PY How Maheu Fooled

Total Page:16

File Type:pdf, Size:1020Kb

PY How Maheu Fooled SFExamine r JA Hughes 1J ulnas/zed 2 8 1972 How Maheu Fooled PY By Ron Laytner gone in th vast Hughes empire, b the former LAS VEGAS — A young- Last in a series of chief sp kesman for er man would think very articles revealing the rela- carefully before tangling tionship between billion- Hughes is c early different than most. physically with Robert A. aire. Froward Hughes and Maheu. The former FBI Robert Maheu, Hughes' Maheu h s refused to agent is 56, but hp gives Nevada chieftain who is take his smissal lying the impression of b,aing an suing him for $50 million down and h s armed him- for firing him. extremely dangerous man. self with a ough attorney, Maheu is one of the few Morton Gal ne. who once FBI agents in its history badly trounced Maheu and ever to have made a per- ing to Howard Hughes. the Hughes f u roes in court. fect score in shooting and spoke in a bizarre tele- Maheu an Galane had he has won an FBI medal phone press conference. been discus ing the possi- for achievement. Ile is The voice accused Maheu bility of o conversation known as a master of of stealing from Howard being moult red by listen- weapons. Hughes. ing devices •ecretly plant- On Jan. 7 a mysterious Over the years many ex- voice, identified as belong- ecutives have come and --Turn to Page.= Col, 'I ill.WIrmr7w,:377.114mm, vn, center of photo. Official In 1938, Hughes was given a ticker-tape parade in tured in a rare smile,, is New York greeter at that ime was Grover Whalen, New York City, recognizing his record - breaking dwick. around the world flight. The young Hughes, cap- left; at right is Albert I. L Page 12—.1.1ixanttuer Fri., Jan. 2$, 19/2 giiiirillillffirli111111/1111111111111111111111111111111111111111111I11111111111091111111M111110191111111flit111111111111111111111I11111111111111111 Hughes Unmas ed ' 7/111111M1111111#1111111111IIIIIIIIIIIIIIIIIIIIiiii11111111ift11111iiiiiiIIIIIIIIMI11111111111111111J11-1111111ilik111111111111111111111$111111111€I1111 111E11111U 11111111illillili1111111Me% How Maheu F oled A Top 'Nazi A ent —From Page 1 embassy. Our investigators dcl in Maheu 's rented there finally :broke him down and he told them the hnuse. story I am telling you now "If anyone is listening." — claiming it was always said Maheu, "I hope they his intention to tell the understand it is a felony in same story after he ar- this state. There are also rived in the U.S." federal regulations which After receiving speciat- preclude the use of bugging training in German espio- devices." nage techniques Costes, op- e have nothing to erating under great person- hide," added Galane, "Ev- al pressure, followed his erything we have done in orders and "fled" France. this litigation has been Counter Agents above board and has hap- pened in the courts using At the time of his in- proper precedures volvement in the case Ma- Maheu became national- heu and his wife had a ly known over a year ago five-and-a-half month old when h e was suddenly son. He had just opened a fired by aides of Hughes resident agency for the FBI in Aberdeen, Wash. who said they were acting on instructions from the There he received an or- wraith-like industrialist. der to report immediately Accounts at . that• time at Washington for a special and ever since have de- DISCUSSED EAVESDROPPING POSSIBILITY assignment. scribed Maheu as a "super Attorney Morton Galane, left, and Robert Maheu At the Capital Maheu ipy." FBI agent and coun- was briefed on the back- terspy. He was rumored ground of the case and giv- once to have been under worked for the Federel Bu- of information. It did a en instructions on his cover contract to the Central In- reau of Investigation," Ma- good if Nazi intelligen 'e story. Because of his fluen- telligence Agency to aEsas- heu "The early part got the information after cy in French it had been . sinate Cuba's Fidel Castro. of 1942 was a time when es- the fact," Maheu e decided that he would be Just who is Maheu - pionage had evolved to a plained. the counter agent to work what did he do for the FBI point where there were The lead man they cho .e with the Nazi radio team. during the war and after? runny double and triple to send was a famo s He reported later in Mi- Why did Hughes choose a gents " French aviator, Dieudon e ami, turning in his creden- him to eventually become The Germans had decid- Costes. He had been one f. tials, gun, badge, every- his official spokesman and ed to send an espionage the great pilots of Wor d thing that was identifiable / administrator of a $300 mil- team to the U.S. using a War I. At the time of t e — even clothing that held lion Nevada empire? lead man who was to offer German takeover laundry-marks. his services to the U.S. France ' he was a vic Maheu became Robert A. Work for FBI government., he continued. president of the Hisp. Marchand, a French- In this exclusive inter: The Germans would then Suiza Co. Costes is the m n Canadian black-marketeer, view Maheu finally sets the send a technician to set up who returned Lindbergh's and checked into a small record straight and de- a radio transmitter. flight in 1930. hotel on Miami Beach ' scribes his career in the "As you know, one of the "He arrived in Spain where he waited for Costes FBI. big problems in those days Maheu said. -and we t to arrive. "During World War II, I was the quick transmission straight to the Americ. Costes arrived in the U.S. by way of Buenos Spain on Oct. 12. 1943 and he could build a radio for Normandy were either Aires, in June. 1943 and went into action. transmitter to open contact relocated or left_ in south-. was told that Maheu was On Nov. 30 he managed with Germany but the FBI ern France." an FBI agent. "We took to get the French authori- placed a number of road- When 1. e war ended the calculated risk that he ties at Washington to rein- blocks in his way. Costes went back to was a double agent and state him as a lieutenant in Finally. Cavaillez h a d France where he was first would not, in fact, become the French Air Force so the set working and the tried as a spy then exoner- a triple agent." that he could wear the FBI let him transmit a few ated with the help of the For a long while the French uniform while oper- messages. always with Ma- FBI and recognized as a French aviator and Maheu ating as a German spy in heu at his side in case h hero. Cavaillez was first worked on the method of the U.S. tried to tip off the Nazis sentenced to five years by secret writing that Costes According to Connelley. that it was a FBI trap. a U.S. Federal court, then had been taught to use by the French-uniformed Nazi After the Germans had sent back to France a pris- the Nazi intelligence. This spy did considerable re- been convinced that Costes oner. was the code which would search work in the Library had access to solid infor- mation the espionage team After the war Maheu be- be Used to send messages of Congress and in the New came assistant to Cannel- baCk to Germany and Ma- York Public Library, ob- started sending messages that the invasion of Europe ley and worked on many of heu had to be completely taining material from the America's major eases familiar with it. restricted shelves on the was going to be staged in southern France. with the FBI's top The French war hero and strength of his French uni- trouble-shooter. When Con- RI-mined German spy form and credentials. At first it was reported to nelley's special squad was gave Maheu exact details But he sensed something German intelligence that broken up, Maheu became of his training at a German was wrong with his con- Costes had been called to supervisor of the adminis- espionage school in Ham- tact. Costes, and kept the Pentagon to answer tration division. burg and advance informa- away, much to Maheu's some questions abou tion on the top Nazi spy southern France. "After a while 1 re: dismay. signed. And after a short who was to join him. Troops Shifted In charge of this whole -Our surveillances dis- period of being in business closed that Cavaillez would project at the time. said And then the messages I formed my own compa- Maheu. was FBI Assistant attend a certain mass at became increasingly force ny. It was a combination St. Patrick's every Sunday Director E. J. Connelley ful so that the last were ab of international investiga- at a given time. And so we who has since died. solutely certain—there wa. tive work. public relations arranged in New York City no doubt —t h e invasion and management consult- Misled Nazis one Sunday for Costes and would take place in south ing. "Mr. Connelley had the he to bump into each other ern France. "Then one day in 1955 -- authority to go into any without their realizing "After the war." sai without knowing it --- FBI office and pre-empt they'd been maneuvered. Mallen, was told that went to work on a secret any case. He was in charge "Contact was now finally when the espionage papers assignment for Howard of this particular opera- established and eventually of the Germans wer Hughes.
Recommended publications
  • My Adventures As an Undercover Agent In
    True stories of undercover agents Undercover Operations and espionage. The Spy Wore Red: My Adventures as an Undercover Agent in World War II by Aline, Countess of Romanones Chronicles the true story of Aline Griffith, a beautiful young woman who was working as a model for Hattie Carnegie in New York when she was recruited for World War II espionage work in Spain. BIOG ALINE Under and Alone: The True Story of the Undercover Agent Who Infilttrated America’s Most Violent Outlaw Motorcycle Gang by William Queen A veteran ATF agent describes his remarkably successful two-and-a-half-year stint as an un- dercover agent with the Mongols, a violent outlaw motorcycle gang, a time during which he not only became a full member, but also rose to the position of treasurer, documenting their violent crimes and offering profiles of individual gang members. 364.106 Q The Company We Keep: A Husband-and-Wife True-Life Spy Story by Robert Baer A CIA operative and his CIA sharpshooter wife describe how they unexpectedly fell in love during a mission and the complicated challenges they faced in their shared effort to return to civilian life. 327.127 B The Dangerous Otto Katz: The Many Lives of a Soviet Spy by Jonathan Miles This biography of the spy who became the inspiration for Casablanca’s Victor Laszlo de- scribes his involvement in the Spanish Civil War, Stalin’s secret meetings, Trotsky’s murder and the lives of Hollywood celebrities as he sought fame, fortune and glory. BIOG KATZ Priceless: How I Went Undercover to rescue the World’s Stolen Treasures by Robert K.
    [Show full text]
  • Children and Teens' Department
    July 2011 Tuesday, July 5, 7 p.m. Thursday, July 14, 7 p.m. Saturday, July 23, 3 p.m. Tyler Cowen July5 11 14 John A. Farrell Sandra Beasley July 11 23July 11 The Great Stagnation Clarence Darrow Don’t Kill The Birthday Girl (Dutton, $12.95) (Doubleday, $32.50) (Crown, $23) For all the excitement of smartphones and social media, are the A journalist, biographer of Tip O’Neill and now senior This memoir from the award-winning poet chronicles new intellectual technologies as innovative and productive as writer for The Center for Public Integrity, Farrell draws on Beasley’s life-long allergies to—just about everything. A partial list those of the past? In this concise, thought-provoking look at unpublished documents to examine the darker side of the great of what she must avoid includes dairy, soy, beef, shrimp, cucumbers, recent economic history, the George Mason University profes- defense attorney. Famous for his role in the Scopes “Monkey and mustard. Thriving despite the constant threats, Beasley tells her sor and blogger argues that the pace of change has stalled. He Trial” and his advocacy on behalf of workers and blacks, Darrow story with wit and humor, examines the science of allergies, and compares today’s technological advances to those that fueled the also faced charges of bribing a jury; meanwhile, his personal life offers advice to fellow sufferers. Industrial Revolution, and finds that we have failed to keep pace in producing new was riddled with misjudgments concerning women and money. wealth, jobs, and overall productivity. Sunday, July 24, 5 p.m.
    [Show full text]
  • Spring 2011 Films at the National Gallery of Art Feature Eric Rohmer
    Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: March 29, 2011 Spring 2011 Films at the National Gallery of Art Feature Eric Rohmer, Nam June Paik, Igor Stravinsky, Kevin Jerome Everson, plus New Documentaries, Exhibition Films, and More Film still f rom Son of Babylon (Mohamed Al-Daradji, 2010, 35 mm, Arabic/Kurdish with subtitles, 92 minutes) to be shown at the National Gallery of Art on Thursday , May 12, 6:30 p.m. Image courtesy of Mohamed Al-Daradji The spring film season begins in April with the series Richard Dindo: Artists, Writers, and Rebels, from the renowned Swiss director's works focusing on infamous cultural icons. One of Dindo's documentaries features painter and sculptor Paul Gauguin in conjunction with the Gauguin: Maker of Myth exhibition, on view at the Gallery from February 27 through June 5, 2011. In celebration of the exhibition In the Tower: Nam June Paik (March 12–October 2, 2011), the Gallery will present All For All: Collaborative Channeling, a program highlighting three videos that Nam June Paik made in collaboration with other artists: Guadalcanal Requiem, You Can't Lick Stamps in China, and Allan ‘n' Allen's Complaint. Washington premieres include Lost Bohemia, a film about a spectrum of artists, musicians, dancers, and actors who once resided in the now-demolished Carnegie Studio Towers, and Son of Babylon by Iraqi filmmaker Mohamed Al-Daradji. The Gallery presents a number of film series this season, including A Season of Rohmer, a retrospective of works by recently deceased new wave director Eric Rohmer.
    [Show full text]
  • A Critical Comparative Reading of Nationalism in Pramoedya A
    DOI: 10.9744/kata.17.1.1-8 ISSN 1411-2639 (Print), ISSN 2302-6294 (Online) OPEN ACCESS http://kata.petra.ac.id A Critical Comparative Reading of Nationalism in Pramoedya A. Toer and Ngugi wa Thiong’o Sunardi, D. Faculty of Language and Arts, University of Ma Chung Malang, INDONESIA Email: [email protected] ABSTRACT This article tries to explore how the conception, birth, and development of novel can become a tool to shed lights to our understanding of the conception, birth, and development of nationalism. The discussion departs from a powerful finding by Edward Said that prominent exiles he happened to know and befriend with had deliberately chosen to be novelists. According to Said, the choice to write novels was fueled by intense feeling of homelessness, which in turn took shape in dream of an imaginary homeland. Novel as a genre is in perpetual search for epic; and since that epic is elusive, what novel can offer is an imagined form. It is in this shared feeling, the same desire to imagine a perfect home, the constant fabrication of narratives of the epic past, the invention of quasi-sacred texts alongside with the heroes and enemies, the dynamics of including and excluding of people that novel and nationalism inform each other. As reader, we turn to postcolonial Kenyan Thiong‟o‟s A Grain of Wheat and Indonesian Toer‟s This Earth of Mankind. By commenting on the main characters of these novels we make intellectual exploration into the idea of nationalism. The results are two tentative conclusions regarding the relationship between novel and nationalism, i.e.
    [Show full text]
  • Thesis Rests with Its Author
    University of Bath PHD Tradition or subversion: questions of identity and technique in the films of Eric Rohmer Ennis, Thomas Award date: 2004 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 05. Oct. 2021 UNIVERSITY OF BATH LIBRARY AUTHOR: THOMAS ENNIS YEAR: 2004 TITLE: TRADITION OR SUBVERSION: QUESTIONS OF IDENTITY AND TECHNIQUE IN THE FILMS OF ERIC ROHMER Attention is drawn to the fact that copyright of this thesis rests with its author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and they must not copy it or use material from it except as permitted by law or with the consent of the author.
    [Show full text]
  • Join Us. 100% Sirena Quality Taste 100% Pole & Line
    melbourne february 8–22 march 1–15 playing with cinémathèque marcello contradiction: the indomitable MELBOURNE CINÉMATHÈQUE 2017 SCREENINGS mastroianni, isabelle huppert Wednesdays from 7pm at ACMI Federation Square, Melbourne screenings 20th-century February 8 February 15 February 22 March 1 March 8 March 15 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm Presented by the Melbourne Cinémathèque man WHITE NIGHTS DIVORCE ITALIAN STYLE A SPECIAL DAY LOULOU THE LACEMAKER EVERY MAN FOR HIMSELF and the Australian Centre for the Moving Image. Luchino Visconti (1957) Pietro Germi (1961) Ettore Scola (1977) Maurice Pialat (1980) Claude Goretta (1977) Jean-Luc Godard (1980) Curated by the Melbourne Cinémathèque. 97 mins Unclassified 15+ 105 mins Unclassified 15+* 106 mins M 101 mins M 107 mins M 87 mins Unclassified 18+ Supported by Screen Australia and Film Victoria. Across a five-decade career, Marcello Visconti’s neo-realist influences are The New York Times hailed Germi Scola’s sepia-toned masterwork “For an actress there is no greater gift This work of fearless, self-exculpating Ostensibly a love story, but also a Hailed as his “second first film” after MINI MEMBERSHIP Mastroianni (1924–1996) maintained combined with a dreamlike visual as a master of farce for this tale remains one of the few Italian films than having a camera in front of you.” semi-autobiography is one of Pialat’s character study focusing on behaviour a series of collaborative video works Admission to 3 consecutive nights: a position as one of European cinema’s poetry in this poignant tale of longing of an elegant Sicilian nobleman to truly reckon with pre-World War Isabelle Huppert (1953–) is one of the most painful and revealing films.
    [Show full text]
  • Creative Society: Concepts and Problems
    CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2015 Culture and Axiology is a semiannual peer-reviewed journal devo- 2 2015 Vol XII No 2 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL ISBN 978-3-631-66790-3 www.peterlang.com CULTURA 2015_266790_VOL_12_No2_GR_A5Br.indd 1 27.10.15 KW 44 19:44 CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2015 Culture and Axiology is a semiannual peer-reviewed journal devo- 2 2015 Vol XII No 2 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL www.peterlang.com CULTURA 2015_266790_VOL_12_No2_GR_A5Br.indd 1 27.10.15 KW 44 19:44 CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE AND AXIOLOGY Cultura.
    [Show full text]
  • Rétrospective Intégrale
    RÉTROSPECTIVE INTÉGRALE Éric LE LOUXOR 16.01.19 > 5.02.19 Rohmer LES COPIES DE CETTE RÉTROSPECTIVE ONT ÉTÉ RESTAURÉES EN 2K AVEC L’AIDE DU CNC Photo © Rosette • Imprimerie Gestion Graphic 01 39 95 41 26 SEMAINE DU 16.01 > 22.01 SEMAINE DU 23.01 > 29.01 SEMAINE DU 30.01 > 3.02 MERCREDI 16 JANVIER MERCREDI 23 JANVIER MERCREDI 30 JANVIER • 11:00 MA NUIT CHEZ MAUD • 11:15 QUATRE AVENTURES DE REINETTE ET MIRABELLE • 11:15 LA CARRIÈRE DE SUZANNE /LA BOULANGÈRE DE MONCEAU • 13:15 LA MARQUISE D’O • 13:30 PAULINE À LA PLAGE • 13:30 LA COLLECTIONNEUSE • 15:30 LE SIGNE DU LION • 15:30 LE BEAU MARIAGE • 15:30 LES RENDEZ-VOUS DE PARIS • 17:30 PARIS VU PAR • 17:20 LE GENOU DE CLAIRE • 17:30 LE GENOU DE CLAIRE • 19:30 LE GENOU DE CLAIRE ☛ En présence de BÉATRICE ROMAND • 19:30 L’ARBRE, LE MAIRE ET LA MÉDIATHÈQUE • 19:40 L’AMOUR L’APRÈS-MIDI • 21:30 LES RENDEZ-VOUS DE PARIS • 21:40 L’AMI DE MON AMIE • 21:30 LE RAYON VERT JEUDI 31 JANVIER • 11:15 PAULINE À LA PLAGE • 11:20 LA CARRIÈRE DE SUZANNE / LA BOULANGÈRE DE MONCEAU • 11:50 TRIPLE AGENT • 13:30 PERCEVAL LE GALLOIS • 13:30 LES RENDEZ-VOUS DE PARIS • 14:00 PARIS VU PAR • 16:15 L’AMI DE MON AMIE • 15:30 TRIPLE AGENT • 15:45 PERCEVAL LE GALLOIS • 18:10 L’ANGLAISE ET LE DUC • 17:40 PARIS VU PAR • 18:15 LE SIGNE DU LION • 20:30 LA FEMME DE L’AVIATEUR ☛ En présence de MARIE RIVIÈRE • 19:45 LA COLLECTIONNEUSE • 20:15 CONTE D’HIVER ☛ En présence de ROSETTE ☛ En présence de BARBET SCHROEDER (sous réserve) VENDREDI 1er FÉVRIER • 11:15 CONTE D’AUTOMNE • 11:15 LA COLLECTIONNEUSE • 11:15 LE SIGNE DU LION • 13:30
    [Show full text]
  • Draft Working Paper
    SECRET DRAFT WORKING PAPER DEN. ASCU I EN AID RELEASED BY CENTIAL INTELLIGENCE AGENCY SEINECESNEINIIISEXENPT INN 3111 Chapter Five OA/ 1 WAR CRIMES., SCLOSU At ACT DATE 2007 Long Experience in the Anti-Soviet Game (U) Even before the end of World War II, Allied intelligence grew intrigued by the work that the Germans had done to rally much of Europe to the Nazi cause. As the Allied armies fought across Italy and France in 1944, growing numbers of Wehrmacht prisoners who fell into British and American hands were not Germans, but Poles, Czechs, Hungarians, Russians, Baits, Cossacks, Ukrainians, and dozens of other nationalities and ethnic groups that took up arms for the Third Reich. While many of these combatants proved to be less than enthusiastic soldiers, the Nazis nonetheless raised substantial manpower from Europes non-Aryan populations. (U) Within weeks after the collapse of German resistance, Allied intelligence pondered the advantages and disadvantages of using for its own purposes the numerous émigré groups that sought shelter in the West. As the US Army took up occupation duties in Austria and Germany, it encountered members of these groups who claimed to be not only anti-Nazi, but also anticommunist. Sorting out the various factions, their leaders, philosophical goals, motivations, and backgrounds took up an increasing amount of time and effort on the part of American intelligence as tensions mounted between the East and the West. 1 (S) 'As an example, X-2 in Munich came into contact with Lithuanians in the summer of 1945, but was told to leave those groups alone for SI's exploitation.
    [Show full text]
  • The Oleg Penkovsky Story and the Important of Human Intelligence in Cold War Crises
    Department of History University of Wisconsin- Eau Claire “I Was”: The Oleg Penkovsky Story and the Important of Human Intelligence in Cold War Crises Christoffer J. Henriksen Senior Capstone History.489 Professor: Dr. Louisa Rice Cooperating Professor: Dr. Selika Ducksworth-Lawton May 18, 2015 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin Eau Claire with the consent of the author. i Abstract: Looking at the debriefing transcripts from double-agent Col. Oleg Penkovsky reveals a wealth of information. This information proved useful in two Cold War crises: the Berlin Crisis of 1961 and the Cuban Missile Crisis. While technology provides insight into what one’s opponents are doing, it lacks the distinctly human factor necessary for a full assessment of a given situation. Looking at the case of Oleg Penkovsky, we see what might drive one to defect, the importance of human intelligence, and its effects on Cold War crises. ii Table of Contents: Title Page…………………………………………………………………………………………i Abstract…………………………………………………………………………………………..ii Table of Contents………………………………………………………………………………..iii Glossary………………………………………………………………………………………….iv Introduction………………………………………………………………………………………5 “They Deceived Me”: Penkovsky’s Early life and Career…………………………………...11 “I am your soldier now.”: Penkovsky’s Decision to Defect…………………………………..14 The Neighbors & the Nearest Neighbors: The Soviet Union’s Intelligence Agencies……...24 The Two Pills: The Berlin Crisis of 1958-1961………………………………………………..29 “If we give them rockets there will be a war.”: The Cuban Missile Crisis…………………36 Conclusion………………………………………………………………………………………41 Bibliography…………………………………………………………………………………….45 iii Glossary. Brush Pass- A method of exchanging information in which two parties exchange information while seeming to accidentally brush past each other in public.
    [Show full text]
  • Triple Agent
    Sélection Officielle – Berlin 2004 – En compétition La Compagnie Eric Rohmer et Rezo Productions présentent Katerina DIDASKALOU Serge RENKO dans TRIPLE AGENT un film écrit et mis en scène par Eric Rohmer avec Amanda Langlet, Emmanuel Salinger, Cyrielle Clair, Grigori Manoukov durée : 1h55 - visa n° 105.538 - 1,66 - Dolby SRD Sortie Suisse Romande le 24 mars 2004 Distribution France Presse France Distribution Suisse Rezo Films François Guerrar/Anaïs Lelong Agora Films 29, rue du Faubourg Poissonnière 36, rue de Ponthieu 8, rue des Moraines 75009 Paris 75008 Paris 1227 Carouge Tél. : 01 42 46 96 10 Tél. : 01 43 59 48 02 / 03 Tél : 022.823.03.03 Fax : 01 42 46 96 11 Fax : 01 43 59 48 05 Fax : 022.823.03.04 www.rezofilms.com www.agorafilms.net Synopsis En 1936, le Front populaire et la guerre d’Espagne agitent les esprits. Fiodor, jeune général de l’armée tsariste réfugié à Paris avec son épouse grecque Arsinoé participent au trouble ambiant. Pendant qu’elle sympathise avec des voisins communistes, il effectue des voyages secrets et aime à inquiéter son entourage. Il ne cache pas qu’il est un espion, mais dissimule au compte de qui ? Des Blancs anti-communistes, de la jeune Union Soviétique, des Nazis, de tous à la fois ? Le sait-il lui-même, qui aime sa femme, mais semble prêt à la sacrifier au nom d’un sordide complot ? Librement inspiré d’une histoire réelle, non totalement élucidée, Triple Agent est un récit d’espionnage vertigineux mais également un conte moral sur la dissimulation et le mensonge.
    [Show full text]
  • 82Nd Meeting
    PRESS RELEASE Eurimages supports 9 European co-productions STRASBOURG, 28.02.2003 - At its 82nd meeting held on 24.02.2003 - 26.02.2003 in Paris, the Council of Europe Eurimages Fund Board of Management agreed to support 9 feature films for a total amount of 3 337 716 Euros. The feature films are : Scheme 1 - Assistance awarded mainly on the basis of the project’s circulation potential Le Retour de James Bataille - Didier and Thierry Poiraud (French) (France, Germany, United Kingdom) Triple agent - Eric Rohmer (French) (France, Greece, Spain, Italy) Scheme 2 - Assistance awarded primarily on the basis of artistic value Brides (Oi Nyfes) - Pantelis Voulgaris (Greek) (Greece, France) Clearing up - Lars Johansson (Danish) (Denmark, Germany, Sweden) Demain on déménage - Chantal Akerman (Belgian) (Belgium, France) Niceland - Fridrik Thor Fridriksson (Icelandic) (Iceland, Germany, Denmark, United Kingdom) Tur och Retur (Immediate Boarding) - Ella Lemhagen (Swedish) (Sweden, Norway) Vodka Lemon - Hiner Saleem (French) (France, Switzerland, Italy, Armenia) Zaman - Ali Özgentürk (Turkish) (Turkey, Bulgaria) Support was awarded to the following distributors for the films listed hereafter: BEST HOLLYWOOD (Hungary) The Pianist - Roman Polanski (Polish) BUDAPEST FILM (Hungary) Lundi matin - Otar Iosseliani (French-Georgian) Sur mes lèvres - Jacques Audiard (French) MASKEPP FOUNDATION (Hungary) Fausto 5.0 - Alex Ollé, Izidoro Ortiz & Carlos Padrissa (Spanish) Irréversible - Gaspard Noe (French) MOKEP (Hungary) I am Dina - Ole Bornedal (Danish) INDEPENDENTA
    [Show full text]