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PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Cover DRUMLAB.Ai
Presenting THE GEAR at A quick view to the gear available for you at DrumLab Studio 2 THE DRUMS DW DRUMS Collectors Series, Red Sparkle, Black Hardware (Year 2000 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x9”, 12”x10” • Floor Toms 13”x11”, 15” x 13” • Bass Drum 22”x18” • Hardware 9000 Series Tom/Cymbal stands (x3), Hi-Hat Stand, Snare Stand (x2), Boom Arms (x4), Dogbones (x4), Boom Cymbal stand (x2) YAMAHA DRUMS Recording Custom Series Cherry Wine Laquer (Year 1989 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x10”, 12”x10” • Floor Toms 14”x14”, 16” x 16” (both with legs) • Bass Drum 22”x16” • Yamaha CS 865 Boom Stand (x3), Yamaha YESS System for Rack Toms, SS 850 Snare Stand (x2) TAMA DRUMS Swingstar Classic Series Emerald Marble (Year 1986 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x8”, 12”x9” • Floor Toms 13”x11”, 16” x 16” • Bass Drum 22”x14” • Yamaha YESS System for Rack Toms, SS 850 Snare Stand, HC33 Boom Cymbal stand (x3) A quick view to the gear available for you at DStudio OTHER HARDWARE: • Roc&Soc Drum Throne Hydraullic • Roc&Soc Drum Throne Spinnable • AXIS XL-2 Longboard Bass Drum double pedal • DW Drums 5000 Delta Hi Hat Stand • PDP Boom Cymbal Stands (x4) • Mapex Boom Cymbal Stands (x3) 3 THE DRUMS SNARE DRUMS AVAILABLE: Remo Heads (CS Coated, Ambassador Coated, Emperor Coated, Vintage Emperor on batter side, Ambassador Snare on bottom), -
Technical Rider
TECHNICAL RIDER CONTACTS Mob.: +39 339 5807 378 / +39 347 4681 287 [email protected] https://www.wonderland-band.com WONDERLAND PERSONNEL (primary lineup) Andrew Xeniadis Lead vocals Carlotta De Lellis Backing vocals Veronica Pandini Backing vocals Luca Varisco Piano and keyboards Renato Odierna Viti Guitar Ivan Padovani Trumpet Ivan Rota Alto sax Tony Santelia Percussions Luca Moroni Bass and backing vocals Raffaele Pellino Drums BACKLINE RIDER The technical rider is formulated as a guideline and should be treated as such. This means that, in consultation with the band, it can be possible to deviate from this document. DRUMS Please provide a drumset of the following brands (professional series): Sonor, Tama, Yamaha, Pearl. Cymbals: Zildjan, Sabian, Paiste, Ufip. DRUMSET (1) bass drum 22X18” + kick pedal (1) snare 14” or 13” + snare stand (1) tom 10” (1) tom 12” (1) floor tom 16” (1) hi-hat 13” or 14” + stand (1) ride 20” + cymbal stand (1) crash 16” + cymbal stand (1) crash 17” or 18” + cymbal stand (1) drum throne (1) bass drum foot pedal (preferred yamaha) HEADS Snare: Remo Coated Ambassador Toms: double ply (Evans Ec2 clear, Remo Emperor clear, Remo Pinstripe clear) Bass drum: Remo Powerstroke 3 clear PERCUSSIONS (2) congas + stand (1) stand for cowbell, woodblock, tambourine (1) chimes + stand (2) splash + stand BASS Please provide equipment of the following brands (professional series): Mark Bass, Ampeg, SWR, Trace Elliott, Eden, Mesa, Gallien Krueger HEADS (1) professional head capable of 300-400 W output power CABINETS -
I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
Contents Masthead The Off 07 Loic maurin Apesanteur [ZERO GRAVITY] 17 The Sum Of The Parts John Maher 28 Dropping Names Don Lombardi 35 Maximum Break Richard Colburn 44 Retirement Bill Bruford 49 Out On A Limb CONTENTS A conversation with Eddie Prevost Issue One, December 2012 57 Rhythm As A Medium Ben Martin 62 Tatsuya Amano クロスフェイス [CROSSFAITH] Subscriptions/Newsletter Editor: Tom Hoare [email protected] Art Director: Luke Douglas [email protected] Web Editor: Andrew Jones Contributors: Ben Martin, Iain Bellamy, Kate Darracott, Flora Hodson, Elspeth Leadbetter, John Maher, Julia Kaye, Jim Bevington Thanks: Tim Wilson, Rew Kubayashi, Ryan Richards, BGM Rhythms, John Williamson, James Walker, Greg & Julia, Alex Sayles, Crystalline Connolley, Papillon Zamprioli, Needham Avenue, Glen Thomson Contact: Editorial: [email protected] Advertising: [email protected] Cover: A preoccupation with time. Reading note: We’ve made this magazine to be readable online, without the need to zoom and MASTHEAD scroll. It looks best when viewed in full screen. Issue One, December 2012 www Copyright © The Drummer’s Journal 2012 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patens Act 1988 to be identified as the owners and authors of this work. THE OFF www welve months ago, the brief conversation which sowed the seeds for The Drummer’s Journal occurred. It was between a good friend and myself. Having dredged out an assorted collection of drum magazines from under my bed, he selected a copy and Tread it cover to cover. He then picked up another and did the same. -
Edge8-Web.Pdf
stevie nicks’ jimmy pAXSON, UP CLOSE WITH DANNY SERAPHINE & STUDIO MASTER JR ROBINSON MAGAZINE The Official PublicaTiOn Of Drum WOrkshOP • 8.0 ABE LABORIEL JR. INTHROUGH THE OUTDOOR HOW HE LANDED ALL THE INSIDE GIGS PLUS DW ARTISTS HIT EUROPE, Q&A WITH THE DRUMMERS OF NASHVILLE, DW’s laTEST GEAR AND MORE! NOWHEARTHIS EDGE 8.0 16 Introducing the DW Collector’s Series Super Solid, a completely new look at solid shell drums. Why is Super Solid so dramatically different? The answer is a groundbreaking Molecular Compression Process that produces the most dense solid maple shell ever created. And this is truly a one-piece shell, no glued reinforcement hoops or plies. We endured years of research and development and expense to do only one thing, bring you our best sounding solid shell drum ever. 12 24 06 22 IN EVERY ISSUE 06 Time Machine: JR Robinson 10 Up Close: Danny Seraphine ARTIST FEATURES 11 Road Tips with Drum Tech - Robbo 22 Road Stories: DW Artists hit Europe 12 Drummers of Nashville 24 Artist Feature: Jimmy Paxson Featuring Billy Mason, Travis McNabb and Cactus Moser 26 DW Drum Clinic with Denny Seiwell 16 Abe Laboriel Jr 28 New Artists A Legacy Endured. Family, Schooling & the beginning of a legend. PRODUCT NEWS 02 Exo-X Project 04 PDP Update ©2009 Drum Workshop, Inc. All Rights Reserved. ©2009 Drum Workshop, 08 8000 Series Pedals & Hardware 14 SSC Technology 20 3Drumsticks EDGE Magazine is a publication of Drum Workshop, Inc. ©2009 Drum Workshop, Inc. All Rights Reserved. #PRCAEDGE-V8.0 For promotional use only. -
Jost Nickel Clinic Rider (1 of 5)
Jost Nickel Clinic Rider (1 of 5) Meinl Cymbal Preparations: 14" Extra Dry Medium Hihat 10" Electro Stack GX-8/10ES 18" Byzance Traditional Extra Thin Hammered Crash 8" Byzance Traditional Splash 22" Byzance Dark Spectrum Ride 12" Electro Stack GX-10/12ES 18" Byzance Extra Dry Thin Crash 6" Byzance Traditional Splash 22" Byzance Vintage Crash Meinl Percussion Preparations: 1x STB80S-CH (8" Cowbell) 1x Holder MC-1 1x TMPTS Percussion Table Stand 1x MEINL Drum Rug Sonor Drum Preparations (Prolite / Vintage Series / SQ1 / SQ2) 2x 14" x 6.25" SSD JN SDW 12" x 8" Tom (NOT: 12" x 9" or 12" x 10") 14" x 14" Floortom 16" x 16" Floortom 22" x 17" Bassdrum Sonor Hardware Preparations (600 Series) 7x Mini Boom Cymbalstands (MBS 673) 2x Snarestands (SS 677) 1x Giant Step Double Pedal 1x HiHatstand (HH 674) 2x Multiclamps (MC 676) 1x Single Tom Holder (Rack Tom) 6x Legs for Floortoms 1x Drumstool 1 Jost Nickel Clinic Rider (2 of 5) Remo Drumhead Preparations: Toms: 12" Emperor Coated (Top) & 12" Diplomat Coated (Bottom) 14" Emperor Coated (Top) & 14" Diplomat Coated (Bottom) 16" Emperor Coated (Top) & 16" Diplomat Coated (Bottom) Snares: 2x 14" Ambassador Coated 2x 14" Ambassador Snare Side Bassdrum: 22" Powerstroke 3 clear Please contact Jost’s equipment reps in case of any questions: Sonor: Thomas Barth [email protected] Meinl: Norbert Saemann [email protected] Vic Firth: Joe Testa [email protected] Remo: Christopher Hart [email protected] Music: Jost will be playing to pre-recorded tracks during the event, using his laptop computer and an audio device as the sound source. -
MP-Price-List-2020-EUR.Pdf
PRICE LIST 2020 EURO Model Description Price PICKUP PICKUP INSTRUMENTS NEW MPDS1 digital percussion stomp box 199,00 € NEW MPS1 analog percussion stomp box 89,00 € NEW MPSM stomp box mount 49,90 € FX10 fx pedal 169,00 € PBASSBOX pickup bassbox 129,00 € PSNAREBOX pickup snarebox 119,00 € NEW MIC-PERC percussion microphone 24,90 € KA9P-AB pickup kalimba, african brown 99,90 € PICKUP CAJONS NEW PAESLDOB artisan edition pickup cajon, solea line 299,00 € PWCP100MB pickup cajon, woodcraft professional, makah-burl frontplate 199,00 € PSC100B pickup cajon, snarecraft, baltic birch frontplate 149,00 € PSUBCAJ6B pickup vertical subwoofer cajon, baltic birch 249,00 € PTOPCAJ2WN pickup slaptop cajon, turbo, walnut playing surface 189,00 € PTOPCAJ4MH-M pickup slaptop cajon, mahogany playing surface 149,00 € NEW PBASSCAJ-KIT cocktail cajon kit 499,00 € NEW PBASSCAJ cocktail cajon 169,90 € NEW PBC1B pickup bongo cajon 79,90 € NEW PCST pickup cajon snare tap 74,90 € NEW PCTT pickup cajon tom tap 69,90 € NEW MMCS mini cajon speaker 59,90 € PA-CAJ cajon preamp 99,00 € NEW CMS cajon microphone stand 9,90 € CAJONS ARTISAN EDITION CAJONS AEMLBI martinete line, brazilian ironwood with ukola woodframe frontplate 1.199,00 € AEFLIH fandango line, indian heartwood frontplate 699,00 € AESELIH seguiriya line, indian heartwood frontplate 469,00 € AESELCB seguiriya line, canyon-burl frontplate 469,00 € AECLWN cantina line, walnut frontplate 499,00 € AEBLLB buleria line, lava-burl frontplate 299,00 € AEBLMY buleria line, mongoy frontplate 299,00 € AESLEYB soleà line, -
Drum Rental Rates
Department: DRUMS Rental Rates April 2010 1 1 1 Model Description Day Wk Mth PACKAGE ---------------- ------------------------------------- --- --- ---------------- Group: CB PERCUSSION DRUMS CB-5BK CB 5PCE SET W/CYMBALS THRONE & HDRW - BLACK 7 13 25 P CB-5GL CB 5PCE SET W/CYMBALS THRONE & HDRW GLITER 7 13 25 P CB-5MWR CB 5PCE SET W/CYMBALS THRONE & HDRW- WINE RED 7 13 25 P CB-5SG CB 5PCE SET W/CYMBALS THRONE & HDRW STEEL GRE 7 13 25 P CB-5SLV CB 5PCE SET W/CYMBALS THRONE & HDRW - SILVER 7 13 25 P Group: SONOR DRUMS F1007STAGE1 BK SONOR F1007 22,12,13,16FT,SD,HW BLACK 18 35 70 P F1007STAGE2 SW SONOR F1007 22,10,12,14FT,SD,HW SNOW WHITE 18 35 70 P F2007ROCK BF SONOR 2007 ROCK 22,12,16FT,SD,HW BLUE FADE 19 38 75 P F3007STAGE2 RM SONOR F3007 22,10,12,14FT,SD,HW RED MAPLE 25 50 100 P Group: DRUM WORKSHOP DRUMS DRKT01FP DW FINISH PLY 22,10,12,14FT,16FT 74 148 295 P DRKT02FP DW FINISH PLY 22,10,12,16FT 69 138 275 P DRKT03FPJAZZ DW FINISH PLY JAZZ SET 18,12,14,14SD 60 120 240 P Group: GRETSCH DRUMS CC-J484-RSP GRETSCH CC JAZZ 4PC W/18 RSP 14 28 55 P CC-J484-WP GRETSCH CATALINA CLUB 18BD,12,14,SN WHITE PRL 14 28 55 P Group: CB SNARE DRUMS 3675CB CB WOOD SNARE KIT W/BACKPACK & ACCESSORIES 2 4 7 IS-678BP CB STUDENT SNARE KIT W/BACKPACK 3 6 11 V6705 VIC FIRTH SNARE KIT BACKPACK 4 7 14 Group: DRUM WORKSHOP SNARE DRUMS FP5X14SN DW 5X14 SNARE COLLECTOR SERIES FINISH PLY 8 15 30 Group: LUDWIG SNARE DRUMS LM400 B-STOCK LUDWIG 5X14" SUPRAPHONIC SNARE B-STOCK 7 13 25 Group: PEARL SNARE DRUMS CS-1450 PEARL 5" X 14" CHAD SMITH SNARE 5 10 20 Department: DRUMS -
Milkmen's Serenade
e - ' ------------ ~ t . --=-==:7 "-~ '• Ahem, rock 'n' roll fans and practitioners. We hold this truth to be self-evident: That money can't buy you love, but it can certainly buy you ~--~~- . "=--~= .----=- ~ ---::-:....~ .-: :: a hit when applied in the right places. And a hit single, as we all know, is the apex of suc cess, the brick and mortar of fame, fortune and a fabulous sex life. But what if you've rejected that scenario for ~~--'-'"'- - - ~ - =--c_ - ~ - - ·•--'*"'.:""' "'" tr & &&'':.·;iiiisMi ~~!rt'-- one you think has more honor: the indepen dent label route, and all that that engenders? What if success to you consists of putting out your own records, playing hard-won gigs touring america for less than around the country, touring in a van, sleeping $12.06 a day, according to on floors, getting heard on college radio and camper van beethoven, the mentioned in the Village Voice? What kind of money does that sort of career accrue? Is it dead .milkmen and dag nasty even worth pursuing, in a purely monetary sense? by -gina arnold illustration by ju lie ross I --- I ·- - -----47'"~ ·.. \ , ---- \r J. ----- ------- - -t1' -··~ -.. -=-~=: - lli1 Well, on the indie-label front, you can make Truth is, the independent record industry money at it, if you are so inclined: enough to serves as an unorganized farm team system live on, enough to pay taxes on, enough to for the majors-a system whose players have appease your parents, enough-in some fewer allegiances and make less profit than cases-even to get your own Visa. But no those in the big leagues. -
Download Complete
CHUCK BURGI Drums & Percussion www.chuckburgi.com Chuck Burgi has been performing and recording internationally since teaming up with jazz- rock guitarist Al Di Meola for his first solo venture, theElegant Gypsy Tour. This opportunity led to his joining the English fusion group Brand-X. As a member of Brand-X, he replaced Phil Collins and recorded and toured for the classic album Masques. Returning to his rock and pop roots, Chuck joined Hall and Oates and recorded two platinum albums and did two world tours with the hit writing duo. Subsequent albums with Michael Bolton, Diana Ross, Balance and Bon Jovi followed. He next joined forces with Ritchie Blackmore’s Rainbow, recording two albums and hitting the road for another two world tours. After Rainbow, Chuck toured and recorded with various artists including Joe Lynn Turner, Glen Burtnick and the powerhouse vocalist Meat Loaf. Chuck toured extensively with Meat Loaf and recorded the Live at Wembley album. Directly after Meat Loaf, Chuck began working with Blue Oyster Cult, during which time he recorded the Cult Classics and Heaven Forbid albums, and began playing on national TV commercials. After Blue Oyster Cult, he was once again reunited with Ritchie Blackmore for sold out tours of Europe, South America and Japan for the album Stranger in Us All. In 2001, Chuck completed a three-year commitment to the Latin pop sensation Enrique Iglesias. Beginning with an extensive world tour for the album Vivir, he returned as musical director for the Cosas del Amour world tour and finished with a dense schedule of TV shows and concerts promoting Enrique’s first English album, Enrique. -
Pasic 14 Experiencing Ghana “Rubber” Rudimental Exercises
Vol. 1, No. 6, December 2014 PASIC 14 EXPERIENCING GHANA “RUBBER” RUDIMENTAL EXERCISES Incorporating Modes in Daily Warm-Ups • Scholarships & Assistantships Italy Percussion Competition and Days of Percussion • Product Showcase • Industry News DECEMBER 2014 2 RHYTHM! SCENE RHYTHM! SCENE THE NEWSLETTER OF THE PAS The Percussive Arts Society (PAS) is a music service organization promoting percussion education, research, performance and appreciation throughout the world. Rhythm! Scene is published six times a year: February, Cover Photo by Warren LaFever April, June, August, October and December by the Percussive Arts Society. IN THIS ISSUE RS STAFF PASIC 2014 Megan Arns, Rhythm! Scene Editor Society Update Rick Mattingly, Senior Editor PASIC14 Video Clips Hillary Henry, Publications Production Manager Behind the Scenes at PASIC14 Marianella Moreno, Publishing and Digital Media Operations PASIC 2014 Marching Percussion Festival 2014 Percussive Arts Society Awards RS ADVERTISING Arthur Hull’s Drum Circle Facilitation Staci Stokes-Waites [email protected] Workshop People and Places PAS EXECUTIVE COMMITTEE Social Beats 2014 NYU Broadway Percussion Seminar/ John R. Beck, President Summit Julie Hill, President-elect HotLicks: Incorporating Modes in Daily Jim Rupp, First Vice President Warm-Ups Brian Zator, Secretary PAS Marching Percussion Committee Lisa Rogers, Immediate Past President Industry News Jeff Hartsough, Executive Director Scholarships & Assistantships Product Showcase CONTACT PAS An Experience in the Music and Culture of Ghana 110 W. Washington Street, Suite A, Indianapolis, IN 46204 Upcoming Events Telephone: (317) 974-4488 • Fax (317) 974-4499 Italy Percussion Competition and Days of E-mail: [email protected] • Web: www.pas.org Percussion HotLicks: Kirby’s Rudiments: Rubber Exercises Ensemble and Recital Programs BECOME A MEMBER OF PAS PAS 2014 Scholarship Recipients Classifieds COPYRIGHT © 2014 by the Percussive Arts Society. -
Goth the Goth Interface
CinematiC metal & industrial Virtual instrument ProduCt desCriPtion & manual GOTH is a virtual instrument created for use with Native Instruments Kontakt 5. It’s the first VI designed specifically for composers and producers who want to add modern Metal elements to films, movie trailers, television shows, promos, games, and other cinematic-style recording projects. THE GOTH INTERFACE The default front page of the GOTH Graphic User Interface (GUI) is very easy to use - if you don’t need to customize loop notes or rhythms, you can probably do everything you need to do from this page. The front-page controls include eight sliders, as follows: DISTORT adds distortion LOW-FI degrades audio quality LIMITER adds dynamics limiting & increases overall volume BASS adds low end TREBLE adds high end REVERB controls reverb amount FEEDBACK controls number of delay-repeats DELAY controls delay amount There are also two drop-down windows on the front page of the GUI: the upper one is for Reverb and the bottom one for Delay. Click in either window to open up a drop-down menu that allows you to choose one of ten different convolution reverbs, or ten different Delay pre-sets. Beneath the GOTH logo is the TUNE knob; use this to globally adjust the tuning of all loops in a given loop-player, or all samples in an instrument. Used on guitar and bass, this is an easy way to emulate the huge sound of modern Metal drop-tunings. In the lower left-hand corner of every loop-playing module is a tab marked, SLICE EDITOR.