Caves of Wonder
CAVES OF WONDER: THE LEGITIMACY OF THE GROTTO AS A SUBTERRANEAN LANDSCAPE ELEMENT by VANESSA D. BERNSTEIN (Under the Direction of Marianne Cramer) ABSTRACT This thesis explores the relevance of the grotto as an architectural type through time and will propose design possibilities for continuing this tradition in the twenty first century. Specifically, it investigates grotto works from the classical period through the twentieth century. Emphasis will be placed on the form, meaning, and purpose of the grotto as an underground chamber or passage. This thesis also considers the grotto as a platform for theoretical speculation on the implications of designing below the earth’s surface. The final component of the thesis is a design application comprised of three stories with corresponding collages that portray the design process for grotto inspired structures. INDEX WORDS: grottoes, nymphaea, fountain design, artificial caves, subterranean architecture, garden structures, follies, symbolism in architecture, survival of antiquity, visionary art, landscape architecture, historic preservation, cultural history CAVES OF WONDER: THE LEGITIMACY OF THE GROTTO AS A SUBTERRANEAN LANDSCAPE ELEMENT By VANESSA D. BERNSTEIN BA, Black Hills State University, 1992 MA, State University of West Georgia, 1996 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF LANDSCAPE ARCHITECTURE ATHENS, GEORGIA 2005 © 2005 Vanessa D. Bernstein All Rights Reserved CAVES OF WONDER: THE LEGITIMACY OF THE GROTTO AS A SUBTERRANEAN LANDSCAPE ELEMENT by VANESSA D. BERNSTEIN Major Professor: Marianne Cramer Committee: Bonnie Cramond Ian Firth William Mann Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2005 iv ACKNOWLEDGEMENTS I would like to first thank my parents for always supporting my pursuits and believing in the life course I have chosen.
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