News, Satire, and Public Opinion About Net Neutrality
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Television Satire and Discursive Integration in the Post-Stewart/Colbert Era
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era Amanda Kay Martin University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Journalism Studies Commons Recommended Citation Martin, Amanda Kay, "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/ Colbert Era. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4759 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Amanda Kay Martin entitled "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Communication and Information. Barbara Kaye, Major Professor We have read this thesis and recommend its acceptance: Mark Harmon, Amber Roessner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Amanda Kay Martin May 2017 Copyright © 2017 by Amanda Kay Martin All rights reserved. -
Kayla Nadel-Lamotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231
Kayla Nadel-LaMotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231 Experience: Freelance Production work - April 2017 - Present The Jena Friedman Show - interview show/pilot for Adult Swim - currently an AP working on several segments. CNN + Roads and Kingdoms - research + coordinating logistics and travel for small crew on tour of numerous Asian cities for Bourdain’s ‘Explore Parts Unknown’. First Look Media (Spotlight, The Intercept) - untitled Franchesca Ramsey pilot (starring F.R. + Michelle Buteau) Above Average Productions - 2012-2017 PRODUCER, Jan. 2016 - March 2017 Lead producer on a variety of projects including a number of original comedy series (“The Cream Brothers” created by John Lutz (Late Night) + Tim Robinson (SNL), “Flatbush Zombies Solve a Mind Crime”), two PSA’s for The White House + Civic Nation (“Heads Up America”, to raise awareness for a free comm. college program, and “It’s On Us” to aid in prevention of sexual assaults, both launched by President Barack Obama), original topical video that aired on Elizabeth Banks’s WhoHaHa.com, taped live stand up shows including Sasheer Zamata’s (SNL) monthly show, Party Time! and comedy shows at SXSW, TV Partner series (several in development for IFC’s Comedy Crib), Katie Rich Interview Series (SNL. 1st guest: Leslie Jones). Worked with all creators to develop, prep and produce all shows through post. Includes all manner of creative + physical producing. PRODUCTION COORDINATOR, 2014-2016 Supported all producers on all projects as sole coordinator, any & all tasks related to prep, production and post. Including original comedy one-offs and series ("Hudson Valley Ballers" with Paula Pell, "Storytime" dir. -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Fake News Vs Satire: a Dataset and Analysis
Session: Best of Web Science 2018 WebSci’18, May 27-30, 2018, Amsterdam, Netherlands Fake News vs Satire: A Dataset and Analysis Jennifer Golbeck, Matthew Mauriello, Brooke Auxier, Keval H Bhanushali, Christopher Bonk, Mohamed Amine Bouzaghrane, Cody Buntain, Riya Chanduka, Paul Cheakalos, Jeannine B. Everett, Waleed Falak, Carl Gieringer, Jack Graney, Kelly M. Hoffman, Lindsay Huth, Zhenye Ma, Mayanka Jha, Misbah Khan, Varsha Kori, Elo Lewis, George Mirano, William T. Mohn IV, Sean Mussenden, Tammie M. Nelson, Sean Mcwillie, Akshat Pant, Priya Shetye, Rusha Shrestha, Alexandra Steinheimer, Aditya Subramanian, Gina Visnansky University of Maryland [email protected] ABSTRACT Fake news has become a major societal issue and a technical chal- lenge for social media companies to identify. This content is dif- ficult to identify because the term "fake news" covers intention- ally false, deceptive stories as well as factual errors, satire, and sometimes, stories that a person just does not like. Addressing the problem requires clear definitions and examples. In this work, we present a dataset of fake news and satire stories that are hand coded, verified, and, in the case of fake news, include rebutting stories. We also include a thematic content analysis of the articles, identifying major themes that include hyperbolic support or con- demnation of a figure, conspiracy theories, racist themes, and dis- crediting of reliable sources. In addition to releasing this dataset for research use, we analyze it and show results based on language that are promising for classification purposes. Overall, our contri- bution of a dataset and initial analysis are designed to support fu- Figure 1: Fake news. -
News for a New Generation: Can It Be Fun and Functional?
News for A New Generation: Can it Be Fun and Functional? Susan Sherr Eagleton Institute of Politics Rutgers, The State University of New Jersey [email protected] CIRCLE WORKING PAPER 29 MARCH 2005 CIRCLE Working Paper 29: March 2005 News for a New Generation: Can it be Fun and Functional? CIRCLE Working Paper 28: February News for a New Generation: Can it be Fun and Functional? INTRODUCTION programs (Pew Center for the People and the Press, 2004). However, it is far too pessimistic to assume that the only options available to young people for Considerable time and financial resources information gathering must be flawed news sources have been dedicated to increasing the numbers that do not appeal to them or comedy shows that of young people who vote in the United States. have no mandate to inform. Voting is certainly a vital component of political and civic engagement. However, there are other News media organizations have an obvious important political behaviors in which young people interest in increasing the youth audience but not have been participating in decreasing numbers and necessarily in providing young people with high at rates lower than older people. One example is quality information about politics and public affairs. news consumption. Even if 18-24 year olds begin Efforts to increase youth audiences by news voting at consistently higher rates, their relative organizations generally include providing more inattention to political information may prevent entertainment coverage, shortening the length of them from casting informed votes. news stories and adjusting formal visual features to be more consistent with “MTV Style” editing (Sherr, Many recent studies and practitioner reports CIRCLE Working Paper 16, 2004). -
COMEDY CENTRAL(R) Honored with Nine Primetime Emmy(R) Nominations
COMEDY CENTRAL(R) Honored With Nine Primetime Emmy(R) Nominations Thirteen-Time Emmy-Winner "The Daily Show With Jon Stewart" Cited Again For Program, Writing, Directing, Plus Nods For Technical Direction And thedailyshow.com's "Ask A Correspondent," Totaling Five Nominations Emmy-Winner Hit "The Colbert Report" Scores Three Big Nominations For Show, Writing And Directing Four-Time Emmy-Winning Animated Favorite "South Park" Receives Tenth Nomination NEW YORK, July 8, 2010 /PRNewswire via COMTEX/ -- COMEDY CENTRAL earned nine nominations in the 2009-2010 Primetime Emmy® Awards competition, it was announced today by the Academy of Television Arts and Sciences (ATAS). Thirteen-time Emmy-winner (seven times for program and six for writing) "The Daily Show with Jon Stewart" the network's unique news parody series, is nominated this year in five categories: Outstanding Variety, Music Or Comedy Series, Outstanding Writing For A Variety, Music Or Comedy Series and Chuck O'Neil, singled out for the seventh year-in-a-row for Outstanding Directing For A Variety, Music Or Comedy Series. Two additional nominations came in the Technical Direction category and The Daily Show Ask a Correspondent piece, "The Meaning of Life," credited to thedailyshow.com, COMEDY CENTRAL Digital. This brings the grand total of Primetime Emmy nominations for the "Daily Show" to 37. The program is also a two-time winner of the prestigious Peabody® Award for Excellence in Broadcasting. "The Colbert Report," with Stephen Colbert assuming a dismissive, Bill O'Reilly-like persona while commenting on the issues of the day, received three Emmy Award nominations: Outstanding Variety, Music Or Comedy Series, Outstanding Writing For A Variety, Music Or Comedy Series, a category in which it won its first Emmy in 2008, and Director Jim Hoskinson was cited for Outstanding Directing For A Variety, Music Or Comedy Series. -
John Oliver Recommended Charities
John Oliver Recommended Charities Pisciculture Bailie jemmies rapaciously or berry some when Greg is uncursing. Twofold Winny disinterest, his dipoles tholes crawls bearishly. Fizzy and apothegmatic Durante line-up her tranquillizers unfit while Tobit pontificates some bloatedness heritably. White as oliver claimed that you feel like from the john oliver has been instrumental in new york law firm publisher services library download code should it. Create our communities and vaccine procurement agency set our bidder has always been john oliver mentioned as well as the charities is an important thing, visual artists and your relatives or am i hallucinating? These by accepting the bloc has won thanks for any divs to charity contact your rep for better state of payment. That you have gone by collecting to block ads but i consider a pure heart prevent the conditions of sperm. City wide't waste John Oliver's donation on 1 condition. The efficacy of HBO's Last letter Tonight previously agreed to donate 55000 to local charities if the haste was renamed after him. Meghan agreed to charity has fallen and what happens during world auction and meghan before bidding in ga event. After oliver mentioned as to charity groups, during and having a book. Six republican senators may apply for adding to charity this material may proceed with. The charities he advises companies in tirana, oliver has accomplished many go after it. Comedy partners to charity. Connecticut city does accept John Oliver's donation if he attends. Title to charity has found a charitybuzz reserves the john oliver offered by charitybuzz contacts our music and activities helping the player data are skeptical. -
John Oliver, Burkean Frames, and the Performance of Public Intellect Gabriel Francis Nott Bates College, [email protected]
Bates College SCARAB Honors Theses Capstone Projects 5-2017 Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect Gabriel Francis Nott Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Nott, Gabriel Francis, "Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect" (2017). Honors Theses. 198. http://scarab.bates.edu/honorstheses/198 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Nott 1 Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect An Honors Thesis Presented to The Faculty of the Department of Rhetoric Bates College In partial fulfilment of the requirements for the Degree of Bachelor of Arts By Gabriel Nott Lewiston, Maine March 24, 2017 Nott 2 Table of Contents Acknowledgements 3 “Our Main Story Tonight Is…”: Introducing John Oliver 4 The Men Behind the Desk: A History of the Political Comedy News Host 10 Watching the Watchers: A Review of Existing Literature 33 Burkean Frames: A Theoretical Foundation 43 Laughing and Learning: John Oliver’s Comic Performance of Public Intellect 63 John Oliver and the Performance of Public Intellect 65 John Oliver, the Comic Comic 70 Oliver vs. the Walking, Talking Brush Fire 78 Oliver’s Barrier 84 John Oliver and the News Media 86 “That’s Our Show”: John Oliver and the Future of Civic Discourse 89 Works Cited 92 Nott 3 Acknowledgements Though mine is the only name appearing on the cover page of this thesis, it would be folly on my part not to acknowledge that this work is the product of the efforts of many people other than myself, a fact for which I am endlessly grateful. -
JAMES GUNN FIRED Political Correctness Vs Outrage Culture
JAMES GUNN FIRED Political Correctness vs Outrage Culture written by Julian Breheny V1.2 64 Molesworth St, North Melbourne Victoria, Australia, 3051 646 206 1527 [email protected] INT. STUDIO - NIGHT John Oliver sits at his desk. JOHN OLIVER We're going to take a look at the pros and cons of political correctness in a segment we like to call, 'Will this thanksgiving dinner ever end'... Photo of James Gunn appears behind him. JOHN OLIVER (CONT’D) Disney has FIRED James Gunn over a series of offensive tweets from almost 10 years ago. Is this a win for progressive attitudes and political correctness, or is it an unnecessary casualty of the outrage culture we now live in? We need to ask this question, because they are very different things. Outrage culture is where the media, and the public, love crucifying celebrities in the name of political correctness, but don't seem to actually care about the groups they claim to be protecting. Put simply, they just like acting outraged. So let's break it down. First of all, are the tweets offensive? Photos of the tweets appear with the most offensive parts highlighted. 'Three men and a baby they had sex with a baby' John Oliver turns and looks at the tweets before shuddering. JOHN OLIVER (CONT’D) Yes. Dear God Yes. Offensive and politically incorrect. And look, political correctness IS important. It makes us alter our behaviour so we don't say or do things that hurt marginalised groups. Like this Kelloggs box that made inadvertently racist cover art featuring all white Corn-pops, except for the janitor, who was brown. -
News Satire and the Climate Debate
Sune Auken and Mette Møller 6 “THINK BIG and then do absolutely NÜSCHTE”. News Satire and the Climate Debate Abstract: The chapter discusses how ACC is represented in news satire, and how the genre may affect climate change perception. News satire is first a humor genre, primarily intended to make people laugh, and any impact news satire may have on the ACC debate is dependent on this laughter. Based on an examination of a wide selection of news satire sites and video channels, the chapter identifies and discusses the most common types and targets of news satire on ACC. In general, climate deni- alism and public inaction relative to climate change are the primary targets. News stories satirically representing public figures, particularly politicians, as passive and in denial of climate change are also relatively common. Towards the end, the chapter moves to discuss the impact of news satire on climate change perception. News satire often presents a grim outlook on the future of our planet leaving little space for hope. At the same time, however, news satire allows for a perhaps more bearable emotional response to such hopelessness by inviting recipients to laugh at the ACC denier – a ridiculous figure regularly included in the news stories. News satire moreover tran- scends false balance issues in mainstream media and consistently confirms the reality and severity of ACC, thereby highlighting the importance of climate action. 6.1 Introduction The purpose of the present chapter is to present and analyze the treatment of anthro- pogenic climate change (ACC) in news satire. As an arena rife with failings, selfishness, self-contradiction, human shortcomings, and ridiculousness, the climate debate is an open invitation to satire, and news satire makes the most of it.