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Tickets for Troops Annual Review 2016
TICKETS FOR TROOPS ANNUAL REVIEW 2016 The Sun Military Awards Nominees at Number 10 Downing Street: Tickets For Troops was nominated for ‘Support to Armed Forces’ FOREWORD Thanks to the tremendous philanthropy of our supporters and donors from the nation’s live sports and events industry, 2016 was another active year for Tickets For Troops. We worked closely with hundreds of ticketing professionals, agents, box offices, promoters, clubs, teams and many more groups to ensure our servicemen and women continued to enjoy the delights of the sporting, musical, theatrical and entertainment world. This wonderful generosity combined with some beavering away in the Tickets For Troops office ensured that we were able to distribute 152,652 complimentary tickets for 6,291 events to our military members. Half way through the year, we were delighted to welcome on board a new team of regional volunteers known as ambassadors who are responsible for helping to increase the number of donors in their respective regions. The volunteer opportunity attracted a large number of applications from all around the country and the overall standard was exceptionally high. It was humbling for the team to see how many people from within the forces community wanted to give something back to Tickets For Troops. The regional ambassadors are being managed by our newest employee Elisabeth Roberts - recruited on a part-time basis thanks to the Armed Forces Covenant Fund grant. We were sad to lose Anastasia Baker in October, she was a superb asset to the team with her excellent customer service manner and speedy ticket packaging skills - we wish her well for the future. -
Ad Hoc Announcement
AD HOC ANNOUNCEMENT CTS EVENTIM AG & Co. KGaA and Fnac Darty S.A. start exclusive negotiations on strategic ticketing partnership in France Munich/Ivry, 24 July 2019. CTS EVENTIM AG & Co. KGaA and Fnac Darty S.A. have started exclusive negotiations on a strategic partnership for their French ticketing activities. Under the proposed agreement, CTS EVENTIM would acquire 48 percent of the shares in France Billet, the ticketing subsidiary of Fnac Darty. At the same time, CTS EVENTIM would contribute its existing activities in France to the partnership. CTS EVENTIM would also have the option to acquire a majority stake four years from the date of the closing of the transaction. The project will be presented in detail to the relevant employee representatives in the coming weeks. CTS EVENTIM and Fnac Darty plan to close the transaction by the end of this year. About CTS EVENTIM CTS EVENTIM is one of the leading international providers of Ticketing and Live Entertainment. In 2018, approx. 250 million tickets were marketed using the company’s systems – through stationary box offices, online or mobile. Its online portals operate under brands such as eventim.de, oeticket.com, ticketcorner.ch, ticketone.it, and entradas.com. The EVENTIM Group also includes many concert, tour and festival promoter companies for events like ‘Rock am Ring’, ‘Rock im Park’, ‘Hurricane’, ‘Southside’, and ‘Lucca Summer’. In addition, some of Europe’s most renowned venues are operated by CTS EVENTIM, for example the LANXESS arena in Cologne, the Waldbühne in Berlin and the EVENTIM Apollo in London. CTS EVENTIM AG & Co. -
Birmingham Cover
Online Worcester Cover.qxp_Worcestershire 30/04/2015 09:35 Page 1 WORCESTERSHIRE WHAT’S WORCESTERSHIRE ON WHAT’S THE MIDLANDS ULTIMATE ENTERTAINMENT GUIDE WORCESTERSHIRE ISSUE 353 MAY 2015 MAY www.whatsonlive.co.uk ISSUE 353 MAY 2015 MARK BENTON INTERVIEW INSIDE INSIDE PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART Vicky Entwistle leaves the cobbled stones of Coronation Street behind her... interview inside Joshua Jenkins on playing the lead in The Curious Incident of The Dog In The Night-Time interview inside INSIDE: @WHATSONWORCS WWW.WHATSONLIVE.CO.UK @WHATSONWORCS FILM COMEDY MARK THEATRE LIVE MUSIC VISUAL ARTS ROCK LEGEND AT GENTING ARENA EVENTS KNOPFLER FOOD & DRINK & MUCH MORE! The Drum F/P May 15.qxp_Layout 1 27/04/2015 20:45 Page 1 Contents May Region 1.qxp_Layout 1 27/04/2015 19:20 Page 1 May 2015 Editor: Davina Evans INSIDE: [email protected] 01743 281708 Editorial Assistants: Mark Benton Brian O’Faolain [email protected] talks crime on the French 01743 281701 Riviera p6 Lauren Foster [email protected] 01743 281707 Adrian Parker [email protected] 01743 281714 Jamie Ryan [email protected] 01743 281720 Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 The Rise And Fall Subscriptions: Adrian Parker Of Little Voice [email protected] 01743 281714 Vicky Entwistle and Chris Managing Director: Gascoyne in Brum p31 Paul Oliver [email protected] 01743 281711 Publisher and CEO: Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell Joshua Jenkins talks about playing the lead in the National Theatre’s Chris Atherton The Curious Incident Of The Dog In The Night-Time. -
Retirement Strategy Fund 2060 Description Plan 3S DCP & JRA
Retirement Strategy Fund 2060 June 30, 2020 Note: Numbers may not always add up due to rounding. % Invested For Each Plan Description Plan 3s DCP & JRA ACTIVIA PROPERTIES INC REIT 0.0137% 0.0137% AEON REIT INVESTMENT CORP REIT 0.0195% 0.0195% ALEXANDER + BALDWIN INC REIT 0.0118% 0.0118% ALEXANDRIA REAL ESTATE EQUIT REIT USD.01 0.0585% 0.0585% ALLIANCEBERNSTEIN GOVT STIF SSC FUND 64BA AGIS 587 0.0329% 0.0329% ALLIED PROPERTIES REAL ESTAT REIT 0.0219% 0.0219% AMERICAN CAMPUS COMMUNITIES REIT USD.01 0.0277% 0.0277% AMERICAN HOMES 4 RENT A REIT USD.01 0.0396% 0.0396% AMERICOLD REALTY TRUST REIT USD.01 0.0427% 0.0427% ARMADA HOFFLER PROPERTIES IN REIT USD.01 0.0124% 0.0124% AROUNDTOWN SA COMMON STOCK EUR.01 0.0248% 0.0248% ASSURA PLC REIT GBP.1 0.0319% 0.0319% AUSTRALIAN DOLLAR 0.0061% 0.0061% AZRIELI GROUP LTD COMMON STOCK ILS.1 0.0101% 0.0101% BLUEROCK RESIDENTIAL GROWTH REIT USD.01 0.0102% 0.0102% BOSTON PROPERTIES INC REIT USD.01 0.0580% 0.0580% BRAZILIAN REAL 0.0000% 0.0000% BRIXMOR PROPERTY GROUP INC REIT USD.01 0.0418% 0.0418% CA IMMOBILIEN ANLAGEN AG COMMON STOCK 0.0191% 0.0191% CAMDEN PROPERTY TRUST REIT USD.01 0.0394% 0.0394% CANADIAN DOLLAR 0.0005% 0.0005% CAPITALAND COMMERCIAL TRUST REIT 0.0228% 0.0228% CIFI HOLDINGS GROUP CO LTD COMMON STOCK HKD.1 0.0105% 0.0105% CITY DEVELOPMENTS LTD COMMON STOCK 0.0129% 0.0129% CK ASSET HOLDINGS LTD COMMON STOCK HKD1.0 0.0378% 0.0378% COMFORIA RESIDENTIAL REIT IN REIT 0.0328% 0.0328% COUSINS PROPERTIES INC REIT USD1.0 0.0403% 0.0403% CUBESMART REIT USD.01 0.0359% 0.0359% DAIWA OFFICE INVESTMENT -
Reeperbahn Festival Conference MAG / SEPT 2017
CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival. -
UK Live Music: at a Cliff Edge
Live music Industry Venues and Entertainment UK live music: At a cliff edge Carey & Chambers (October 2020) Contents Executive summary 3 The current context 3 Key statistics 3 Research methodology 5 Summary of findings 5 Sectoral analysis 6 The live music ecosystem 6 Artists and artist managers 7 Booking agents 7 Promoters 9 Grassroots music venues 9 Concert halls, arenas and stadia 11 Festivals 11 Ticketing 13 Technical supply services 13 The broader ecosystem 14 Professional services 14 Crew 14 Support services 14 Conclusion 15 Report authors 16 Case Studies: Our People 8, 10, 12 2 Live music, Industry, Venues & Entertainment UK live music: At a cliff edge Executive summary The current context The live music industry – which was worth £4.5 billion to the UK economy in 2019¹ – is one of the business sectors worst affected by the coronavirus pandemic, being among the first to close and very likely to be the last to fully reopen. Key statistics n In 2019, live music contributed £4.5 billion to the UK economy² n Revenue has been almost zero since March and 2020 revenue will fall by 81% compared to 2019³ n In 2019, live music supported 210,000 FTEs including 52,000 full time, salaried roles n 76% of live music employees were supported by the furlough scheme, as of August 31st, 2020 n 55% of permanent roles will be lost by the end of the year (28,600 jobs), while temporary and freelance roles have already been decimated Continued 1 Carey and Chambers (June 2020) 2 Carey and Chambers (June 2020) 3 Carey and Chambers, Live Music Survey, September 2020 3 Live music, Industry, Venues & Entertainment UK live music: At a cliff edge Executive summary The current context (continued) Sector employment Following the lockdown in March and the ongoing UK In 2019, the live music industry accounted for 210,000 Government restrictions on public assembly, event FTE6. -
Executive of the Week: Columbia Records Senior VP
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 9, 2021 Page 1 of 18 INSIDE Executive of the Week: • Inside Track: How the Music Business Columbia Records Senior VP Is Preparing to Return to the Office Marketing Jay Schumer • Health Professionals on the Mental Toll of BY DAN RYS Returning to Shows Mid-Pandemic yler, The Creator’s sixth album, CALL ME extensively, and how marketing has changed over the • Shamrock Capital, IF YOU GET LOST, was a smash hit upon course of his career. “Fans have a lot of things they After Buying Taylor its release: 169,000 equivalent album units, could be doing at any given moment,” he says, “so you Swift’s Catalog, the single week highest of his career; a better be giving them a really good reason to give you Raises $200M to Tsecond straight No. 1 on the Billboard 200, and sixth their attention.” Loan to Creators straight top five; and a promotional campaign that in- Tyler, The Creator’s CALL ME IF YOU GET • For the First Time, cluded a performance at the BET Awards and several LOST debuted at No. 1 on the Billboard 200 this People of Color well-received music videos. week with 169,000 equivalent album units, the Dominate Recording It also was another release from the artist that came highest mark of his career. What key decisions did Academy Board of bundled with an innovative marketing plan, helped you make to help make that happen? Trustees: Exclusive by a rollout featuring a phone number that fans could The success of this album comes first and foremost • Taylor Swift, call to receive personalized messages from Tyler, from having an artist like Tyler who is one-of-a-kind Jack Antonoff & which followed the VOTE IGOR campaign that Tyler and has continued to grow with every release. -
The Political Economy of Informal Events, 2030
The Political Economy Of Informal Events, The Political 2030 Economy of Informal Events, 2030 Written and edited by James Woudhuysen AAAW_03.19_001_Cover.indd All Pages 17/05/2019 11:29 The Political Economy Of Informal Events, 2030 AAAW_03.19_002-009_Chapter Zero.indd 2 17/05/2019 11:21 Written and edited by James Woudhuysen Visiting professor, forecasting & innovation, London South Bank University Foreword by Julian Agostini, Mash Media Alan Miller, Night Time Industries Association Nick Morgan, We Are The Fair Published by Access All Areas, in association with the Night Time Industries Association and We Are The Fair Access All Areas, 2nd Floor Applemarket House, 17 Union Street, Kingston-Upon-Thames KT1 1RR Advisory team Tom Hall and Paul Colston Graphic design Sean Wyatt-Livesley, Emma Hart, Oscar Spinks, Kateryna Smirnova ISBN 2019: 978-0-9576478-7-9 Please note: Except for the Foreword, and where individuals are quoted at length, the views in this paper – and the errors – are those of the author alone. He thanks everyone who is quoted; Andy Grimsey, solicitor with Poppleston Allen, for help with the legal intricacies of licensing, and Michael Kill, CEO of the NTIA, for work on how the music festival season and particular music festivals relate to UK recorded crime, both national and local. © Copyright Mash Media. All material in this publication is copyright and remains the property of the publishers. They neither necessarily agree with the views expressed by interviewees, nor accept any responsibility for any errors of interpretation in the subject matter of this publication. No part of this publication may be copied or reproduced, stored in a retrieval system, or be transmitted in any form by any means – electronic, mechanical, photocopying, recording or otherwise – without the prior permission of the publishers. -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
59˚ 42 Issue Four
issue four 59˚ 42 14 12 03 Editor’s Letter 22 04 Disposed Media Gaming 06 Rev Says... 07 Wishlist 08 Gamer’s Diary 09 BigLime 10 News: wii 11 Freeware 12 User Created Gaming 14 Shadow Of The Colossus 16 Monkey Island 17 Game Reviews Music 19 Festivals 21 Good/Bad: The New Emo 26 22 Mogwai 23 DoorMat 24 Music Reviews Films 26 Six Feet Under 28 Silent Hill 30 U-Turn 31 Film Reviews Comics 33 Marvel’s Ultimates Line 35 Scott Pilgrim 36 Wolverine 37 Comic Reviews Gallery 33 42 Next Issue... Publisher Tim Cheesman Editors Andrew Revell/Ian Moreno-Melgar Art Director Andrew Campbell Contributors Dan Gassis/Jason Brown/Jason Robbins/Adam Parker/Robert Florence/Keith Andrew /Jamie Thomson/Danny Badger Designers Peter Wright/Rachel Wild Cover-art Melanie Caine [© Disposable Media 2006. // All images and characters are retained by original company holding.] DM4/EDITOR’S LETTER So we’ve changed. We’ve CHANGE IS GOOD.not been around long, but we’re doing ok. We think. But we’ve changed as we promised we would in issue 1 to reflect both what you asked for, and also what we want to do. It’s all part of a long term goal for the magazine which means there’ll be more issues more often, as well as the new look and new content. You might have noticed we’ve got a new website as well; it’ll be worth checking on a very frequent basis as we update it with DM news, and opinion. We’ve also gone and done the ‘scene’ thing and set up a MySpace page. -
Germany Media Initiating Coverage 6 December 2018
Germany Media Initiating Coverage 6 December 2018 German Media: diversified group but Sector Germany Media generally a growing sector Top 10 advertising spending countries 2015 and 2018 (USD m) USD m 2015 2018 With this note we initiate on six German-based groups operating in USA 182,615 200,603 the broader Media sector: Axel Springer, CTS Eventim, RTL Group, China 74,406 92,719 Scout24, Syzygy and XING. Japan 41,805 44,147 UK 26,020 31,049 Germany 25,791 27,802 Recruitment and Online Classifieds Brazil 14,364 14,612 France 13,349 13,662 Not so long ago, job vacancies used to be advertised in newspapers S Korea 12,208 13,038 and recruiting agencies sent around mailings to potential applicants Australia 11,855 12,816 attempting to match the two. In a very short period, sophisticated Canada 10,172 10,955 digital models are bringing prospective employees to companies (and Source: ZenithOptimedia vice-versa). The same is true for property rental and purchases, or for buying a new car or choosing a holiday location. Three of the groups that we initiate on today have taken this to quite advanced levels: Axel Springer, Scout24 and XING. Broadcasting and advertising Watching TV remains a favourite pastime, but the consumer today is not restricted to a small number of public broadcasters with some local ad-funded private channels. Streaming content of choice and at the time desired has become the preference for many viewers, reducing the time spent watching the traditional broadcasters. RTL Group is one of the traditional TV broadcasters (actually largest in Europe operating in eight countries) that is managing declining ad revenue from traditional TV (still by far the most important advertising tool) to monetarizing streaming (of which it is already one of Europe’s largest). -
Sponsorship Packages
SPONSORSHIP PACKAGES 6 DECEMBER - TROXY, LONDON WWW.FESTIVALAWARDS.COM Annual Celebration of the UK Festival Industry THE EVENT An awards ceremony that will leave UK festival organisers feeling celebrated, indulged and inspired. A highlight of the UK Festivals Calendar, the UKFA was founded in 2002 and is now celebrating its 15th year. With over 650 festival organisers, music agents and trade suppliers in attendance, the evening brings together the UK Festival scene’s key players for a night of entertainment, networking, street food, innovative cocktails and an exclusive after party – all held at the historic Troxy in London. Recognising the festival industries’ brightest and best, previous award winners include Michael Eavis (Glastonbury Festival), Peter Gabriel (WOMAD), Download Festival, Latitude and TRNSMT. We look forward to celebrating 2018’s triumphs with this year proving to be bigger and better than ever. THE BENEFITS The Awards offer sponsors the opportunity to network with the UK’s leading festival influencers and gain extensive exposure: EXCLUSIVE NETWORKING OPPORTUNITIES With the UK festival industry’s key players in attendance, the Awards offers unparalleled opportunity to network and engage one-on-one with decision makers. POSITION YOUR BRAND IN FRONT OF THE UK’S TOP FESTIVAL ORGANISERS Last year’s shortlisted festivals are the most influential, established and recognisable in the country. The UK’s greatest influencers will be attending the event and sponsors will have the opportunity to showcase products and services to a broad prospect base. UK FESTIVAL AWARDS 2017 SPONSORS & SUPPORTERS SPONSORSHIP OPPORTUNITIES HEADLINE PARTNER SPONSORSHIP Bespoke Sponsor Packages £20,000 If you are looking for a more unique package, contact us for The Headline Partner package is designed to offer your brand details about bespoke sponsorship packages.