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Index to Advertisers छ INDEX TO ADVERTISERS छ A-R Editions . 382, 394 American Federation of Violin and Bow Makers . 383 Archival Products. 384 Bach, C.P.E.: Complete Works. cov. 3 Bärenreiter. 385 Bridge Records . 387 College Music Society . 386 Digital Concert Hall . 387 DRAM. 388 Equinox Publishing. 389 Fontes Artis Musicae . 390 J. & J. Lubrano Music Antiquarians . 387 J. W. Pepper . cov. 4 Kevork Marouchian. 392 Medici.tv. 391 Milliner Koken Collection . 392 Multicultural Media. 393 Music Library Association . 394 Music OCLC Users Group (MOUG) . 394 Packard Humanities Institute . cov. 3 Perspectives of New Music . 395 RILM . 396 Rutgers University Press . 397 Seth B. Winner Sound Studios . 398 Singers Babel . 398 Steve Weiss Music. 398 Theodore Front Musical Literature . cov. 2 University of Chicago Press. 399 381 382 ĊĜĊđĊĆĘĊĘ Emanuel Aloys Förster Mlada (1872) Six String Quartets, Op. 21 - - - - Ͳ͸͹ ͻ͹ͺ Ͳ ͺͻͷ͹ͻ ͺʹͻ ͻ ͳͲʹ ͻ͹ͺ-Ͳ-ͺͻͷ͹ͻ-ͺ͵Ͷ-͵ Antonio Salieri Benedetto Marcello Plenary Mass in C with Cassandra Te Deum :ĂŶĞ^ĐŚĂƚŬŝŶ,ĞƩƌŝĐŬ - - - - ͳͻʹ ͻ͹ͺ Ͳ ͺͻͷ͹ͻ ͺ͵ͺ ͳ ͳͲ͵ ͻ͹ͺ-Ͳ-ͺͻͷ͹ͻ-ͺ͵͸-͹ ǤǤ x͸Ͳͺ-ͺ͵͸-ͻͲͲͲx̷Ǥ 383 384 385 Mozart̕s Requiem Truth and Legend W. A. Mozart Requiem K. 626 Facsimile of the autograph score held in the Austrian National Library; with a commentary by Christoph Wolff and Günter Brosche 200 pp. of facsimile, individually trimmed, and 35 pp. of Commentary (Eng/Ger); half-leather binding ISBN 978-3-7618-2346-0 Pages individually trimmed Mozart’s Requiem is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments Bärenreiter and attempts to complete the work. www.baerenreiter.com 386 NEW from The CMS Press Monographs and Bibliographies in American Music Edited by Michael J. Budds VOLUME 25: Bound Music, Unbound Women: The Search for an Identity in the Nineteenth Century Petra Meyer-Frazier $45.00 ( plus shipping/handling) ISBN 978-1-881913-34-4 Paperbound 6 x 9, 241 pp. Monographs and Bibliographies in American Music is a series of comprehensive and rigorous studies designed to illuminate enduring music of the Americas and significant American composers. During the nineteenth century the households of advantaged Americans were tempered by a widely accepted parlor culture that informed the construction of gender and so many other related aspects of society. Central to this way of life was a set of expectations and behaviors for the American woman—in fact, an ideal. In spite of dangers and excesses well addressed at the time, the cultivation of musical interests by young women was encouraged and admired. Professor Meyer-Frazier has turned her attention to this subject with a thoughtful study of the sheet music collected by girls during their years of education and courtship. To order go to www.music.org/MBAM25 312 East Pine Street Missoula MT 59802 USA (406)721-9616 387 THE DIGITAL CONCERT HALL FOR INSTITUTIONS GET STARTED NOW Enrich your library with more than 1,000 exclusive classical works in HD with the Berliner Philharmoniker. Access via all supported devices – inside and outside your institution! www.digitalconcerthall.com/institutions 388 389 Bill Russell and the New Orleans Jazz Revival Ray Smith and Mike Pointon Born in 1905, Bill Russell demonstrated diverse musical interests from an early age. A contemporary of John Cage, Henry Cowell and Lou Harrison, his significance as a percussion composer is well known amongst aficionados. His work as a musicologist of New Orleans jazz music is equally acclaimed. 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These sources are woven together to give a portrait of an extremely talented, modest man who forsook an academic career to become a champion of the music and musicians of New Orleans. 2016pp 384pp 253 x 203mm Illus. hb ISBN 9781781791691 £35.00 / $50.00 place an order online at www.equinoxpub.com 390 FONTES ARTIS MUSICAE Journal of the International Association of Music Libraries, Archives and Documentation Centres Published Quarterly ISSN 0015-6191 (print) ISSN 2471-156X (online) http://www.iaml.info/fontes-artis-musicae e-mail: [email protected] 391 392 BIOGRAPHICAL DICTIONARY OF VIOLINISTS Worldwide unique reference work which will include all concert solo violinists as well as members of quartets and trios who were born between 1830 and 1930. Thirty years of research with the help of dozens of experts resulting in: THOUSANDS OF BIOGRAPHIES!! From the very famous violinists to the most obscure musicians, whose name you will never find in any of the standard sources. The work will be published in several volumes. The first volume should come out during 2017. International Sound Archive Kevork Marouchian E-Mail: [email protected] Cosimastr. 103 Phone: +49 – 89 – 9 57 76 19 81925 Munich Fax: +49 – 89 – 9 29 52 72 Germany The Milliner Koken Collection of American Fiddle Tunes • An essential reference and resource for anyone interested in traditional American fiddle tunes, their history, folklore, and early players. • Large format, easy to read, acid-free paper, cloth hard bound in sewn signatures, lies flat, library/ heirloom quality. • ISBN 987-0-16-9831003-0-0 Library of Congress Control Number: 2010941631 • 888 pages total. • 1404 tunes in musical engravings, arranged alphabetically. • Ten page introduction with explanations and examples. • Main index arranged by Title, with references to source recordings and cross-references to similar tunes and titles. Also indexed by Artist, Key, and fiddle Tuning. • Artist profiles section with interesting information about the tunes and brief bios of the 347 fiddlers and bands represented in the book. A majority of these artists were born before 1900. For credit card orders and info please visit - ZZZPN¿GGOHWXQHVFRP For library orders - FOPLOOLQHU#FRPFDVWQHW or ZNRNHQ#FRPFDVWQHW Also available from: Elderly Instruments http://www.elderly.com/books/items/158-72.htm Theodore Front Musical Literature KWWSVZZZWIURQWFRPSPLOOLQHUNRNHQFROOHFWLRQRIDPHULFDQ¿GGOHWXQHVDVS[ Spruce Tree Music KWWSZZZVSUXFHWUHHPXVLFFRPERRNFGKWPO 393 394 DƵƐŝĐĨŽƌ^ŝůĞŶƚ&ŝůŵ͗ 'ƵŝĚĞƚŽEŽƌƚŚ ŵĞƌŝĐĂŶZĞƐŽƵƌĐĞƐ ďLJ<ĞŶĚƌĂWƌĞƐƚŽŶ>ĞŽŶĂƌĚ dŚŝƐŶĞǁƌĞĨĞƌĞŶĐĞŝƐĂ ĐŽŵƉƌĞŚĞŶƐŝǀĞŐƵŝĚĞƚŽƉƌŝŵĂƌLJ ŵĂƚĞƌŝĂůƐĂŶĚƐĞĐŽŶĚĂƌLJƐŽƵƌĐĞƐĨŽƌ ĮůŵŵƵƐŝĐŝŶƚŚĞĞƌĂŽĨƚŚĞƐŝůĞŶƚƐ͕ ŝŶĐůƵĚŝŶŐůŝƐƚƐŽĨĂƌĐŚŝǀĞƐĨŽƌƐĐŽƌĞƐ͕ ĂŶƚŚŽůŽŐŝĞƐŽĨĮůŵŵƵƐŝĐ͕ ƉĞƌĨŽƌŵĂŶĐĞŵĂƚĞƌŝĂůƐ͕ĂŶĚŵŽƌĞ͘ /ŶĚĞdžĞƐĐŽǀĞƌĐŽŵƉŽƐĞƌƐ͕ĂƵƚŚŽƌƐ͕ ĮůŵƟƚůĞƐ͕ĂŶĚƐƉĞĐŝĮĐƐƵďũĞĐƚƐ ĐŽŶĐĞƌŶŝŶŐƐŝůĞŶƚ-ĮůŵŵƵƐŝĐ͘ /^E͗ϵϳϴ-Ϭ-ϴϵϱϳϵ-ϴϯϱ-Ϭ /ƚĞŵη/ϯϵ ΨϵϬ͘ϬϬ ̷Ǥ x͸Ͳͺ-ͺ͵͸-ͻͲͲͲxǤǤ The Music OCLC Users Group (MOUG) is the voice of music users of OCLC’s products and services. Through our publications, annual meetings, and other continuing education activities, MOUG assists novice, occasional, and experienced users of all OCLC services in both public and technical services. We also provide an official channel of communication between OCLC and music users, advocating for the needs and interests of the music library community. A year’s personal membership, including a subscription to the MOUG Newsletter, is $30 US (North America) and $45 (outside North America). Institutional membership is $40 (North America) and $50 (outside North America). Please direct all correspondence to: Tomoko Shibuya, MOUG Treasurer, Music Metadata Librarian, Metadata & Discovery Services, Northwestern University Libraries, 1970 Campus Dr., Evanston, IL 60208. For more information, visit our website at: http://www.musicoclcusers.org/ 395 !" # $ % &" % ' ( " ) * + " + ' , -" , . % *" + '" /" 0 0 " " # . "1 !""# + ' 23 3 " ' ' 4 ' "5 * " "5 ' '" * "1 0 * " ' " !0( ! 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