800-769-5912 Ext. 3 Or Email Kate: [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

800-769-5912 Ext. 3 Or Email Kate: MARS@Takeafuntrip.Com

Day 1 - Grand Central Terminal, Gulliver’s Gate, and Skyscape living. Enjoy lunch on own while at the museum. Check in for your Depart from Arlington with ESCORT, then enjoy lunch at Limani, Inside Out tour at the Visitor Center. Depart on Inside Out tour at located around the corner from Radio City Music Hall and walking the Visitor (pending availability). Discover New York City hidden distance from the Theatre District. Each dish has an element of secrets - The tour includes underground artwork, lesser-known simplicity and freshness to go along with being a traditional Greek cultural monuments, hidden artifacts, unique architecture, decoded recipe and the dramatic décor reminds customers of the crystal historic messages, and all the fascinating stories behind them. clear, blue waters of the Greek islands. Enjoy a self-guided audio Follow the clues to explore the city’s best secrets and uncover tour of Grand Central Terminal. Get your audio device, headphones mysteries that even native New Yorkers don’t know! Return to hotel and maps then depart on your tour! All key accessible areas of the for free evening. Dinner on own. Terminal are visited included the astronomical ceiling, the whispering gallery and more. Visit Gulliver’s Gate, A technologically Day 3 - Bartow-Pell Mansion and Depart advanced, interactive and immersive world of miniatures covering Enjoy breakfast included at the hotel before checking out. Visit the 50,000 square feet that will ignite your imagination and challenge Bartow-Pell Mansion Museum. Chose to take either the Mansion your perspective. Visit Spyscape, channel your inner James Bond in and Carriage House or the Gardens and Grounds tour then enjoy this immersive museum where you’ll learn about encryption, some conversation and light refreshments (tea, scones, and bis- deception, special ops and so much more! Enjoy dinner included at cuits) in the conservatory. Afterward, take a self-guided tour to are- a Local Hot Spot. Check into area hotel. as of the site missed. Depart for home. Lunch on own en route. Day 2 - Mmuseumm, Whitney Museum of American Art, and Inside Out Tour Enjoy breakfast included at the hotel then depart with ESCORT, visit the Mmuseumm, a modern natural history museum located in lower Manhattan in New York City, dedicated to its signature curatorial style of "Object Journalism." Arrive at the Whitney Museum of American Art, a museum exclusively featuring 20th-century & contemporary art by American artists, most still To receive a detailed or customized proposal of this tour, call 800-769-5912 ext. 3 or email Kate: [email protected] Mid-Atlantic Tours & Receptive Services Post Office Box 1390 Stephens City, VA 22655 Phone: 540-869-1864 Fax: 540-869-1826 Artists and performers using celebrity names will be tribute performers. Local and regional entertainers will perform as themselves. Fla. Seller of Travel Reg. No ST39040; State of California Seller of Travel Reg. No 2121204-40 .

Copy Link

Recommended publications

The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community.
[Show full text]
Ceremony Opens Plaza Art Exhibit Committee to Pick Grad Speaker
Volume 3, Number IS College At Lincoln Center, Fordham University, New York November 16-December 6,1983 CLC Blood Drive Nets SSA IS .«, » i irw" ^;:-:- 100 Pints By Marie Reres More than 100 pints of blood were collected in the CLC Blood Drive, held on November 7, 8 and 9 in the Pope Auditorium, according to Registered Nurse and Unit Manager of the Blood Drive, Alex- •^? : *i. *. ' • Win ander Mamon. The Blood Drive was sponsored by members of The Greater New York Blood Program. Studen! clubs Circle K and Res Ipsa Loquitur organized the event. "I was surprised to see such a good turnout, con- sidering the lack of student involvement in other events," said Bill Finneran, Vice President of Circle K. As donors came into the auditorium, they were greeted by a member of the Greater New York Blood Program who filled out an information sheet for each person. Next, a registered nurse took a Judith Brown's "Steel Images" will remain on exhibit for one year Photo Bv Doris Suen short medical history from each donor which in- cluded questions concerning hepatitis, malaria and general health. A blood sample was taken from the donor's finger to test for iron. Temperature and Ceremony Opens Plaza Art Exhibit blood pressure were taken, as well. Donors each gave one pint of blood and were then led to the can- By Doris Suen teen, where they were able to relax and have Judith Brown's metallic and menacing sculpture exhibition on the CLJC Plaza has been the talk refreshments. ' The official opening of artist Judith Brown's of the school lately.
[Show full text]
Spring Spring
what to do • where to go • what to see May 22–June 4, 2006 The Officficialial GuGuideide to BOSBOSTONTON THE Spring Issue PLUS: Where to see Ben Affleck, Bruce Springsteen and live music under the stars wwwwww.panoramamagazine.com.panoramamagazine.com contents DEPARTMENTS 6 around the hub 6 NEWS & NOTES 10 STYLE COCOVERVER STORY 12 ON EXHIBIT 14 NIGHTLIFE 18 Spring is in the Air 15 DINING 16 KIDS CORNER From riding the Swan Boats to 17 ON STAGE shopping on Newbury Street, Panorama gives its best bets 23 the hub directory for fun springtime activities 26 CURRENT EVENTS in the Hub 36 CLUBS & BARS in the Hub 39 MUSEUMS & GALLERIES 44 MAPS 50 SIGHTSEEING 54 EXCURSIONS 56 FREEDOM TRAIL 58 SHOPPING 64 RESTAURANTS 80 NEIGHBORHOODS 94 5 questions with… Author JODI PICOULT on the cocover:ver: Samantha of Maggie Inc. enjoys some splendor in the grass at Boston’s Public Garden. Photo: Bob Perachio. IN BLOOM: TulipsTulips blossom in Hair and Make-up: the Public Garden, the nation’s Rachael Berkowitz. first public botanical garden. Refer to story,story, page 18. PrProducedoduced by Heather Burke. PHOTO BY B OB PERACHIO ___ MAY 22–JUNE 4, 2006 3 The Official Guide to BOSTON www.panoramamagazine.com May 22–June 4, 2006 Volume 55 • Number 26 Jerome Rosenfeld • CHAIRMAN Tim Montgomery • PRESIDENT/PUBLISHER Christine Celli • EDITOR Scott Roberto • ART/PRODUCTION DIRECTOR Josh B. Wardrop • ASSOCIATE EDITOR Sharon Hudak Miller • ASSOCIATE ART DIRECTOR Heather S. Burke • PHOTO EDITOR Marketa Hulpachova • EDITORIAL ASSISTANT Della Huff, Matt Kalinowski, Bob Perachio, Juliann Rubijono, John Savone • CONTRIBUTING PHOTOGRAPHERS Alex Harris, Jinnie Lee, LaTanya McQueen, Kamie Richard • EDITORIAL INTERNS Jacolyn Ann Firestone • VICE PRESIDENT, ADVERTISING Rita A.
[Show full text]
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen).
[Show full text]
1/137 Research Report 1997-1999 One of the Vital Activities of Any National Museum Is Research. the Myriad Public Functions of A
Research Report 1997-1999 One of the vital activities of any national museum is research. The myriad public functions of a modern museum are dependent on sound knowledge of the objects in the museum's care. Research allows the Victoria and Albert Museum to play a role with the creative industries; it underpins education programmes that render the collections meaningful to school children, students and distance learners; it enables the giving of pleasure to a mass audience. Scholarship, alongside collections management and conservation, guarantees the continued prosperity of the nation's heritage. This report covers a three-year period in which hundreds of exhibitions, books, journal articles and electronic publications have made available a vast amount of scholarly material. Victoria and Albert Museum specialists on the art and design of the last thousand years, across all continents, have continuously published ground-breaking research in significant quantities. Apart from the individual efforts of the Museum's major scholars, perhaps a particularly impressive aspect of the research effort in this period has been the collaborative projects undertaken with universities and museums in Britain and abroad. They include topics as varied as Gothic art, historic tapestries, Anglo-Indian furniture, the Victorians, modern product design and electronic media. As research becomes more interdisciplinary, and technology becomes more central, so the methods of research progress. This report shows that a powerful and varied research culture remains one of the distinguishing characteristics of the V&A. It reports on the last years of the 20th century. I think we can all be assured that the research effort will continue and will enlighten the new century as much as it did the old one.
[Show full text]
David Hockney
875 North Michigan Ave, Chicago, IL 60611 Tel. 312/642/8877 Fax 312/642/8488 1018 Madison Avenue, New York, NY 10075 Tel. 212/472/8787 Fax 212/472/2552 DAVID HOCKNEY Born in Bradford, England, 1937. Lives and works in Los Angeles, California. EDUCATION 1953-57 Attended Bradford College of Art 1959-62 Attended Royal College of Art 1964 Teaching Position at University of Iowa 1965 Teaching Position at University of Colorado 1966-67 Teaching Position at University of California, Los Angeles & Berkeley SELECTED SOLO EXHIBITIONS 2016 David Hockney: I Draw, I Do, The MAC, Belfast, Ireland (forthcoming) The Yosemite Suite, L.A. Louver, Venice, California The Yosemite Suite, Annely Juda Fine Art, London David Hockney: 77 Portraits, 2 Still Lifes, Royal Academy of Arts, London, United Kingdom David Hockney: The Yosemite Suite, Pace, 537 West 24th Street, New York, New York. David Hockney: Six Tales from the Brothers Grimm, Gallagher & Turner, Newcastle, United Kingdom David Hockney: From the Beginning, River and Rowing Museum, Henley on Thames, United Kingdom 2015 – 2016 Hockney’s Double Portraits, Tate Britain, London, United Kingdom The Arrival of Spring, Fondation Vincent van Gogh Arles, Arles, France 2015 David Hockney, Works on Paper, Paul Kasmin Gallery, New York, New York David Hockney: Early Drawings, Offer Waterman, London, United Kingdom The Arrival of Spring in Woldgate, Galerie Lelong, Paris, France David Hockney: Painting and Photography, Annely Juda Fine Art, London, United Kingdom; traveled to L.A. Louver, Venice, California [cat.]
[Show full text]
108 Chambers New York
108 CHAMBERS NEW YORK OFFERING MEMORANDUM STREAM Capital Partners | 3 TABLE OF CONTENTS DISCLAIMER 05 Transaction Summary This Offering Memorandum (“Memorandum”) is intended solely for the use of prospective investors in determining whether or not to pursue the possible acquisition of the Retail Property (“the 07 Tenant Summaries Property”) at 108 Chambers Street, New York, New York. This Memorandum is of a proprietary 09 Future Plans and confidential nature. Prospective investors and/or their advisors are expressly forbidden from 11 Building Progress sharing this information with any individuals or organizations that are not directly connected with the analysis of this investment opportunity. STREAM Capital Partners, LLC (“SCP”) has been 13 Property Surrounding Area retained as the exclusive advisor for this investment opportunity. Any and all inquiries are to be 15 Aerial Map directed to SCP. 17 TriBeCa Surrounding Area By accepting this Memorandum, the recipient agrees that it will cause its directors, officers, 21 Demographics employees and representatives to use the Memorandum and all of the information contained 23 TriBeCa Market Overview therein only to evaluate this specific investment opportunity and for no other purpose and shall return this Memorandum together with any copies to SCP upon request. This Memorandum 31 TriBeCa Location Highlights contains confidential material which is non-public information. Receipt of this Memorandum constitutes your acknowledgment that you will maintain the information contained herein in strict confidence. EXCLUSIVE REPRESENTATION All information contained herein has been provided by the Organization, its affiliates or other sources that SCP deems reliable; however, SCP has not independently verified any of the information, Jordan Shtulman including the financial estimates and projections and selected real estate information, contained herein.
[Show full text]
Palgrave Studies in Theatre and Performance History Is a Series
Palgrave Studies in Theatre and Performance History is a series devoted to the best of theatre/performance scholarship currently available, accessible, and free of jargon. It strives to include a wide range of topics, from the more traditional to those performance forms that in recent years have helped broaden the understanding of what theatre as a category might include (from variety forms as diverse as the circus and burlesque to street buskers, stage magic, and musical theatre, among many others). Although historical, critical, or analytical studies are of special interest, more theoreti- cal projects, if not the dominant thrust of a study, but utilized as important underpin- ning or as a historiographical or analytical method of exploration, are also of interest. Textual studies of drama or other types of less traditional performance texts are also germane to the series if placed in their cultural, historical, social, or political and eco- nomic context. There is no geographical focus for this series and works of excellence of a diverse and international nature, including comparative studies, are sought. The editor of the series is Don B. Wilmeth (EMERITUS, Brown University), PhD, University of Illinois, who brings to the series over a dozen years as editor of a book series on American theatre and drama, in addition to his own extensive experience as an editor of books and journals. He is the author of several award-winning books and has received numerous career achievement awards, including one for sustained excel- lence in editing
[Show full text]
Table of Contents Letter from the Principal
Issue Two // Winter 2019 Table of Contents Letter from the Principal Issue Two Winter 2019 Matthew D. Payne STEAM Editor and Director of Communications Penny L. Arnold 10 Director of Development since 1914 Kelly Washburn Director of Annual Giving While STEAM is marketed as a relatively new and Special Events educational approach, it has been very much Katoiya Bell Dear C&C Community, alive at C&C since 1914. Development and Communications Associate I am excited to welcome you to our second issue of Works in Progress, Designer the magazine of City and Country School. The inclusion of the word Gin Chen “Progress” in our magazine’s title emphasizes our community’s commitment to progressive education. One of the cornerstones of Photography Letter from the Principal Kay Boyes, Katoiya Bell, Matthew D. Payne, progressive education is the presence of a guiding philosophy that Kelly Washburn, Gee Roldan, Katrina Raben, moves our children’s learning forward. 1 Ian Klapper, Erika Greenberg, Coua Vang, Sarah Whittier, Molly Lippman, and C&C’s What guides C&C is the idea—instilled by our founder Caroline Pratt in A XIII’s-Eye View of C&C Class of 2019 1914—that learning should always have a real-life context. 2 Contributing Writers C&C’s guiding philosophy is present in every Group, and you’ll find Matthew D. Payne, Elise Bauer, Jane Clarke, Nick Smart, Katoiya Bell, Kay Boyes, Nica interesting examples throughout this magazine. It drives the deep Parents’ Corner Delbourgo, and C&C’s Class of 2019 understanding of our Middle/Upper School students as they research complex societies and time periods, and create meaningful artifacts as 4 described in “Around C&C” and featured on the cover.
[Show full text]
ARTNOIR: City of Cultural Any Medium Created in Connection with Weekend Exchange Events Or Activities
OCT 15-16 2016 It is a simple and familiar concept, an open Dear Friends, house. We open our doors to welcome I am delighted to welcome everyone to the friends, family, and neighbors to celebrate 14th Annual Open House New York Weekend. an occasion or share an experience. But take IS PROUD that simple idea, multiply it hundreds of times New York has always been at the forefront over the course of two days at some of New of progress in the fi elds of the arts, York’s most architecturally and culturally architecture, engineering and design, and TO PARTNER signifi cant sites, and something extraordinary we are the proud home to an outstanding happens. Welcome to the 2016 Open House array of iconic buildings, museums, parks, New York Weekend! bridges and infrastructure. Established in 2003, OHNY invites residents and visitors WITH OHNY Weekend brings us together as a to explore more than 250 historic and community to recognize that the city itself contemporary sites throughout the fi ve is our greatest shared resource and that the boroughs and facilitates special access OPEN HOUSE choices we make, collectively, about how to to places normally closed to the public. shape its future have profound implications This much anticipated two-day long event for generations to come. The buildings that includes talks and tours given by leading NEW YORK. will open this OHNY Weekend can tell us and emerging design professionals that stories about the many different ways our educate attendees about the history of our fellow New Yorkers live and learn and work, vibrant urban landscape and help them and communicate ideas about technological better understand the trends, challenges ingenuity, social history, aesthetic innovation, and technological advancements that are and so much more.
[Show full text]
Compass Quarterly
Culture Design Entrepreneurship Data Destinations Interiors Compass Quarterly The Luxury Issue The Luxury Issue The finer things in life. Features Entrepreneurship A high-end real estate brokerage waxing lyrical about luxury 14 is nothing new. Our hope for this edition was to, instead, use its Perfect Attendants pages to toss around some ideas, talk to our agent community, On the frontlines of the new luxury, these innovators are refining the and draft our own definition. customer relationship with technology What elements of the good life are distinctly modern? Who and the indispensable human touch. do we revere in the luxury space? How does a company create a memorable client experience? Data For some of us, we found, luxury is beauty — tangible, 22 refined, impeccably crafted. Something worthy of passing Redeeming Features down for generations. For others, luxury is innovation — speed, We asked our 800+ Compass agents, spread across eight cities precision, responsiveness. Service at a click. and 22 offices: What are the hottest Both concepts are imbued in our company, which is built amenities of 2016 and beyond? around sophisticated design and equally sophisticated technology. We add to that powerful combination the Culture unparalleled guidance of our agents from coast to coast. 33 So whether you’re living large in a New York City high-rise, Master Class retreating to a Colorado ranch, or weekending at a Hamptons Hailing from the world’s most exclusive farmhouse, we hope you carve out some time to find those industries and privy to their hallowed traditions, Compass agents bring a meaningful indulgences. Being alone in the park with a commitment to excellence to real favorite novel or being surrounded by friends on a sunset sail.
[Show full text]
Sara Berman's Closet
FOR IMMEDIATE RELEASE January 31, 2019 Media Contact: [email protected] / 215.923.3811 x 122 THE NATIONAL MUSEUM OF AMERICAN JEWISH HISTORY PRESENTS FIRST-EVER PUBLIC ART INSTALLATION, WORLD-RENOWNED SARA BERMAN’S CLOSET A temporary outdoor monument to freedom and independence How fashion, feminism, art, immigration and history come together in a burst of joy Outdoor installation complemented by an exhibition by the Kalmans with original works On view April 5-September 1, 2019 PHILADELPHIA—The National Museum of American Jewish History (NMAJH) is pleased to announce its next special exhibition Sara Berman’s Closet: a small and monumental story by Maira Kalman and Alex Kalman. An installation of one immigrant woman’s belongings as re-created by Sara’s daughter and grandson – the acclaimed artist and writer Maira Kalman and designer and curator Alex Kalman – the project will feature the Museum’s first-ever public art installation on its Kimmel Plaza, on the corner of 5th and Market Streets. An accompanying art exhibition will continue in the Museum’s special exhibition gallery, featuring new paintings by Maira Kalman and new sculptures by Alex Kalman and will include interventions throughout the core exhibition, as well as in-person appearances by the Kalmans throughout the run. Sara Berman’s Closet will be on view April 5 through September 1, 2019. Sara Berman’s Closet is adapted from Sara Berman’s modest closet in the studio apartment in New York City’s West Village where she lived. Filled with her fastidiously organized personal effects, Sara’s closet tells a small and monumental story: “How a life is formed.
[Show full text]