DOCSLIB.ORG

NK Ballet Foundation - Fundraising Gala

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NK Ballet Foundation - Fundraising Gala Fundraising gala I HAVE A DREAM 18th June 2017 Cadogan Hall Chelsea, London Sponsorship Proposal ! NK Ballet Foundation - Fundraising Gala NK Foundation is proud to announce its first fundraising I HAVE A DREAM gala, which will take place on 18th June 2017 at the Cadogan Hall in Chelsea, London. The gala will be directed by Natalia Kremen. We expect to have leading dancers from The Bolshoi Theatre, Mariinsky Theatre, Vi- enna State Ballet, Dutch National Ballet, Dutch National Youth Company, Birmingham Royal Ballet, English National Ballet and others. The pur- pose of the gala is to raise money to establish a scholarship fund for talented and committed young dancers whose families are least able to afford to pay for ballet lessons. Some confirmed participants* Anna Tsygankova - Dutch National Ballet Matthew Golding - The Royal Ballet Aleksander Zaitsev - Stuttgart Ballet Marianna Ryzhkina and Andrey Merkuriev - Bolshoi Theatre Andrey Batalov - Mariinsky Theatre Liudmila Konovalova and Jakob Feyferlik - Vienna State Ballet *Please note that acts can be subject to change due to circumstances beyond our control. Cadogan Hall Cadogan Hall is a 950-seat venue two minutes’ walk from Sloane Square tube station in the heart of Chelsea, hosting over 300 concerts and events per year. Set in a fantastic location in the heart of Chelsea, Cadogan Hall has become one of Lon- don’s leading venues. The Hall’s 950 seats, excellent acoustics and luxurious surroundings make it the first choice for some of the UK’s top orchestras. Cadogan Hall is the chosen venue for the world-famous BBC Proms Chamber Music Series and also offers a vibrant selection of world music and ballet events. Page 2 of 10 ! About Natalia Kremen Ballet Foundation (NK Foundation) In 2015, Natalia Kremen made the first step towards the fulfilment of her dream: to create and grow a charitable foundation that will inspire, en- courage and support children in discovering and excelling at classical ballet by providing a range of scholarships and bursaries. NK Foundation's primary social and public objectives lie in the areas of education, health and the community. Whilst direct beneficiaries of the NK Foundation's efforts are children and young people who live in the UK and have shown potential for pursuing ballet as a career, the important objec- tive of our inspirational project is not limited to providing opportunities for talented students. We also strive to raise cultural and healthy lifestyle awareness amongst all children and adults alike. Through the prism of classical ballet, one of the most graceful and artistic forms of dance, we are determined to support equal opportunities and access to this art form in the UK and beyond. Scholarships and Bursaries NK Foundation is a non-profit organisation that provides financial support to ballet students of exceptional talent but limited means. Talent, past performance and financial background are taken into consideration as criteria for scholarship/bursary eligibility assessment. NK Foundation aims to create an environment conducive to the devel- opment of young talent. The principal goals of NK Foundation activities are: • to assist children and young people with a talent for classical ballet and dance in their technical, artistic and creative development in the UK and abroad; • to preserve and develop cultural values and traditions of classical ballet, including through providing financial sup- port to students with a potential for excelling in this art form. Our scholarships and bursaries give students a chance to attend ballet classes as well as to perform in stage productions, participate in examina- tions, attend numerous ballet events organised by Natalia Kremen Ballet School (NKBS) and cover expenses for ballet uniforms and equipment. Page 3 of 10 ! About Natalia Kremen Ballet School (NKBS) The School opened in 2012, with only three students and with the sole purpose of bringing the Russian Ballet method to students based in the South Kensington and Chelsea areas of London. Within three months of its opening, the school had grown to 30 students. Today the school has 150 students. Our class group sizes are intentionally small and we focus on personal attention and an individual approach to each student. We believe that any child can benefit from our classes and enjoy dancing, regardless of natural ability and socioeconomic background. The school offers a wide range of classes, examinations and performance opportuni- ties to students age 3-16, based on the famous Vaganova syllabus. The Vaganova method is a ballet technique and training system devised by the Russian dancer and pedagogue Agripina Vaganova. It fuses elements of traditional French style from the romantic era with the athleticism and virtuosity of Italian technique. This notable and progressive training programme has produced some of the best dancers in the world, including Anna Pavlova, Natalia Makarova, Rudolf Nureyev, Mikhail Barysh- nikov, Diana Vishneva, Uliana Lopatkina, Svetlana Zakharova, Natalia Osipova and professional dancers in almost every company worldwide. Our teachers are all former ballet dancers from leading ballet companies: Bolshoi Theatre, The Royal Ballet, English National Ballet, Rambert, Moscow Stanislavsky Theatre and Mikhailovsky Theatre. The biggest recognition of our school to date was the invitation for our students to perform with the Bolshoi and Mariinsky Ballet companies on the stage of the Royal Opera House in 2014 and 2016. Students also attend galas and have the opportunity to meet and take masterclasses with leading dancers and teachers such as Diana Vishneva, Natalia Osipova, Lauren Cuthbertson, Isabella Ciaravola, Vadim Muntagirov, Andrey Klemm, and Tamara Rojo. Each year students participate in a professional standard end of year performance where they share the stage with ballet stars of today. Our school was the winner of the Stars of Albion International competition. NKBS student Isabelle Raphael won the top prize at the prestigious Lario Danza Ballet Competition in Italy. Page 4 of 10 ! About Natalia Kremen Natalia Kremen, a renowned ballet dancer and an actress, started her ballet journey at the Bolshoi Academy Mos- cow at the age of 9. Studying with the greatest ballet masters of the Soviet Area (Lavrovsky, Sorokina, Vladimirov, Krapivina and others) she was invited to join The Stanislavsky Theatre in Moscow after graduating. From the very beginning of her career she performed solo roles in ballets such as Giselle, Swan Lake, Le Corsaire, The Nutcracker and many others. In 2006 she received an invitation from Wayne Eagling to join the English National Ballet in London. Natalia was also invited to perform, as a guest artist at numerous ballet Gala Concerts, on some of the greatest stages in the world. These galas were a great opportunity for Natalia to broaden her repertoire and share the stage with such dancers as Tamara Rojo, Alina Cojocaru, Marianela Nuñez, Svetlana Zakharova, Sylvie Guillem, Carlos Acosta, Daniil Simkin, and many others. The highlights of Natalia’s appearances are: performances at the O2 Arena (Princess Diana Memorial Concert), Buckingham Palace (Her Majesty The Queen and Prince Philip hosted a reception there), a standing ovation after Natalia’s performance at the breathtaking open- air Herod Atticus Theatre in Greece, and a performance of Swan Lake in Versailles Palace on a stage built over the lake. Alongside her ballet career Natalia took part in different modelling projects, photoshoots and filming. She was a face for the Grishko Company, and performed and presented the Swan Lake jewellery collection at the De Beers London boutique on Bond Street. In 2006 Natalia expanded her acting repertoire by playing the greatest Russian ballerina, Anna Pavlova, in the famous TV series Mr Selfridge. Page 5 of 10 ! Foundation Directors Natalia Kremen, Director and Chairwoman Anastasia Vvedenskaya After her graduation from the Moscow Bolshoi Born in Kyiv, Ukraine, Anastasia is a multilin- Academy Natalia was offered a soloist's contract gual Investor Relations and Communications with the Stanislavsky Theatre in Moscow, where professional with 15 years of experience in the she performed for nearly five years, before receiv- Oil & Gas sector in a variety of senior Corpo- ing an invitation from Wayne Eagling to join the rate Affairs roles with Gulf Keystone Pe- English National Ballet in London. She became troleum, ENI SpA, Shell, and PetroKazakhstan known to international audiences through her in the Kurdistan Region of Iraq, Kazakhstan, many performances in galas alongside some of the the Netherlands, Italy, France and the U.K. brightest ballet stars. Anastasia is a keen follower and supporter of In 2006, Natalia completed her five-year degree at opera and ballet. the Russian University of Theatre Art (RATI, GI- TIS) graduating with distinction as a ballet mistress and choreographer. Daria Gonciarenko In 2012 she established Natalia Kremen Ballet Media Relations Manager for Curzon PR for Art School in London and in 2015 NK Ballet Founda- & Culture and Corporate sectors. She previously tion. Natalia is a Director and Chairwoman of the worked on public relations campaigns for com- Foundation. panies like Luchford APM and Saatchi & Saatchi Worldwide; she also managed a public relations Simonetta Barzanti-Dixon campaign for Sukhoi Civil Aircraft Company. Born in New York City, and having lived in Gene- She managed and executed high profile luxury, va, Paris and London, Simonetta has been watch- art and design campaigns for top tier clients. ing ballet in Europe and the USA for several Daria also managed campaigns for clients at the decades. Cannes Film Festival, Cannes Lions International Festival of Creativity, Moscow Biennale of Con- She reviews and interviews for various websites, temporary Art, Venice Biennale of Contemporary served on the dance panel of the Olivier Awards be- Art and others. tween 2005 — 2008 and is the co-founder of Bal- letcoForum, an international dance website with Previously a professional rhythmic gymnast, she thousands of members worldwide.
Load more

Recommended publications
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • The Prima Ballerinas of the Kirov
    Philippe Jordan MD CLINIC 23 23 Elystan St, SW33NT.London. Feb 2017 THE PRIMA BALLERINAS OF THE KIROV Диана Вишнёва DIANA VISHNEVA C A T A L O G U E PHILIPPE JORDAN France 1962 The Wandering Banker, Moscow. To survive in the harsh reality of Moscow, the financier Philippe Jordan spends his evenings drawing Indians, creating ballerinas, and meeting oligarchs. And it helps! Philippe is quite an unconventional banker. During working hours he is deals with derivatives, futures and options, but in his private time he makes paintings on glass, and art from paper. “It seemed to me that there was always some magic at the Ballet: the music played, the notes came alive, the ballerinas flew in the air” Philippe was born in Strasbourg, and his stepfather, Robert Grossmann, not only was the vice- mayor of the town of Strasbourg, but also a long-term associate of Nicolas Sarkozy – “the man who thirty years ago taught the future French president the art of public speaking.” The former president of France also has one of Jordan’s works: a courier delivered it, and after a few days, Philippe received a letter of thanks. Unconventional by nature, again in 2010, Philippe invited his friend in Moscow, the French author Michel Houellebecq, who once compared Philippe’s works to those of Giorgio de Chirico. The story of their friendship is downright amazing. After reading the novel "The Map and the Territory," Jordan was shocked - the book’s main character was so much like him. He, like Jordan, met with Abramovich. And also painted a portrait of Houellebecq.
    [Show full text]
  • AND FRIENDS Milano
    presenta ROBERTO AND FRIENDS milano · 29 / 30 novembre 2016 TeaTro degli arcimboldi © Giovanni Gastel © Giovanni ROBERTO BOLLE CAST AND FRIENDS A MILANO UN VIAGGIO IMPERDIBILE NELLA BELLEZZA DELLA DANZA Gala Roberto Bolle and Friends si sono tra- ROBERTO BOLLE sformati nelle mani di Roberto Bolle, qui nei TEatRO ALLA SCALA, MILANO panni non solo di interprete, ma anche di AMERICAN BALLET THEatRE, NEW YORK direttore artistico, in un potente strumento culturale di diffusione della danza, attirando ogni anno migliaia di appassionati e non. Bolle, forte della sua intensissima esperienza ALICIA AMATRIAIN internazionale, è riuscito ogni volta a ricrea- STUTTGART BALLETT, STOCCARDA re per ognuno di questi appuntamenti uno spettacolo magico, riunendo alcuni dei più importanti ballerini del mondo e dando vita Icon loro a programmi vivaci, sorprendenti, che hanno TIMOFEJ ANDRIJASHENKO saputo coinvolgere pubblici eterogenei e mai così TEatRO ALLA SCALA, MILANO vasti finora. Dai grandi classici, alle coreografie più nuove, il Roberto Bolle and Friends ha radunato ogni anno il meglio della danza del mondo, offrendo una possibi- CHRISTIAN BAUCH lità culturale rara e prestigiosa e infrangendo alcuni SEMPEROPER BALLET, DRESDA tabù che costringevano il balletto nella definizione di arte di nicchia. Anche il programma, pensato per quest’attesissimo appuntamento di fine novembre al Teatro degli Ar- OSIEL GOUNEO cimboldi di Milano, ha trovato nell’accostamento BAYERISCHES STAATSBALLETT, MONACO del repertorio classico – con titoli celeberrimi come Il Corsaro, Don Chisciotte e Diana e Atteone – a quello più moderno e contemporaneo – Vertigo Maze e Duet from New Suite – la sua cifra distintiva MARIA KOCHETKOVA e inimitata. Ma il programma, già così ricco, presenta SAN FRANCISCO BALLET, SAN FRANCISCO anche importanti novità.
    [Show full text]
  • Russia Uncovered: Moscow & St Petersburg
    For Expert Advice Call A unique occasion deserves a unique experience. 01722 744 695 https://www.weekendalacarte.co.uk/special-occasion-holidays/destinations/russia/russia-uncovered/ Russia Uncovered: Moscow & St Petersburg Break available: May - September 7 Night Break Highlights With private tours from start to finish you will come away from this holiday having explored two of its greatest cities; St ● Private Hermitage tour with exclusive early access avoiding Petersburg, the Venice of the North, and the Capital Moscow with the queues the dramatic Kremlin at its heart with a day in the countryside at ● Private tour of Peter Paul Fortress with the Romanov family the "Russian Vatican". Experience and contrast the aristocratic tombs beauty of St Petersburg and the confident modern city of Moscow ● Private tour of the beautiful Peterhof Palace with its with as many of the Palaces, Museums and cultural delights as fountains, returning by Hydrofoil you wish as we can tailor-make all our breaks to you. With the ● Private Tour of Catherine's & Paul's palaces with traditional Bolshoi Ballet based in Moscow and the Mariinsky in St Russian tasting menu lunch Petersburg add in a world class ballet performance and you will ● Private River and Canal Floodlight Night Tour to see St indeed come home full to the brim with cultural wonders. This Petersburg Palaces & Cathederals ● private tour allows you to beat the queues into all the historic Private Moscow city floodlight tour ● Private Kremlin tour and visit the Diamond fund sites, to have exclusive early access to the Hermitage so you ● Visit the amazing Moscow Metro with private guide can enjoy its treasures without the crowds, and the ability to ● Visit the Russian Vatican, Sergiev Posad with private guide go at your own pace.
    [Show full text]
  • Bolshoi Theater
    FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet.
    [Show full text]
  • Guide to the Vassili Sulich Photographs
    Guide to the Vassili Sulich Photographs This finding aid was created by Lindsay Oden and Dallas Reiber. This copy was published on August 28, 2019. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1q32d © 2019 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Vassili Sulich Photographs Table of Contents Summary Information ..................................................................................................................................... 3 Biographical Note ............................................................................................................................................ 3 Scope and Contents Note ................................................................................................................................ 4 Arrangement .................................................................................................................................................... 5 Administrative Information ............................................................................................................................. 5 Related Materials ............................................................................................................................................. 5 Names and Subjects .......................................................................................................................................
    [Show full text]
  • Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
    DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters.
    [Show full text]
  • Royal Opera House Performance Review 2006/07
    royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
    [Show full text]
  • Bam 2016 Annual Report
    BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016.
    [Show full text]
  • The Mariinsky Ballet & Orchestra
    Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko,
    [Show full text]
  • The Royal Ballet Tours to Moscow, Taipei and Shanghai
    3 JUNE 2014 THE ROYAL BALLET TOURS TO MOSCOW, TAIPEI AND SHANGHAI The Royal Ballet Tour - Moscow 17 – 22 June / Taipei 27 – 29 June / Shanghai 3 – 5 July This summer The Royal Ballet will tour to Moscow, Taipei and Shanghai for the annual international tour. The Royal Ballet is delighted to return to Moscow, its first visit since 2003, where it will be part of the UK-Russia Year of Culture celebrating the rich and diverse cultural heritage of both countries. As part of the celebrations The Royal Ballet will perform in The Bolshoi Theatre between 17 – 22 June, presenting a Triple Bill of Tetractys by Wayne McGregor, Rhapsody by Frederick Ashton and DGV: Danse à grande vitesse by Christopher Wheeldon. The Royal Ballet will also perform Manon by Kenneth MacMillan, one of the signature works from the Company’s repertory. Tetractys, an exhilarating fusion of baroque music and contemporary dance, received its UK premiere in February and is Wayne McGregor’s latest work for The Royal Ballet. Rhapsody was created in 1980 by Frederick Ashton for the 80th birthday of HM The Queen Mother. It is a celebratory showpiece, set to sweeping music by Sergey Rachmaninoff, and pays tribute to virtuoso dance. Christopher Wheeldon's award-winning DGV: Danse à grande vitesse is a high- octane finale, set to Michael Nyman’s score, MGV (Musique à Grande Vitesse), which was composed to commemorate the 1993 inauguration by the north European line of the French train TGV. Manon, Kenneth MacMillan’s acclaimed tragic ballet is a modern masterpiece telling the story of Manon Lescaut, a young woman longing for love who is corrupted by wealth and luxury in 18th century Paris.
    [Show full text]
  • State Ballet of Georgia
    საქართველოს სახელმწიფო STATE BALLET ბალ ე ტი OF GEORGIA საბალეტო სეზონის დახურვა Ballet SeaSon CloSIng ნინო ანანიაშვილი და საქართველოს სახელმწიფო ბალეტი Nina Ananiashvili and State Ballet of geoRgIa გალა-კონცერტი gala-ConCeRt საბალეტო დასის სამხატვრო ხელმძღვანელი Ballet Company aRtIStIC DIReCtoR ნინო ანანიაშვილი nIna ananIaShvIlI ივლისი JULY 2016 9 19:00 No1(26) 2016 ხუთი საპრემიერო სპექტაკლი ოთხ თვეში – ასე Arabesque დაიწყო განხლებული ოპერის თეატრში საბალეტო Ballet Magazine `arabeski~ Jurnali baletze დასის შემოქმედებითი ცხოვრება და ბუნებრივია, „არაბესკის“ ამ ნომრის მთავარი თემები ამ პრემი- ერებისგან მიღებული შთაბეჭდილებებია. „გორდას“ აღდგენა და მისი ახალი რედაქცია, რო- გორც დამდგმელი ჯგუფი ფიქრობს, ვახტანგ ჭაბუკი- ანის შემოქმედების, ქართული ბალეტის ისტორიისა და დღევანდელობის უწყვეტობისკენ გადადგმული ნაბიჯია; „გედების ტბის“ და „ფასკუნჯის“ისტორიული სპექტაკლების დადგმა კი კლასიკური საბალეტო მემკვიდრეობისადმი პატივის მიგებაა, რითაც ყო- ველთვის გამორჩეულია ნებისმიერი საბალეტო კომ- პანია. მაგრამ რეპერტუარში მხოლოდ კლასიკა არაა წარმოდგენილი – დაიდგა კილიანის „სარაბანდა“ და სრულად იქნა წარმოდგენილი მისი ქორეოგრაფიის პროგრამა, ნაჩვენები იქნა ბალანჩინის „სიმფონია დო მაჟორი“ და რეპერტუარში აქამდე არსებული ქორეოგრაფის კიდევ ორი ბალეტი. ივნისის ბოლოს მაყურებელს საბალეტო დასი zaqaria faliaSvilis saxelobis Tbilisis operisa da baletis profesiuli saxelmwifo საერთაშორისო პროექტზე იწვევს – ნინო სურგუ- Teatris sabaleto dasis Jurnali ლაძის საერთაშორისო საქველმოქმედო ფონდი MAGAZINE ABOUT THE BALLET COMPANY OF THE TBILISI Z. PALIASHVILI OPERA AND BALLET PROFESSIONAL STATE THEATRE „ნატვრის ხე“, თბილისის ოპერის თეატრთან gamodis weliwadSi orjer Issued twice a year ერთად, მნიშვნელოვან პროექტს ახორციელებს. პროგრამაში ნინო როტას სუიტაზე (ფედერიკო ფე- თეატრის სამხატვრო საბალეტო დასის ლინის ფილმიდან „La Strada“) დადგმული ბალეტი ხელმძღვანელი ხელმძღვანელი იქნება, სადაც ნინო ანანიაშვილი და საბალეტო დავით კინწურაშვილი ნინო ანანიაშვილი დასი მიიღებს მონაწილეობას. ამ და სხვა მნიშვნე- Artistic Manager Artistic Director of ლოვან ამბებზე მომავალ ნომერში მოგითხრობთ.
    [Show full text]