2019 CATALOGUE 1

WHERE

THE

PAST IS

VERY

PRESENT PREFACE How do you convey the fresh spirit behind a company founded nearly 100 years ago? With impeccable crafted, timeless designs conducive to any contemporary setting. Where the soul of our founder is imbued in each piece. A man captivated by the authentic appeal of wood as a natural, noble material.

Purity. Integrity. Tactility. These are just some of the values at the heart of Ercol, a global company with a legacy of design dating back to its inception in 1920. Founder Lucian Ercolani was a talented craftsman who was educated as a furniture designer. His vision of well-designed furniture by artisans who took pride in their work burgeoned into a growing business fuelled by his passion. Craftsmanship is a cornerstone of the compa- ny, exemplified by Ercol’s perfection of the steam bending of timber, previously deemed impossible decades ago. This ena- bled Ercol to produce a modern version of the Windsor Chair so as to be more accessible to the masses. A pioneering con- cept at the time, Ercol’s bentwood furniture was subsequently featured 70 years later as a special exhibit at the Victoria and Albert Museum, London - attesting to its timeless appeal. PREFACE Deep in our DNA is a profound appreciation for wood, with its intrinsic beauty, unique variations and imperfections just as nature intended. One look, one touch and it’s easy to find yourself utterly enthralled by the tactile sensation of wood. Soothing yet strong, sturdy yet accommodating, wood is ir- refutably warm and welcoming. As humans, we all have an in- tuitive connectivity to wood as opposed to other materials. A wooden floor makes us feel more grounded. A wooden ceiling tends to make us feel more protected. Wooden furniture? It’s a bit of both. Whether smooth or textured, raw or finished, each type of wood has a poetic presence, boasting a signature grain pattern that’s akin to a fingerprint. Nature’s unique code that holds the key to the wood’s own unspoken story. But what makes a design so appealing that it becomes the other love of your life? It starts with the talented minds behind it keen on creating engaging furniture with a purpose. With the ultimate goal of enhancing your experience of a space - and your life. Furniture imbued with integrity, from the honest materials to the exceptional craftsmanship that transformed a drawing into a reality. While each collection of furniture is unique, they all echo an aesthetic that makes any of the de- signs by any of our global talents conducive to any upscale, modern milieu. Anywhere.

9 CONTENTS Highlights from our ever-evolving portfolio of contemporary furniture and iconic originals reflecting our proud heritage of design, craftsmanship and meticulous attention to detail. Each piece is unique and easy to imagine in a variety of modern settings, echoing our affinity for an honest, authentic sense of aesthetics. From a family-owned company with a proud herit- age of creating enduring designs for a global audience.

3. Working

2. Living

1. Dining

11 DINING

SAVOURING

THE

MOMENT

They say that we create our environment and our environment, in turn, creates us. With that in mind, watch your ideas take flight whilst seated in stunning chairs reminiscent of butterfly wings. Enjoying a meal around a table that’s inspired by the wings of an aeroplane. The BUTTERFLY CHAIR by Lucian Ercolani. Shown in ash with a steam bent ash ply for the seat and back, all in our black finish. One of the most iconic, instantly recognisable, mid-century classics from Ercol boasting a classic Windsor wedge and tenon joint. The LARGE PENNON 13 TABLE by Norm Architects shown in walnut. The leg supports reference aeroplane wings, whilst the spindles reference our Ercol DNA. DINING Food. Fine wine. Friends. Family. Considered by some to be the essence of life, the cultural significance of sharing a meal dates back centuries. Dining together fosters a sense of belonging, feeling part of a family or a company credo. It can deepen a sense of intimacy. It can boost business relations and set the scene for you to seal the deal. It can also enable you to make amends. After all, it’s tough to remain enemies once you’ve broken bread together. Whether in a private residence or a high-end restaurant or hotel, the furniture you choose for your dining area will add its own kind of flavour. When it’s Ercol furniture, it will add to the atmosphere with unassuming designs that exude authenticity by the mere fact that each piece has been meticulously craft- ed from wood, from our tables, chairs and stools to our cab- inets. Of course, style is nothing without substance. Here we draw on a century of expertise to produce intriguing pieces that are ergonomically sound, offering the utmost in comfort. Everything is conceived for you to feel comfortable enough to enjoy the meal, the moment – and each other.

Entertaining guests always involves scheduling and some savoir-faire. Deciding what to serve for dinner, the dishware, the cutlery and more. Not to mention which guests to invite. Why not set the table with the ultimate in simplicity when it comes to the table itself? With classic, versatile chairs that could easily fit in anywhere. The PLANK TABLE by Lucian Ercolani. Made from ash and shown in our darkened ash finish. Ideal for the dining room, kitchen and also a meeting room. The ALL-PURPOSE CHAIR by Lucian Ercolani. Made from 15 solid ash and shown in black.

NORM ARCHITECTS Headquartered in Denmark’s capital, Norm Architects are a multi-disciplinary studio working with architecture, interi- ors, industrial design, branding and photography. They con- tinuously seek a new norm that’s simple, soulful and endur- ing. Their mantra revolves around minimalism, in their quest to capture the essence of an idea to reveal its intrinsic, una- dorned beauty where there’s nothing to add or subtract. Mini- malistic designs meticulously crafted, involving the sensorial, tactile experience of noble materials expressed in their dis- tinctive angle on Scandinavian simplicity.

In a modern society filled with distractions, fortunately you can choose furniture that facilitates your ability to focus and enjoy the company of others. With a dining table that’s eye-catching, yet it doesn’t upstage you or your dinner. The LARA CHAIR by Dylan Freeth, shown in solid ash with a black finish. The LARGE PENNON TABLE by Norm Architects. Shown in walnut, where aeroplane wings are echoed in the leg supports and spindles are signature elements in our Ercol designs. Previous page: the FLOW CHAIR by Tomoko Azumi 18 19 shown in beech with a natural matt finish. The back echoes Japanese architecture with its steam bent V support. DINING

In a digital world where some components aren’t compatible with others, it’s refreshing to find different pieces of furniture that are easily compatible with each other. Where the various shapes, sizes, lines and curves come together in a harmonious aesthetic that’s calm and cohesive. From left, clockwise round the table: the LOVESEAT, the QUAKER CHAIR, the STACKING CHAIR and the SADDLE STOOL. All designed by Lucian Ercolani, shown in solid ash with a natural matt finish, including the COUNTER STOOL shown above. 20 21 London-based furniture and product designer Dylan Freeth DYLAN FREETH is fascinated by how components fit together. His vast array of designs is a testament to his overall intention to create engag- ing products that are as visually appealing as they are practi- cal and durable. He often builds a design around a construc- tion detail, experimenting with materials with a tactile factor that makes them all the more inviting. Seen in designs for daily life that stand the test of time.

If you’re looking for a simple chair that’s upright and unassuming, you’ve just found it. Slide it around any table and it will easily fit in, with an understated, urban style that won’t stand out. It’s the marriage of simple and stackable in a pretty chair that’s incredibly practical. THE LARA CHAIR by Dylan Freeth. Shown in solid ash with a dead matt finish. Designed with the hospitality market in mind, the comfortable seat and solid back allow for the stacking of up to six chairs. 22 DINING

2. 9. PLANK TABLE, Ash. Designed by ALL PURPOSE CHAIR, Ash. Designed Lucian Ercolani, 1956. by Lucian Ercolani, 1956.

7. WINDSOR CHAIR, Ash. Designed by Lucian Ercolani, 1945.

3. BUTTERFLY CHAIR, Ash. Designed by Lucian Ercolani, 1956.

1. 8. PENNON TABLE, Ash/Walnut. BAR STOOL, Ash. Designed by Lucian Designed by Norm Architects, 2019. Ercolani, 1956.

4. FLOW CHAIR, Beech/Ash. Designed by Tomoko Azumi, 2014.

10. LOVESEAT, Ash. Designed by Lucian Ercolani, 1956.

6. 12. STACKING CHAIR, Ash. Designed by DROP LEAF TABLE, Ash. Designed by Lucian Ercolani, 1956. Lucian Ercolani, 1956.

5. 11. LARA CHAIR, Ash, Designed by Dylan LUCA TABLE, Ash. Designed by Dylan Freeth, 2016. Freeth, 2016.

24 25 LIVING

UNADORNED

ELEGANT

INVITING

Graceful arms almost reach out to welcome you in this unquestionably comfortable sofa that instantly evokes a calm, soothing state of mind. Whether you’re entertaining guests or simply entertaining the idea of some alone-time, the scene is set for you to relax in style. 27 The MARINO SOFA by Dylan Freeth. Shown in solid ash in the dead matt finish, with Kvadrat Hallingdal fabric. A space is empty until you fill it with emotion. Even a sofa LIVING with a presence that’s barely there could be an open invita- tion for people to connect and converse. To share a coffee, a deep, dark secret or the story of their life. Or simply to relax and enjoy each other’s company. Especially when it’s furniture that doesn’t impose its personality, yet it has a personality. Fortunately, our collections exude an understated elegance that would add to an array of environments, from an exclusive lounge, airport lobby, cultural centre or corporate setting to a private living room. Each collection boasts a design idiom all its own and yet all the pieces in our portfolio are visually compatible with each other. Consequently, you have loads of freedom to mix or match. Go informal with our benches. Up the ante of for- mality seen in our sofas. Create a more romantic mood with our choice of loveseats as a centrepiece. Or design your own intimate enclave with our various chairs. Any piece can be a standalone or configured together. Add the instinctive at- traction to our extensive range of wood types, colours and finishes, and you have everything you need to make guests feel like lingering longer – and to make a house feel like a home. It’s all about inviting designs that punctuate any space with panache.

It’s the perfect time of day to lean back, put your feet up and unplug. Let yourself get lost in a good book or a magazine. Catch up with your loved ones or steal some alone time to enjoy the view outside your window. The MARINO CHAIR and FOOTSTOOL by Dylan Freeth. Shown in solid ash with a dead matt finish, crafted with Sorensen Leather VICTORY Cognac. Lush pillows and the slightly reclined angle make for comfortable seating for hours on end. 28

HLYNUR ATLASON Born in Iceland and based in New York, Hlynur Atlason leads a team of strategists and designers in a comprehensive approach to innovative, consumer-driven products across a broad spec- trum of design categories and contexts, where intensive re- search and state-of-the-art technology ensure that everything imagined can be made. It all reflects his strong sense of em- pathy. His pure aesthetic. And his preference for items you can discover over time that continue to bring you pleasure.

What does it take for two people to truly connect? Some would argue sharing the same perspective on life. Or simply sharing a glass of wine. We would argue that whatever you do or don’t do, you’ll probably need a comfy place to sit together. The VON CHAIRS by Hly- 33 nur Atlason with arms as a two-person sofa. Shown in solid ash with a natural matt finish, crafted in Kvadrat Hallingdal fabric. LIVING

Think of all your everyday items like magazines, mail, paperwork and the like. Then think of a place to put them without creating clutter or a sense of chaos. At last, a place for everything and everything in its place. Well, nearly. The MODULO LARGE CABINET by Dylan Freeth. Version made from solid ash in dead matt. The textured surface of the doors and drawers add a tactile dimension coupled with 35 the modern dovetail joints on the cabinet corners. LUCIAN ERCOLANI The son of an Italian picture frame maker at the world-re- nowned Uffizi Gallery in Florence, Lucian Ercolani moved with his family from Tuscany to London in the 1890s. After earn- ing his credentials as a furniture designer, Lucian went on to launch his own company in 1920, which later became known as Ercol. He went on to design classics celebrated for their soft, sculptural curves and ground-breaking use of bentwood. In 1964, Lucian was awarded an OBE (Officer of the Most Ex- cellent Order of the British Empire) for his notable contribu- tions to British design and manufacturing.

Fancy an afternoon nap? A last-minute guest for the night? Or simply a cosy place to curl up with a good book? Your options are open with this casual sofa shown right that doubles as a daybed shown right. Just remove the back cushions and panel, lie back and relax. The STUDIO COUCH by Lucian Ercolani crafted from beech with ash on the back. The rows of tapered spindles along the curved armrests send a classic signal that’s contemporary in a versatile sofa you’ll be glad you had. Alternatively, enjoy the LOVESEAT by Lucian Ercolani above in solid ash in a natural matt finish. Conceived and constructed using traditional wedge and tenon joinery. 36 LIVING

2. 9. VON ARMCHAIR, Ash/Walnut. COFFEE TABLE, Ash. Designed by Designed by Hlynur Atlason, 2018. Lucian Ercolani, 1956.

7. MARINO SOFA, Ash. Designed by Dylan Freeth, 2015.

3. VON BENCH, Ash/Walnut. Designed by Hlynur Atlason, 2018.

1. 8. VON CHAIR, Ash/Walnut. Designed NEST SOFA, Beech. Designed by by Hlynur Atlason, 2018. Paola Navone, 2015.

4. CHAIRMAKERS CHAIR, Ash. Designed by Lucian Ercolani, 1956.

10. LOVESEAT, Ash. Designed by Lucian Ercolani, 1956.

6. 12. MARINO CHAIR, Ash. Designed by MODULO LARGE SIDEBOARD, Oak. Dylan Freeth, 2015. Designed by Dylan Freeth, 2017.

5. 11. STUDIO COUCH, Ash/Beech. NEST OF TABLES, Ash. Designed by Designed by Lucian Ercolani, 1956. Lucian Ercolani, 1956.

38 39 WORKING

WORK

WON’T

FEEL LIKE

WORK

While some might argue that office is anywhere, there’s something to be said for having a proper desk. Something stylish yet timeless. A look that harks back to the days of paper and pen, but modern enough to be relevant right now. Partnered with the perfect chair to inspire free thinking and a discrete place to store other items that revolve around work. The BUTTERFLY CHAIR by Lucian Ercolani shown in solid ash with a natural matt finish. The TREVISO CHAIR by Matthew Hilton shown in solid walnut. Ideal for a home office with a drawer under- neath for a laptop and a hole hidden in the back for cable management. The MODULO LARGE CABINET by Dylan Freeth. Version made from 41 solid oak with a dead matt finish. Don’t miss the finely grooved front panelling and dovetail joinery as well-crafted accents. The essence of work involves thinking, collaborating and WORKING creating. But you don’t need a meeting room to have a meet- ing. So where is the physical place where this all should actu- ally take place? Our rapidly increasing digital connectivity has radically re-defined work as we know it. While companies are re-thinking their office environments, individuals are consider- ing more flexible options inside office walls, elsewhere outside and at home. We’ve been on the cusp of this departure from traditional work concepts with designs that make it comforta- ble for people to think, whether at the office or not. Our furniture reflects this major paradigm shift, featuring designs that allow for informal meeting spaces at a moment’s notice. The opportunity to create micro-environments within open work spaces. Designs that can create a singular sense of privacy or allow for a collaborative group think when clustered together. All our furniture has an aesthetic that’s pleasing to the eye and easily adaptive to a modern-day office concept. What’s more, there’s more to choose from to accommodate your needs for work. Be it the copious storage of our cabinets, shelving units, bookcases and display cabinets, the comfort of our stu- dio couch and of our chairs, or the utility of our coffee tables, lamp tables, desk and media units. Practical, tactile, comfort- able furniture and other components essential to organising your thoughts and your work space. Essential designs that add an extra dimension, so that work feels less like work.

Imagine if you had one chair for everything. To accommodate your needs for work, either at the office or at home. To comfortably sit around any table. To welcome any guest in any home. Or to occupy a cosy corner in need of an accent. If you only had one chair, it would be this chair. The ALL-PURPOSE CHAIR by Lucian Ercolani. Made from solid ash and shown in black. A mid-century classic that embodies the essence of our Windsor heritage, characterised by simple back spokes that culminate in the quintessence of timeless style. 42 WORKING

Enjoy the freedom to work wherever and whenever it suits you. Especially with a lovely desk as your work space, a stylish chair to sit in or a bench to collect your thoughts. The TREVISO DESK by Matthew Hilton shown in walnut. Featuring a special place for your laptop and a hidden place to conceal cables. The BUTTERFLY CHAIR by Lucian Ercolani in ash with a black finish signalling sculptured simplicity. The VON BENCH by Hlynur Atlason shown in walnut with a black leather cushion for casual seating. Next page: a casual work setting 45 featuring VON WORK CHAIRS, CHAIRS, MAGAZINE TABLE and BENCH.

WORKING

2. 9. VON WORKCHAIR, Ash/Walnut. SVELTO ROUND STACKING STOOL, Designed by Hlynur Atlason, 2018. Oak. Designed by Lisa Sandall, 2013.

7. PERO DESK, Oak. Designed by Matthew Hilton, 2016.

3. TREVISO DESK, Oak/Walnut. Designed by Matthew Hilton, 2009.

1. 8. VON CHAIR, Ash/Walnut. Designed PERO TALL SHELVING UNIT, Oak. by Hlynur Atlason, 2018. Designed by Matthew Hilton, 2016.

4. MODULO LARGE SIDEBOARD, Oak. Designed by Dylan Freeth, 2017.

10. PLANK TABLE, Ash. Designed by Lucian Ercolani, 1956.

6. 12. STACKING CHAIR, Ash. Designed by VON MAGAZINE TABLE, Ash/Walnut. Lucian Ercolani, 1956. Designed by Hlynur Atlason, 2018.

5. 11. BUTTERFLY CHAIR, Ash. Designed by COUNTER STOOL, Ash. Designed by Lucian Ercolani, 1956. Lucian Ercolani, 1956.

48 49 PENNON FLOW VON

PENNON TABLE - LARGE PENNON TABLE - SMALL FLOW CHAIR VON ARMCHAIR VON WORKCHAIR WITH RIGHT HAND TABLE VON WORKCHAIR WITH LEFT HAND TABLE

DESIGNER Norm Architects, 2019 DESIGNER Norm Architects, 2019 DESIGNER Tomoko Azumi, 2015 DESIGNER Hlynur Atlason, 2018 DESIGNER Hlynur Atlason, 2018 DESIGNER Hlynur Atlason, 2018 TIMBER - CODE Ash - 1810, Walnut - 1815 TIMBER - CODE Ash - 1811, Walnut - 1816 TIMBER - CODE Ash/Beech - 800, Ash & Walnut - 801 TIMBER - CODE Ash - 427A, Walnut - 1427A TIMBER - CODE Ash - 427TR, Walnut - 1427TR TIMBER - CODE Ash - 427TL, Walnut - 1427L SIZE, CM W: 249 / D: 128 / H: 75 cm. SIZE, CM W: 198 / D: 121 / H: 75 cm. SIZE, CM W: 49 / D: 53 / H: 76 / SH: 46 cm. SIZE, CM W: 81 / D: 74 / H: 82 / SH: 49cm. SIZE, CM W: 84 / D: 74 / H: 82 / SH: 49cm. SIZE, CM W: 84 / D: 74 / H: 82 / SH: 49cm. SIZE, INCHES W: 98 / D: 50.4 / H 29.5” SIZE, INCHES W: 78 / D: 47.6 / H: 29.5” SIZE, INCHES W: 19.25 / D: 20.75 / H: 30 / SH: 18” SIZE, INCHES W: 32 / D: 29.1 / H: 32.3 / SH: 19.3” SIZE, INCHES W: 33.1 / D: 29.1 / H: 32.3 / SH: 19.3” SIZE, INCHES W: 33.1 / D: 29.1 / H: 32.3 / SH: 19.3” FINISHES Stains FINISHES Stains FINISHES Stains/Colours/Half Colours FINISHES Stains, Colours FINISHES Stains, Colours FINISHES Stains, Colours

VON VON

VON CHAIR VON CHAIR WITH RIGHT ARM VON CHAIR WITH LEFT ARM VON MAGAZINE TABLE VON BENCH

DESIGNER Hlynur Atlason, 2018 DESIGNER Hlynur Atlason, 2018 DESIGNER Hlynur Atlason, 2018 DESIGNER Hlynur Atlason, 2018 DESIGNER Hlynur Atlason, 2018 TIMBER - CODE Ash - 427, Walnut - 1247 TIMBER - CODE Ash - 427AR, Walnut - 1427AR TIMBER - CODE Ash - 427AL, Walnut - 1427AL TIMBER - CODE Ash - 420, Walnut - 1420 TIMBER - CODE Ash - 428, Walnut - 1428 SIZE, CM W: 64 / D: 74 / H: 82 / SH: 49cm. SIZE, CM W: 73 / D: 74 / H: 82 / SH: 49cm. SIZE, CM W: 73 / D: 74 / H: 82 / SH: 49cm. SIZE, CM W: 71 / D: 71 / H: 48 / SH: 49cm. SIZE, CM W: 150 / D: 55 / H: 48 / SH: 48cm. SIZE, INCHES W: 25.2 / D: 29.1 / H: 32.3 / SH: 19.3” SIZE, INCHES W: 28.7 / D: 29.1 / H: 32.3 / SH: 19.3” SIZE, INCHES W: 28.7 / D: 29.1 / H: 32.3 / SH: 19.3” SIZE, INCHES W: 28 / D: 28 / H: 18.9 / SH: 19.3” SIZE, INCHES W: 59.1 / D: 21.7 / H: 18.9 / SH: 18.9” FINISHES Stains, Colours FINISHES Stains, Colours FINISHES Stains, Colours FINISHES Stains, Colours FINISHES Stains, Colours

50 51 ORIGINALS ORIGINALS

STACKING CHAIR BUTTERFLY CHAIR ALL-PURPOSE CHAIR BAR STOOL WITH BACK SADDLE STOOL LOVESEAT

DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 TIMBER - CODE Ash - 392 TIMBER - CODE Ash Veneer - 402 TIMBER - CODE Ash - 3355 TIMBER - CODE Ash - 1662 TIMBER - CODE Ash - 425 TIMBER - CODE Ash - 450, Ash with Walnut Seat - 1450 SIZE, CM W: 45 / D: 49 / H: 80 / SH: 47 cm. SIZE, CM W: 51 / D: 46 / H: 82 / SH: 47 cm. SIZE, CM W: 46 / D: 47 / H: 83 / SH: 47 cm. SIZE, CM W: 39 / D: 40 / H: 75 / SH: 75 cm. SIZE, CM W: 36 / D: 27 / H: / SH: 42 cm. SIZE, CM W: 117 / D: 53 / H: 82 / SH: 47 cm. SIZE, INCHES W: 17.75 / D: 19.25 / H: 31.5 / SH: 18.5” SIZE, INCHES W: 20 / D: 18 / H: 32.5 / SH: 18.5” SIZE, INCHES W: 18 / D: 18.5 / H: 32.75 / SH: 18.5” SIZE, INCHES W: 15.25 / D: 15.5 / H: 29.5 / SH: 29.5” SIZE, INCHES W: 14.25 / D: 10.75 / H: 16.5 / SH: 16.5” SIZE, INCHES W: 46 / D: 20.75 / H: 32.25 / SH: 18.5” FINISHES Stains/Colours/Half Colours FINISHES Stains/Colours/Half Colours FINISHES Stains/Colours FINISHES Stains/Colours/Half Colours FINISHES Stains/Colours FINISHES Stains/Colours/Half Colours

ORIGINALS ORIGINALS

COUNTER STOOL BAR STOOL COUNTER STOOL WITH BACK WINDSOR CHAIR WINDSOR ARMCHAIR QUAKER CHAIR

DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1945 DESIGNER Lucian Ercolani, 1945 DESIGNER Lucian Ercolani, 1945 TIMBER - CODE Ash - 1666 TIMBER - CODE Ash - 1667 TIMBER - CODE Ash - 1669 TIMBER - CODE Ash - 1877 TIMBER - CODE Ash - 1877A TIMBER - CODE Ash - 1875 SIZE, CM W: 39 / D: 37 / H: 65 / SH: 65 cm. SIZE, CM W: 39 / D: 37 / H: 75 / SH: 75 cm. SIZE, CM W: 39 / D: 40 / H: 65 / SH: 65 cm. SIZE, CM W: 49 / D: 55 / H: 92 / SH: 45 cm. SIZE, CM W: 64 / D: 55 / H: 92 / SH: 45 cm. SIZE, CM W: 49 / D: 60 / H: 103 / SH: 45 cm. SIZE, INCHES W: 15.25 / D: 14.5 / H: 25.5 / SH: 25.5” SIZE, INCHES W: 15.25 / D: 14.5 / H: 29.5 / SH: 29.5” SIZE, INCHES W: 15.25 / D: 15.5 / H: 25.5 / SH: 25.5” SIZE, INCHES W: 19.25 / D: 21.75 / H: 36.25 / SH: 17.75” SIZE, INCHES W: 25.25 / D: 21.75 / H: 36.25 / SH: 17.75” SIZE, INCHES W: 19.25 / D: 23.5 / H: 40.5 / SH: 17.75” FINISHES Stains/Colours/Half Colours FINISHES Stains/Colours/Half Colours FINISHES Stains/Colours/Half Colours FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains/Colours

52 53 ORIGINALS ORIGINALS

QUAKER ARMCHAIR CHAIRMAKERS CHAIR CHAIRMAKERS ROCKER COFFEE TABLE DROP LEAF TABLE ROOM DIVIDER

DESIGNER Lucian Ercolani, 1945 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 TIMBER - CODE Ash - 1875A TIMBER - CODE Ash - 911 TIMBER - CODE Ash - 912 TIMBER - CODE Ash - 459, Ash with Walnut Tops - 460 TIMBER - CODE Ash - 3384 TIMBER - CODE Beech/Elm - 363 SIZE, CM W: 65 / D: 60 / H: 103 / SH: 45 cm. SIZE, CM W: 60 / D: 63 / H: 111 / SH: 42 cm. SIZE, CM W: 60 / D: 76 / H: 107 / SH: 40 cm. SIZE, CM W: 105 / D: 50 / H: 37 cm. SIZE, CM W: 62-120 / D: 110 / H: 73 cm. SIZE, CM W: 88 / D: 41 / H: 183 cm. SIZE, INCHES W: 25.25 / D: 23.5 / H: 40.5 / SH: 17.75” SIZE, INCHES W: 23.5 / D: 24.75 / H: 43.75 / SH: 16.5” SIZE, INCHES W: 23.5 / D: 30 / H: 42.25 / SH: 15.75” SIZE, INCHES W: 41.25 / D: 19.75 / H: 14.5” SIZE, INCHES W: 24.5-47.25 / D: 43.5 / H: 28.75” SIZE, INCHES W: 34.75 / D: 16.25 / H: 72” FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains/Colours/Half Colours FINISHES Stains/Colours

ORIGINALS ROMANA

STUDIO COUCH NEST OF TABLES PLANK TABLE ROMANA LARGE EXTENDING TABLE ROMANA MEDIUM EXTENDING TABLE ROMANA SMALL EXTENDING TABLE

DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Lucian Ercolani, 1956 DESIGNER Dylan Freeth, 2014 DESIGNER Dylan Freeth, 2014 DESIGNER Dylan Freeth, 2014 TIMBER - CODE Beech/Ash - 355 TIMBER - CODE Ash - 354, Ash with Walnut Tops - 3543 TIMBER - CODE Ash - 382 TIMBER - CODE Oak - 2642 TIMBER - CODE Oak - 2641 TIMBER - CODE Oak - 2640 SIZE, CM W: 206 / D: 88 / H: 85 / 46 cm. SIZE, CM W: 67 / D: 51 / H: 40 cm. SIZE, CM W: 152 / D: 76 / H: 73 cm. SIZE, CM W: 210 / D: 100 / H: 75 / EXT: 275 cm. SIZE, CM W: 155 / D: 90 / H: 75 / EXT: 200 cm. SIZE, CM W: 110 / D: 90 / H: 75 / EXT: 155 cm. SIZE, INCHES W: 81 / D: 34.75 / H: 33.5 / SH: 18” SIZE, INCHES W: 26.25 / D: 20 / H: 15.75” SIZE, INCHES W: 59.75 / D: 30 / H: 28.75” SIZE, INCHES W: 82.75 / D: 39.25 / H: 29.5 / EXT: 108” SIZE, INCHES W: 61 / D: 35.5 / H: 29.5 / EXT: 78.75” SIZE, INCHES W: 43.25 / D: 35.5 / H: 29.5 / EXT: 61” FINISHES Stains/Colours FINISHES Stains/Colours/Half Colours FINISHES Stains/Colours/Half Colours FINISHES Stains FINISHES Stains FINISHES Stains

54 55 NEST SVELTO TREVISO MARINO

NEST LARGE SOFA NEST SMALL SOFA SVELTO ROUND STACKING STOOL TREVISO DESK TREVISO DESK MARINO LARGE SOFA

DESIGNER Paola Navone, 2015 DESIGNER Paola Navone, 2015 DESIGNER Lisa Sandall, 2013 DESIGNER Matthew Hilton, 2009 DESIGNER Matthew Hilton, 2009 DESIGNER Dylan Freeth, 2015 TIMBER - CODE Beech - 1780/3 TIMBER - CODE Beech - 1780/2 TIMBER - CODE Oak - 136 TIMBER - CODE Oak - 2334 TIMBER - CODE Walnut - 2335 TIMBER - CODE Ash - 700/3 SIZE, CM W: 205 / D: 93 / H: 94 / SH: 48 cm. SIZE, CM W: 136 / D: 93 / H: 94 / SH: 48 cm. SIZE, CM W: 49 / D: 49 / H: 45 cm. SIZE, CM W: 122 / D: 59 / H: 86 cm. SIZE, CM W: 122 / D: 59 / H: 86 cm. SIZE, CM W: 215 / D: 85 / H: 86 / SH: 46 cm. SIZE, INCHES W: 80.75 / D: 36.5 / H: 37 / SH: 19” SIZE, INCHES W: 53.5 / D: 36.5 / H: 37 / SH: 19” SIZE, INCHES W: 19.25 / D: 19.25 / H: 17.75” SIZE, INCHES W: 48 / D: 23.25 / H: 33.75” SIZE, INCHES W: 48 / D: 23.25 / H: 33.75” SIZE, INCHES W: 84.75 / D: 33.5 / H: 34 / SH: 18” FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains /Colours FINISHES Stains FINISHES Stains FINISHES Stains/Colours

SVELTO MARINO

SVELTO OPEN SHELVES SVELTO LAMP TABLE SVELTO COFFEE TABLE MARINO MEDIUM SOFA MARINO CHAIR MARINO FOOTSTOOL

DESIGNER Lisa Sandall, 2013 DESIGNER Lisa Sandall, 2013 DESIGNER Lisa Sandall, 2013 DESIGNER Dylan Freeth, 2015 DESIGNER Dylan Freeth, 2015 DESIGNER Dylan Freeth, 2015 TIMBER - CODE Oak - 125 TIMBER - CODE Oak - 124 TIMBER - CODE Oak - 123 TIMBER - CODE Ash - 700/2 TIMBER - CODE Ash - 700 TIMBER - CODE Ash - 701 SIZE, CM W: 44 / D: 47 / H: 144 cm. SIZE, CM W: 50 / D: 50 / H: 50 cm. SIZE, CM W: 95 / D: 95 / H: 44 cm. SIZE, CM W: 152 / D: 85 / H: 86 / SH: 46 cm. SIZE, CM W: 75 / D: 85 / H: 86 / SH: 46 cm. SIZE, CM W: 59 / D: 45 / H: 39 cm. SIZE, INCHES W: 17.25 / D: 18.5 / H: 56.75” SIZE, INCHES W: 19.75 / D: 19.75 / H: 19.75” SIZE, INCHES W: 37.5 / D: 37.5 / H: 17.25” SIZE, INCHES W: 60 / D: 33.5 / H: 34 / SH: 18” SIZE, INCHES W: 29.5 / D: 33.5 / H: 34 / SH: 18” SIZE, INCHES W: 23.25 / D: 17.75 / H: 15.5” FINISHES Stains /Colours FINISHES Stains /Colours FINISHES Stains /Colours FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains/Colours

56 57 PERO MODULO EVERGREEN

PERO TALL SHELVING UNIT PERO LOW SHELVING UNIT PERO DESK MODULO LARGE CABINET MODULO SMALL CABINET EVERGREEN CHAIR

DESIGNER Matthew Hilton, 2016 DESIGNER Matthew Hilton, 2016 DESIGNER Matthew Hilton, 2016 DESIGNER Dylan Freeth, 2017 DESIGNER Dylan Freeth, 2017 DESIGNER Lucian Ercolani, 1958 TIMBER - CODE Oak - 2361 TIMBER - CODE Oak - 2366 TIMBER - CODE Oak - 2360 TIMBER - CODE Oak - 908 TIMBER - CODE Oak - 900 TIMBER - CODE Beech - 1913 SIZE, CM W: 90 / D: 35 / H: 210 cm. SIZE, CM W: 90 / D: 35 / H: 75 cm. SIZE, CM W: 100 / D: 60 / H: 75 cm. SIZE, CM W: 182 / D: 45 / H: 69 cm. SIZE, CM W: 130 / D: 45 / H: 69 cm. SIZE, CM W: 77 / D: 89 / H: 108 / SH: 48 cm, SIZE, INCHES W: 35.5 / D: 14 / H: 82.75” SIZE, INCHES W: 35.5 / D: 14 / H: 29.5” SIZE, INCHES W: 39.5 / D: 23.5 / H: 29.5” SIZE, INCHES W: 71.75 / D: 17.75 / H: 27.25” SIZE, INCHES W: 51.25 / D: 17.75 / H: 27.25” SIZE, INCHES W: 30.25 / D: 35 / H: 42.5 / SH: 19” FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains/Colours FINISHES Stains/Colours

LARA & LUCA

LARA CHAIR LUCA TABLE LUCA ROUND TABLE

DESIGNER Dylan Freeth, 2016 DESIGNER Dylan Freeth, 2016 DESIGNER Dylan Freeth, 2016 TIMBER - CODE Ash - 1790 TIMBER - CODE Ash - 1795 TIMBER - CODE Ash - 1797 SIZE, CM W: 49 / D: 46 / H: 78 / SH: 47 cm. SIZE, CM W: 75 / D: 75 / H: 75 cm. SIZE, CM W: 100 / D: 100 / H: 75 cm. SIZE, INCHES W: 19.25 / D: 18.25 / H: 30.75 / SH: 18.5” SIZE, INCHES W: 29.5 / D: 29.5 / H: 29.5” SIZE, INCHES W: 29.5 / D: 29.5 / H: 29.5” FINISHES Ash or Black only FINISHES Stains/Colours FINISHES Stains/Colours

58 59 FINISHES CREDITS © 2019 ERCOL FURNITURE LTD. All rights reserved. No part of this publication may be reproduced, distributed or trans- mitted in any form or by any means, including photocopying or other electronic or mechanical methods, without prior written permission of Ercol Furniture Limited nexcept in the case of brief quotation embodied in critical reviews and other non-commercial uses permitted in the copyright law. For permission requests please contact Ercol.

WOOD

Walnut Oak Beech Ash

STAINS

Natural (DM) Whitened (NM) Darkened (DA)

COLOURS

Black (BK) White (WT) Burgundy (BY) Rose (PN)

Indigo (IN) Oceanic (OC) Forest Green (GN)

HALF COLOURS

ERCOL

Summerleys Road Princes Risbrough THANKS TO Black (BG) White (WH) Burgundy (BX) Rose (PG) Buckinghamshire HP27 9PX Menu SHOWROOMS Amalie Bjarnhof UK SHOWROOM AND FACTORY Henriette Mørk Summerleys Road Ercol USA CREDITS Anne Brandhøj Princes Risbrough New York Showroom Kusiner Buckinghamshire 50 Greene St, New York, Photography Helle Mardahl HP27 9PX NY 10013, USA Christian Møller Andersen Astep Indigo (IG) Oceanic (OH) Forest Green (GH) Kristina Dam Customer Enquiries: All enquiries Styling Flos [email protected] [email protected] Sofie Brünner Kinetic Mobiles Studio Arhøj Retailer Enquiries: Art Direction Yonobi [email protected] Ercol International Christian Møller Andersen Sara Martinsen DesignPost Showroom Nodari Contract Enquires: Deutz-Mülheimer Str. 22A, Copy Writing Atelier Cph [email protected] 50679 Köln, Germany Julie Ralphs Tom Rossau Frama Phone: All enquiries Stylist Assistant Josephine Winding 60 +44 1844271800 [email protected] Nicholas Shurey Normann Cph

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