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Kansas DOUBLE “DEVICE-VOICE-DRUM” LIVE 'BEST OF' CD RELEASED JAN
Kansas DOUBLE “DEVICE-VOICE-DRUM” LIVE 'BEST OF' CD RELEASED JAN. 27TH 2003 ON SPV Phil Ehart - Drums Billy Greer - Bass & Vocals Robby Steinhardt - Vocals & Violin Steve Walsh - Vocals & Keyboards Richard Williams - Guitar American heartland art rock band Kansas, who have sold over 30 million albums during their long and illustrious career, are set to release 'Device - Voice - Drum', a double live CD (recorded at Earthlink Live! - Atlanta, Georgia - on June 15th 2002), on SPV Records on January 27th 2003. 'Device - Voice - Drum' is a live concert film recorded for DVD and CD. The 'Device - Voice - Drum' live CD also features a live multimedia bonus track not included on the upcoming DVD, which SPV are set to release later in the year. Formed in Topeka in 1972, Kansas have played a minimum of 100 concerts a year before a million people a year over the last decade. A specially selected career-spanning set list was chosen for the gig and this double live CD features performances of such mega hits as 'Dust In The Wind', 'Carry On Wayward Son' and 'Point Of Know Return'. 'Device - Voice - Drum' also features the vocal talents of 60 members of Atlanta’s New Advent Choir. Kansas appeared on the Billboard charts for over 200 weeks throughout the 70s and 80s and the band remains a staple of U.S. classic rock radio, with “Carry On Wayward Son” named as the Most Played Track of that format in 1997. 'Device - Voice - Drum' is being released as a double CD audio set with enhanced features. Creative Edge Advertising designed a multimedia platform that includes the video outtake of the song “Distant Vision,” screensavers for Mac and PC, and a photo album of the DVD production. -
Seize the Day!
G’BURGRegisterCSM + MAY C 14-16 ON FERE N N ow!CE Spring 2014 ® FamilyGram SEIZE THE DAY! An interview with legendary musician John Elefante Keynote MAKING CHOICES by Charles Simpson ® VOL. 29, NO. 1 SPRING 2014 Contents ® Editorial and Publishing: Editor-in-Chief: Charles Simpson Editorial Director: Stephen Simpson Technical Editor: Susanne Simpson Creative Services: Steve Tyrrell Administrative / Operations: Stephen Simpson, Susanne Simpson, Victoria Grace Simpson, Betty Duke, 04 Christina Villalobos Administrative Assistance for Charles Simpson: Susanne Simpson Accounting Services: Jack Wood, Alison Richardson International Outreach Ministries Senior Administrator: Mike McCarty, Sr. Director of Missions Growth: Ronald Gray Administrative Assistant: Sandy Jeanson Board of Directors Charles Simpson, Chairman Michael Coleman, Ronald Gray, Dwayne Higgason, Stephen Simpson ©2014 by Charles Simpson Ministries. All rights re- served. One-to-One® is published quarterly by Charles Simpson Ministries, 7150 Hitt Rd., Mobile, AL 36695. Third-class postage paid at Mobile, AL, and additional mailing offices. One-to-One® is a non-subscription 03 From the Editor magazine supported by the contributions of its read- ers. Those who contribute to any activity of Charles Pass the Flame Simpson Ministries automatically receive a one-year subscription, which is updated with each contribution. If you have questions about your subscription, write us 4 04 Keynote or call us at (251) 633-7900 or (888) 811-2276. If you move, please notify us at least six weeks in advance. A Matter of Choice Charles Simpson Ministries is a tax exempt 501(C)(3) By Charles Simpson organization as recognized by the Internal Revenue 10 Service. 08 Contributing All scripture quotations are from the King James Version unless otherwise noted. -
KANSAS Has Spent Than Four Decades As a Part of the Soundtrack of the Lives of Multiple Generations of Music Lovers
KANSAS has spent than four decades as a part of the soundtrack of the lives of multiple generations of music lovers. The band’s first public statement appeared on their self-titled album in 1974. "From the beginning, we considered ourselves and our music different and we hope we will always remain so." Little did this legendary rock group realize that back in the early ‘70's, what seemed to be “different," was actually ahead of its time. This "garage band" from Topeka released their debut album in 1974 after being discovered by Wally Gold, who worked for Don Kirshner. The band has produced eight gold albums, three sextuple-Platinum albums (Leftoverture, Point of Know Return, Best of KANSAS), one platinum live album (Two for the Show), and a million-selling gold single, ‘Dust in the Wind.’ KANSAS appeared on the Billboard charts for over 200 weeks throughout the ‘70's and ‘80's and played to sold-out arenas and stadiums throughout North America, Europe and Japan. ‘Carry On Wayward Son’ was the #2 most played track on classic rock radio in 1995 and went to #1 in 1997. In 1998, KANSAS released an orchestral album; "Always Never the Same," recorded with the London Symphony Orchestra at Abbey Road Studios in London. They followed with an orchestral tour accompanied by top-caliber symphony orchestras. In 2000 KANSAS went back into the studio with original band member and songwriter Kerry Livgren to produce "Somewhere to Elsewhere," the first album featuring all 6 of the original players in 20 years! The ten new songs were written by Kerry Livgren and recorded in his studio in Topeka, KS. -
Analyzing KANSAS' “Carry on Wayward Son” (1976)
Analyzing KANSAS’ “Carry on Wayward Son” (1976) Matthew A. Bardin, BM Eastman School of Music: Theory 481 The goal of this paper is to, after providing a brief historical context, show a show a multi- faceted analysis of the song “Carry on Wayward Son” by KANSAS. Specifically, I will be looking at the lyrics of the song and giving my personal interpretation of their meaning, The formal arrangement of each section of the song, an analysis of the chords and their harmonic function, the melodic content and notable aspects of each formal section, the use of syncopation, and KANSAS’ use of instruments and timbres over the course of their song. It is my goal that looking at this information will allow me to create a generalized statement that evokes the essential characteristics of the track. KANSAS originally formed as a stereotypical ‘garage band’ out of Topeka, KS in the early 1970s. since their debut album in 1974, they have produced eight gold albums, three sextuple- platinum albums (of which Leftoverture (1976) is one), a platinum live album, and two different one million-selling singles. Over more than 40-year tenure of the band there has been several changes in the band’s line up, including a hiatus where the band was broken up in 1984. Currently, Phil Ehart (percussion) and Rich Williams (guitars) are the only two original band members still playing with the group. While the specific group dynamics play an interesting part in KANSAS’ sound and popularity over the years, it is beyond the scope of this paper. -
Pittsburgh Rock Press, August 2004 Issue 1
April 2005 volume 1 issue #7 FREE www.pittsburghrockpress.com Kansas / Proto-Kaw Guitarist Kerry Livgren THE LOCAL SPOTLIGHT CHIP DIMONICK COUNTRY MUSIC GAS STATION COUNTRY ARTICLE : DUSTY DRAKE FOR THOSE MORE PUNK : MY EVERGREEN AVENUE STUPID BAND NAMES!!! Motorpsychos PLUS METAL HEAVY MUSIC BLUES / ROOTS CHRISTIAN MUSIC LOCAL NEWS NATIONAL NEWS CLUB LISTINGS REALITY INJECTION THE PHANTOM MENACE ... AND MORE THE PRP interviews Motorpsychos, the Hard Rock/ K-Rock Winter Rock Challenge Winners Motorpsychos Amy : Riffs come to me like lightening C o m i n g bolts and can off of their victory at disappear just as the Hard Rock / K- quickly. I have a Rock Winter Rock tape recorder ready Challenge, The at all times at home Motorpsychos look and if I happen to conitinue on their to be away from roll as they seek home when a riff further success and comes to me, I’ll domination! do like Pam and B l e n d i n g leave a message their high octane on my answering brand of old- machine. I’ll root school metal and through tapes of punk styles, these riffs and pick out women can easily the good ones out show and out and make a tape perform their male for the rest of the pictured above : Abby, Amy, Dennis, & Pam counterparts. With a band. Then they’ll live show that other add to it or mess bands should try to copy, due to it’s to name a few. the arrangement. I’ll do the same with high energy and entertainment, there Amy : Strong, high-energy music. -
Jon Theodore
12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZhEWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities. -
MIOSM Progam 2011
CUHS WIND ENSEMBLE CUHS BRASS QUINTET Brody Horn, Robi Mikowlski, Jacob Mogle, Sean Gilmore, Joe Tillman Liadov Overture, Brian Beck Percussion by Joel Zwahlen & Justin Garrison Conducted by Ms. Christine Lovell Carry On Wayward Son, arranged by Christine Lovell Second Suite in F for Military Band, Gustov Holst Movement I This arrangement was written by our own Ms. Christine Lovell. The tune is a progressive rock Holst wrote two suites for military band. Although performed less frequently than the single recorded by Kansas and written by Kerry Livgren for their 1976 album Leftoverture. First Suite in E-flat, the Second Suite in F written in 1911 is considered to be a staple of standard band literature. The Second Suite consists of four movements, all based In 1977, the song peaked at #11 on the Billboard pop single chart, becoming their Top 40 hit. on specific English folk songs. Ms. Lovell has done an excellent job of scoring the tune for our brass quintet. Lux Aurumque, Eric Whitacre Light, th 6 GRADE BAND warm and heavy as pure gold and angels sing softly Quest For the Grail, Del Borgo to the new-born babe. Conducted by Ms. Christine Lovell American composer Eric Whitacre originally wrote this work for the choral setting. He based the text on the above poem by Edward Esch. Whitacre states that he was “ immediately struck by its genuine, elegant simplicity”. Marching to Pretoria, arr. Ployhar The work was commissioned to be transcribed for the wind band by the Texas All State Band Association in 2005. 6th Grade Drumline Romany Life, Victor Herbert/Daehn Percussion for 6 Victor Herbert born in Ireland in 1859 and relocated to Kent, England where he received his musical training playing in the orchestra of Johann Strauss in Vienna. -
Kansas – Miracles out of Nowhere (Documentary)
Kansas – Miracles Out Of Nowhere (documentary) (79:28+78:00, CD+DVD, Epic/Legacy/Sony Music, 2015) Das vergangene Jahr war für die Musiker von Kansas ein besonderes, schließlich feierte man sozusagen den 40. Geburtstag ihres Debütalbums. Grund genug, sich noch einmal in der Originalbesetzung zusammenzufinden und über die gemeinsame Vergangenheit zu philosophieren. Das natürlich vor dem Hintergrund, das Ergebnis auf einer Doku-DVD zu verewigen (Regie: Charley Randazzo). Und eines sei gleich vorweggenommen: wer jetzt einen Komplettüberblick über das Schaffen von Kansas erwartet und auch etwas über die John Elefante-Phase, Steve Morse, über die Rückkehr von Steve Walsh, das Ersetzen von Robbie Steinhardt durch David Ragsdale oder gar die aktuelle Entwicklung mit dem neuen Sänger Ronnie Platt erfahren möchte, wird enttäuscht, denn darüber wird kein Wort verloren. Lediglich die Namen David Ragsdale und Billy Greer tauchen immerhin in der Danksagung auf. Vielmehr geht es hier um das, was Kerry Livgren, Steve Walsh, Phil Ehart, Rich Williams, Dave Hope und Robby Steinhardt bis zum ’77er Album „Point Of Know Return“ vollbracht haben. Warum der Einblick nicht weitergeht – schließlich gab es auch danach noch Alben in genau der gleichen Besetzung – bleibt unklar. Auf der rund 78-minütigen DVD wird man allerdings bestens unterhalten. Sämtliche Musiker kommen zu Wort, und es ist allein schon optisch überraschend, wie sehr sich die Musiker zum Teil verändert haben. Ich erinnere mich beispielsweise noch sehr deutlich, wie überaus „raumfüllend“ Gitarrist Rich Williams war, als ich ihn zuletzt live gesehen habe. Nichts mehr davon zu erkennen. Neben den Musikern kommen auch noch Manager, Techniker etc. zu Wort, sodass man jetzt nicht erwarten sollte, viel Live-Musik erleben zu können. -
Complete Transcriptions by Tim Fletcher and Troy Hughes Dave Hope's
DAVE HOPE’S BASSLINES FROM ‘LEFTOVERTURE’ COMPLETE TRANSCRIPTIONS BY TIM FLETCHER AND TROY HUGHES P a g e | 1 CONTENTS ABOUT THIS BOOK 2 ABOUT THE CONTRIBUTORS 2 DAVE HOPE AND KANSAS 3 THE MAKING OF ‘LEFTOVERTURE’ 6 SONGS: CARRY ON WAYWARD SON 7 THE WALL 9 WHAT’S ON MY MIND 11 MIRACLES OUT OF NOWHERE 13 OPUS INSERT 15 QUESTIONS OF MY CHILDHOOD 17 CHEYENNE ANTHEM 19 MAGNUM OPUS: 21 a) Father Pedilla Meets the Perfect Gnat b) Howling at the Moon c) Man Overboard d) Industry on Parade e) Release the Beavers f) Gnat Attack P a g e | 2 ABOUT THIS BOOK This book is an attempt to produce the first complete set of transcriptions for Dave Hope’s basslines on the Kansas album ‘Leftoverture’. The intention is that the transcriptions are as accurate as possible, and the tablature reflects playable versions of the basslines. This book also includes links to video content of practical advice regarding playing the songs, and playthroughs of the bass lines. ABOUT THE AUTHORS Tim Fletcher – Transcriptions and Analysis Tim Fletcher is a British bass player and educator, and he also writes about a range of topics for a number of websites including No Treble, Bass Musician Magazine and Bass Gear Magazine. He was once in a film with Doctor Who. Troy Hughes – Tab, Practical Advice and Playthroughs Troy Hughes is a self-taught bassist who plays by ear and memory, and he has amassed an eclectic collection of bass covers on his YouTube channel TJH3113, featuring songs that he finds interesting from a bass player’s perspective. -
Recommended Ccm Artists & Bands of a Specific Musical
RECOMMENDED CHRISTIAN-LABEL ARTISTS & BANDS OF A SPECIFIC MUSICAL GENRE In compiling this list I realize that some artists/bands mainly perform one particular style of music and other artists perform across several musical styles or genres. I have therefore endeavored to be as specific as possible and name particular albums of the artist/band that, in my view, are outstanding in a particular musical genre. NB. ‘v.s.’ stands for ‘vocal similarities’ ‘m.s.’ stands for ‘musical similarities’ Adult Contemporary/Pop Bob Carlisle – what a voice! John Elefante – brilliant vocalist (formerly with Kansas) Jon Gibson – the closest CCM gets to Stevie Wonder (‘Body & Soul’ & ‘Love Education’ CDs highly recommended) Amy Grant – esp. her ‘Lead Me On’ & ‘Behind The Eyes’ CD’s Paul Q-Pek: ‘Touch The Ground’ CD (v.s. to Peter Gabriel at times) Connie Scott: ‘Live To Tell’ (her strongest effort) Michael W. Smith: esp. his ‘The Big Picture’ CD (his magnum opus – contains great keyboard work) Out Of The Grey – quality ‘art pop’ if there is such a genre (great female vocals and guitar work) 2nd Chapter Of Acts – the pioneer of multi-vocal groups (they harmonized well without sounding ‘sugary/syrupy’) Sheila Walsh – esp. her ‘Shadowlands’ CD (excellent) Roma Waterman – she possesses the voice range of England’s Kate Bush (with v.s. at times); one of Australia’s best female vocalists Alternative/Indie/Modern Rock Adam Again – anything by them, but esp. their ‘Homeboys’ CD ApologetiX: ‘Ticked’ CD (a brilliant re-working [parodies] of well-known mainstream alternative/indie songs) Battered Fish – esp. the ‘Modern’ CD (brilliant!) The Choir – anything by them (‘Chase The Kangaroo’ & ‘Circle Slide’ CD’s are absolute alternative gems) Dear Ephesus: ‘The Absent Sounds Of Me’ CD (brilliant emo!) Dumpster: ‘See Through Me’ & ‘sky-fi’ CD’s Henrys, The: ‘She’s My Hallelujah’ EP (brilliant and oh-so-laid-back, leaving you wanting for more) Michael Knott – esp. -
KLASSICS LIST Criteria
KLASSICS LIST criteria: 8 or more points (two per fan list, two for U-Man A-Z list, two to five for Top 95, depending on quartile); 1984 or prior release date Sources: ten fan lists (online and otherwise; see last page for details) + 2011-12 U-Man A-Z list + 2014 Top 95 KSHE Klassics (as voted on by listeners) sorted by points, Fan Lists count, Top 95 ranking, artist name, track name SLCRPS UMan Fan Top ID # ID # Track Artist Album Year Points Category A-Z Lists 95 35 songs appeared on all lists, these have green count info >> X 10 n 1 12404 Blue Mist Mama's Pride Mama's Pride 1975 27 PERFECT KLASSIC X 10 1 2 12299 Dead And Gone Gypsy Gypsy 1970 27 PERFECT KLASSIC X 10 2 3 11672 Two Hangmen Mason Proffit Wanted 1969 27 PERFECT KLASSIC X 10 5 4 11578 Movin' On Missouri Missouri 1977 27 PERFECT KLASSIC X 10 6 5 11717 Remember the Future Nektar Remember the Future 1973 27 PERFECT KLASSIC X 10 7 6 10024 Lake Shore Drive Aliotta Haynes Jeremiah Lake Shore Drive 1971 27 PERFECT KLASSIC X 10 9 7 11654 Last Illusion J.F. Murphy & Salt The Last Illusion 1973 27 PERFECT KLASSIC X 10 12 8 13195 The Martian Boogie Brownsville Station Brownsville Station 1977 27 PERFECT KLASSIC X 10 13 9 13202 Fly At Night Chilliwack Dreams, Dreams, Dreams 1977 27 PERFECT KLASSIC X 10 14 10 11696 Mama Let Him Play Doucette Mama Let Him Play 1978 27 PERFECT KLASSIC X 10 15 11 11547 Tower Angel Angel 1975 27 PERFECT KLASSIC X 10 19 12 11730 From A Dry Camel Dust Dust 1971 27 PERFECT KLASSIC X 10 20 13 12131 Rosewood Bitters Michael Stanley Michael Stanley 1972 27 PERFECT -
D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor.