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The Underpainter
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 212, Spring 212 Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–23), Laurie Ricou (23–27) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Cecily Devereux University of Alberta Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University -
Journaux Journals
HOUSE OF COMMONS OF CANADA CHAMBRE DES COMMUNES DU CANADA 37th PARLIAMENT, 1st SESSION 37e LÉGISLATURE, 1re SESSION Journals Journaux No. 12 No 12 Tuesday, February 13, 2001 Le mardi 13 février 2001 10:00 a.m. 10 heures The Clerk informed the House of the unavoidable absence of the Le Greffier informe la Chambre de l’absence inévitable du Speaker. Président. Whereupon, Mr. Kilger (Stormont — Dundas — Charlotten- Sur ce, M. Kilger (Stormont — Dundas — Charlottenburgh), burgh), Deputy Speaker and Chairman of Committees of the Vice–président et président des Comités pléniers, assume la Whole, took the Chair, pursuant to subsection 43(1) of the présidence, conformément au paragraphe 43(1) de la Loi sur le Parliament of Canada Act. Parlement du Canada. PRAYERS PRIÈRE DAILY ROUTINE OF BUSINESS AFFAIRES COURANTES ORDINAIRES PRESENTING REPORTS FROM COMMITTEES PRÉSENTATION DE RAPPORTS DE COMITÉS Mr. Lee (Parliamentary Secretary to the Leader of the M. Lee (secrétaire parlementaire du leader du gouvernement à la Government in the House of Commons), from the Standing Chambre des communes), du Comité permanent de la procédure et Committee on Procedure and House Affairs, presented the des affaires de la Chambre, présente le 1er rapport de ce Comité, 1st Report of the Committee, which was as follows: dont voici le texte : The Committee recommends, pursuant to Standing Orders 104 Votre Comité recommande, conformément au mandat que lui and 114, that the list of members and associate members for confèrent les articles 104 et 114 du Règlement, que la liste -
BACKBENCHERS So in Election Here’S to You, Mr
Twitter matters American political satirist Stephen Colbert, host of his and even more SPEAKER smash show The Colbert Report, BACKBENCHERS so in Election Here’s to you, Mr. Milliken. poked fun at Canadian House Speaker Peter politics last week. p. 2 Former NDP MP Wendy Lill Campaign 2011. p. 2 Milliken left the House of is the writer behind CBC Commons with a little Radio’s Backbenchers. more dignity. p. 8 COLBERT Heard on the Hill p. 2 TWITTER TWENTY-SECOND YEAR, NO. 1082 CANADA’S POLITICS AND GOVERNMENT NEWSWEEKLY MONDAY, APRIL 4, 2011 $4.00 Tories running ELECTION CAMPAIGN 2011 Lobbyists ‘pissed’ leaner war room, Prime Minister Stephen Harper on the hustings they can’t work on focused on election campaign, winning majority This campaign’s say it’s against their This election campaign’s war room Charter rights has 75 to 90 staffers, with the vast majority handling logistics of about one man Lobbying Commissioner Karen the Prime Minister’s tour. Shepherd tells lobbyists that working on a political By KRISTEN SHANE and how he’s run campaign advances private The Conservatives are running interests of public office holder. a leaner war room and a national campaign made up mostly of cam- the government By BEA VONGDOUANGCHANH paign veterans, some in new roles, whose goal is to persuade Canadi- Lobbyists are “frustrated” they ans to re-elect a “solid, stable Con- can’t work on the federal elec- servative government” to continue It’s a Harperendum, a tion campaign but vow to speak Canada’s economic recovery or risk out against a regulation that they a coalition government headed by national verdict on this think could be an unconstitutional Liberal Leader Michael Ignatieff. -
Michel Tremblay Auteur
MICHEL TREMBLAY AUTEUR NOTES BIOGRAPHIQUES Figure dominante du théâtre québécois depuis la fin des années 1960, Michel Tremblay s'est aussi imposé comme romancier, traducteur, adaptateur et scénariste. Né dans un quartier populaire de l'est de Montréal, il découvre très tôt sa vocation d'écrivain. Dès ses études secondaires, il écrit des poèmes, des pièces de théâtre, des romans. À l’adolescence, il entreprend la rédaction de contes fantastiques qu'il réunit plus tard en un recueil : Contes pour buveurs attardés. À 18 ans, il s'inscrit à l'Institut des Arts graphiques, où il apprend le métier de linotypiste, qu’il exerce de 1963 à 1966. En 1964, Michel Tremblay soumet une pièce, Le train, au concours des Jeunes auteurs de Radio-Canada : il y remporte le premier prix. La même année, il rencontre André Brassard qui deviendra le metteur en scène de presque toutes ses pièces, jusqu’en 2003. En 1965, André Brassard utilise quelques-uns des Contes pour buveurs attardés dans un spectacle consacré à la littérature fantastique : Messe noire. La même année, Michel Tremblay écrit Les belles-sœurs. Après la lecture publique des Belles-sœurs le 4 mars 1968 au Centre d’essai des auteurs dramatiques, la pièce est créée au Théâtre du Rideau Vert, le 28 août 1968. Elle connaît alors un succès retentissant, au point d’avoir fait l’objet de près de 600 productions au Québec et à l'étranger. Écrites en joual, un registre de langue propre à Montréal, Les belles-sœurs donnent une vision renouvelée du quartier ouvrier où est né Tremblay. -
Total of !0 Pages Only May Be Xeroxed
TOTAL OF !0 PAGES ONLY MAY BE XEROXED (Without Author's Permission) Liberalism in Winnipeg, 1890s-1920s: Charles W. Gordon, John W. Dafoe, Minnie J.B. Campbell, and Francis M. Beynon by © Kurt J. Korneski A thesis submitted to the school of graduate studies in partial fulfilment of the requirements for the degree of Doctor of Philosophy Department of History Memorial University of Newfoundland April2004 DEC 0 5 2005 St. John's Newfoundland Abstract During the first quarter of the twentieth century Canadians lived through, were shaped by, and informed the nature of a range of social transformations. Social historians have provided a wealth of information about important aspects of those transformations, particularly those of"ordinary" people. The purpose of this thesis is to provide further insight into these transitions by examining the lives and thoughts of a selection of those who occupied a comparatively privileged position within Canadian society in the early twentieth century. More specifically, the approach will be to examine four Winnipeg citizens - namely, Presbyterian minister and author Charles W. Gordon, newspaper editor John W. Dafoe, member of the Imperial Order Daughters of Empire Minnie J.B. Campbell, and women's page editor Francis M. Beynon. In examining these men and women, what becomes evident about elites and the social and cultural history of early twentieth-century Canada is that, despite their privileged standing, they did not arrive at "reasonable" assessments of the state of affairs in which they existed. Also, despite the fact that they and their associates were largely Protestant, educated Anglo-Canadians from Ontario, it is apparent that the men and women at the centre of this study suggest that there existed no consensus among elites about the proper goals of social change. -
Cuff the Duke Youtube
Cuff the duke youtube Paper Bag Records Purchase Cuff The Duke's new album 'Union': Paper Bag Records. 'Count On Me' is from the Cuff The Duke album, Morning Comes, out now in Canada. Cuff The Duke drop into Studio for a CBC Radio 2 Drive session performing music. From the CUFF THE DUKE album 'UNION' out Oct. 2, [CN] / Oct. 29, [UK] / Feb. 12th, [US. Paper Bag Records - Cuff The Duke Buy it from the online store here: Paper Bag Records - Cuff The Duke Buy it from the online store here. From the album 'Way Down Here', released (NOT MY SONG!). Cuff The Duke - Take My Money And Run performed live @ Piebird B&B d. 'Like' us on Facebook - Follow us on Twitter - Cuff The Duke's Wayne Petti and François Turenne perform an acoustic version of "You Were Right" - full. Live at Lee's Palace in Toronto on March 20, Great set. This was my first time getting to see these guys. A favourite of mine not represented on youtube. Label: Hardwood Off their album Sidelines of the City! Visit our channel or for more great. CUFF THE DUKE 'So Many Times Before' [Paper Bag Session / Pt.4] From the album 'Morning Comes. Music video by Cuff The Duke performing It's All A Blur. (C) Noble Recording Co./Universal Canada. Cuff The Duke - Failure to Some - Duration: UGottaHearThis 1, views · Joel Plaskett - On and. Stay Lyrics: In the summer that I met you / I was lost and in search of proof / Oh when the autumn leaves started falling / I've found a proof that was here with you. -
THE CORD • Wednesday, March 16
Heartbreak at home Women's hockey goes without a medal on home ice Sports, page 20 CORD THEThe tie that binds Laurier University since Wilfrid 1926 Volume 51, Issue 26 Wednesday, March 16, 2011 thecord.ca CAS Unresolved Contract staff negotiate their agreement with WLU News, page 4 Hawks head to Turmoil at Queen's Referendum could impeach student representative National, page 6 CIS final eight A Closer world? CIGI panel discusses the downside of globalization World, page 7 Women's basketball continues best Hawks Win gold Laurier women's curling team wins national title Sports, page 18 season in team history; heads to nationals a JUSTIN FAUTEUX SPORTS EDITOR We've played a lot oftop New music showcased in Toronto Don't look now, but Laurier might teams these past few just be on its way to becoming a Arts Editor Sarah Murphy talks to up-and- basketball school. weeks and we'll be ready coming stars at Canadian Music Week Over the weekend the Golden Arts, pages 10-11 Hawks women's basketball team continued their dream season, beat- come Friday." ing the University of Quebec at Montreal (UQAM) and then up- setting the host Regina Cougars in the Canadian Interuniversity —Paul Falco Sport (CIS) West regional final. Head coach, women's basketball This vaults the Hawks to the CIS fi- nal eight this weekend in Windsor, which is the furthest they have gone in team history. This comes just a week after Lau- rier's men's team turned some heads three-pointers all game. To limit a by leading the undefeated Carleton, team that usually averages in the 70s who won the national championship to 51 points was a heck ofa defen- this past weekend, for three quarters sive effort and a big reason why we in their provincial semifinal. -
Transmission 2009 Programme
2 0 0 9 PROGRAMME primary sponsors presenting sponsor of presenting sponsor of transmitLIVE showcase transmitTALKS major sponsor host province sponsor fulltone sponsors p a t r o n s affiliated trade organizations p r o d u c e r s hospitality partners We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada’s Private Radio Broadcasters. Booklet design by Rocketday Arts (www.rocketday.com), sister festival featuring illustration on page 5 by Dushan Milic. n behalf of the team of people behind the program. Our response to this quandary has been this unique initiative, I wish to welcome the launch of an online magazine that presents ideas you to the 4th annual edition of TRANSMISSION. and perspectives well before scheduled roundtables so WeO are rolling out with new dates, new venues, a new that key themes at transmitTALKS would be fomented magazine, and a new programme. What is consistent out before we get together. Furthermore, participants WELCOMEare our valued sponsors and international advisory and other contributors are now able to continue these board, who have supported us each year in redefining important conversations long after the lights go down ways for people to connect on the subject of music. on the stage. The result? A relevant, multi-disciplinary dialogue that people can participate in 365 days a year. In terms of a programme, TRANSMISSION is easily more complex than most. It’s not disorganized and it’s This year we focus on three themes: Intellectual not confusing, but it is complex and it does require Property, Emerging Markets and Next Generation the active engagement of the old grey matter. -
Hayden // the Place Where We Lived Press Catalogue // 2009 Press // Hayden // the Place Where We Lived
HAYDEN // THE PLACE WHERE WE LIVED PRESS CATALOGUE // 2009 PRESS // HAYDEN // THE PLACE WHERE WE LIVED THE GLOBE AND MAIL // MAY 26, 2009 May 26, 2009 HAYDEN // PRESSKIT // 2009 PRESS // HAYDEN // THE PLACE WHERE WE LIVED THE NATIONAL POST // MAY 25, 2009 May 25, 2009 Daily Disc: Hayden, The Place Where We Lived Posted: May 25, 2009, 11:30 AM by Ben Kaplan Shambolic tenderness runs through the ten songs on The Place Where We Lived, the sixth record from Canadian singer-songwriter Hayden, whose gone by only one name since he made his first album in 1994. Over a backdrop of Wurlitzer guitar, organs and the occassional flourish of trumpet and trombone, Hayden’s cracked Jeff Teedy-esque vocals reveal sad stories of Northern Ontario while an uptempo rhythm guitar places him above and beyond his navel-gazing peers. Some credit for tone must go to producer Howie Beck, whose most recent album sounded like Elvis Costello meets the Beach Boys. While Hayden has worked alone for the past eleven years, Beck’s contribu- tions lend many of the break-up songs a toe-tapping, jukebox appeal. It takes a special talent to sing about “filling a room with sadness,” in a voice which suggests a smile on the musician’s face. Hayden may be pissed-off and beaten, but he’s too wry to simply be sad. A third of the album has a pronounced country and western feel. Backed up on several tracks by members of Oshawa’s Cuff the Duke, saloon ballads like Never “Lonely” are given a kick in the torn denim pants thanks to steel guitars, keyboard and trombone. -
Theatre and Transformation in Contemporary Canada
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by YorkSpace Theatre and Transformation in Contemporary Canada Robert Wallace The John P. Robarts Professor of Canadian Studies THIRTEENTH ANNUAL ROBARTS LECTURE 15 MARCH 1999 York University, Toronto, Ontario Robert Wallace is Professor of English and Coordinator of Drama Studies at Glendon College, York University in Toronto, where he has taught for over 30 years. During the 1970s, Prof. Wallace wrote five stage plays, one of which, No Deposit, No Return, was produced off- Broadway in 1975. During this time, he began writing theatre criticism and commentary for a range of newspapers, magazines and academic journals, which he continues to do today. During the 1980s, Prof. Wallace simultaneously edited Canadian Theatre Review and developed an ambitious programme of play publishing for Coach House Press. During the 1980s, Prof. Wallace also contributed commentary and reviews to CBC radio programs including Stereo Morning, State of the Arts, The Arts Tonight and Two New Hours; for CBC-Ideas, he wrote and produced 10 feature documentaries about 20th century performance. Robert Wallace is a recipient of numerous grants and awards including a Canada Council Aid to Artists Grant and a MacLean-Hunter Fellowship in arts journalism. His books include The Work: Conversations with English-Canadian Playwrights (1982, co-written with Cynthia Zimmerman), Quebec Voices (1986), Producing Marginality: Theatre 7 and Criticism in Canada (1990) and Making, Out: Plays by Gay Men (1992). As the Robarts Chair in Canadian Studies at York (1998-99), Prof. Wallace organized and hosted a series of public events titled “Theatre and Trans/formation in Canadian Culture(s)” that united theatre artists, academics and students in lively discussions that informed his ongoing research in the cultural formations of theatre in Canada. -
LGBTQ+ - Relationships Eight Characters Four Male; Four Female Two Acts
Title: 2 Lives in - Selected Plays of Arthur Laurents - COL Author: Laurents, Arthur Publisher: Back Stage Books 2004 Description: roy drama - LGBTQ+ - relationships eight characters four male; four female two acts Matt Singer, a playwright and his long term partner Howard Thompson, a landscape gardener, are celebrating Howard's birthday. But tragedy strikes. Title: 2-2-Tango in - Making, Out / CCO Author: MacIvor, Daniel Publisher: Coach House Press 1992 Description: roy relationships - LGBTQ+ - men all male cast; two characters two male one act '. a highly stylized presentation that features clipped, overlapping dialogue and rigidly choreographed gestures. (MacIvor's) observations about the eternal struggle in relationships between emotional, physical and spiritual need and the assertions of independence easily exceed the gay context in which they are being played out.' Title: Abraham Lincoln's Big, Gay Dance Party Author: Loeb, Aaron Publisher: Playscripts, Inc. 2011 Description: roy comedy - prejudice - LGBTQ+ - homophobia - history nineteen characters four male; three female (doubling) three acts Illinois schoolteacher Harmony Green has told her fourth grade class that Menard County's most beloved homegrown hero, Abraham Lincoln, was gay. When Honest Abe is "outed" in a reimagined Christmas pageant, controversy and chaos engulf the town. As the trial of the century begins, big-city reporters and Congressional candidates descend, and family skeletons are forced out of the closet. Top hats and beards abound in this hilarious, poignant, and timely look at prejudice past and present. Title: Adam and the Experts Author: Bumbalo, Victor Publisher: Broadway Play Publishing 1990 Description: roy drama - AIDS - LGBTQ+ seven characters five male; two female two acts "ADAM AND THE EXPERTS .. -
Armin Wiebe 502-430 Webb Place Winnipeg, MB R3B 3J7 204-488-0441/ Cell 204-791-8689 [email protected]
Armin Wiebe 502-430 Webb Place Winnipeg, MB R3B 3J7 204-488-0441/ cell 204-791-8689 [email protected] www.arminwiebe.ca Writing Highlights Five publisHed novels, three produced stage plays, and a collection of sHort fiction. (see pages 6-12 for complete publication record) Recent Work: • 2019 The Salvation of Yasch Siemens Turnstone Selects edition (with a preface by the author and an afterword by Nathan Dueck) • 2018 Wine and Little Breads (a play) read at Carol SHields Festival of New Works • 2018 ‘InsigHt’ (a sHort story) publisHed in Prairie Fire • 2017 Grandmother, Laughing (a novel) publisHed by Turnstone Press Awards • 2019 2019 Herman Voaden National Playwriting Competition Honourable Mention for Wine and Little Breads (Full length version) • 2013 Winnipeg Mennonite THeatre/Rhubarb Magazine One Act Play Contest, 1st Prize for Wine and Little Breads (SHort version) • 2004 Margaret Laurence Award for Fiction for Tatsea • 2004 McNally-Robinson Book of the Year Award for Tatsea • 2002 Prairie Fire SHort Fiction Contest, for ‘THe Little KolloucH’ • 1978 Dallas Taylor Prize for Creative Writing, University of Manitoba Nominations • 2018 SHortlisted, Margaret Laurence Award for Fiction for Grandmother, Laughing • 2009 SHortlisted, On the Same Page, for The Salvation of Yasch Siemens • 2003 SHortlisted, Western Magazine Awards for ‘THe Little KolloucH’ • 1995 SHortlisted, McNally-Robinson Manitoba Book of the Year for The Second Coming of Yeeat Shpanst • 1991 SHortlisted, McNally-Robinson Manitoba Book of the Year for Murder in Gutenthal • 1990 SHortlisted, Western Magazine Awards for ‘Mouse Lake’ • 1989 SHortlisted, Journey Prize Anthology, for ‘Mouse Lake’ Armin Wiebe 2 • 1985 SHortlisted, Books in Canada First Novel Award for The Salvation of Yasch Siemens • 1985 SHortlisted, StepHen Leacock Award for Humour for The Salvation of Yasch Siemens Writer-in-Residence / Mentoring experience • 2008 Centre for Creative Writing and Oral Culture at THe University of Manitoba • 1994-95 Manitoba's first rural Writer-in-Residence at the Parkland Regional Library in Dauphin.