Copyright 2010, Michigan Theatre BALDWIN THE MOST TALKED ABOUT PIANO IN THE WORLD "Baldwin ... is in itself a magnificently sensitive and brilliant SS-piece ensem­ ble ... completely satisfying to me both as Pianist and Conductor." .. . Leonard Bernstein

The New Baldwin Concert Grand is heralded by artist, audiences and critics alike as the Piano of the Century ... it is the result of a constant search for perfection, through 110 years of uninterrupted piano building, without change of ownership.

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"The evening was further enhanced by the magnificent tones of one of the finest concert grands I have ever heard --­ another of those remarkable new Baldwin instruments." Harris Goldsmith3 High Fidelity/Musical American-January 1966

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"The~e was another contributing factor, too, the piano itself ... I cannot remember, in fact, hearing any make of piano with a better, truer, more musical treble right up to the top ... It 1S clear that the Baldwin people have taken a big forward step with this new instrument."

Alan Rich, New York Herald-Tribune-October 28 3 1965

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DETROIT BIRMINGHAM 5510 Woodward Ave. 1010 N. Woodward (Hunter Blvd.)

DISTRIBUTORS BALDWIN - BECHSTEIN - YAMAHA Copyright 2010, Michigan Opera Theatre PIANOS - ORGANS Vb. QTUQ(

TO P~QA

OF THE DETROIT GRAND OPERA ASSOCIATION

The Music Hall Theatre Detroit, Michigan

September 28 - December 16, 1972

DA VID DiCJIIERA, ROBERT M. HEUER, General Director Managing Director

Detroit has done it again! A beautiful theatre, outstanding singers, and enthusiastic audiences have ensured that opera theatre is here to stay. Over­ ture to Opera, recently accepted into OPERA American (the organization to which all major opera companies belong), opens its season for the second time in an ideal setting - The Music Hall Theatre.

This season our productions span three centuries of opera, from Mozart to Menotti. A varied repertoire has been characteristic of Overture to Opera - last year we presented a rock opera, and Puccini's La Rondine with so­ prano Nancy Shade. On our drawing boards for the future are ideas for productions of works by Offenbach, Barber and Verdi. We wiU continue to present familar as well as less-famous , always emphasizing the fact David DiChiera that opera is, above all, theatre.

As a regional company, our casts consist primarily of the finest professional artists in the Great Lakes area, as well as outstanding young singers from around the country. New dimensions are added when major international stars such as Phyllis Curtin perform with us.

Overture will continue with its extensive in-school educational program. New is the Opera in Residence Program beginning in February, in which Michigan communities will host the Overture Company in their town for a week of opera experience. The week will include classes, workshops and a full production.

Overture is grateful for the gTant from the National Endowment for the Arts which will enable us to carry our to Flint and Kalamazoo. We wish again to extend heartfelt thanks to the many volunteers whose behind-the-scenes labors have sustained and strengthened us.

Every great city needs a full gamut of cultural offerings. Overture to Opera is proud to provide the citizens of Southeastern Michigan with a full season of opera, thus joining the theatres, the Detroit Symphony and the Institute of Arts in offering Detroiters yet another outlet for their multi-faceted interests. Your generous contributions are making Overture possible, but your enthusiastic reception as an Copyright 2010, Michigan Opera Theatre audience gives the company the spiritual support that cannot be measured. THE OVERTURE TO OPERA COMPANY BIRMINGHAM GALLERY Inc. ADMINISTRATIVE STAFF 1025 HAYNES, BIRMINGHAM, MICH. 48011 General Director: Dr. David DiChiera Managing Director: Robert M.Heuer Public Relations: Cindy Skalsky ARTISTS Secretary/Receptionist: Diann Wolfe Company Photographer: Bill Morse MUSIC STAFF CORITA KENT CAROLYN HALL Music Director: William Byrd KEGHAM TAZIAN MICHAEL MTLLER Chorus Master: Dr. Raynold Allvin CLIFTON McCHESNEY J. FRED WOELL Coach/Accompanists: Beverly ·Labuta MICHAEL ROTHENSTEIN EMIL WEDDIGE Donna Edwards JANET FOLSOM DON CROUCH Harpsichordist: Dr. David Daniels ORCHESTRA The Flint Symphony Orchestra William C. Byrd, Music Director CHORUS Soprano: Basses: Jan Albright Mike · Albrigh t Nancy Hoover Ron Bobo Cindy Jackson James Dutcher Joan Wells George Jahn Lee Ann Wolf Tom Murphy FINE ARTS GRAPHICS CUSTOM FRAMING RESTORATION Pat Smith Steven Olds Phyllis Snow John Rahleeh Carol Weisswasser Albert Shont Roman Terleckyj Altos: Kenneth Young Rose Burnett Leta Dockett Diann Wolfe Boys Chorus: Gary Adams Tenors: Carl Allvin Jim Anderson Bruce Brunsdon Larry Bellaire Gary Cobb Carmen Cavallero Tim Hershberger PARMENTER William Kaminski Bob Munn Jim Wells FLOWERS and FLORAL ARRANGEMENTS Tim Thomas TO SATISFY YOUR EVERY NEED Larry Wolf Steve Tomlinson

Prompt & Courteous Delivery Service PRODUCTION STAFF 8:30 A.M. to 5:30 P.M. Doily Stage Directors: J. Michael Bloom Carolyn Lockwood 178 E. Brown, Opposite City Parking Structure Hal Youngblood BIRMINGHAM Tel. Midwest 4-9340 Designers: Stage Manager: Tom Byrant Linda Connor George Dusincki Dayvid Warda Allen White Copyright 2010, Michigan Opera Theatre [[ trURI:1 I TO PC:QA "------~ Cc:Jr".../'IPANV OF THE DETROIT GR A ND O PER A A SSOC IATI O N

1972 FALL SEASON COMMITTEES THE COMMITTEE Mr.& Mrs. Lynn A. Townsend, Mr.& Mrs. Harry Jones Co-Chairmen Hon.& Mrs. Wade H. McCree Jr. Mr.& Mrs. Avern L. Cohn Mr.& Mrs. Harry J. Nederlander Mr.& Mrs. John H. DeCarlo Mr. E. Harwood Rydholm Dr.& Mrs. David DiChiera Mr.& Mrs. Neil Snow Mr.& Mrs. Aaron H. Gershenson Mr.& Mrs. Richard Strichartz Mr.& Mrs. Donald Graves Mr.& Mrs. Robert C. Vander Kloot Hon.& Mrs. ~oman S. Gribbs Mr.& Mrs. Sam B. Williams Mr.& Mrs. John C. Griffin Mr.& Mrs. Theodore o. Yntema EX-OFFICIO Mr.& Mrs. Frank W. Donovan Mr.& Mrs. Wilber H. Mack Mr.& Mrs. Joseph Vance AFFILIATED INSTITUTIONS Detroit Institute of Technology Oakland University University Center for Adult University of Detroit Education Wayne State University

SEASON TICKET COMMITTEE Mrs. Donald Young Chairman

TEAM CAPTAINS Mrs. Harvey Berman Mrs. Napolean Jones Mrs. Sigmund Blum Mrs. Gunnar Karlstrom Mrs. Edward Bush Mrs. Jay Benton Lackey Mrs. Abraham Cooper Mrs. Thomas V. LoCicero Mrs. Paul K. Cousino Mrs. Lorenzo Lorenzetti Mrs. Ralph Curtis Mrs. Scott McKean Mrs. Robert Cutler Mrs. Irving Pasman Mrs. Robert Dewar Mrs. Laurence Rattner Mrs. Edward Frohlich Mrs. Arthur J. Rooks Mrs. Matthew Garrisi Mrs. Ernest J. Shave Mrs. Eric T. Goullaud Ms. Pat Smith Mrs. John C. Griffin Mrs. William B. Ten Eyck Mrs. Horace Holloway Mrs. Robert C. Vander Kloot ~ Mrs. Robin Hough

OPERA PARTY (NIGHT AT THE OPERA Party) Mrs. Avern L. Cohn and Mrs. Sam B. Williams Co-Chairmen A ZANY FUN-FILLED EVENING -- Spectacular Italian buffet -- Fabulous singing waiters -- Famous celebrities -- Great movies -- Exotic fun -- OctoberCopyright 16, 1972 2010, Michigan$20.00 Opera Theatreper person Latin Quarter 6:30 p.m. Call 377-2044 for Party reservations r ~QTUQc:1 To(J PC:QA ~. ------COI'vlPAI'-JV OF THE DETROIT GRAND OPERA ASSOCIATION

SEPTEMBER 28, 30 & OCTOBER 6, 7, 1972

NEW PRODUCTION W,A, MOZART

Cosi 3an 7utte

[Wom en ane Like Tha~J

OPERA IN TWO ACTS

Libretto by Lorenzo Da Ponte Translation by Ruth and Thomas Martin Conductor: William C. Byrd Stage Director: J.Michael Bloom Technical Director: George Dusincki Costumes Designed by Dayvid Warda

Fiordiligi ..•...... Doralene Davis Dorabella ...... Barbara Windham Guglielmo •....•...... Charles Roe Ferrando ...... Richard Conrad Despina ...... Roma Riddell Don Alfo~~o .•...... John Ostendorf

Servants: James Anderson, James Dutcher, Thomas Murphy, Roman Terlackj

The action takes place in Naples

The management reserves Copyrightthe right 2010, Michiganto make Opera any Theatre changes in the above cast in case of unforeseen exigencies. Richard Conrad, tenor, a sinuer of ex traordinary gifts has made ~everal Doralene Davis, soprano, has toured successful tours of Europe and South extensively as soloist wi th the Rouer Africa. He also has many recordings Wagner CI~oral e and the Robert Sh~w to his credit, including the award Chorale throughout South America, winning "The Age of Bel Canto" the U.S.S.R., Europe and the Cnited with Joan Sutherland and \larilyn States. \Jiss Davis has also made solo I Horne. .'Ilr. Conrad appeared pre­ appearances at the \lcadow Brook viously with The Overture to Opera Festival and ,vith the Detroit Svm­ Company in productions of LA RO;\­ phony Orchestra. She gained ~on­ D!;\E and HELP, HELP THE GLO­ siderable acclaim for her interpreta­ BOLI;\KS. tion of \ladame Euterpova in The Overture to Opera Company produc­ tion of HELP, HELP THE-GLOBO­ U:\KS.

Roma Riddell, soprano, began her John Ostendorf, bass-baritone, comes career at the Toronto Conservatory to us from tlle .'Iletropolitan Opera of \Iusic and established herself as a Studio, and as an up-and-coming leading artist with the Toronto Sym­ young artist, he is in great demand phony, the Toronto Opera Festival around the country. Recent engage­ and the C.B.C. Opera Company. Now ments have included performances a resident of Detroi t, this talented with the Houston Grand Opera, the and beautiful singing actress frequent­ ~ewark Opera and an appearance in ly appears with The Overture to LES TROY ASS at Carnegie Hall. Opera Company and is also very active in the Detroit musical scene.

Charles Roe has appeared lvith num­ erous orciIestras, including a perfor­ mance opposite Beverly Sills with Barbara Windham has appeared in th e Cleveland Orchestra. In 1966 many productions of both grand and he ",as named runner-up in the :'IJa­ light opera and musical comedy, with tional Singer of the Year competition such groups as the Toledo Opera held in \\ashington, D .C. :'olr. Roe Company and the Windsor Light has appeared in many leailing roles Opera Company. She is .a member in opera and mu"ical comedv, incl u­ of the Kenneth Jewell Chorale and ding The Overture to Opera Company was seen in the much heralded pro­ productions of LA RO;\DI;\E and duction of THE PERFECT FOOL. RJTA.

David Daniels is the harpsichordist for all performances.

PLEASE NOTE: There are a limited number of season tickets available The full price of single admission tickets for this opera may be applied on those tickets with an accompanying savings. Please bring your ticket stubsCopyright to the 2010, Music Michigan Hall Opera BoxTheatre Office during the next few days. ( ~QTUQ~ l TIi(JP~QA l~ __ _ ._____ ~ =Of'./lPANV O F TH E DE TR O IT G RA NO O PER A ASSOC I A T~

OCTOBER 27, 28 & NOVEMBER 2, 4, 1972

I~EW PRODUCTION * 'losca

OPERA IN THREE ACTS

Libretto by Giuseppe Giacosa and Luigi Illica Tran~lation~y John Gutman Conductor: Wl'llictm C. Byrd Stage Director: Carolyn Lockwood Chorus Master: Raynold Allvin Sets Designed by George Dusincki Lights Designed by Allen White Costumes Designed by Dayvid Warda

Floria Tosca, an opera singer .....•...... •.... Phyllis Curtin November 2, matinee performance ....•.... Brenda Sin~a

Mario Cavaradossi, a pa~ter •...... •....•...... Charles Hindsley

Baron Scarpia, the chief of the Roman police October 27 and 28 ...... •...... •.. Micheal Ingham November 2 and 4 ...... Ronald Holgate

Cesare Angelotti, an underground fighter •...... Charles Roe

A Saclistan ...... •...... Davis Gloff

Spoletta, a police agent ...... Joseph Ryan Sciarrone, Scarpials orderly •...... •.•...... Kenneth Young

A Jailer ...... •...... •.•...... Thomas Murphy

A Shepherd Boy ...... •...... •...... Gail White

Act I - The Church of Santi Andrea Della Valle Act II - Palazzo Farnese Act III - Castel Santi Angelo

* This production of Tos ca is supported by a grant from the National Endowment for the Arts in Washington, D.C., a Federal Agency.

The management reservesCopyright the 2010, right Michigan to Operamake Theatre any changes in the above cast in case of unforeseen exigencies. Phyllis Curtin, world renowned so­ Charles Hindslev, who will star in prano, heads the list of artists starring the role of Ca~aradossi is a young as the beautiful and tragic Tosca. American tenor whose performances Her following is as numerous as with numerous opera companies have her list of accomplishments, tours, crarnered him such critical acclaim and superlatives preceeding her name. ~s "He has a clear lyric tenor that "Her voice is extraordinary, she is carries well and his high notes have beautiful, and her repertoire is fan­ quitea touch of body and brilliance." tastic." London Vogue "Curtin's Max Schaunsee, Philadelphia Evening voice is a miracle. This was more Bulletin. For the New York City than singing: this was creating." Opera he has sung lead tenor roles Holland, Amsterdam Handelsblad in LA TRAVIATA, THE LOVE FOR THREE ORI\J\'GES, LA BOHEME Ronald Holga te is a rarity of a per­ as weJl as the world premiere of former. He is not only a trained Giannini's THE SERVA1'lT OF TWO operatic and concert baritone, but f\-1ASTERS. He recently starred as also an accomplished actor who won Rhadames opposite Martina Arroyo the much coveted Tony award for his in the Meadow Brook Festival's pro­ role in " 1776." After his appear­ duction of AIDA. ance here in Detroit last spring, Collins George of the Detroit Free Alternating with :\lr. Holgate in the Press had this to say of "dr. Holgate: role of Scarpia, is Michael Ingham', " With that voice, good looks of a a young 'baritone, fast rising on the movie character and great stage pres­ operatic scene. A product of the ence, Holgate 's name will be known Indiana University Opera where he from now on!" sang many leading roles, he also appeared for two seasons with the Central City Opera. Critics have lauded him for his passionate, intense in terpreta tions.

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Copyright 2010, Michigan Opera Theatre / \ f lMQTUQ~ 1 ! To(J P~QA '------_____ l COr-...... -1 F='ANV OF THE D E TROIT GRAND OPERA ASSOCIATION

DECEMBER 7, 9, 15, 16, 1972 NEW PRODUCTION GIAN-CARLO MENOTTI 'lhe'Telephone OPERA BUFFA IN ONE ACT

Conductor: William C. Byrd Stage Director: Hal Youngblood Sets Designed by George Dusincki

Lucy ...... Onita Sanders

Ben ...... Charles Roe

The scene is Lucy's apartment

& 'lhe~edium

OPERA IN TWO ACTS

Conductor: William C. Byrd Stage Director: (to be announced) Set~ Designed by Thomas A. Aston

Madame Flora (Baba) ...... Muriel Greenspon

Monica ...... Nancy Hoover

Toby ...... (to be announced)

Mrs. Gobineau ...... Phyllis Gaide

Mr. Gobineau ...... •...... Kenneth Young

Mrs. Nolan ...... •.... Suzanne La Croix

Act I - A squalid room in a flat Act II - The same By arrangement with G. Schirmer, Inc. Copyright 2010, Michigan Opera Theatre The management reserves the right to make any changes in the above cast in case of unforeseen exigencies. Miss Greenspon returns this year to do the title role she first performed here in 1967. At that time Collins George of The Detroit Free Press com­ mented: "To watch her build the ten­ sion carefully from the humdrum open­ ing to the almost unbearably taut climax was fascinating. Miss Green­ spon has been and will remain a great gift to the musical theatre." Subsequently, Miss Greenspon was chosen by Menotti himself to create the role for the famed Festival of Two Worlds in Spoleto, Italy. Crit­ ical acclaim was so overwhelming that Miss Greenspon was asked to return the following season for an unprecedented repeat production. Miss Greenspon, a native Detroiter, is considered the world's leading interpreter of the role.

Nancy Hoover received he B.M. degree in voice at W. Virginia University. She did her post­ graduate study, majoring in lieder and opera at Mozarteum Academy, Salzburg, Austria. She has had private study with Ludwig Bergman, Marian Manderen, and Marjorie Gordon.

Her experience before coming to Detroit includes summer stock in New Hampshire and Pennsylvania, and operatic roles in Austria. Previous Overture to Opera per­ formances include Th e Port uguese Inn~ and Monica in the 1968 pro­ duction of The Medium.

Onita Jackie Sanders, lyric Sop­ rano, gained considerable exper­ ience in doing leading roles with the Celeste Cole Opera Theatre. She has performed for the last two seasons with the Detroit Symphony in their "Sum­ mer Music Theatre" Series. Her Overture to Opera debut as Lisette in La Rondine garnered her rave review.

WOULD YOU Ll KE TO BE ON THE OPERA MAl Ll f~G Ll ST ? If you are not now on our mailing list and would like to be, Copyright 2010, Michigan Opera Theatre p lease call 377-2044 or write to OPERA, 383 Varner Hall, Oa kland University, Rochester, Michigan 48063. SNOW / NUYEN / KURTZ & CO.

COMPLIMENTS OF snk INC.

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General Offices: 5800 Lincoln Avenue Copyright 2010, Michigan Opera TheatreDetroit, Michigan 48208 Cast Biographies (continued)

Musical scholarship and award winner Phyllis Gaide is a talented soprano who has appeared in Overture to Opera productions of Menotti's The Medium and The Consul. A student of Avery Crew, she has also studied at the 1965 Meadow Brook School of Music at the Opera Workshop directed by Dr. David DiChiera. Miss Gaide has made numerous appearances as soloist with Detroit musical organizations. * * * * * * Davis Gloff is a young Detroit baritone who has em­ barked upon a most promising and professional career in opera. A student of Avery Crew, his recent credits in­ clude performances with the Detroit Symphony Or­ chestra and the role of Tonio in Pagliacci for Delta Col­ lege. He debuted with Overture Fiorello in the 1970 production of The Barber of Sem"lle; and last year won critical praise as the Wizard in Overture's premiere pro­ duction of Holst's The Perfect Fool. * * * * * * Accomplished singer and actress Suzanne LaCroix has studied at Wayne State University and in New York. She is well known to Detroit audiences for her numerous appearances in productions at the Bonstelle Theatre and in nightclubs in the metropolitan area. She toured with the Overture to Opera Company as the lead in The Me­ dium and appeared in the Company's productions of Jl Campanella and Der Jasager. * * * * * * Lyric spinto soprano Brenda Sinka has appeared with Indiana University Opera theatre and was a leading artist with the Rendsburg Opera in Germany and the Goldov­ sky Grand Opera Theater. She has made guest appear­ ances with symphony orchestras in Chicago, Cleveland, and Dusseldorf. Most recently she won plaudits for per­ formances in the title role of La Traviata, in Grand Rapids. * * * * * * Kenneth Young is a lyric baritone who holds a masters degree in voice fromlndiana University. He was an ap­ prentice artist with the Company and has appeared as soloist with the Detroit Symphony. His previous Overture to Opera performances included roles in The Portuguese Inn, LaBoheme, and Help, Help, the Clobolinks.

Costumes Executed By: Mary M. Boone; Wigs and Hair­ styles by Dayvid B. Warda; Beading by James Beaudoin: Custom Millinery by Mary-Magda Boone; Artwork by Stephen C. Foster. Technicians: Timothy Alberts, Sue Adler, James Beau­ doin, Kathy Grabruck, Karen McKean, Kelly O'Neil, Phyllis Snow. Special Thanks To: Richard Bunn, Mrs. Funk, Mrs. White, Emma Vandenheede, Richard Foster, Johnston Optical Company Set Crew: Jim Adams, Dwight Baldwin, William Copyright 2010, Michigan Opera Theatre McAdam, Steve Thomas (QTUQ( FRIENDS OF OVERTURE (CONTRIBUTORS FOR THE 1971 FALL SEASON) Q]TO P(RA ~~ ______~ OF THE OETROIT GRANO OPERA ASSOCIATION ) l'lr • . &: Mrs. Don E. Ahrens Mr. &: Mrs. Ernest A. Jones Dr. &: Mrs. E. Bryce Alpern Mr. &: Mrs. Harry L. Jones Mr. &: Mrs. Gordon E. Areen Mr. &: Mrs. Semon E. Knudsen Mr. &: Mrs. J. Merriam Barnes Selma Korn Mr. &: Mrs. Carl Barton Dr. &: Mrs. James Labes Mr. &: Mrs. Mortimer Bernhardt Mr. &: Mrs. Mark D. Littler Mr. &: Mrs. Virgil E. Boyd Mr. &: Mrs. Thomas LoCicero Mrs. Benjamin Brewster Mr. &: Mrs. Alan Loofburrow Mr. &: Mrs. Rinehart Bright Mr. &: Mrs. Denver McCord Burroughs Corporation Mr. &: Mrs. Ralph T. McElvenny Mr. &: Mrs. Edmund Campbell Mr. &: Mrs. Paul McKenny Mr. &: Mrs. Roy Chapin M &: M Distribution Company Mr. &: Mrs. Grant Chave Mr. &: Mrs. Wilbur H. Mack Chrysler Corporation Mr. &: Mrs. Gerald Manko Mr. &: Mrs. Ferdinand Cinelli Mr. &: Mrs. F. W. Misch Mr. &: Mrs. Walker Cisler Judge &: Mrs. Arthur Moore Mr. &: Mrs. Avern L. Cohn Mott Foundation Mr. &: Mrs. Edward Cole Mr. &: Mrs. Harry J. Nederlander Mrs. Abraham Cooper Mr. &: Mrs. John S. Pingel Mr. &: Mrs. John DeCarlo Mr. &: Mrs. David Pollack Mr. &: Mrs. Walter Denison Mr. &: Mrs. John J. Riccardo Mr. &: Mrs. Robert E. Dewar Mrs. Hans Rogind Dr. &: Mrs. Edward Dolan Mrs. George Roumell Mr. &: Mrs. Frank W. Donovan Mr. &: Mrs. Ross Roy Mr. &: Mrs. Robert Doran Mr. Harwood Rydholm Mr. &: Mrs. Charles Endicott Dr. &: Mrs. Herman Scarney Mrs. Maxwell Fead Mr. &: Mrs. Robert B. Semple Mrs. Charles T. Fisher, Jr. Mr. &: Mrs. Joseph Seregeny Mr. &: Mrs. Max Fisher Mr. &: Mrs. Joseph Shaheen Mr. &: Mrs. Charles T. Fisher, III Mr. &: Mrs. Gerald R. Slattery Mr. &: Mrs. Harold A. Fitzgerald Mr. &: Mrs. Neil Snow Ford Motor Company Mr. &: Mrs. Sidney R. Solomon Mr. Phillip Fox Mrs. Gould Teachout Mr. &: Mrs. Marvin Frenkel Mr. &: Mrs. Lynn A. Townsend Mr. Richard W. Frey Mr. &: Mrs. Macon C. Trabue, Jr. Mr. &: Mrs. Edward P. Frohlich Mr. &: Mrs. Emmett E. Tracy Mr. &: Mrs. John Garlinghouse Dr. &: Mrs. Arthur Turner Mr. &: Mrs. Hans Gehrke Mr. &: Mrs .. Joseph A. Vance, Jr. General Motors Corporation Mr. &: Mrs. Robert C. VanderKloot Mr. &: Mrs. Aaron H. Gershenson Mr. &: Mrs. H. C. VanWormer Mr. &: Mrs. L. C. Goad Mr. &: Mrs. Harold G. Warner Mr. &: Mrs. Stephen L. Goodale, Jr. Miss Katherine E. Wasserfallen Mr. &: Mrs. Alan . Gornick Mr. &: Mrs. Jervis Webb Mr. &: Mrs. H. James G~am Mr. &: Mrs. Edward G. Wellock Mr. &: Mrs. Donald Graves Mr. &: Mrs. Warren Wilkinson Mr. &: Mrs. John Griffin The Hon. &: Mrs. G. Mennan Williams Mr. &: Mrs. David Handleman Mr. &: Mrs. R. Jamison Williams Mr. &: Mrs. Paul Handleman Mr. &: Mrs. Sam B. Williams Mr. &: Mrs. W. D. Hanway Mr. &: Mrs. John Wilson Mr. &: Mrs. David Hill Mr. &: Mrs. Isadore Winkelman Mr. &: Mrs. Henry C. Johnson Mr. &: Mrs. Theodore Yntema The Overture to Opera Company is not self-supporting, and is there­ fore dependent upon personal and financial support. Contributions, which are tax deductible, amy be made by check, payable to Detroit Grand Opera Ass'n. - Overture,Copyright 2010, and Michigan mailed Opera to Theatre Opera Fund, 383 Varner Hall, Oakland University, Rochester, Michigan 48063. It is better to invent reaZity courtesy of than to copy it. Giuseppe Verdi

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