One World Symphony 2006 Scarpia Tosca Opera East Texas 2006 Tonio I Pagliacci Center City Opera (Kimmel) 2006 Rigoletto Rigoletto Opera Co of Brooklyn 2006 Scarpia Tosca Opera North 2005 Duke The Gondoliers Opera North 2005 Germont La Traviata Center City Opera (Kimmel) 2005 Marcello La Boheme Bronx Opera 2005 Rigoletto Rigoletto Connecticut Grand Opera 2004 Rigoletto Rigoletto Center City Opera (Kimmel) 2004 Soloist Wagner Concert Wagner Society of Wash DC 2003 Soloist Verdi Concert NY Grand Opera 2002 Heinrich Tannhauser Tulsa Opera 2001 Soloist Weill Concert Tulsa Opera 2001 Jake The Sun Also Rises Long Island Opera 2000 Soldier Tale for a Deaf Ear Ctr/Contemporary Opera 1999 Conductors: Anton Coppola, Mark Flint, Gerald Steichen, Dino Anagnost, Anthony LaBruth, Louis Burkot, Carol Crawford, Vincent LaSelva, Michael Spierman (partial list) Directors: Rhoda Levine, Dona Vaughn, James Marvel, Michael Capasso, Jonathan Loy, Bernard Uzan, Alyce Mott, William Florescu (parial list) Teachers/coaches: Sherrill Milnes (current), Phyllis Curtin, Robert White, Joan Dornemann, Gregory Buchalter, Janet Bookspan, James DeBlasis, Susan Morton Education: Manhattan School of Music, 1991-1993 Awards/grants: Metropolitan Opera National Council, Manhattan School of Music, First Place Winner 2008 Altamura/Caruso International Voice Competition, Gold Book Award American League of Orchestras (2008) .

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Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999
BOSTON SYMPHONY ORCHESTRA 1 I O Z AWA ' T W E N T Y- F I F 1 H ANNIVERSARY SEASO N 1 1 8th Season • 1 998-99 Bring your Steinway: < With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,100,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR at Jisner Jiill BROOKLINE Seiji Ozawa, Music Director 25TH ANNIVERSARY SEASON Bernard Haitink, Principal Guest Conductor One Hundred and Eighteenth Season, 1998-99 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis Edna S. Kalman Vincent M. O'Reilly Gabriella Beranek Nina L. Doggett George Krupp Peter C. Read James E Cleary Nancy J. Fitzpatrick Mrs. August R. Meyer Hannah H. Schneider John F. Cogan, Jr. Charles K. Gifford, Richard P. Morse Thomas G. Sternberg Julian Cohen ex-ojficio Mrs. Robert B. Stephen R. Weiner William F. Connell Avram J. Goldberg Newman Margaret Williams- William M. Crozier, Jr. Thelma E. Goldberg Robert P. O'Block, DeCelles, ex-qfficio Nader F Darehshori Julian T. Houston ex-ojficio Life Trustees Vernon R.
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Little Bat” in the Opera Susannah
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1967 An Analysis of “Little Bat” in the Opera Susannah James William Dewey Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Education Commons, and the Music Education Commons Recommended Citation Dewey, James William, "An Analysis of “Little Bat” in the Opera Susannah" (1967). All Master's Theses. 820. https://digitalcommons.cwu.edu/etd/820 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. I AN ANALYSIS OF 11 LITTLE BAT" IN THE OPERA SUSANNAH . ....... :.;; A Covering Paper Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Education by James William Dewey May 1967 APPROVED FOR THE GRADUATE FACULTY ________________________________ John DeMerchant, COMMITTEE CHAIRMAN _________________________________ Joseph S. Haruda _________________________________ Dan A. Unruh TABLE OF CONTENTS SECTIONS PAGE AN ANALYSIS OF •LITTLE BAT" IN THE OPERA SUSANNAH 1 BIBLIOGRAPHY . 9 APPENDIX A. Letter from Carlisle Floyd • • • • • • • 10 APPENDIX B. Selections from vocal score of Susannah • 12 APPENDIX c. Susannah program, Central Washington State College production, February- March 1967 • • . • • • · · · · · · . 33 AN ANALYSIS OF "LITTLE BAT" IN THE OPERA SUSANNAH To be successful, an opera must externalize the basic philosophical concepts of a story through both action and visible situations. As stated by Carlisle Floyd, the composer of Susannah: My first consideration in attempting an opera is whether or not the subject is one in which the emo tional, psychological, and philosophical concepts of the story can be externalized through action and visible situation and still retain absorbing, multi dimensional characters.
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Copyright 2010, Michigan Opera Theatre BALDWIN the MOST TALKED ABOUT PIANO in the WORLD "Baldwin
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