DOCSLIB.ORG

ECLIPSE PHASE SECOND EDITION SUPERIOR RESULTS ACTION TURNS VS EGO .MORPH for One Superior Result, Choose One of the Following

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ECLIPSE PHASE CREATED BY Rob Boyle and Brian Cross Writing (Infamy Opening Fiction): Consultation: Davidson Cole, Travas Gunnell, Creative Commons License; Rob Boyle and Davidson Cole Natalie Jorion, Nora Jury-Last, Some Rights Reserved. Writing (Rules): Rob Boyle John Nephew, Jaqui Wujec This work is licensed under the Attribution- Writing (Source Material): Special Thanks To: Echo Boyle, NonCommercial-ShareAlike 4.0 International Simon Berman, Rob Boyle, Katherine Cross, Natalie Jorion, Nora Jury-Last, and Jaqui (CC BY-NC-SA 4.0) license: Natalia Dean, Jack Graham, Travas Gunnell, Wujec for their patience, love, and support; creativecommons.org/licenses/by-nc-sa/4.0/ Sarah Hood, Marc Huete, Jason Mical, Ann Higgins and Russel Last for unending Ross Payton, Evie Smith encouragement; Davidson Cole for video In plain English: you are free to copy, share, Editing: Rob Boyle, Davidson Cole, awesomeness and pushing our buttons; and remix the text and artwork within this Jack Graham, Karen Twelves Sarah Hood for her Drupal-fu; David book under the following conditions: Development: Rob Boyle, Jack Graham Cooper for wrangling our Gen Con events; • you do so only for noncommercial purposes; Art Direction: Rob Boyle, Zoe Robinson our crowd-pleasing Gen Con GMs; our • you attribute Posthuman Studios; Graphic Design and Layout: Adam Jury awesome Gen Con booth staff; • you license any derivatives under the same Cover Art: Stephan Martiniere Aaron Feustel for some evil ideas; license. Interior Art: Jacob Anderson, Christine Bian, William Wilson for always having our backs Mobo Boehme, Nick Boone, Daniel Brewer, numerically; Jeff Eaton for wild enthusiasm For specific details, appropriate credits, and Leanne Buckley, Matt Bulahao, Adam Burn, in database form; Eric Olson at Process updates/changes to this license, please see: Jose Cabrera, Daniel Clarke, Trevor Claxton, Type Foundry; antifascists everywhere; http://eclipsephase.com/cclicense Christina Davis, Alex Drummond, everyone who contributed to EP’s first Danijel Firak, Nathan Geppert, Zach Graves, edition and sourcebooks; and everyone Alexander Gustafson, Ethan Patrick Harris, who participated in our open playtest and Josu Hernaiz, Sam Hogg, Lake Hurwitz, supported our kickstarter! Lili Ibrahim, Anna Ignatieva, Maggie Ivy, Original Playtesters: Berianne Bramman, Jeff Lee Johnson, Thomas Jung, Julian Kok, John Brudenell, Nick Caputi, Davidson Kate Laird, Adam Lane, Ian Llanas, Cole, Paul Foster, Scott Fox, Eric Geiger, Adrian Majkrzak, Mitchell Malloy, Travas Gunnell, Erin Hankins, Stephan Martiniere, Marco Mazzoni, Austin Karpola, Seth Larson, Joshua Meehan, Austen Mengler, Rhett Skubis, Kevin Tyska, Jaqui Wujec Brynn Metheny, Aaron Miller, Andre Musical Inspiration: Ancient Methods, Version 1.1 by Posthuman Studios Mina, Mark Molnar, James Mosingo, David Chainreactor, Feindflug, Gary Numan, (August 31 2019) Auden Nash, Ben Newman, Will Nichols, Holon, Holy Grin, Iszoloscope, Efrem Palacios, Chris Peuler, Pixoloid iVardensphere/Scott Fox, I Hate Models, contact us at [email protected] Studios, Radial Studio, Maciej Rebisz, Mlada Fronta, My Life with the Thrill Kill or eclipsephase.com Lorenz Ruwwe, Lie Setiawan, Andrew Silver, Kult, Stendeck join our mailing list at Quinn Simoes, Trevor Storey, Jessada Suthi, Dedication: Nancy C. Cole, Richard F. Jury, welcometoeclipsephase.com Stan Von Medvey, Bruno Werneck, Joe and Jeff Mackintosh or search your favorite social network for: Wilson, Mark Winters, Andy Wright “Eclipse Phase” or “Posthuman Studios” Icons: Jim Marcus ON THE COVER: Solar System Map: Tiara Lynn Agresta A Firewall team exploring an abandoned ship around Saturn discovers a major threat. Character Sheet: Thomas Deeny, Adam Jury One sentinel in a bouncer morph attempts to make it to an EVA sled and their neo-octopus friend as a creeper swarm closes in. Posthuman Studios is: Rob Boyle, Davidson Cole, Brian Cross, and Adam Jury Isolate 39 Lost 39 Underclass 39 Uplift 39 Step 2: Career 40 Academic 40 INFAMY 8 GAME MECHANICS 30 Covert Operative 40 How to Play 30 Enforcer 40 Dice Basics 30 Explorer 40 When to Roll the Dice 30 Face 40 Making Tests 30 Genehacker 40 Who Rolls? 30 Hacker 40 Difficulty and Modifiers 31 Investigator 40 Superior Results: 33/66 Rule 31 Medic 40 STARTING OUT 18 Criticals 31 Mindhacker 41 Defaulting 31 Scavenger 41 What is Eclipse Phase? 18 Teamwork 31 New to Roleplaying? 19 Scientist 41 Starting Players 19 Types of Tests 32 Soldier 41 Starting Gamemasters 19 Success Tests 32 Techie 41 A Note on Politics 19 Opposed Tests 32 Step 3: Interest 42 Core Concepts 20 Actions & Time 32 Animal Handler 42 Transhumanism 20 Action Turns 32 Artist/Icon 42 AIs and Uplifts 20 Automatic Actions 32 Async 42 Defeating Death 20 Quick Actions 32 Commander 42 Resleeving 20 Complex Actions 32 Fighter 42 Ego Manipulation 20 Task Actions 32 Forensics Specialist 42 Jack-of-all-Trades 42 TABLE OF CONTENTS OF TABLE The Mesh 20 Taking Time 32 Nanotech 21 Rushing the Job 32 Jammer 42 X-Risks 21 Networker 42 Initiative & Order of Actions 33 Paramedic 42 Alien Exploration 21 Initiative Order 33 Factions 21 Pilot 42 Taking the Initiative 33 Rogue 42 Themes 22 Delaying Actions 33 Slacker 43 Post-Apocalyptic 22 Extra Actions 33 Spacer 43 Survival 22 Pools 34 Student 43 Horror 22 Using Pools 34 Survivalist 43 Infection 22 Insight 34 Step 4: Faction 44 Conspiracy 22 Moxie 34 Step 5: Aptitude Template 44 Science 23 Vigor 34 Step 6: Total Skills 45 Politics 23 Flex 34 Step 7: Languages 45 Change 23 Recharging Pools 35 Step 8: Flex 45 Core Campaigns 24 Temporary Pools 35 Step 9: Reputation 45 Firewall Campaign 24 Step 10: Customization 46 Gatecrashing Campaign 24 Increased Aptitude 46 Criminal Campaign 25 Ego Traits 46 Character Archetypes 26 Increased Flex 46 Combat 26 Extra Languages 46 Social 26 Extra Rep 46 Technical 26 Extra Skills 46 Knowledge 27 Psi Sleights 46 MAKING Specializations 46 Setting Overview 28 CHARACTERS 36 Inner System 28 Step 11: Derived Stats 46 Main Belt 28 Character Stats 36 Step 12: Starting Morph & Gear 46 Jovian Space 28 Ego vs. Morph 36 Starting Morphs 46 Outer System 29 Aptitudes 36 Morph Traits 46 The Fringe 29 Skills 37 Extra Gear 46 Exoplanets 29 Morph 37 Flex Points 46 The Mesh 29 Derived Stats 37 Traits 37 Step 13: Motivations 47 Rep 37 Optional: Motivational Goals 47 Gear 37 Final Touches 47 Motivations 37 Skills 48 Character Creation Overview 38 Skills and Aptitudes 48 Character Creation Advice 38 Skill Categories 48 Create as a Group 38 Field Skills 48 Plan Ahead 38 Specializations 48 Playing An Async 38 Active Skill List 48 Step 1: Background 38 Athletics 48 Colonist 38 Deceive 48 Enclaver 38 Exotic Skill: [Field] 48 Freelancer 38 Fray 48 Hyperelite 39 Free Fall 49 Indenture 39 Guns 49 Infolife 39 Hardware: [Field] 49 2¹ TABLE OF CONTENTS Infiltrate 50 Information Society 110 New Experiences 131 Infosec 50 The Mesh 110 Sex Work 131 Interface 50 Vigilance 111 Family and Children 132 Kinesics 50 Mind Hacking 112 Children and Reproduction 132 Medicine: [Field] 51 A Better You 112 Education 133 Melee 51 Neurodiversity 112 Media & Entertainment 134 Perceive 51 Mental Augmentations 113 Persuade 51 The New Journalism 134 Multiplicity 113 The Glitterati 134 Pilot: [Field] 51 Social Thoughts 113 Program 51 Metacelebrities 134 Provoke 51 Space & Other Worlds 114 Digital Distractions 134 Psi 51 Egocasting 114 Sports 135 Research 51 Space Travel 114 Survival 51 Gatecrashing: The Real Story 115 Know Skills 52 Habitats 116 Know: [Field] 52 Planetary Habitats 116 Using Know Skills 53 Centrifugal Habitats 117 Complementary Skills 53 Microgravity 118 Morphs 54 Other Habitats 119 Common Biomorphs 54 Nanofabrication 120 THE NEW POLITICAL Pod Biomorphs 58 Nanofabbers 120 ECONOMY 136 Uplift Biomorphs 60 Blueprints 120 Synthmorphs 62 Feedstock 121 The System Split 136 Flexbot 66 Printing 121 The Inner System 136 Doing it the hard way 121 The Outer System 137 Infomorphs 67 Remaking Society 121 Jovian Republic 137 Gear Packs 68 Artisanal Goods 121 State of the System 137 Campaign Packs 68 Profession Packs 69 Market Economies 138 Old Market Systems 138 Traits 72 Transitional Economies 138 Positive Traits 72 Intellectual Property 139 Negative Traits 76 Hypercorps 139 Character Creation Example 81 Indentures 140 Freelancers 141 TRANSHUMAN Oligarchs and Dynasties 141 The New Economy 142 CULTURE 122 Open-Source Fabrication 142 Fear and Paranoia 122 Forget Money 143 Life After the Fall 122 Property 143 Can We Trust Our Tech? 122 Cooperative Work 143 Where's the Humanity? 122 The Role of Rep 144 SAMPLE Identity Crises 123 Extropian Markets 144 CHARACTERS 82 An Uncertain Future 123 Keeping the Peace 146 Dead Planets 123 Patchwork Jurisdictions 146 The Factors 123 The Reach of the Law 146 Firewall 123 Interstate Affairs 146 Public and Private Life 124 Ego Hunters 147 Social Networks 124 Investigations and Forensics 147 Reputation 124 Identity Issues 147 Social Capital and Mutual Aid 124 Prosecution and Punishment 148 HOW IT CAME TO BE 98 Exposure 124 Extropian Contract Law 148 Taking Private Moments 125 Autonomist Legalities 148 Slouching Towards Singularity 98 Gaming and Griefing 125 Property Claims 149 Before The Fall 98 Memetic Warfare 125 Gatecrashing Law 149 The Fall 100 After the Fall 101 Earth’s Legacy 126 Crime 150 Processing the Loss 126 Violence 150 Timeline 104 The Longing for Earth 126 Property and Theft 150 The Blockade 126 Online Crimes 151 The Datapocalypse 126 Vice 151 Earth Relics 127 Ego Trafficking 151 Old Identities 127 Other Crime 151 A New Homeworld
Recommended publications
  • Stairway to Heaven? Geographies of the Space Elevator in Science Fiction

    Stairway to Heaven? Geographies of the Space Elevator in Science Fiction

    ISSN 2624-9081 • DOI 10.26034/roadsides-202000306 Stairway to Heaven? Geographies of the Space Elevator in Science Fiction Oliver Dunnett Outer space is often presented as a kind of universal global commons – a space for all humankind, against which the hopes and dreams of humanity have been projected. Yet, since the advent of spaceflight, it has become apparent that access to outer space has been limited, shaped and procured in certain ways. Geographical approaches to the study of outer space have started to interrogate the ways in which such inequalities have emerged and sustained themselves, across environmental, cultural and political registers. For example, recent studies have understood outer space as increasingly foreclosed by certain state and commercial actors (Beery 2012), have emphasised narratives of tropical difference in understanding geosynchronous equatorial satellite orbits (Dunnett 2019) and, more broadly, have conceptualised the Solar System as part of Earth’s environment (Degroot 2017). It is clear from this and related literature that various types of infrastructure have been a significant part of the uneven geographies of outer space, whether in terms of long-established spaceports (Redfield 2000), anticipatory infrastructures (Gorman 2009) or redundant space hardware orbiting Earth as debris (Klinger 2019). collection no. 003 • Infrastructure on/off Earth Roadsides Stairway to Heaven? 43 Having been the subject of speculation in both engineering and science-fictional discourses for many decades, the space elevator has more recently been promoted as a “revolutionary and efficient way to space for all humanity” (ISEC 2017). The concept involves a tether lowered from a position in geostationary orbit to a point on Earth’s equator, along which an elevator can ascend and arrive in orbit.
  • The Other in Science Fiction As a Problem for Social Theory 1

    The Other in Science Fiction As a Problem for Social Theory 1

    doi: 10.17323/1728-192x-2020-4-61-81 The Other in Science Fiction as a Problem for Social Theory 1 Vladimir Bystrov Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] Vladimir Kamnev Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] The paper discusses science fiction literature in its relation to some aspects of the socio- anthropological problem, such as the representation of the Other. Given the diversity of sci-fi genres, a researcher always deals either with the direct representation of the Other (a crea- ture different from an existing human being), or with its indirect, mediated form when the Other, in the original sense of this term, is revealed to the reader or viewer through the optics of some Other World. The article describes two modes of representing the Other by sci-fi literature, conventionally designated as scientist and anti-anthropic. Thescientist representa- tion constructs exclusively-rational premises for the relationship with the Other. Edmund Husserl’s concept of truth, which is the same for humans, non-humans, angels, and gods, can be considered as its historical and philosophical correlate. The anti-anthropic representa- tion, which is more attractive to sci-fi authors, has its origins in the experience of the “dis- enchantment” of the world characteristic of modern man, especially in the tragic feeling of incommensurability of a finite human existence and the infinity of the cosmic abysses.
  • Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org

    Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org

    ISSN: 2342-2009 Fafnir vol 3, iss 4, pages 7–227–23 Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org Speculative Architectures in Comics Francesco-Alessio Ursini Abstract: The present article offers an analysis on how comics authors can employ architecture as a narrative trope, by focusing on the works of Tsutomu Nihei (Blame!, Sidonia no Kishi), and the duo of Francois Schuiten and Benoit Peeters (Le cités obscures). The article investigates how these authors use architectural tropes to create speculative fictions that develop renditions of cities as complex narrative environments, and “places” with a distinctive role and profile in stories. It is argued that these authors exploit the multimodal nature of comics and the potential of architecture to construct complex worlds and narrative structures. Keywords: architectural tropes, comics, narrative structure, speculative fiction, world-building, multimodality Biography and contact info: Francesco-Alessio Ursini is currently a lecturer in English linguistics and literature at Jönköping University. His works on comics include a special issue on Grant Morrison for the journal ImageTexT, and the forthcoming Visions of the Future in Comics (McFarland Press), both co-edited with Frank Bramlett and Adnan Mahmutović. Speculative fiction and comics have always been tightly connected across different cultural traditions. It has been argued that the “golden era” of manga (Japanese comics) in the 70’s and 80’s is based on the preponderance of works using science/speculative fiction settings (e.g. Akira, Ohsawa 9–26). Similarly, classic works in the “Latin” comic traditions (i.e. Latin American historietas, Italian fumetti, and French/Belgian bande desineés) have long represented an ideal nexus between the speculative fiction genre and the Comics medium, one example being El Eternauta (Page 46–50).
  • Catalogue 147: Science Fiction

    Catalogue 147: Science Fiction

    And God said: DELETE lines One to Aleph. LOAD. RUN. And the Universe ceased to exist. Then he pondered for a few aeons, sighed, and added: ERASE. It never had existed. For David Catalogue 147: Science Fiction Bromer Booksellers 607 Boylston Street, at Copley Square Boston, MA 02116 P: 617-247-2818 F: 617-247-2975 E: [email protected] Visit our website at www.bromer.com n the Introduction to Catalogue 123, which contained the bulk of a In his fifty years as a bookman, David naturally recognized the signifi- science fiction collection he had assembled, David Bromer noted cance of the early rarities, the books that laid the groundwork for the that “science fiction is a robust genre of literature, not allowing authors of the modern era. He was pleased to discover, when cata- one to ever complete a collection.” The progressive nature of sci- loguing Cyrano de Bergerac’s The Comical History of the States and enceI and the social fabric that it impacts means that the genre itself Empires of the Worlds of the Moon and the Sun, that its author de- has to be fluid, never quite getting pinned down like a specimen under scribed a personal music player–anticipating in the year 1687 the cre- glass. ation of the Walkman and iPod three centuries later. In this regard, it is entirely fitting that David has been drawn to science Ultimately, science fiction primed the human imagination to accom- fiction as a reader, and as a collector. He is a scientist by training, hav- plish what is perhaps its greatest achievement: the exploration of ing earned a PhD in Metallurgy from MIT and worked in research fields space and the mission to the moon in 1969.
  • Transhumanity's Fate

    Transhumanity's Fate

    ECLIPSE PHASE: TRANSHUMANITY’S FATE The Fate Conversion Guide for Eclipse Phase RYAN JACK MACKLIN GRAHAM ECLIPSE PHASE: TRANSHUMANITY’S FATE Transhumanity’s Fate: ■ Brings technothriller espionage and horror in a world of upgraded humans to Fate Core. ■ Join Firewall, and defend transhumanity in the aftermath of near annihilation by arti cial intelligence. ■ Requires Fate Core to play. Eclipse Phase created by Posthuman Studios Eclipse Phase is a trademark of Posthuman Studios LLC. Transhumanity’s Fate is © 2016. Some content licensed under a Creative Commons License. Fate™ is a trademark of Evil Hat Productions, LLC. The Powered by Fate logo is © Evil Hat Productions, LLC and is used with permission. eclipsephase.com TRANSHUMANITY'S FATE WRITING DEDICATION Jack Graham, Ryan Macklin The Posthumans dedicate this book to Jef Smith, our ADDITIONAL MATERIAL companion of many days & nights around the table. Jef was a tireless organizer in Chicago's science-fiction/ Rob Boyle, Caleb Stokes fantasy fandom, including the Think Galactic reading EDITING group and spin-off convention, Think Galacticon. In Rob Boyle, Jack Graham 2015, he co-published the Sisters of the Revolution: A GRAPHIC DESIGN Feminist Speculative Fiction Anthology with PM Press. Adam Jury We will miss Jef's encouragement, wit, and bottomless COVER ART generosity. The person who lives large in the lives of their friends is not soon forgotten. Stephan Martiniere A portion of profits from Transhumanity's Fate will be INTERIOR ART donated to Jef's family. Rich Anderson, Nic Boone, Leanne Buckley, Anna Christenson, Daniel Clarke, Paul Davies, SPECIAL THANKS Alex Drummond, Danijel Firak, Nathan Geppert, Ryan thanks his wife, Lillian, for her support and Zachary Graves, Tariq Hassan, Josu Hernaiz, octomorph shenanigans, and blackcoat for being a font Jason Juta, Sergey Kondratovich, Ian Llanas, of feedback.
  • Pseudoscience and Science Fiction Science and Fiction

    Pseudoscience and Science Fiction Science and Fiction

    Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot.
  • Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee Toton@Yahoo.Com

    Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]

    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction.
  • The Tragedy of the Megastructure

    The Tragedy of the Megastructure

    105 Megastructures 3 | 2018 | 1 The Tragedy of the Megastructure Valentin Bourdon PhD Candidate École Polytechnique Fédérale de Lausanne [email protected] Valentin Bourdon is a PhD student at the Laboratory of Construction and Conservation (LCC) EPFL since 2017. His research explores the architectural challenges of the common space. In support of significant historical experiences, and contemporary subjects, such a project aims to help overcome the delay taken by architecture comparing to other disciplines in the appropriation of the notion of ‘common’. ABSTRACT Relating the megastructure to the issue of the commons is a useful exercise to understand the success and the disappearance of what Peter Reyner Banham called the “dinosaurs of the Modern Movement”. All these large-scale constructions suffered the same fate: a conflict between the promise of a large shared space and the temptation of its fragmentation. This quantitative quandary is also raised in another field by Garrett Hardin in 1968 as the ‘enclosure dilemma’. The publication of his article “The Tragedy of the Commons” sparked a broad controversy coinciding with the megastructure’s momentum. By assessing a number of theoretical correspondences, the article reexamines the impact of megastructures on the interdisciplinary debates of the time. It also considers the relationship between architecture and property as one of the possible–and tragically coincident–reasons for their success and dissolution. https://doi.org/10.6092/issn.2611-0075/8523 ISSN 2611-0075 Copyright © 2018 Valentin Bourdon 4.0 KEYWORDS Megastructure; Commons; Ownership; Enclosure; Anti-enclosure. Valentin Bourdon The Tragedy of the Megastructure 106 When the American ecologist Garrett Hardin publishes his famous article entitled “The Tragedy of the Commons”1 in Science, the architectural 1.
  • The Mutual Influence of Science Fiction and Innovation

    The Mutual Influence of Science Fiction and Innovation

    Nesta Working Paper No. 13/07 Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Reader in Digital Media, Professor of Information and Research Fellow, Faculty of Arts, Research Centre for Material Technology, SPRU, University University of Brighton, Visiting Digital Culture, School of of Communication Sussex Fellow at SPRU, University of Media, Film and Music, Sussex University of Sussex Nesta Working Paper 13/07 March 2013 www.nesta.org.uk/wp13-07 Abstract This report examines the relationship between SF and innovation, defined as one of mutual engagement and even co-constitution. It develops a framework for tracing the relationships between real world science and technology and innovation and science fiction/speculative fiction involving processes of transformation, central to which are questions of influence, persuasion, and desire. This is contrasted with the more commonplace assumption of direct linear transmission, SF providing the inventive seed for innovation– instances of which are the exception rather than the rule. The model of influence is developed through an investigation of the nature and evolution of genre, the various effects/appeals of different forms of expression, and the ways in which SF may be appropriated by its various audiences. This is undertaken (i) via an inter- disciplinary survey of work on SF, and a consideration the historical construction of genre and its on-going importance, (ii) through the development of a prototype database exploring transformational paths, and via more elaborated loops extracted from the database, and (iii) via experiments with the development of a web crawl tool, to understand at a different scale, using tools of digital humanities, how fictional ideas travel.
  • Strangest of All

    Strangest of All

    Strangest of All 1 Strangest of All TRANGEST OF LL AnthologyS of astrobiological science A fiction ed. Julie Nov!"o ! Euro#ean Astrobiology $nstitute Features G. %avid Nordley& Geoffrey Landis& Gregory 'enford& Tobias S. 'uc"ell& (eter Watts and %. A. *iaolin S#ires. + Strangest of All , Strangest of All Edited originally for the #ur#oses of 'EACON +.+.& a/conference of the Euro#ean Astrobiology $nstitute 0EA$1. -o#yright 0-- 'Y-N--N% 4..1 +.+. Julie No !"o ! 2ou are free to share this 5or" as a 5hole as long as you gi e the ap#ro#riate credit to its creators. 6o5ever& you are #rohibited fro7 using it for co77ercial #ur#oses or sharing any 7odified or deri ed ersions of it. 8ore about this #articular license at creati eco77ons.org9licenses9by3nc3nd94.0/legalcode. While this 5or" as a 5hole is under the -reati eCo77ons Attribution3 NonCo77ercial3No%eri ati es 4.0 $nternational license, note that all authors retain usual co#yright for the indi idual wor"s. :$ntroduction; < +.+. by Julie No !"o ! :)ar& $ce& Egg& =ni erse; < +..+ by G. %a id Nordley :$nto The 'lue Abyss; < 1>>> by Geoffrey A. Landis :'ac"scatter; < +.1, by Gregory 'enford :A Jar of Good5ill; < +.1. by Tobias S. 'uc"ell :The $sland; < +..> by (eter )atts :SET$ for (rofit; < +..? by Gregory 'enford :'ut& Still& $ S7ile; < +.1> by %. A. Xiaolin S#ires :After5ord; < +.+. by Julie No !"o ! :8artian Fe er; < +.1> by Julie No !"o ! 4 Strangest of All :@this strangest of all things that ever ca7e to earth fro7 outer space 7ust ha e fallen 5hile $ 5as sitting there, isible to 7e had $ only loo"ed u# as it #assed.; A H.

  • Bsfs-B50-Pocket-Program.Pdf

    Anti-Harassment Policy Balticon and other BSFS events are dedicated to providing a comfortable and harassment-free environment for everyone. In order to offer a welcoming and safe space for everyone, please be respectful of all others. Do not use slurs or derogatory comments about a person, group or category of people. This could include comments based on characteristics such as (but not limited to) actual or perceived race, national origin, sex, gender, sexual orientation, physical appearance, age, religion, ability, family or marital status or socioeconomic class. Do not behave in a manner disrespectful to another individual. The complete text of the BSFS Anti-Harassment Policy is available at http://balticon.org/wp50/wp- content/uploads/2015/07/Harassment-Policy.pdf. Pet Policy No pets allowed in Balticon function space. Weapons Policy All weapons, including but not limited to all swords, knives and replicas, projectile weapons including nerf toys and waterguns, must be peace bonded by designated convention personnel immediately upon the purchase of the weapon from a dealer or entering the hotel. It is your responsibility to be aware of and follow all laws regarding the possession of weapons. No sparring will be permitted in the convention. Balticon reserves the right to hold any weapons in violation until the end of the con. Failure to comply with this policy may result in the confiscation of your badge. MasQuerade Costumers are excepted for the time spanning a half hour before the Masquerade to a half hour after the MasQuerade. HOURS OF OPERATION Hours of Operation Function Location Friday Saturday Sunday Monday 10 am to MD 5 pm 10 am 1 pm; 10 am Art Show Salons to to reopen to A and E 7:30 pm 8 pm for sales 2 pm 2:15 to 5 pm New Garden Art Auction 2 pm MD Salon D MD Salon Friday 2 pm through Monday 5 pm F Entrance See Convention Operations for Lost & Found, Con Ops is beside security issues, late-night registration, to locate a the specific Balticon staff person, access to locked elevators functions spaces, etc.
  • Strategy and Spell Art As Infrastructural Change

    Strategy and Spell Art As Infrastructural Change

    Strategy and Spell Art as Infrastructural Change Luiza Crosman, MA in Art and Culture Researcher at The Terraforming Strelka Institute The essay “Strategy and Spell: Art as Infrastructural Change” is an investi- gation of the performative force art spaces have on the field of art and on various infrastructures at large. It is also a strategic proposition on how to envision a position for action and from which to gain leverage within the current neoliberal global context. Drawing from contemporary art, design and media theory on systemic thinking, and the post-contemporary time complex, the essay reflects on two personal projects: the exhibition space casamata (2014–2017), and the project TRAMA, developed for the 33rd São Paulo Biennial – Affective Affinities (2018). Favoring a speculative approach that tackles large-scale problematics and collective organization, it demon- strates how there are many potentialities contained in exhibition spaces and how such potentialities could, through an understanding of a contemporary art megastructure and art practice as infrastructural change, operate new experiments for the art system. Introduction Why is contemporary art’s internal operational system still one of power inequality and economic precarity despite its visual and discursive pro- duction being critical of political injustices and social stratification? This essay will argue that there is an overpowering system in place, which is not affected by the current visual or discursive production, and which can actually benefit from it. Because of that, the question becomes, how can art production engage with the world not only as a symbolic or visual system, but also through its potent infrastructure? PASSEPARTOUT—NEW INFRASTRUCTURES 29 This essay will think through transformative action propositions by way of two personal reflections derived from my own artistic practice, and extricate from these instructable examples that can be used, in abstract terms, as a way to propose a base model from which to work upon as an artist.