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BBC World Service : Overseas Broadcasting, 1932-2018 Pdf Free Download
BBC WORLD SERVICE : OVERSEAS BROADCASTING, 1932-2018 PDF, EPUB, EBOOK Gordon Johnston | 338 pages | 26 Nov 2019 | Palgrave MacMillan | 9780230355606 | English | Basingstoke, United Kingdom BBC World Service : Overseas Broadcasting, 1932-2018 PDF Book Radio Times. A few months ago this was valuable information for those travelling abroad who wanted their fix of BBC radio coverage. Within a decade, the service began adding languages and regions, and currently broadcasts to people around the world in 27 languages, with a broad range of programs including news, music, comedy and documentaries. Ships within weeks Not available in stores. The Travel Show , Our World. Secession [Hardcover] Hardback. The Doha Debates. The easiest way to work around such restrictions is by using a VPN. Featuring psalm settings for each Sunday and all the major feast days, this essential musical resource is the first publication to feature the psalm texts that are used in the new Canadian lectionary. Huw Edwards. As radio streams don't hog bandwidth to the extent that streaming TV does, most good VPN services are perfectly adequate for virtually moving back to the UK to listen to a restricted programme. Can I view this online? Retrieved 21 November BBC Television. BBC portal. Editor: Sarah Smith. Retrieved 9 February The Bottom Line. The Random House Group. Advanced search Search history. We have recently updated our Privacy Policy. Need Help? The phrase "but for now" means among other things "making do," as if we had to settle for the bare minimum. Presenters who have normal shows and also Relief present have their relief shows in bold. -
Guidelines to Making Programmes for BBC World Service
Guidelines to Making Programmes for BBC World Service Titles and Descriptions It’s not just the programmes that need to have a sense of excitement and the ability to create curiosity in our audience and potential audience. Whatever we publish - titles, billings, online descriptions etc (known as ‘metadata’) - have an effect on how your programme performs on the web. Programme titles and descriptions should always be written in a way that encourages the most people to listen to it, makes the programme topic clear, and ensures visibility and findability across the web - in podcast provider spaces (such as Apple Podcasts, Spotify etc.), search engine results (such as Google) and other tech, such as voice-activated systems (such as Alexa). We need to have titles and programme descriptions five weeks before the transmission date. This ensures that both Press and Publicity have time to adequately promote the programme, and that these descriptions are ready in time for our automated systems. It can be difficult to update programme descriptions at some of their publication sites if the information arrives too close to transmission. Titles Indicate immediately what the programme or podcast is about. • Use clear simple language – no puns. Show the value of your content • Be succinct - take out any unnecessary words (use 50 characters max) • Put the words that convey most about the story at the front (apps may cut off the end of the title) • Use search terms so people can discover your content Examples of Good Titles • The Death Row book club • In search of the quarter-life crisis • ADHD and me • Finding the viruses that destroy superbugs • How Christo wrapped the Reichstag 1 Programme Descriptions We need you to provide two descriptions for each programme you deliver. -
Hans Knot International Radio Report September 2012
Hans Knot International Radio Report September 2012 Hi all you out there. How was your summer? Or for those down yonder: How as your winter? Anyway hope you all had a good time. We did some three short trips and during all those days had wonderful weather. Stayed a few days on one of the Dutch Isles, made a five day trip through Ireland and yes we saw ‘The 50th Anniversary Reunion Tour from the Beach Boys in Berlin. Some 9000 people were swinging their way through about 50 songs, which were done by the Beach Boys and their terrific band. http://www.visitberlin.de/en/event/08-03-2012/the-beach-boys Thanks for the mails with memories, reflections and more, which came in during the month of August and again this time a collection of those will be used in this edition of the International Radio Report. First of all an item which didn’t fit into last edition of the report, which is the reflections send in by reader Ian Godfrey from England, who was watching a special on the BBC: ‘It was about DJ Anne Nightingale, who spent much of the programme talking about her influences and the musical policy at the BBC from the end of World War 2 - including their antipathy towards pop music - and it seemed that any reference to the offshore stations was looking very unlikely but then she suddenly mentioned how excited she was on discovering Radio Caroline and the fact that she could hear her favourite records at any time of the day and I got the impression that if it wasn't for her wariness about broadcasting from a ship she would have jumped at the opportunity of working on one of the stations. -
Caroline North Returns for 2017
Caroline North returns for 2017 DATELINE London and Douglas, Isle of Man 23 January 2017 Radio Caroline North returns this weekend (28/29 January 2017) online and on Manx Radio 1368 AM for the first of our broadcasts in 2017. We'll go back to the very early days of the station and hear how our first ship the Fredericia was found, along with new interviews that reveal how the finances were put in place to start the operation. And we'll hear from our founder Ronan O'Rahilly as to what he thought the station achieved. So join us this weekend live on board the Ross Revenge for Radio Caroline North. Your emails are always welcome at [email protected] Radio Caroline North on AM from the Isle of Man is sponsored by Tiptree, Preserves of Distinction. Caroline North Schedule Saturday 28th January 06:00 John Ellery 08.30 Chris Williams' Carnaby Street from Manx Radio 10:30 Kevin Turner 13:00 Chris Pearson 15:30 Johnny Lewis 18:00 Dave Foster 21:00 Barry James Sunday 29th January 00:00 Andrew Austin 03:00 Bill Rollins 06:00 Ray Clark 09:00 Kevin Turner 11:30 Johnny Lewis 14:00 Chris Pearson 16:30 Barry James 19:00 Dave Foster 21:00 Close Programmes subject to change ++++++++++++++++++++ Radio Day 2017 DATELINE Amsterdam 23 January 2017 Plans are being made for the next Radio Day in 2017. It will be held at The Entrepot, Harlingen Saturday 20th May 2017. See these pages for further information:- http://www.radioday.nl/ https://www.facebook.com/RadioDay-Harlingen-751177308383830/ +++++++++++++++++++++ Carl Conway DATELINE Dover 14th February 2017 Carl Conway, one of the first voices heard on Radio Caroline when the station launched in March 1964, has died at the age of 95. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Hans Knot International Radio Report January 2013 Welcome Everybody
Hans Knot International Radio Report January 2013 Welcome everybody to this special Christmas as well as January edition of the report. Once again thanks for all your e mails with ideas, memories, photos and more. This Christmas will be a very special one as in California the most mentioned person in the reports during the past, let’s say six years, celebrates his birthday and become 70 years! So a very happy birthday and many years in good health to follow! And those who read the report regularly know who has his birthday soon: Hans Knot and Emperor Rosko Photo: Martin van der Ven And it was also Martin Samuel who brought in a memory about Rosko: ‘Hello Hans, when playing drums with Crew, we borrowed Emperor Rosko's blue Ford Transit van for a gig in Ventnor, Isle of Wight the photo attached is when we were boarding the ferry [the Emp. was not on board]. The following morning, 19th December 1971, we met the Brinsley Schwarz band while waiting for the ferry, delayed by rough seas. Neither band was paid by its respective venue for playing the gig! Bye, Martin Samuel.’ Well Martin, thanks a lot for sharing this photo and memory with our readership and don’t forget it was more than 41 years ago the photo was taken. Anyone who want to share a memory, just write to me at [email protected] Next a long story about a short time deejay on the Voice of Peace who his name was written the wrong way and so he wants to mention this in the report: ‘Hi there. -
The Dutch Radio Day
The Dutch Radio Day It was in 1978 that Mike Baron and Nick Oakly from Music Radio Promotions asked as few people from the Netherlands, including Hans Knot, to cooperate in a special event called Zeezenders 20, which was held at Noordwijkerhout. Inspired by the Zeezenders 20 happening Rob Olthof from Amsterdam suggested that he, along with Hans, could organise small meetings for offshore radio fans. He made a beginning with the so- called ‘Movie Afternoons’. It was the time when private videos arose and so those 8mm movies, made by offshore radio anoraks, were screened and some discussions were launched. In 1980, Hans Verbaan of the Free Radio Campaign joined in and a group of interested people got together in a small building in Scheveningen harbour on quite a regular basis. These movie afternoons sometimes took place twice a year and it came to a point that there were more people than available chairs. Therefore some bigger locations in cities like Amsterdam, Haarlem, Utrecht and again Amsterdam had to be found. In 1984, the first guests were interviewed including Simon Barrett, Juul Geleick and Tom Mulder. In the meantime, the organising team was growing with Piet Treffers and Tom de Munck joining in. From the late eighties, more people from abroad - most of all Germany and Belgium - attended the event each year. During the nineties, more and more deejays and technicians from former offshore radio stations visited the Radio Days to be interviewed. Our team had been joined by Jelle Boonstra, who did a marvellous job within the Radio Day organisation during a period of 15 years. -
Commissioning Brief
RADIO COMMISSIONING FRAMEWORK Commissioning Brief Commissioning Brief No: 107001 Production of BBC Radio 5 Live’s new ‘Sport Entertainment’ podcast for BBC Sounds CONTENTS SECTION A: EDITORIAL OPPORTUNITY........................................................................... 3 SECTION B: THE COMMISSIONING PROCESS ................................................................. 8 1. TIMETABLE .......................................................................................................... 8 2. THE FIVE STAGES ................................................................................................. 9 3. ASSESSMENT CRITERIA ..................................................................................... 11 SECTION C: FULL PROPOSALS ...................................................................................... 12 1. WHAT WE NEED FROM YOU ............................................................................. 12 2. WHAT TO EXPECT FROM US ............................................................................. 13 3. IMPORTANT POINTS TO NOTE .......................................................................... 14 SECTION D: KEY CONTRACT TERMS…………………………………………………………………………15 2 of 15 SECTION A: EDITORIAL OPPORTUNITY Commissioning Brief 107001 Sports Entertainment Podcast Commission contact Richard Maddock Duration Average 30-60 minutes per episode Number of programmes available Minimum initial run of 15 eps with option to extend. Transmission period Starting early 2020 Guide price per episode £2k -
Written Evidence Submitted by the BBC DCMS Select Committee Inquiry Into the Impact of Covid-19 on the DCMS Sectors
Written evidence submitted by the BBC DCMS Select Committee Inquiry into the Impact of Covid-19 on the DCMS Sectors Executive Summary 1. Covid-19 has had a substantial impact on the BBC’s ability to produce programmes and services. Following advice from the WHO, public health organisations and the Government, the BBC closed the production of many programmes and services across its TV and radio output. The cancellation of key broadcasting events, ceasing of productions, and changes to schedules will continue to have an impact on what audiences see and hear across the BBC across the coming months. 2. Like other organisations continuing to operate during this crisis, the BBC has faced operational challenges. We’ve experienced reduced levels of staffing and the huge increase in demand for the BBC’s internal network as over 15,000 colleagues work from home. For those unable to work from home, safety is paramount and we’ve followed Government advice. 3. The BBC Board took the decision to delay changes to the over-75s licence fee from 1 June to 1 August during an unprecedented time. The decision is to be kept under review. 4. In response to Covid-19, the BBC took swift action at the start of the pandemic to repurpose our services and programmes for the benefit of all audiences ensuring we kept the nation informed, educated and entertained. 5. The BBC enhanced our core role to bring trusted news and information to audiences in the UK and around the world in a fast-moving situation, and to counter confusion and misinformation. -
BBC RADIO ULSTER/FOYLE Station Sound Commissioning Brief SEPTEMBER 2020
BBC RADIO ULSTER/FOYLE Station Sound Commissioning Brief SEPTEMBER 2020 1 Context: THE STATION BBC Radio Ulster/Foyle: • BBC Radio Ulster was established in 1975. Radio Foyle followed as an opt-out service in 1979. • Consistently one of the most listened to stations in Northern Ireland; it embraces every aspect of community and cultural life in Northern Ireland. Its reach and popularity makes it one of the BBC’s top performing stations, within its local and national portfolio, with community connection at the core of its appeal. • BBC Radio Ulster/Foyle's strength of reach is driven by news & current affairs, speech programming, sport and wide ranging specialist music, arts and entertainment. • The station is on air 06.30-00.00 each day. Broadcasting on FM, DAB and BBC Sounds. • Our core audience skews male, (55%) and older with an average age of 56 .The socio economic profile of the station is an even 50/50 split ABC1/C2DE. Whilst it remains a priority to maintain our unique connection with core audiences, facing forward we will make a determined effort to engage and grow listenership with audience in the 30-45 age range. 2 Context: THE STATION TODAY We have recently reworked the station schedule, introducing new programmes, strands and on air talent, alongside long running output and much loved presenters. Just a selection of these are… Good Morning Ulster Evening Extra The Nolan Show Connor Phillips Show Lynette Fay Show ATL: Introducing Talkback Sarah Brett & Chris Buckler Tara Mills & Declan Harvey Stephen Nolan Connor Phillips Lynette -
BBC Radio International Pop Docs Catalogue Contents
BBC Radio International Pop Docs Catalogue BBC Radio International brings you innovative music documentaries covering rock, pop, jazz, country, classical and much more. With access to both new and established artists and performers we provide your listeners with a special insight into their favourite artists' lives. Here you will find profiles of new bands, exclusive in-depth interviews with the biggest stars, unique material from the largest music archive in the world, plus original unreleased music and exclusive concert recordings as we celebrate music as a living and developing art form. You can easily search the BBC music documentaries by genre. Take a look through the options available and select from hundreds of hours of content spanning from present day back through the last twenty years. Most programmes are one hour in duration and you can pick and choose any titles that suit your listeners, including selecting individual episodes from a series. The catalogue is updated on a quarterly basis so look out for new and exciting programmes and feel free to get in touch with the team to find out more. All rights are cleared by the BBC and all relevant royalties and payaways will be originated by the BBC. The licensee only reports music to a relevant local collection society. Have a question or want to know more about a specific genre or programme? Contact: Larissa Abid, Ana Bastos or Laura Lawrence for more details. Contents Classic Pop and Rock ...............................................................................................................................................2 -
GCSE Media Studies: Radio and Careers in Radio the Only Area Of
GCSE Media Studies: Radio and Careers in Radio The only area of the curriculum that we missed, owing to remote learning, was radio. Digital radio and its commercial stations, which meet the needs of diverse audiences, have secured the longevity of radio as a media form. Consequently, the BBC (public broadcasting) has had to change rapidly in order to maintain listening numbers, especially when faced with large independent commercial competition such as Virgin Radio. Here are some study tasks that will ensure that you are ready for any learning about radio at A Level and have knowledge of potential careers in radio. Task 1 – Explore BBC Radio Visit the BBC Sounds websites and apply your knowledge of demographics and psychographics; which audiences can you identify when exploring the BBC Sounds webpage and the individual station pages? https://www.bbc.co.uk/sounds/stations Apply Blumler and Katz’s ‘Uses and Gratifications’ theory to this website. Why do different audiences engage with radio? Give examples of what will attract different groups. Put BBC radio today in context by visiting the Science Museum website and finding out the answers to each of these questions: - What was radio broadcasting like before the BBC? - When was the first public broadcast in the UK? - When was the BBC founded? - What types of programme could you hear in the early days of radio? - When did the BBC lose its monopoly? https://www.sciencemuseum.org.uk/objects-and-stories/2lo-calling-birth-british-public- radio Task 2 - Read the article about Chris Evans’