Magdalen College Chapel Music List Trinity Term 2021 Week 8

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MAGDALEN COLLEGE CHAPEL MUSIC LIST TRINITY TERM 2021 WEEK 8 Sunday 11.00am Choral Eucharist ! Wednesday 12.00pm Angelus & Noon Prayer (said) * 13 June The College Choir (Decani) from the Antechapel 16 MORALES Missa Caça Richard, Bishop of 6.00pm Choral Evening Prayer, online " DURUFLÉ Ubi caritas et amor Second Sunday after Chichester, 1253 WHITE Prayer of St Richard of Chichester Trinity J.S BACH Fugue in E minor BWV 548/ii Preacher: The Dean of Divinity MENDELSSOHN Jauchzet dem Herrn STANFORD O for a closer walk with God 6.00pm Choral Evensong ! The College Choir (Cantoris) from the Choir Stalls JANET WHEELER Responses Psalm 69: 1-14 Thursday 17 12.00pm Angelus & Noon Prayer (said) * WOOD in E-flat (No. 2) ELGAR The Spirit of the Lord WIDOR Final from Symphony No. 6, Op. 42 Samuel & Henrietta 6.00pm Choral Evening Prayer, online " Preacher: The Very Reverend Catherine Ogle, Dean of Winchester Barnet, Social I HOLST A Hymne to Christ Reformers, 1913 & Monday 14 12.00pm Angelus & Noon Prayer (said) * SMART Psalm 88 1936 VILLETTE Hymne a la Vierge Tuesday 12.00pm Angelus & Noon Prayer (said) * 15 Friday 18 6.00pm Choral Evening Prayer ! The Academical Clerks from the Stalls ! TALLIS Responses Psalm 91 6.00pm Choral Evening Prayer The Junior Choristers from the Stalls Bernard Mizeki, Evelyn Underhill, PLAINSONG Creator of the earth and sky PLAINSONG Responses Psalm 75 Apostle of the Spiritual Writer, GRAYSTON IVES The Lord hath clothed me MaShona, Martyr, DUFAY Magnificat quinti toni TOMKINS Above the stars 1941 DYSON in C minor PLAINSONG Salve regina 1896 PLAINSONG Salve regina PRAETORIUS O lux beata trinitas BERKELEY O that I once past changing were Saturday 19 6.00pm Choral Evensong ! The Consort of Voices (Cantoris) from the Stalls LEIHGTON Fantasy on St Columba WILLAN I beheld her, beautiful as a dove BYRD Responses Sundar Singh of PURCELL in G minor Psalms 98 & 99 9.00pm Compline ! " Two solo singers from the Choir stalls India, Sadhu, PURCELL Beati omnes qui timent dominum Evangelist, Teacher, J.S. BACH Fugue in A minor BWV 543/ii 1929 * Open to College members and staff only. No pre-booking necessary. " Short pre-recorded services (c. 10-15 minutes), featuring a Bible reading, prayers, and music from the Choir, broadcast on the # SCAN HERE TO BOOK TICKETS FOR Chapel and Choir social media channels, Facebook and Twitter and YouTube at the time given. SUNDAY EVENSONG ! A limited number of seats are available in the Chapel for live services. Seats for Choral Evensong on Sunday may be booked here (or scan the QR code to the right) free of charge online, from Wednesday in the week preceding the service. All other in-person services are first-come, first-served (no booking). Members of the congregation will be expected to wear face coverings throughout the service. # SCAN HERE TO VIEW SERVICES ONLINE Please note that Compline is both an in-person service, and recorded for subsequent broadcast online. .

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Choral Evensong
Summer 2017 Service & Music List Sunday 2nd July The Third Sunday after Trinity Thursday 6th July Decani Week 11.05am Eucharist said in Saint Stephen’s Chapel 9.15am Eucharist said in the Lady Chapel 5.30pm Choral Evensong sung by the Georgia Boys’ Choir 11 .15 am Choral Eucharist sung by the Maryland State Boy choir Canticles Brewer in D Responses: Hancock Setting Piccolo: Canterbury Mass Anthem All in the April evening Roberton Psalm: 34 vv 1 -10 Gradual O sing joyfully Batten Motet Ave Verum corpus Byrd Friday 7th July Preacher The Revd T.S. Forster, B.A., B.Th., M.Phil. 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Prebendary of Yagoe Hymns: 334, 272, 475 3.15pm Choral Evensong sung by the Maryland State Boy choir Canticles Kelly in C Responses: Hancock Anthem Like as the hart Howells Psalm: 37 vv 1 -11 Canticle s Stanford in C Responses: Quinn An them Hail gladdening light Wood Psalm: 12 Saturday 8th July Voluntary Preludium in G Buxtehude Hymns: 483 (t.77), 252 11.05am Eucharist said in Saint Stephen’s Chapel rd Monday 3 July Saint Thomas th 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Sunday 9 July The Fourth Sunday after Trinity Cantoris Week Canticles Dyson in D Re sponses: Hancock Anthem The deer’s cry Pärt Psalm: 18 vv 1 -16 9.15am Eucharist said in the Lady Chapel 11.15am Choral Eucharist sung by the Georgia Boys’ Choir Tuesday 4th July Setting Missa de Angelis 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Gradual Os Justi Bruckner Motet Faire is th e Heaven Harris Canticles Hogan in D b Responses: Hancock Preacher The Revd W.P.
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The 2007 Edition Is Available in PDF Form By
VOX The new Chapter Secretary: Nick Gale [email protected] The Academy of St Cecilia Patrons: The Most Hon. The Marquess of Londonderry Dean and Education Advisor: Sir Peter Maxwell Davies CBE John McIntosh OBE Vice Patrons: James Bowman CBE, Naji Hakim, Monica Huggett [email protected] From the master Treasurer: Paula Chandler [email protected] elcome to the 2007 edition of Vox - the mouthpiece of the Academy of St Cecilia. Registrar: Jonathan Lycett We always welcome contributions from our members - [email protected] indeed without them Vox would not exist. In this edition we announce our restructured Chapter and its new members; feature a major article on Thomas Tallis Director of Communications: whose 500th anniversay falls at this time; and we Alistair Dixon review the Academy’s most major event to date, the [email protected] chant day held in June 2006. Our new address is: Composer in Residence: Nicholas O'Neill The Academy of St Cecilia Email: [email protected] C/o Music Department [email protected] Cathedral House Westminster Bridge Road Web site: LONDON SE1 7HY www.academyofsaintcecilia.com Archivist: Graham Hawkes Tel: 020 8265 6703 [email protected] ~ Page 1 ~ ~ Page 2 ~ Advisors to the Academy Thomas Tallis (c.1505 - 1585) Alistair Dixon, a member of the Chapter of the Academy, spent ten years studying and performing the music of Thomas Tallis. In 2005 Academic Advisor: he released the last in the series of recordings with his choir, Chapelle Dr Reinhard Strohm PhD (KU Berlin) FBA HonFASC. Heather Professor of Music Oxford University du Roi, of the Complete Works of Thomas Tallis in nine volumes.
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Music List – May 2021
MUSIC LIST – MAY 2021 SUNDAY 2nd MAY WEDNESDAY 5th FIFTH SUNDAY OF EASTER Cantoris 5.45pm Choral Evensong services sung by the Boys and Lay Clerks sung by the Consort 10.30am Sung Eucharist Oxley responses Psalm 99 Rowley Sursum corda Harris in A Darke in E Bairstow Sing ye to the Lord arr. Wood This joyful Eastertide Stanford Andante maestoso Hymns: 205 (omit vv. 2 & 4); 112 (omit vv. 2 & 4); 110 THURSDAY 6th Langlais Fête 5.45pm Choral Evensong Preacher: Canon Benjamin Carter sung by the Girls and Lay Clerks Cullen responses Psalm 104 3.00pm Choral Evensong Dyson in F Stanford Prelude on Tallis’ Canon Wesley Blessed be the God Moore responses Psalm 96 and Father Dyson in D Willan O filii et filiae Stanford Ye choirs of new Jerusalem Hymns: 119 (omit vv. 4 & 5); 120 FRIDAY 7th Stanford Prelude on the Easter Hymn 5.45pm Choral Evensong sung by the Boys and Lay Clerks TUESDAY 4th Shephard responses Psalm 66 5.45pm Choral Evensong Sumsion in G sung by the Lay Clerks Millican Haec dies Ashfield responses Psalm 97 Sumsion Ceremonial march Lang in E flat MacPherson Te Deum in E Brahms Schmücke dich, O liebe Seele SUNDAY 9th MAY WEDNESDAY 12th SIXTH SUNDAY OF EASTER Decani 5.45pm Choral Evensong services sung by the Girls and Lay Clerks sung by the Consort 10.30am Sung Eucharist Clucas responses Psalms 15, 24 Widor Symphonie Romane: Cantilène Ireland in F (founded upon the Easter hymn Amner Come, let’s rejoice ‘Haec dies’) Murrill Carillon Haydn Little organ mass Palestrina Sicut cervus THURSDAY 13th Hymns: 106 (omit v.
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Some Tho:Ughts on Antiphonal Singing
SOME THO:UGHTS ON ANTIPHONAL SINGING placement of organs in two separate arms Decani choir (south side of the Cathe• LEONARD VAN CAMP of this cross caused the experimentation dral) and a Cantoris choir (north side of Prepared for the Fourth Annual High with alternating the sound of the two the Cathedral). Many works which we School Choral Clinic, Southern Illinois instruments (which had been done ear- think to be for four-part choir were in• University, Edwardsville Campus, ·by Dr. lier in other places). Further exploration stead intended to be sung by alternate Van Camp, Director of Choral Activities showed the feasibility of placing separate choirs, including for example (in the choirs across the nave from each other. writer's opinion) the oft-performed A marvelously colorful musical experi- With each succeeding generation of mas- "Lord, for Thy Tender Mercies' Sake" ence awaits the director and choir who ter composers the Venetian school of by Richard Farrant (c. 1530-1581) and undertake choral music which. incorpor-' polychoral singing developed to a higher Christopher Tye's (c. 1500-c. 1572) "O ates antiphonal singing. We must first and more colorful peak. The height of Come, Ye Servants of the Lord," both of of all answer the question: "What do you this development which began in earnest which take mi new meaning when per• mean, antiphonal singing?" The term at St. Mark's in 1527 with Adrian Wil- formed in this way. The Roman School, refers, in a general way, to music for laert (c. 1490-1562), and continued even especially Antonio Lotti (1667-1740) two choirs in which one choir imitates after the days of the famous composer, and Antonio Caldara ( 1670-1736), was or echoes the music of the other.
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The Plight of Anglican Church Music in the Western Cape: Three Case Studies
THE PLIGHT OF ANGLICAN CHURCH MUSIC IN THE WESTERN CAPE: THREE CASE STUDIES Levi Eudo Alexander Thesis presented in partial fulfilment of the requirements for the degree of Master of Music (Choral Conducting) in the Faculty of Arts and Social Sciences at Stellenbosch University. Supervisor: Martin Berger March 2021 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Levi Alexander March 2021 Copyright © 2021 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za ABSTRACT Music ministries still providing Anglican church congregations with traditional Anglican church music find themselves clutching onto a musical tradition in a church plagued by the increasing secularisation of society. This thesis, in three case studies, investigates the musical output and general daily function of three Anglican churches in the Western Cape by interviewing the rector and music director of each parish. Each parish was selected as it presented a varied historical, musical, liturgical and churchmanship culture. The aim of the thesis is to ascertain, primarily, whether traditional music is under threat of falling into disuse in the church and secondly, if traditional music is indeed under threat, the possible measures which could be implemented to preserve the heritage for future generations of Anglican worshippers.
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Services and Music List
Services and Music List December 2018 WELCOME December begins almost immediately with the thrill of Advent and our Carol Service, How shall we call Thee?, built around the Great Advent Antiphons. These are set to music this year by Richard Allain under the title Vero Cras. Amid the many celebrations of Christmas hosted by the Cathedral throughout Advent, we keep the daily round of prayer and praise as excitement builds, and we are surprised again by God’s gift of himself. We hope very much that you will join us when you can. The Reverend Canon Nicholas Jepson-Biddle, Precentor Communicant members of other churches in good standing are welcome to receive the Sacrament in this church if they so desire. IN RESIDENCE December 1: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 2 – 8: The Very Reverend Dr John Davies DL, Dean December 9 – 15: The Reverend Canon Rosalind Paul, Pastor December 16 – 25: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 26 – 31: The Reverend Canon Rosalind Paul, Pastor WELLS CATHEDRAL CHOIR The Cathedral’s Organist and Master of the Choristers, Prebendary Matthew Owens, is always pleased to hear from parents of prospective choristers. Scholarships and additional bursaries for Wells Cathedral School, which all choristers attend, are available. For more information, or about choral and organ scholarships at the Cathedral, please telephone 01749 832204 or email [email protected] USE OF INCENSE At certain services throughout the year, incense is used to enhance the festal nature of the day. These services are marked with an asterisk (*). ANTHEMS Selected translations of anthems which are not sung in English may be found towards the back of the Services and Music List, following the final listed week.
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Choral Evensong for the Fifth Sunday of Easter
Choral Evensong For the Fifth Sunday of Easter May 6, 2012 5:00 PM The Rev. Judith L. Rhodes, Rector The Reverend Dr. Paul J. Carling, Associate Rector The Reverend Kristin K. Miles, Assistant for Formation The Saint Paul’s Choir, John Abdenour, Director Joseph Ripka, Organ Welcome to this service of Choral Evening Prayer, or Evensong. In the Episcopal Church, the Daily Office—that is , services of Morning and Evening Prayer—celebrate the sacramental nature of the movement of time. Rooted in ancient monastic tradition, the services focus on the Word of God as it is revealed through the Lessons (scripture readings), the Canticle(s) (at Evening Prayer drawn from the Gospel of Luke), the Psalm, and the prayers, which are always grounded in Scripture. This service will be conducted as a ‘choir’ service, that is, a service being held in the choir—or chancel—of the church, and sung primarily by the choir and Precentor (cantor). The congregation is invited to sing the hymns and to participate through listening, contemplation, and prayer. Hymns may be found in the blue Hymnal 1982 in the pew rack in front of you. Order of Service Organ Voluntary Adagio e dolce from Sonata III BWV 527 Johann Sebastian Bach (1685-1750) The People stand as the Choir and Officiant enter. Introit John Abdenour (b. 1962) I will bless the Lord at all times * his praise shall ever be in my mouth. Look upon him and be radiant, * Nor let your faces be ashamed. Taste and see that the Lord is good; * Happy are they that trust in him.
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Robert Shay (University of Missouri)
Manuscript Culture and the Rebuilding of the London Sacred Establishments, 1660- c.17001 By Robert Shay (University of Missouri) The opportunity to present to you today caused me to reflect on the context in which I began to study English music seriously. As a graduate student in musicology, I found myself in a situation I suspect is rare today, taking courses mostly on Medieval and Renaissance music. I learned to transcribe Notre Dame polyphony, studied modal theory, and edited Italian madrigals, among other pursuits. I had come to musicology with a background in singing and choral conducting, and had grown to appreciate—as a performer—what I sensed were the unique characteristics of English choral music of the sixteenth and seventeenth centuries. It was a seminar on the stile antico that finally provided an opportunity to bring together earlier performing and newer research interests. I had sung a few of Henry Purcell’s polyphonic anthems (there really are only a few), liked them a lot, and wondered if they were connected to earlier music by Thomas Tallis, William Byrd, and others, music which I soon came to learn Purcell knew himself. First for the above-mentioned seminar and then for my dissertation, I cast my net broadly, trying to learn as much as I could about Purcell and his connections to earlier English music. I quickly came to discover that the English traditions were, in almost every respect, distinct from the Continental ones I had been studying, ranging from how counterpoint was taught (or not taught) 1 This paper was delivered at a March 2013 symposium at Western Illinois University with the title, “English Cathedral Music and the Persistence of the Manuscript Tradition.” The present version includes some subsequent revisions and a retitling that I felt more accurately described the paper.
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The Word of God St. Patrick's Episcopal Church
St. Patrick’s Episcopal Church 4700 Whitehaven Parkway, NW Washington, District of Columbia 20007 202 342-2800 www.stpatrickschurchdc.org Trinity Sunday May 30, 2021 10:00am The Word of God Prelude Suite in Bb Major: Andante G. Michael Brown Processional Hymn 362 “Holy, holy, holy” Nicaea Copyright: From Hymnal 1982 © 1982 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Inc., New York, NY. The Opening Acclamation Book of Common Prayer, Page 355 Celebrant: Blessed be God: Father, Son, and Holy Spirit. People: And blessed be God’s Kingdom, now and forever. Amen The Collect for Purity Celebrant and People: Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of your Holy Spirit, that we may perfectly love you, and worthily magnify your holy Name; through Christ our Lord. Amen. Song of Praise, Hymn 370 “I bind unto myself the Name” St. Patrick’s Breastplate Vs. 7 Copyright: From Hymnal 1982 © 1982 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Inc., New York, NY. The Collect of the Day Celebrant: The Lord be with you. People: And also with you. Celebrant: Let us pray. Almighty and everlasting God, you have given to us your servants grace, by the confession of a true faith, to acknowledge the glory of the eternal Trinity, and in the power of your divine Majesty to worship the Unity: Keep us steadfast in this faith and worship, and bring us at last to see you in your one and eternal glory, O Father; who with the Son and the Holy Spirit live and reign, one God, for ever and ever.
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18.06.24-18.07.07
THE QUEEN’S FREE CHAPEL THE CHAPEL OF THE COLLEGE OF ST GEORGE ST GEORGE’S CHAPEL THE CHAPEL OF THE MOST HONOURABLE & NOBLE ORDER OF THE GARTER www.stgeorges-windsor.org Services and Music from Sunday 24 to Saturday 30 June 2018 Sunday 24 8.30 am Holy Communion FOURTH SUNDAY 10.45 am Mattins Canticles: Weelkes First Service Responses: Smith AFTER TRINITY Organ Voluntary: Langlais Fête Psalm 50 vv 1–12 Preacher: The Right Reverend David Conner, KCVO, Dean of Windsor Hymns 439 omit vv 3–4, Collections for the Robert Ward Bursary Fund and the College of St George. 457, 466 12 noon Sung Eucharist Setting: Jackson in G Hymns 486, 310, 374 Gradual: Plainsong Be merciful, O Lord, unto our sins Organ Voluntary: Sumsion Variations on a Folk Tune 5.15 pm Memorial Evensong for Stephen Le Bras Introit: Walford Davies God be in my head Responses: Smith Decani (a) Canticles: Byrd Second Service Psalm 15 Anthem: Samuel Sebastian Wesley Thou wilt keep him in perfect peace Hymn 377 Organ Voluntary: Elgar Imperial March Collection to support The Queen’s Choral Foundation. Monday 25 7.30 am Mattins Psalm 80 THE BIRTH OF 8.00 am Holy Communion JOHN THE BAPTIST 5.15 pm Evensong Canticles: Byrd Fauxbourdons Responses: Tomkins Anthem: Thomas Mudd Let thy merciful ears Psalm 85 Tuesday 26 7.30 am Mattins Psalm 89 vv 1–18 8.00 am Holy Communion 5.15 pm Evensong sung by the Lay Clerks Canticles: Walsh St Paul’s Service Responses: Rose Anthem: Giovanni Pierluigi da Palestrina Sicut cervus Psalm 89 vv 20–30 Wednesday 27 7.30 am Mattins Psalm 119 vv 105–128 8.00
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Services and Music List
Services and Music List January and February 2017 WELCOME And so it continued both day and night It is for many, a source of regret that as soon as the angels sing, ‘Glory to God in the highest’, the choir term ends and with it, Christmas. In fact the Christmas season ends on February 2, with the celebration of the Presentation of Christ in the Temple, or Candlemas, and the themes of light from darkness, of God with us and the joy of sharing in the life of God are reflected in the liturgy and music of the season, together with a new understanding of what humanity’s new dignity means for all of us. We hope very much that you will join us when you can. The Reverend Canon Nicholas Jepson-Biddle, Precentor Communicant members of other churches in good standing are welcome to receive the Sacrament in this church if they so desire. CANONS IN RESIDENCE Month January 1 – 7: The Reverend Canon Nicholas Jepson-Biddle, Precentor Month January 8 – 14: The Reverend Canon Dr Graham Dodds, Treasurer Month January 15 – 28: The Reverend Canon Andrew Featherstone, Chancellor Month January 29 – February 4: The Very Reverend Dr John Davies, Dean Month February 5 – 11: The Reverend Canon Nicholas Jepson-Biddle, Precentor Month February 12 – 18: The Very Reverend Dr John Davies, Dean Month February 19 – 25: The Reverend Canon Nicholas Jepson-Biddle, Precentor Month February 26 – March 4: The Very Reverend Dr John Davies, Dean WELLS CATHEDRAL CHOIR The Cathedral’s Organist and Master of the Choristers, Matthew Owens, is always pleased to hear from parents of prospective choristers.
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View PDF Editionarrow Forward
THE DIAPASON SEPTEMBER 2013 The Episcopal Church of the Good Shepherd Lexington, Kentucky Cover feature on pages 30–32 CHRISTOPHER HOULIHAN (The American Organist, 2012) (The Diapason, 2013) THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Fourth Year: No. 9, In this issue Whole No. 1246 This month’s issue of The Diapason includes Maxim SEPTEMBER 2013 Serebrennikov’s analysis of Baroque fugal improvisation, a Established in 1909 process that has not been widely explored in English-language Joyce Robinson ISSN 0012-2378 theoretical literature. Serebrennikov demonstrates that the 847/391-1044; [email protected] improvisation of fugue grew out of fi gured bass, often using a www.TheDiapason.com An International Monthly Devoted to the Organ, strophic-form compositional model. the Harpsichord, Carillon, and Church Music We also present Steven Egler’s interview of well-known in our fi eld. Each year we publish the Directory and mail it composer Robert J. Powell, whose music many of us have with the January issue of The Diapason. It includes complete played. Powell was interviewed during weekend festivities that information on providers of products and services related to CONTENTS celebrated both his music and his 80th birthday, and discusses the organ and all facets of church music. The deadline for composition, working relationships, and balancing musical advertising in the 2014 Resource Directory is November 1. To FEATURES styles. John Bishop’s latest installment of “In the wind . .” reserve advertising space, please send an e-mail to advertis- A Conversation with Robert Powell Celebrating his 80th birthday concerns leaps in technology—and art—that had their roots in ing sales manager Jerome Butera at [email protected], or by Steven Egler 20 traditional techniques and styles, how the past can enhance the phone him at 847/391-1045.
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