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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Kansas DOUBLE “DEVICE-VOICE-DRUM” LIVE 'BEST OF' CD RELEASED JAN
Kansas DOUBLE “DEVICE-VOICE-DRUM” LIVE 'BEST OF' CD RELEASED JAN. 27TH 2003 ON SPV Phil Ehart - Drums Billy Greer - Bass & Vocals Robby Steinhardt - Vocals & Violin Steve Walsh - Vocals & Keyboards Richard Williams - Guitar American heartland art rock band Kansas, who have sold over 30 million albums during their long and illustrious career, are set to release 'Device - Voice - Drum', a double live CD (recorded at Earthlink Live! - Atlanta, Georgia - on June 15th 2002), on SPV Records on January 27th 2003. 'Device - Voice - Drum' is a live concert film recorded for DVD and CD. The 'Device - Voice - Drum' live CD also features a live multimedia bonus track not included on the upcoming DVD, which SPV are set to release later in the year. Formed in Topeka in 1972, Kansas have played a minimum of 100 concerts a year before a million people a year over the last decade. A specially selected career-spanning set list was chosen for the gig and this double live CD features performances of such mega hits as 'Dust In The Wind', 'Carry On Wayward Son' and 'Point Of Know Return'. 'Device - Voice - Drum' also features the vocal talents of 60 members of Atlanta’s New Advent Choir. Kansas appeared on the Billboard charts for over 200 weeks throughout the 70s and 80s and the band remains a staple of U.S. classic rock radio, with “Carry On Wayward Son” named as the Most Played Track of that format in 1997. 'Device - Voice - Drum' is being released as a double CD audio set with enhanced features. Creative Edge Advertising designed a multimedia platform that includes the video outtake of the song “Distant Vision,” screensavers for Mac and PC, and a photo album of the DVD production. -
Underground Power Records List 4 -2020.P[...]
This is the last List that will be sent to all emails on our previous email distributor - we will build up a new one. So all friends who order for sure will be on the new distributor. All others please send a short message and we will add you too for sure. The list will be also on our website and we will announce ever new one on facebook. Our own new releases will be on the next List (Xmas or January)! Das ist die letzte Liste die an den alten email Verteiler geschickt wird - wir bauen einen Neuen auf. Alle Besteller werden automatisch in den neuen aufgenommen. Alle Anderen die den Newsletter erhalten möchten senden bitte eine kurze Bestätigung, dass Sie künftig auch wieder in den Verteiler aufgenommen werden wollen. Die Liste wird auch auf unserer Webseite veröffentlicht und immer auf facebook angekündigt. Unsere eigenen neuen Releases werden auf der nächsten Liste erscheinen (um Weihnachten oder im Januar) ! CD ADORNED GRAVES – Being towards a River (NEW*EPIC/THRASH METAL*TOURNIQUET*DELIVERANCE) - 14 GER Private Press 2020 – Brandnew Oldschool 80’s Epic / Thrash Metal with elements of Epic Doom / Death Metal from Germany ! For Fans of Vengeance Rising, Tourniquet, Deliverance, Believer, Martyr / Betrayal or Metallica and Slayer, but also Black Sabbath + Trouble ! Melodic Old School Epic Doom N Thrash Death Metal Einschlägen, der Einfachheit halber als „Thrash Metal“. ALCATRAZZ - Born Innocent (NEW*MELODIC METAL*G.BONNET*RAINBOW*MSG*TNT) - 15 Silver Lining Music 2020 - Brandnew limited CD Digipak Fantastic Melodic Metal / Hard Rock with Original Line up Graham Bonnet, Keyboarder Jimmy Waldo and Bassplayer Gary Shea – now together with Guitar Hero Joe Stump and some fantastic guest musicians: Chris Impellitteri, Bob Kulick, Nozumu Wakai, Steve Vai, Dario Mollo, Don Van Stavern or Jeff Waters For Fans of RAINBOW, TNT, EUROPE, DOKKEN, MICHAEL SCHENKER ANGEL WITCH – Screamin’ ‘n’ Bleedin’ (NEW*LIM.500*NWOBHM CLASSIC 1985) – 18 € N.W.O.B.H.M. -
Christian Rock Eine Betrachtung Unter Kulturästhetischen Und
JOHANN WOLFGANG GOETHE UNIVERSITÄT FRANKFURT AM MAIN Fachbereich Sprach- und Kulturwissenschaften Die Arbeit wird im Rahmen des Studiengangs Musikwissenschaft vorgelegt zur Erlangung des Magister Artium. Christian Rock Eine Betrachtung unter kulturästhetischen und musikalischen Aspekten vorgelegt von: Tobias Rux aus: Zwickau (Geburtsort) 1. Gutachter/in: Prof. Dr. Linda Maria Koldau 2. Gutachter/in: PD Dr. Andreas Meyer Abgabedatum: 30.01.2009 Christian Rock – Eine Betrachtung unter kulturästhetischen und musikalischen Aspekten Vorwort Seite 2/139 Vorwort Ich bin seit meiner Jugendzeit Hörer von Rockmusik. Über Tonträger oder auf Konzerten kam ich mit vielen Spielarten des Rock in Berührung. Dabei ist mir aufgefallen, wie unterschiedlich sich Performance, Text und Kontext auf meine Wahrnehmung auswirkten. Es schien mir, als ob dabei die innere Einstellung des Protagonisten einen großen Einfluss auf die Rezeption von Musik hat – was sich im Rock noch augenscheinlicher niederschlug als in anderen Ausdrucksformen populärer Musik. Einerseits vom persönlichen Ausdruck des Interpreten bzw. der Aussage und Ausstrahlung seiner Musik angetan, riefen andere Darbietungen in diesen Punkten Enttäuschung in mir hervor. Mit dem Studium der Musikwissenschaft, besonders des Seminars Musikwissenschaft und Popularmusik, entstand ein persönliches Interesse, herauszufinden, ob und inwieweit bestimmte Strömungen des Rock sich hinsichtlich musikalischer, ideologischer und soziologischer Kriterien unterscheiden und welchen Wert bzw. Unwert sie für die Gesellschaft besitzen. Auch die Kritik an der vielleicht authentischsten Ausdrucksform der (jugendlichen) Gesellschaft veranlasste mich, jene Aspekte, hier auf Christian Rock bezogen, auf wissenschaftlicher Ebene zu beleuchten. Mein Dank gilt in erster Linie meiner Professorin Linda Maria Koldau, die mir in inhaltlichen sowie formalen Fragen für die Zeit meines Schreibens zur Verfügung stand. -
Seize the Day!
G’BURGRegisterCSM + MAY C 14-16 ON FERE N N ow!CE Spring 2014 ® FamilyGram SEIZE THE DAY! An interview with legendary musician John Elefante Keynote MAKING CHOICES by Charles Simpson ® VOL. 29, NO. 1 SPRING 2014 Contents ® Editorial and Publishing: Editor-in-Chief: Charles Simpson Editorial Director: Stephen Simpson Technical Editor: Susanne Simpson Creative Services: Steve Tyrrell Administrative / Operations: Stephen Simpson, Susanne Simpson, Victoria Grace Simpson, Betty Duke, 04 Christina Villalobos Administrative Assistance for Charles Simpson: Susanne Simpson Accounting Services: Jack Wood, Alison Richardson International Outreach Ministries Senior Administrator: Mike McCarty, Sr. Director of Missions Growth: Ronald Gray Administrative Assistant: Sandy Jeanson Board of Directors Charles Simpson, Chairman Michael Coleman, Ronald Gray, Dwayne Higgason, Stephen Simpson ©2014 by Charles Simpson Ministries. All rights re- served. One-to-One® is published quarterly by Charles Simpson Ministries, 7150 Hitt Rd., Mobile, AL 36695. Third-class postage paid at Mobile, AL, and additional mailing offices. One-to-One® is a non-subscription 03 From the Editor magazine supported by the contributions of its read- ers. Those who contribute to any activity of Charles Pass the Flame Simpson Ministries automatically receive a one-year subscription, which is updated with each contribution. If you have questions about your subscription, write us 4 04 Keynote or call us at (251) 633-7900 or (888) 811-2276. If you move, please notify us at least six weeks in advance. A Matter of Choice Charles Simpson Ministries is a tax exempt 501(C)(3) By Charles Simpson organization as recognized by the Internal Revenue 10 Service. 08 Contributing All scripture quotations are from the King James Version unless otherwise noted. -
LARRY NORMAN, JESUS ROCK, and an INTERVIEW with GREGORY ALAN THORNBURY Rupert Loydell Falmouth Univ
WEIRD RELIGIOUS BACKGROUNDS: LARRY NORMAN, JESUS ROCK, AND AN INTERVIEW WITH GREGORY ALAN THORNBURY Rupert Loydell Falmouth University Keywords: Christianity, Larry Norman, Jesus Rock, CCM, Religion 'Christian rock is a genre that exists to edify and make money off evangelical Christians. [...] A Christian band , on the other hand is just a band that has more than one Christian in it.' – John Jeremiah Sullivan (2012: 17-18) Although The Bloomsbury Handbook of Religion and Popular Music (Stewart and Abraham 2017) contains chapters such as Michael J. Gilmour's 'The Bible and Popular Music' (67-76) and Ibrahim Abraham and Francis Stewarts' 'Punk and Hardcore' (241- 250), there remains little informed academic consideration of the Christian music genre, especially punk and post-punk. John J. Thompson's Raised by Wolves (2000) and Mark Joseph's The Rock & Roll Rebellion (1999) offer insider histories, whilst Andrew Beaujon's Body Piercing Saved My Life (2006) is an hilarious, sceptical exploration of 'the phenomenon of Christian rock', focussed mostly on the early 2000s. Gilmour 's Call Me the Seeker: Listening to Religion in Popular Music (2005) is interested more in religious sources and themes; the nearest it gets to post-punk is Anna Kessler's consideration of Nick Cave (79-94) and J.R.C. Cousland's discussion of 'God, the Bad, and the Ugly' in the work of Nick Cave and Polly Harvey (129-157). Better, is Jay R Howard & John M. Streck's Apostle of Rock (1999), which takes a more sociological approach to what it calls 'The Splintered World of Contemporary Christian Music' and considers the tensions between ideas of ministry, entertainment, art and business for Christian musicians. -
By Tedwartide by Barry S
EE CS head irked by Tedwartide By Barry S. Surman Moses said, but could remain An article revealing details of a open if Tlhe Te(/h reapplied for ac- self-evaluation report drafted by cess. the Department of Electrical Moses "doesn't understand Engineering and Computer what's going on," Eric M. Science (EECS) has department Ostron-i, EECS conputer systelns officials upset. nzanager, slid. "He doesn't kno,-k The story, published in the July anfthing, he's just the department 30 issue of The Tech, said EECS head." fears it may lose its ranking as the "A lot of accounts are going premier electrical engineering lwa;y now, saisid Ostrom. Sum- school in the country, and slip to mer systen users with "strvng third in computer science. connections to living groups" are Tech Photo by Rod Wester "It is unfortunate that it came routinely denied access, he said, The Charles River will be renamed the Kwa Na Ha Nee River, if Cambridge Mayor Alfred E. Vellucci has out in The 7 ech," said Course VI1 while the Residence/Orientation his way. Head Joel Moses '67. week Clearinghouse system for Moses claimed the' story may tracking freshmen is on the corn- have given readers the impression pu ter. Mayor tries to LECS gave the report to the new- The account, used by The Tech naF e river spaper. "We did not," he said. to develop software for its new By Tony Zamparutti First People, a group planning a name, chief Little Velvet, several The Tech's account on the electronic composition system, Cambridge mayor Alfred E. -
The Hard Music Magazine
Norma Jean Haste The Day Slayer Robert Randolph poster Altar Boys Stryper Behind the scenes at HM Top 100 Christian Rock Albums List ® THE HARD MUSIC MAGAZINE 0 7 0 74470 79599 5 July, August 2010 • Issue #144 $3.99 USA / 4.50 CDN Family Force 5 GROUP (15+): $36.00 / GEN. ADMISSION: $39.50 (Purchase by AUGUST 6) Thousand Foot Krutch AT GATE: $42.00 August Burns Red Demon Hunter Project 86 Lecrae Showbread Mychildren Mybride War of Ages The Classic Crime House of Heroes John Mark McMillan Children 18:3 Bradley Hathaway Ivoryline Paper Route Derek Webb Seabird Leigh Nash B. Reith I Am Terrified Esterlyn Onward Olympas A Plea for Purging In the Midst of Lions Thi’sl Texas In July An Early Ending Oceans in Love Ace Augustine Renee Yohe and many more to come! *Artist subject to change without notice GET THE LATEST INFORMATION AT PURPLEDOOR.COM RYAN RIES SONNY SANDOVAL BRIAN “HEAD” WELCH WWW.THEWHOSOEVERS.COM FINAL.indd 1 6/1/10 9:07:48 AM TABLE OF CONTENTS 09 From the editor Doug Van Pelt REGULAR THE FLAW AND A HALF-BAKED APOLOGY We’re happy to be able to say that this magazine has been published for 25 years Letters 10 now. It’s been exciting, rewarding and difficult to see this dream for a music 12 magazine that focuses on Christian heavy metal, rock, punk, alternative, etc., come Hard news to life and carry on. We are grateful to God and His people for the support we’ve Live report 14 had over the years. -
Order Form Full
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The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
Pg0140 Layout 1
New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover. -
Petra Beyond Belief Mp3, Flac, Wma
Petra Beyond Belief mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Beyond Belief Country: US Style: Gospel, Religious MP3 version RAR size: 1857 mb FLAC version RAR size: 1547 mb WMA version RAR size: 1926 mb Rating: 4.2 Votes: 421 Other Formats: ADX MP1 APE MPC MMF VOX ASF Tracklist Hide Credits Armed And Dangerous 1 4:06 Written-By – Bob Hartman I Am On The Rock 2 4:34 Written-By – Bob Hartman, John Elefante Creed 3 4:35 Written-By – Bob Hartman Beyond Belief 4 5:02 Written-By – Bob Hartman Love 5 4:11 Written-By – Bob Hartman Underground 6 4:29 Written-By – Bob Hartman, John Elefante Seen And Not Heard 7 3:54 Written-By – Bob Hartman Last Daze 8 5:01 Written-By – Bob Hartman What's In A Name 9 3:32 Written-By – Bob Hartman Prayer 10 4:14 Written-By – Bob Hartman, John Elefante Credits Bass Guitar – Ronny Cates Drums – Louie Weaver Engineer – Mike Mireau Keyboards – John Lawry Keyboards [Additional] – John Andrew Schreiner Lead Guitar, Arranged By – Bob Hartman Lead Vocals – John Schlitt Producer, Engineer, Arranged By – Dino Elefante, John Elefante Notes Original release from 1990 Barcode and Other Identifiers Barcode: 0 8068-80679-2 2 Matrix / Runout: 7014191624 3J 12 Mastering SID Code: IFPI L239 Other versions Category Artist Title (Format) Label Category Country Year Beyond Belief (CD, 7014191624 Petra DaySpring 7014191624 US 1990 Album) Beyond Belief (Cass, ET 48546 Petra Epic, Word ET 48546 US 1990 Album, RE) Word, Curb Beyond Belief (CD, WD2-880679 Petra Records, Warner WD2-880679 US Unknown Album, RE, RP) Bros.