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Dragon Magazine #182
Issue #182 Vol. XVII, No. 1 SPECIAL ATTRACTIONS Dragons: the lords of fantasy June 1992 9 Our annual tribute to our namesakeslong may they live! Publisher Not Cheaper by the Dozen Spike Y. Jones James M. Ward 10 Twelve of the DRAGONLANCE® sagas most egg-citing creations. Editor The Vikings' Dragons Jean Rabe Roger E. Moore 17 Linnorms: the first of a two-part series on the Norse dragons. The Dragons Bestiary Gregory Detwiler Associate editor 25 unhealthy branches of the dragon family tree. Dale A. Donovan Fiction editor F ICTION Barbara G. Young The Dragonbone Flute fiction by Lois Tilton Editorial assistant 84 He was a shepherd who loved musicbut he loved his audience more. Wolfgang H. Baur Art director R EVIEWS Larry W. Smith The Role of Computers Hartley, Patricia, and Kirk Lesser 55 From Mars to the stars: two high-powered science-fiction games. Production staff Gaye O'Keefe Angelika Lokotz Role-playing Reviews Lester Smith Tracey Zamagne Mary Roath 96 Now you can be the smallest of creatures or the most powerful. Through the Looking Glass Robert Bigelow Subscriptions\t 112 A collection of draconic wonders, for gaming or display. Janet L. Winters U.S. advertising O THER FEATURES Roseann Schnering Novel Ideas James Lowder 34 Two new horrific novels, spawned in the mists of Ravenloft. U.K. correspondent The Voyage of the Princess Ark Bruce A. Heard and U.K. advertising 41 This month, the readers questions take center stage. Bronwen Livermore The Wild, Wild World of Dice Michael J. DAlfonsi 45 Okay, so how many six-sided dice do you own? Kings of the Caravans Ed Greenwood 48 A land like the Forgotten Realms requires tough merchants! Dragonslayers on the Screen Dorothy Slama 62 Some handy guidelines for letting your computer be your DM. -
R2 C1 C2 C1 Beasts
BEA S T S CREATURE ST TO AG INT WP FEL A/C/E WOUND S STAN C E BOAR 5 (4) 6 (2) 3 (1) 1 4 1 6/0/1 15 R2 S TAT CO C KATR ic E 4 (4) 4 (2) 5 (2) 2 3 1 3/3/2 12 C1 6 X S I 5 (4) 4 ∆ (3) 2 (2) 1 3 1 4/0/1 14 C1 COLD ONE END pp A DRAGON 7 ∆ (8) 8 (3) 5 (2) 8 7 ∆ 6 8/6/6 40 C2 REATURE C FEN B EA S T 6 ∆ (5) 5 ∆ (2) 2 (1) 1 3 1 5/0/1 18 C1 BEA S T Abi L I TY FEN B EA S T Abi L I T I E S Instinctive: Beasts may use Willpower instead of Intelligence Terrifying: A fenbeast has Terror 2. when attempting Observation checks. Fenwalker: A fenbeast may ignore terrain-based manoeuvre penal- BOAR Abi L I T I E S ties and up to two ∆∆ misfortune dice penalties to movement and Fast: Boars require only 1 manoeuvre to move between medium actions performed while in marshy terrain. range and long range, and 2 manoeuvres to move between long and extreme range. Regeneration: A fenbeast in marshy terrain recovers 1 normal wound at the end of each of its End of Turn phases. Regeneration CO C KATR ic E Abi L I T I E S does not work during a round when the fenbeast is wounded by fire. Flight: A cockatrice does not need to perform a manoeuvre to No Will: If a fenbeast is not within extreme range of a controlling disengage from opponents before moving. -
Confounding Castle Pages 27-28
As you enter the next room, you hear a rustling in the dark, followed by a hiss. Four eyes peer out of the shadows, watching you. You stand perfectly still, making sure not to move, as a creature steps out into the light and looks you over. At first, it just seems like an odd looking, out of place chicken – perhaps a little bit bigger than other chickens you might have seen, but other than that, just a regular bird. But something about it seems off, and after a moment, you realize what it is – this bird doesn’t have a tail. Then, you realize that you’re wrong. It does have a tail, but its tail is a living snake, a second pair of eyes that stare at you. “What are you doing in my larder?” the creature squawks at you. You explain that you’re just trying to find your way to the Griffin’s tower, and it calms down considerably. “Oh, okay then. I don’t like people poking around in here, but if you’re just passing through it’s no problem. The ladder up into the Clock tower is right over there.” You are ready to leave, but curiosity overtakes you, and you ask the creature what it is. “I shall answer your question,” it hisses, “with a song.” Then, it throws back its bird head and begins to crow. I am the mighty cockatrice I like to eat up grains of rice But I also enjoy munching mice I do not like the cold or ice I’ve said it once and I will say it thrice I am the Cockactrice! I am the Cockatrice! “Myself, along with the Griffin, the Dragon, and a few others, all came to live here with the Wizard. -
The Integration of Mythical Creatures in the Harry Potter Series
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 orange eyes. (Stone 235) Harry's first year introduces the The Integration of Mythical traditional serpentine dragon, something that readers Creatures in the Harry Potter can envision with confidence and clarity. The fourth year, however, provides a vivid insight on the break Series from tradition as Harry watches while “four fully grown, Terri Pinyerd enormous, vicious-looking dragons were rearing onto English 200D their hind legs inside an enclosure fenced with thick Fall 2014 planks of wood, roaring and snorting—torrents of fire were shooting into the dark sky from their open, fanged From the naturalistic expeditions of Pliny the mouths, fifty feet above the ground on their outstretched Elder, to the hobbit's journey across Middle Earth, necks” (Goblet 326). This is a change from the treasure the literary world has been immersed in the alluring hoarding, princess stealing, riddle loving dragons of presence of mythical and fabulous creatures. Ranging fantasy and fairy tales; these are beasts that can merely from the familiar winged dragon to the more unusual be restrained, not tamed. It is with this that Rowling and obscure barometz, the mythical creature brings with sets the feel for her series. The reader is told that not it a sense of imagined history that allows the reader to everything is as it seems, or is expected to be. Danger is become immersed in its world; J.K Rowling's best-selling real, even for wizards. Harry Potter series is one of these worlds. This paper will If the dragon is the embodiment of evil and analyze the presence of classic mythical creatures in the greed, the unicorn is its counterpart as the symbol of Harry Potter series, along with the addition of original innocence and purity. -
Heraldic Terms
HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display. -
End of an Animal
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2021 End of an Animal Alyx Brittany Chandler University of Montana, Missoula Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Chandler, Alyx Brittany, "End of an Animal" (2021). Graduate Student Theses, Dissertations, & Professional Papers. 11726. https://scholarworks.umt.edu/etd/11726 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. END OF AN ANIMAL By ALYX BRITTANY CHANDLER Bachelor of Arts in Communication & Information Sciences, The University of Alabama, Tuscaloosa, AL, 2016 Bachelor of Science in Commerce & Business Administration, The University of Alabama, Tuscaloosa, AL, 2016 Thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing, Poetry The University of Montana Missoula, MT May 2021 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Keetje Kuipers, Chair Department of Creative Writing Sean Hill Department of Creative Writing Dr. Sara Hayden Department of Communication Studies Chandler, Alyx, M.F.A., Spring 2021 Creative Writing End of an Animal Chairperson: Keetje Kuipers Co-Chairpeople: Sean Hill, Sara Hayden End of an Animal explores the imagined and the contradictory realities of growing up in the South near the Gulf through lyrical poetics and uncompromising language. -
The Prosecution and Punishment of Animals and Lifeless Things in the Middle Ages and Modern Times
THE PROSECUTION AND PUNISHMENT OF ANIMALS AND LIFELESS THINGS IN THE MIDDLE AGES AND MODERN TIMES. The Prytaneum was the Hotel de Ville of Athens as of every Greek town. In it was the common hearth of the city, which represented the unity and vitality of the community. From its perpetual fire, colonists, like the American Indians, would carry sparks to their new homes, as a symbol of fealty to the mother city, and here in very early times the prytanis or chief- tain probably dwvelt. In the Prytaneum at Athens the statues of Eirene (Peace) and Hestia (Ilearth) stood; foreign ambassa- dors, famous citizens, athletes, and strangers were entertained there at the public expense; the laws of the great law-giver Solon were displayed within it and before his day the chief archon made it his home. One of the important features of the Prytaneum at Athens were the curious murder trials held in its immediate vicinity. Many Greek writers mention these trials, which appear to have comprehended three kinds of cases. In the first place, if a murderer was unknown or could not be found, he was never- theless tri'ed at this court.' Then inanimate things-such as stones, beams, pliece of iron, ctc.,-which had caused the death of a man by falling upon him-were put on trial at the Pry- tancuni ;2 and lastly animals, which had similarly been the cause 3 of death. Though all these trials were of a ceremonial character, they were carried on with due process of law. Thus, as in all murder trials at Athens, because of 'the religious feeling back of them that such crimes were against the gods as much as against men, they took place in the open air, that the judges might not be contaminated by the pollution supposed to exhale from the 'Aristotle, Constitulion (if :thens, 57, 4; Pollux, Vill, x2o; cf. -
Dragonlore Issue 14 09-12-2001
An A to Z of Dragonlore—Supplement (continued) GLAISTIG, basically a female Urisk, from the Scottish Highlands. GUIVRE, a toxic horned serpent that infested mediaeval France, it was extremely bashful and would flee from the sight of a naked male figure, a weakness that, once discovered, led to its total expulsion by bold young men. HEMICYNES, dog-headed humanoids from the Black Sea shores according to Dragonlore the Greeks. HYBRIDS, new monsters are still appearing in stories and in heraldry, that The Journal of The College of Dracology combine features from two or more animals but often do not have a specific name of their own. Examples are a fish with bird’s wings and a lion with peacock’s tail from Switzerland, a salmon with antlers and a wolf-headed raven from Number 14 St Andrew’s Day 1997 Scandinavia, and the supporters of the arms of the Canadian Heraldic Authority with upper half of a red raven and lower half of a polar bear. ICE-MAIDEN, perhaps a frozen mermaid. JACKALOPE, a hare or jack-rabbit with antlers, first noted in Germany but later a popular diversion in North America and much favoured by pranksters. KITCHI-AT’HUSIS, a forty foot long water serpent with antlers and venomous fangs that once lived in the waters of Boyden Lake in Maine, North America, but was beaten and eaten by a Weewilmekq; it was possibly a protean shaman. KUKULKAN, a Mayan feathered serpent perhaps related to Quetzalcoatl. LAMASSU, Assyrian man-headed winged lions and bulls used as gate guardians LINDORM, in Scandinavian heraldry, a kind of Wyvern probably the same as a Lindworm though in folklore the legs and wings were often missing. -
Create Your Family Crest! You Can Put What Makes Your Family Special Or
Create your family Cut the crest out and crest! You can put paste it on your shield what makes your (pizza round). Color family special or and decorate your things you like! crest/shield! Cut out or draw shapes that represent your family! CREATING A COAT OF ARMS Mythological Creatures Occasionally mythological creatures did appear on a coat of arms and the crests. These held particular significance in heraldry. • Centaur – Eminence in the field of battle • Cockatrice – Terror to all beholders • Dragon/wyvern (dragon with only two legs) – Valiant defender of treasure; valour and protection • Griffin (head, wings, and talons of an eagle with the body of a lion) – Valor and death-defying bravery; vigilance • Harpy (virgin’s face, neck and breast with the body of a lion) – Ferocity under provocation • Hydra (dragon with seven heads) – Conquest of a very powerful enemy • Mermaid – Eloquence • Pegasus – Poetic genius and inspiration; messenger of God • Phoenix – Symbol of resurrection • Sphinx – Omniscience and secrecy • Unicorn – Extreme courage; virtue and strength SYMBOLS Agricultural tools – Laboring in the earth and depending upon providence Anchor – Hope; religious steadfastness Anvil – Honor Arrow – Readiness for battle; if depicted with a cross this represents an affliction Axe (or Battle Axe) – Execution of military duty Banners – Special action in which bearer was captured, or a reward for valiant service Bar, Barry or Barrulet – Someone who sets the bar of conscience, religion and honor against angry passions and evil temptations Baton – Authority Bells – Power to disperse evil spirits. A hawk’s bells denotes one who was not afraid of signalling his approach in peace or war Bones – Mortality Book – Open – manifestation; closed – counsel Bow – Readiness for battle Bridge – Governor or magistrate Broom – Humilty Buckle – Victorious fidelity in authority Cannon and Cannon Balls – Someone who has dared the terror of such a weapon in battle Chains – Reward for acceptable and weighty service. -
Re-Envisaging Masculinity: the Struggle to Be Or Become A
Re-Envisaging Masculinity: The Struggle to Be or Become a Man Some myths about masculine transformation, using the legends of ‘Parsifal’, ‘Iron John’ and ‘Prince Lindworm’ COURTENAY YOUNG Abstract There are a multitude of historical myths that Joseph Campbell (1969) called “roadmaps” to masculine development: many are out of date or (now) culturally inappropriate; most are ignored; and much has been forgotten. The Jungian analyst, Robert Johnson re-examined the Arthurian myth of Parsifal in his book, He: Understanding Masculine Psychology; additionally, the American poet and promoter of the ‘Wild Man’ movement, Robert Bly, uses the Brothers Grimm’s fairy tale of Iron John (Iron Hans) in his ‘lexiconography’; and there is also a dark and ancient Scandinavian fairytale called, Prince Lindworm, that speaks about the redemption of a ‘monstrous’ prince through the persistence against all odds and in the face of great fear, of a naïve and innocent girl. All these three myths or legends talk about the transformation of a ‘boy’ (or a potential monster) into a ‘man’. As with all old myths and fairy tales, there are numerous and varied versions – with different emphases – yet all with incredibly richness: however, they all have a common theme: possibly an unconscious one – the ‘struggle’ or ‘transformation’ that a boy has to go through to become a man. But this is not about the physical process of puberty; nor is it about a “rite of passage”; or even a social-cultural initiation; it is about a psycho-spiritual transformation that can happen at any time and that can be quite upsetting and provoking. -
Nature on Trial: the Case of the Rooster That Laid an Egg
Comparative Civilizations Review Volume 10 Number 10 Civilizations East and West: A Article 7 Memorial Volume for Benjamin Nelson 1-1-1985 Nature on Trial: The Case of the Rooster That Laid an Egg E. V. Walter Follow this and additional works at: https://scholarsarchive.byu.edu/ccr Recommended Citation Walter, E. V. (1985) "Nature on Trial: The Case of the Rooster That Laid an Egg," Comparative Civilizations Review: Vol. 10 : No. 10 , Article 7. Available at: https://scholarsarchive.byu.edu/ccr/vol10/iss10/7 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Comparative Civilizations Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Walter: Nature on Trial: The Case of the Rooster That Laid an Egg 5. Nature on Trial: The Case of the Rooster That Laid an Egg E. V. Walter In 1474, a chicken passing for a rooster laid an egg, and was prosecuted by law in the city of Basel. Now, we are inclined to dismiss the event as fowl play, but in those days lusus naturae was no joke. The animal was sentenced in a solemn judicial proceeding and condemned to be burned alive "for the heinous and unnatural crime of laying an egg." The execution took place "with as great solemnity as would have been observed in consigning a heretic to the flames, and was witnessed by an immense crowd of townsmen and peasants." 1 The same kind of prosecution took place in Switzerland again as late as 1730. -
78292-2758.Pdf
zoo GODSOFTHE ANIMALS IN MYTH, LEGEND & FABLE Anthony S. Mercatante Illustrated by the Author Harper & Row, Publishers New York, Evanston, San Francisco, London zoo o f THE g o d s: Animals in Myth, Legend, and Fable. Copyright © 1974 by Anthony S. Mercatante. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For informa tion address Harper & Row, Publishers, Inc., 10 East 53rd Street, New York, N.Y. 10022. Published simultaneously in Canada by Fitzhenry & Whiteside Limited, Toronto. Library of Congress Cataloging in Publication Data Mercatante, Anthony S Zoo of the gods. Bibliography: p. 1. Animal lore. 2. Animals, Legends and stories of. 3. Animals, Mythical. I. Title. GR705.M47 398'.369 74-4618 ISBN 0-06-065561-5 FIRST EDITION Designed by Janice Willcocks Stern CONTENTS Acknowledgments ix Prologue xi Part One: Animals of the Water XV Goose, Duck, Pelican, and Stork 1 Crocodile and Hippopotamus 8 Swan 11 Toad, Frog, and Salamander 16 Tortoise, Turtle, and Crab 20 Dolphin, Porpoise, and Whale 24 Fish 30 Part Two: Animals of the Earth 33 Serpent 33 Ape and Monkey 41 Cat 43 Tiger, Leopard, and Panther 34 Stag 38 Horse 62 Bear 67 Lion 72 Coyote and Hyena 77 Wolf 80 Fox 84 Dog 90 Cow and Bull 93 Wild Boar, Pig, and Sow 100 vii viii Contents Ant and Grasshopper 108 Ass and Mule 111 Scorpion 114 Goat, Lamb, and Ram 118 Rabbit 122 Rat and Mouse 127 Spider