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Progrmne the DURABILITY Of
PRoGRmnE The DURABILITY of PIANOS and the permanence of their tone quality surpass anything that has ever before been obtained, or is possible under any other conditions. This is due to the Mason & Hamlin system of manufacture, which not only carries substantial and enduring construction to its limit in every detail, but adds a new and vital principle of construc- tion— The Mason & Hamlin Tension Resonator Catalogue Mailed on Jtpplication Old Pianos Taken in Exchange MASON & HAMLIN COMPANY Establishea;i854 Opp. Institute of Technology 492 Boylston Street SYMPHONY HALL, BOSTON HUNTINGTON 6-MASSACHUSETTS AVENUES , ( Ticket Office, 1492 J Telephones_, , Back^ ^ Bay-d \ Administration Offices. 3200 \ TWENTY-NINTH SEASON, 1909-1910 MAX FIEDLER, Conductor prngramm^ of % Nineteenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, MARCH 18 AT 2.30 O'CLOCK SATURDAY EVENING, MARCH 19 AT 8.00 O'CLOCK COPYRIGHT, 1909, BY C. A. ELLIS PUBLISHED BY C. A.ELLIS, MANAGER 1417 Mme. TERESA CARRENO On her tour this season will use exclusively j^IANO. THE JOHN CHURCH CO. NEW YORK CINCINNATI CHICAGO REPRESENTED BY 6. L SGHIRMER & CO., 338 Boylston Street, Boston, Mass. Boston Symphony Orchestra PERSONNEL |J.M.^w^^w^»l^^^R^^^^^^^wwJ^^w^J^ll^lu^^^^wR^^;^^;^^>^^^>u^^^g,| Perfection in Piano Makinrf THE -^Mamtin Qaartcr Grand Style V, in figured Makogany, price $650 It is tut FIVE FEET LONG and in Tonal Proportions a Masterpiece of piano building^. It IS Cnickering & Sons most recent triumpLi, tke exponent of EIGHTY-SEVEN YEARS experience in artistic piano tuilding, and tlie lieir to all tne qualities tkat tke name of its makers implies. -
Boston Symphony Orchestra Concert Programs, Season 29,1909-1910, Trip
THE LYRIC THEATRE . BALTIMORE Twenty-ninth Season, J909-J9J0 MAX FIEDLER, Conductor Programme nf % Fifth and Last Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE WEDNESDAY EVENING, MARCH 23 AT 8.15 COPYRIGHT, 1909, BY C. A. ELLI8 PUBLISHED BY C. A. ELLIS, MANAGER Mme. TERESA CARRENO On her tour this season will use exclusively Piano. THE JOHN CHURCH CO. NEW YORK CINCINNATI CHICAGO REPRESENTED BY THE KRANZ-SMITH PIANO CO. 100 North Charles Street Boston Symphony Orchestra PERSONNEL Twenty-]ainth Season, 1909-1910 MAX FIEDLER, Conductor First Violins. Hess, Willy Roth, O. Hoffmann, J. Krafft, W. Concertmaster. Kuntz, D. Fiedler, E. Theodorowica, J. Noack, S. Mahn, F. Eichheim, H Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarscb, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Marble, E. Eichler, J. Tischer-Zeitz, H. Kuntz, A. Goldstein, H. Goldstein, S Kurth, R. Werner, H. Violas. Fenr, E. Heindl, H. Rennert, B. Kolster, A. Zahn, F. Gietzen, A. Hoyer, H. Kluge, M. Forster, E. Kautzenbach, W Violoncellos. Warnke, H. Nagel, R. Barth, C. Belinski, M. Warnke, J. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Ludwig, O. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons* Maquarre, A. Longy, G. Grisez, G. Sadony, P. Brooke, A. Lenom, C. Mimart, P. Mueller, E. Battles, A. Sautet, A. Vannini, A. Regestein, E. Fox, P. English Horn. Bass Clarinet. Contra-Bassoon. Mueller, F. Stumpf, K. Helleberg, J. Horns. Horns. Trumpets. Trombones, . -
Known Also As Louis Victor Franz Saar [Lôô-Ee Veek-TAWR FRAHNZ SAHAHR]
Saar C Louis Victor Saar C LOO-uss VICK-tur SAR C (known also as Louis Victor Franz Saar [lôô-ee veek-TAWR FRAHNZ SAHAHR]) Saar C Mart Saar C MART SAHAHR Saari C Tuula Saari C TÔÔÔÔ-lah SAHAH-rih Saariaho C Kaija Saariaho C KAHIH-yah SAHAH-rihah-haw C (known also as Kaija Anneli [AHN-neh-lih] Saariaho) Saavedra C Ángel Pérez de Saavedra C AHN-hell PAY-rehth day sah-VAY-drah Sabaneyev C Leonid Sabaneyev C lay-ah-NYITT sah-bah-NAY-eff C (known also as Leonid Leonidovich [lay-ah-NYEE-duh-vihch] Sabaneyev) Sabata C Victor de Sabata C VEEK-tohr day sah-BAH-tah C (known also as Vittorio de Sabata [veet-TOH-reeo day sah-BAH-tah]) Sabater C Juan María Thomas Sabater C hooAHN mah-REE-ah TOH-mahss sah-vah-TEHR C (known also as Juan María Thomas) Sabbatini C Galeazzo Sabbatini C gah-lay-AHT-tso sahb-bah-TEE-nee Sabbatini C Giuseppe Sabbatini C joo-ZAYP-pay sah-bah-TEE-nee Sabbatini C Luigi Antonio Sabbatini C looEE-jee ahn-TAW-neeo sahb-bah-TEE-nee Sabbato sancto C SAHB-bah-toh SAHNK-toh C (the Crucifixion before Easter Sunday) C (general title for individually numbered Responsoria by Carlo Gesualdo [KAR-lo jay-zooAHL- doh]) Sabin C Robert Sabin C RAH-burt SAY-binn Sabin C Wallace Arthur Sabin C WAHL-luss AR-thur SAY-binn Sabina C Karel Sabina C KAH-rell SAH-bih-nah Sabina C sah-BEE-nah C (character in the opera La fiamma [lah feeAHM-mah] — The Flame; music by Ottorino Respighi [oht-toh-REE-no ray-SPEE-ghee] and libretto by Claudio Guastalla [KLAHOO-deeo gooah-STAHL-lah]) Sabio C Alfonso el Sabio C ahl-FAWN-so ell SAH-veeo Sacchetti C Liberius Sacchetti C lyee-BAY-rihôôss sahk-KAY-tih Sacchi C Don Giovenale Sacchi C DOHN jo-vay-NAH-lay SAHK-kee Sacchini C Antonio Sacchini C ahn-TAW-neeo sahk-KEE-nee C (known also as Antonio Maria Gasparo Gioacchino [mah-REE-ah gah-SPAH-ro johahk-KEE-no] Sacchini) Sacco C P. -
Los Angeles: the First Biennium and Beyond
Music in Southern California: A Tale of Two Cities 51 RoBINSON, Al.FREO. Life in California: during a residence SPll::R, LESLIE. "Southern Diegueño Customs," Univer ofsevera/ years in the territory (New York: Wiley & sity of California Publications in American Ar Putnam, 1846). chaeology and Ethnology, xx (1928) Phoebe ScHWARTZ, HENRY . "Temple Beth Israel," JSDH, Apperson Hearst Memorial Volume. xxvu/4 (Fall 1981). TREUTLEIN, T11 EODORE E. "The Junípero Serra Song at SERRA, JUNIPERO. Writings, ed. Antonine Ti besar San Diego State Teachers College," JSDH, xxm/2 (Washington: Academy of American Franciscan (Spring 1977). History, 1955- 1966). 4 vols. VAN DYKE, T. S. The City and County of San Diego (San SILVA, ÜWEN FRANCIS DA, ed. Mission music of Califor Diego: Leberthon & Taylor, 1888). nia, a col/ection oj old Ca/ifornia mission hymns WATERMAN, T. T. "The Religious Practices of thc Die and masses (Los Angeles: W. F. Lewis, 1941). gueño lndians," University of California Publica S1MONSON, HAROLD P. "The Villa Montezuma: Jesse tions in American Archaeology and Ethnology, Shepard's Lasting Contribution to the Arts and Ar vm/ 6 (1910). chitecture," JSDH, xix/2 (Spring 1973). WEBER, FRANcis, comp. and ed. The Proto Mission, A "Sorne of the Prominent Composers Residing in the Documentary History of San Diego de Alca/a (Hong West," Pacific Coast Musician, xx1v/6 (February Kong: Libra Press, 1979). 16, 1935). Los Angeles: The First Biennium and Beyond Encyclopedia Coverage IN 1960, Die Musik in Geschichte und Gegenwart, encapsulating his prime source book, Howard vm, 1213-1217, pioneered with a city article on Los Swan's Music in the Southwest, /825- 1950. -
Volume 52, Number 03 (March 1934) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1934 Volume 52, Number 03 (March 1934) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 52, Number 03 (March 1934)." , (1934). https://digitalcommons.gardner-webb.edu/etude/820 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. NOTE THE ETUDE MARCH 1934. Page 139 GRAND OPERA IN CANTATA FORM EaiiDijiQii QSi os NINE Tieachir’sCirtificate PLAYS Do you feel that if you were given the Opportunity you could accomplish more in Music—qualify for the bigger and better opportunities that are ready and waiting just as soon as you are BY qualified to grasp them ? Your musical knowledge—your position and income today EUGENE —are the result of the training you have given your natural ability. Additional training will open up new fields, new oppor¬ tunities, greater income and higher standing in the musical O'NEILL world. You can get this invaluable training right in your own home, CHORAL FANTASIAS without any interference with your regular work, and at but a fraction of the cost in time and money otherwise necessary. -
April 1922) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1922 Volume 40, Number 04 (April 1922) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 40, Number 04 (April 1922)." , (1922). https://digitalcommons.gardner-webb.edu/etude/689 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. APRIL, 1922, Price 25 Oeiuts S 2.00 a. Year Theo. Presser Co. Publishers '.*■ - iff Jill J j :srss«-Hs w^t<sr,*‘e" Tala, THE ETUDE APRIL 1922 Page 228 THE ETUDE Page 222 APRIL 1922 Crane Normal Institute of Music Training Scb^^ Sup^or. of Mu.ic For the First Time in the History of Music es < .Voice culture, eight “"horu't-conducting, methods MASTER SCHOOL of Modern Schools and Colleg practice-teaching. Graduates hold nnportant poei- School Piano Playing and Virtuosity See Pages 287 to 290 53°'MAIN ST? CIty 1 POTSDAM, NEW YORK For Special Summer School Announcements By ALBERTO JONAS Modem Piano Playingu Virtuosity For the past three years we have been preparing for publication the greatest, most comprehensive and thorough work on piano pedagogics ever presented to the musical world.