Atlas Games Presents

Total Page:16

File Type:pdf, Size:1020Kb

Atlas Games Presents ATLAS GAMES PRESENTS THE INVISIBLE CLERGY SOURCEBOOK BY TOM ADAMS, TIM DEDOPULOS, KENNETH HITE, DANIEL KSENYCH, ANDY LUCAS, MICHAEL D. MEARLS, RICK NEAL, JAMES PALMER, JOHN SNEAD, GREG STOLZE, TIM TONER, JOHN TYNES, CHAD UNDERKOFFLER & IAN YOUNG art director John Tynes graphic design, illustrators Drew Baker cover artist Matt Harpold photos & production John Tynes Nathan Fox Matt Harpold editor John Tynes proofreading John Nephew Richard Pace developers Greg Stolze Michelle Nephew classy old-school John Tynes publisher John Nephew occultism consultant Kenneth Hite special thanks to Aron Anderson Brian Campbell Rob Heinsoo Brian Lustmord James Palmer Greg Stolze The intellectual property known as “Unknown Armies” is owned by Greg Stolze & John Tynes and is used by Trident, Inc. d/ b/a Atlas Games under license. With the exception of any and all previously published elements of the Unknown Armies Atlas Games intellectual property (which are all ©1998–2000 Greg Stolze & John Tynes), this work is ©2000 by Trident Inc. The Atlas Saint Paul, Minnesota Games logo is ©2000 and ™ Trident, Inc d/b/a Atlas Games and John Nephew. All rights reserved worldwide. Except for purposes of review, no portions of this work may be reproduced by any means without the permission of the relevant copyright holders. This is a work of fiction. Any similarity with actual people or events, past or present, is purely coincidental and uninten- tional. Acknowledgements: Endless obeisance to the album The Virgin Suicides by Air. “They were all, the living and the www.Atlas-Games.com dead, becoming shadows. / We would have lost them completely if the girls hadn’t contacted us.” [email protected] Digital Edition Version 1.0 A Stone in a Shoe......................... 2 Outsider Behavior ................................................ 26 Life as a Godwalker......................................... 35 Peacemaker Behavior .......................................... 26 An Avatar’s Home is His Castle ....................... 36 Chapter 1: The Invisible Clergy ....... 8 Pilgrim Behavior .................................................. 27 Interacting with Godwalkers ........................... 36 Rebel Behavior .................................................... 27 Godwalker Ascension ....................................... 37 Visions ............................................. 11 Savage Behavior.................................................. 27 Tilting the Statosphere ........................... 40 The Chessboard.................................................... 11 Scholar Behavior ................................................. 27 Learning Tilts ................................................... 41 The Palace............................................................ 12 Trickster Behavior ................................................ 27 Who Discovered Tilts?...................................... 42 The Ocean ............................................................ 13 True King Behavior .............................................. 28 Common Tilts ................................................... 42 The Sky ................................................................ 13 The Two-Faced Man Behavior .............................. 28 Bonds ................................................................... 42 Granting Visions .............................................. 13 Avatar Symbology............................................ 28 Boons ................................................................... 43 Playing Visions ................................................ 14 Chronicler Symbology.......................................... 28 Hexes.................................................................... 44 Ascension .......................................... 15 Confessor Symbology .......................................... 28 Wards ................................................................... 44 CO The Invisible Clergy .............................. 17 Dark Stalker Symbology...................................... 29 Other Tilts ............................................................ 44 Clergy Powers .................................................. 17 Demagogue Symbology ...................................... 29 Detecting Tilts ..................................................45 A Strange Dichotomy ....................................... 18 Executioner Symbology ....................................... 29 Renouncing Tilts .............................................. 45 Signs and Portents .............................................. 19 Fool Symbology ................................................... 29 Targeting Tilts ..................................................45 Interacting with the Clergy.............................. 20 Flying Woman Symbology................................... 29 Tilts and Proxies .............................................. 46 Avatars ............................................. 21 Healer Symbology ............................................... 30 About Symbolic Elements ................................ 46 Life as an Avatar.............................................. 21 Hunter Symbology ............................................... 30 Invested Elements ............................................ 46 NT EN Avatar Behavior ............................................... 22 Judge Symbology ................................................ 30 Limits on Symbolic Elements ........................... 47 Chronicler Behavior ............................................. 22 Martyr Symbology ............................................... 30 Confessor Behavior .............................................. 22 Merchant Symbology........................................... 30 Chapter 2: Archetypes ................. 48 Dark Stalker Behavior ......................................... 22 Masterless Man Symbology ................................ 30 Demagogue Behavior .......................................... 23 Messenger Symbology......................................... 31 The Chronicler ..................................................50 Executioner Behavior........................................... 23 Mother Symbology .............................................. 31 The Confessor................................................... 52 Fool Behavior....................................................... 23 Mystic Hermaphrodite Symbology ...................... 32 The Healer........................................................ 54 TS Flying Woman Behavior ...................................... 23 Necessary Servant Symbology ............................ 32 The Hunter .......................................................56 Healer Behavior ................................................... 23 Outsider Symbology ............................................ 32 The Judge.........................................................58 Hunter Behavior................................................... 24 Peacemaker Symbology ...................................... 32 The Martyr .......................................................60 Judge Behavior .................................................... 24 Pilgrim Symbology .............................................. 32 The Messenger ................................................. 62 Martyr Behavior ................................................... 24 Rebel Symbology................................................. 32 The Mystic Hermaphrodite............................... 64 Merchant Behavior .............................................. 24 Savage Symbology .............................................. 33 The Necessary Servant..................................... 66 Masterless Man Behavior .................................... 25 Scholar Symbology .............................................. 33 The Outsider..................................................... 68 Messenger Behavior ............................................ 25 Trickster Symbology ............................................ 33 The Peacemaker............................................... 70 Mother Behavior .................................................. 25 True King Symbology........................................... 33 The Rebel .........................................................72 Mystic Hermaphrodite Behavior.......................... 25 Two-Faced Man Symbology ................................. 33 The Scholar ...................................................... 74 Necessary Servant Behavior................................ 25 Godwalkers ....................................... 34 The Trickster..................................................... 76 The Wile E. Coyote Effect................................. 77 Appearance ........................................................ 109 The True King ................................................... 78 Abilities .............................................................. 110 Who Did What: The Two-Faced Man .......................................... 80 Agents ................................................................ 112 Tom Adams: The Room of Rusted Things Ellison Blanke, Agent of Solace.......................112 Chapter 3: House of Renunciation ... 82 Alicia Chen, A Woman Awakened ................... 113 Tim Dedopulos: The Two-Faced Man Origins ............................................. 84 Chapter 4: First and Last Man ...... 116 Kenneth Hite: The Stormy Petrel of Apocalypse Nature.............................................
Recommended publications
  • True20 Adventure Roleplaying Trademark License FAQ
    True20 Adventure Roleplaying Trademark License FAQ Q: Do I have to submit my products for approval? A: No, you do not. We've tried to make the license easy to use. If you just follow the terms, you shouldn't have any problems. Q: Can I use this license for electronic products other than PDFs, like character generators? A: No, this license is only for the publication of printed books and PDF products. Any other sort of products must be licensed from Green Ronin on an individual basis. Q: Why can't I put True20 or True in the title? A: Green Ronin has established a naming pattern in its previous True20 books and we'd like that pattern to remain unique to official releases. Q: When can I start publishing using this license? A: Any time after May 12, 2008. Q: Can I use this license to do product in other languages? A: Yes, you can. The only additional limitation is that you must follow the terminology used in the appropriate True20 corebook if it exists in the language you're going to use. For example, Wyrd Edizione publishes True20 in Italy. If you want to do Italian language True20 material, you must follow the translation standards of Wyrd's version of the core rulebook. This is to ensure that terminology remains consistent in each language. Q: What should the Section 15 of the Open Game License in my product include? A: For starters it must include the entirety of the Section 15 from the Revised Edition of True20 Adventure Roleplaying.
    [Show full text]
  • Modern Dispatch 129: the Ice Palace
    THE MODERN DISPATCH THE ICE PALACE - DER EIS PALAST BY MIKE LAFFERTY In a secret fortress buried in the Antarctic ice… An army of clones is rapidly developing in a Nazi lab - ready to take up the banner of the Third Nazi mad scientists are devising superweapons that Reich will give their side an insurmountable advantage Can your heroes stop them in time? An armored mastermind is hatching a strategy that #129 will land a knockout blow against the Allies CONTENT MANAGERs: CHARLES RICE AND CHRIS DAVIS LAYOUT: CHRIS DAVIS PROOFREADING: CHRIS DAVIS WWW.RPGOBJECTS.COM Modern20 Charles Rice’s next evolution in modern d20 gaming! Modern Mayhem and Mystery to the 20th Power! The Ice Palace - Der Eis Palast PAGE 1 THE MODERN DISPATCH INTRODUCTION AND The PCs receive the following information from a Until they uncovered this tattered and stained contact with the Allied High Command: map in the papers of a captured spy in Oslo and PREMISE intercepted some disturbing radio transmissions • Allied Command has become aware of the Fourth in the South Atlantic. This scenario is intended for Supers20 characters Reich - a secret organization within the Nazi running a Four Color campaign (Power Level around infrastructure that is lead by the armored Nazi • Based on current intelligence, the working 10) in the late World War 2 era. It would be very easy supersoldier Nachtjäger. theory is that the Fourth Reich organization to incorporate (either as PCs or NPCs) the characters – and possibly a number of Axis metahumans from the Allied superteams Crown Guard (Modern • The Fourth Reich - according to rumors - had – have withdrawn to an operational base on the Dispatch 124) and Vigilance Force (Modern Dispatch a contingency plan (and a massive black ops northern coast of Antarctic in the area where Nazi 126), or the Axis superteams Eugenics Brigade budget) in place in the event that the Germans Germany made a territorial claim in 1939 (New (Modern Dispatch 123) and Shinjuwan Juunigatsu lost the war in Europe.
    [Show full text]
  • Copyright by Ayse Binay 2005
    Copyright By Ayse Binay 2005 The Dissertation Committee for Ayse Binay certifies that this is the approved version of the following dissertation: Investigating The Anti-Consumerism Movement in North America: The Case of Adbusters Committee: Neal Burns, Supervisor Minette Drumwright Deborah Morrison Dana Cloud Don Heider Investigating The Anti-Consumerism Movement in North America: The Case of Adbusters by Ayse Binay, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin In Partial Fulfillment Of the Requirements For the Degree of Doctor of Philosophy The University of Texas at Austin August 2005 Dedication This disseration is dedicated to my parents, Güner and Müeyyet Binay and my brother Dr. Murat Binay, for their unconditional love, guidance, and support in every step of the way. Through their devotion to family, I have always found myself on solid ground. As I have followed the footsteps of my brother in academia, I will always look up to him as my mentor as well as my friend. While I embark on the next chapter of my life, I cherish my family with deep gratitude and love. Thank you for the person I have become. I love y’all. Acknowledgements The author would like to thank a number of people for making this research possible. First, the author would like to thank the advertising professionals who so willingly shared their insights on anti-consumerist movements. At the same time, the author would like to thank University of Texas Advertising Department Online Consumer Panel participants who extended their time to this research.
    [Show full text]
  • Race, Party, and African American Politics, in Boston, Massachusetts, 1864-1903
    Not as Supplicants, but as Citizens: Race, Party, and African American Politics, in Boston, Massachusetts, 1864-1903 by Millington William Bergeson-Lockwood A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in the University of Michigan 2011 Doctoral Committee: Associate Professor Martha S. Jones, Chair Professor Kevin K. Gaines Professor William J. Novak Professor Emeritus J. Mills Thornton III Associate Professor Matthew J. Countryman Copyright Millington William Bergeson-Lockwood 2011 Acknowledgements Writing a dissertation is sometimes a frustratingly solitary experience, and this dissertation would never have been completed without the assistance and support of many mentors, colleagues, and friends. Central to this project has been the support, encouragement, and critical review by my dissertation committee. This project is all the more rich because of their encouragement and feedback; any errors are entirely my own. J. Mills Thornton was one of the first professors I worked with when I began graduate school and he continues to make important contributions to my intellectual growth. His expertise in political history and his critical eye for detail have challenged me to be a better writer and historian. Kevin Gaines‘s support and encouragement during this project, coupled with his insights about African American politics, have been of great benefit. His push for me to think critically about the goals and outcomes of black political activism continues to shape my thinking. Matthew Countryman‘s work on African American politics in northern cities was an inspiration for this project and provided me with a significant lens through which to reexamine nineteenth-century black life and politics.
    [Show full text]
  • 'Badboys' of Rock Tour Coming to the 155 Great Allentown Fair
    ‘Badboys’ of Rock Tour coming to The 155 th Great Allentown Fair Hinder, Papa Roach, Buckcherry to perform on August 29 For release Wednesday, May 9, 2007 Allentown, Pa . The self-proclaimed ‘Badboys’ of Rock, modern rock bands Hinder, Papa Roach and Buckcherry, are coming to The 155 th Great Allentown Fair on Wednesday, August 29. These bands, touted as the successors to the monster rock bands of the ‘70s and ‘80s, are hitting the road together this summer predominantly playing state and county fairs. Their current singles are all over contemporary rock and pop charts. A fourth band to be announced will open their mini-festival type concerts. Tickets for the Allentown Fair’s “Badboys” show are $35 and go on sale starting Saturday, June 2. There will be festival-style standing room in front of the stage and reserved tiered seating under cover in the Fair’s Grandstand. Tickets purchased in advance of the show date include admission into the Fair. The show will start at 7 p.m. Hinder is still pumping out hits off of its “Extreme Behavior” album released in late 2005. They include “Get Stoned,” “Better Than Me” and Hinder’s power ballad, “Lips of an Angel,” that has since been re-recorded by Country singer Jack Ingram who performs at the Fair as part of the Brad Paisley Tour the next day after Hinder’s scheduled appearance. Papa Roach’s current album “Paramour Sessions” has spawned singles “To Be Loved,” and “Forever” getting a lot of airplay. Former hits include “Last Resort” and “Scars.” 2 Buckcherry has perhaps the most obvious “Badboy” tune, “Crazy Bitch,” off of its current album “15.” The band’s latest single on the charts “Everything” follows up one of its best known singles “Lit Up” in popularity.
    [Show full text]
  • Title of Book/Magazine/Newspaper Author/Issue Datepublisher Information Her Info
    TiTle of Book/Magazine/newspaper auThor/issue DaTepuBlisher inforMaTion her info. faciliT Decision DaTe censoreD appealeD uphelD/DenieD appeal DaTe fY # American Curves Winter 2012 magazine LCF censored September 27, 2012 Rifts Game Master Guide Kevin Siembieda book LCF censored June 16, 2014 …and the Truth Shall Set You Free David Icke David Icke book LCF censored October 5, 2018 10 magazine angel's pleasure fluid issue magazine TCF censored May 15, 2017 100 No-Equipment Workout Neila Rey book LCF censored February 19,2016 100 No-Equipment Workouts Neila Rey book LCF censored February 19,2016 100 of the Most Beautiful Women in Painting Ed Rebo book HCF censored February 18, 2011 100 Things You Will Never Find Daniel Smith Quercus book LCF censored October 19, 2018 100 Things You're Not Supposed To Know Russ Kick Hampton Roads book HCF censored June 15, 2018 100 Ways to Win a Ten-Spot Comics Buyers Guide book HCF censored May 30, 2014 1000 Tattoos Carlton Book book EDCF censored March 18, 2015 yes yes 4/7/2015 FY 15-106 1000 Tattoos Ed Henk Schiffmacher book LCF censored December 3, 2007 101 Contradictions in the Bible book HCF censored October 9, 2017 101 Cult Movies Steven Jay Schneider book EDCF censored September 17, 2014 101 Spy Gadgets for the Evil Genius Brad Graham & Kathy McGowan book HCF censored August 31, 2011 yes yes 9/27/2011 FY 12-009 110 Years of Broadway Shows, Stories & Stars: At this Theater Viagas & Botto Applause Theater & Cinema Books book LCF censored November 30, 2018 113 Minutes James Patterson Hachette books book
    [Show full text]
  • Asia Ascendant Asia Ascendant
    Asia Ascendant Asia Ascendant An Unofficial Sourcebook for Trinity Written By Bruce Baugh James Maliszewski John Snead Developed By Bruce Baugh Special Thanks To Victor Brueggeman and Chris Nasipak for particularly meticulous scrutiny and nitpicking help at a time when it was most welcome Table of Contents Fiction The Shape of Things To John Snead Come Introduction Welcome To The Center Of Bruce Baugh The World Chapter 1 The Ministry Of Psionic James Maliszewski Affairs Chapter 2 Telepathy Bruce Baugh Chapter 3 Asia John Snead Chapter 4 Roleplaying James Maliszewski John Snead Chapter 5 Dramatis Personae James Maliszewski John Snead Appendix Nihonjin Technology John Snead Please report any problems with the HTML and other formatting to Bruce Baugh. Converting Word documents to HTML is occasionally awkward. Thanks! Trinity, Hidden Agendas, Trinity Technology Manual, Luna Rising, America Offline, Shattered Europe, Stellar Frontier, Darkness Revealed, Descent into Darkness, Passage Through Shadow, Ascent into Asia Ascendant Light, Trinity Field Report, Extrasolar Colonies, Alien Races, Alien Encounter, Invasion, Deception, Terra Verde, and Trinity Universe are trademarks of White Wolf Publishing, Inc. The mention of or reference to any company or product in these pages is not a challenge to the trademark or copyright concerned. This book uses science fiction for settings, characters and themes. All science fiction, geopolitical scenarios and psi-related elements are fiction and intended for entertainment purposes only. Reader discretion is advised. Fiction: The Shape Of Things To Come The Shape of Things to Come By John Snead [ Previous (Table of Contents) | Home | Next (Introduction) ] Field Anomalies Special Report on Ministry Field Activities, July-December 2122 Prepared by Field Operations Leader Pei Ying Chih for Pan Afu, Sub-minister of the Ministry of Psionic Affairs The field department has recorded a substantially increased number of anomalous activities in the second half of 2122.
    [Show full text]
  • Ars Magica 4Th Edition Are 1-887801-55-3 (Softcover) and ISBN 1-887801-56-1 (Hardcover)
    Ars MagicaTM TheThe ArtArt ofof MagicMagic Fourth Edition ChartingCharting NewNew RealmsRealms ofof Imagination™Imagination™ Ars Magica, Fourth Edition C REDITS Development, Editing, Layout, and Project Management: Jeff Tidball Development, Editing, and Layout: John Nephew Fourth Edition Design Contributions: Bill Brickman, Bob Brynildson, David Chart, Nicole Lindroos Frein, Geoffrey Grabowski, Peter Hentges, Lydia Leong, Marc Philipp Messner, John Nephew, Chris Pramas, Wade Racine, Roderick Robertson, John Snead, Jeremy Strandberg, Jeff Tidball, and Robbie Westmoreland. Original Ars Magica Design: Jonathan Tweet and Mark Rein•Hagen Contributing Authors: Shannon Appel, Bill Brickman, David Chart, Sam Chupp, Ken Cliffe, Christopher Earley, Chris Frerking, Geoffrey Grabowski, Kevin Hassall, Peter Hentges, Lydia Leong, Aaron Link, Dave P. Martin, John Nephew, Wade Racine, Mark Rein•Hagen, Carl Schnurr, John Snead, Jeremy Strandberg, Jeff Tidball, Jennifer Clarke Wilkes, and Travis Lamar Williams. Journal of Antoninus of Jerbiton: David Chart Interior Art: Dave Allsop, Neil Edwards, Josh Hoops, Eric Hotz, Janine Johnston, Alexis Liosatos, William O’Connor, Dom Reardon, John Scotello, and Jock Simpson. Cartography: Eric Hotz Wizards of the Coast Fourth Edition Developer: Wade Racine Wizards of the Coast Fourth Edition Contributions: Steve Bishop, Bob Kruger, and Jennifer Clarke Wilkes. Special Thanks: Peter Adkison, Bill Brickman, Bob Brynildson, Jerry Corrick, Woody Eblom, Lydia Leong, Clay Luther, Susann Lyon, Paul Nurnberger, and Jonathan Tweet. Playtest Coordinators: Bill Brickman, Bob Brynildson, Timothy Carroll, David Chart, Chris Daianu, Jeremiah Genest, Damelon Kimbrough, Scott Lien, Marc Philipp Messner, and Robin Steeden. Playtesters: Bill Brickman Playtesters (Philadelphia): Paul Curtis, Tamara Duran, Erik Hanson, Leonard McCain, Stephen Mulholland, and Christopher Page. Bill Brickman Playtesters (Los Angeles): Tavis Allison, St.
    [Show full text]
  • Gear Acquisition Syndrome
    Jan-Peter Herbst & Jonas Menze Gear Acquisition Syndrome, also known as GAS, is commonly Syndrome Gear Acquistion understood as the musicians’ unrelenting urge to buy and own Gear Acquistion Syndrome instruments and equipment as an anticipated catalyst of creative energy and bringer of happiness. For many musicians, it involves the unavoidable compulsion to spend money one does not have on Consumption of Instruments and gear perhaps not even needed. The urge is directed by the belief that Technology in Popular Music acquiring another instrument will make one a better player. This book pioneers research into the complex phenomenon named GAS from a variety of disciplines, including popular music studies and music technology, cultural and leisure studies, consumption research, sociology, psychology and psychiatry. The newly created theoretical framework and empirical studies of online communities and offline music stores allow the study to consider musical, social and personal motives, which influence the way musicians think about and deal with equipment. As is shown, GAS encompasses a variety of practices and psychological processes. In an often life-long endeavour, upgrading the rig is accompanied by musical learning processes in popular music. Jan-Peter Herbst & Jonas Menze Jan-Peter 10.5920/GearAcquisition.fulltext Jan-Peter Herbst & Jonas Menze Gear Acquisition Syndrome Consumption of Instruments and Technology in Popular Music 10.5920/GearAcquisition.fulltext Published by University of Huddersfield Press University of Huddersfield Press The University of Huddersfield Queensgate Huddersfield HD1 3DH Email enquiries [email protected] First published 2021 This work is licensed under a Creative Commons Attribution 4.0 International License.
    [Show full text]
  • Music Release
    Media Contact: Brandon Bird (208) 785-2480 [email protected] Udderly Fantastic concerts ignite EISF! Country legend Ronnie Dunn, pop stars Allstar Weekend, Rock band Hinder are highlights! BLACKFOOT, ID (August 15, 2011) – From country music to teen pop, the 2011 Eastern Idaho State Fair is bringing an award-winning line-up of concerts for all ages to enjoy. Now with three nights of music in the Fair’s newly renovated Grandstand, along with free concerts on the West Events Stage, 2011 EISF offers more concerts from popular artists than ever before! Music ignites in the Grandstand beginning Wednesday, September 7, at 8 pm with American Rock band Hinder ($28). With releases hitting the tops of music charts worldwide, Hinder has appeared both on Motley Crue’s Saints of Los Angeles Tour, as well as Nickelback’s Dark Horse Tour, which ran through Live Nation outdoor amphitheaters. Fans will enjoy hit songs – “All American Nigtmare,” “Lips of an Angel,” “How Long,” “Use Me” and “Without You” from albums including Extreme Behavior, Take it to the Limit and All American Nightmare. On Thursday, September 8, at 7 pm, Allstar Weekend ($20) makes a detour from their summer tour with Selena Gomez to perform at the Fair. These teen pop sensations have reached the No. 1 spot on Radio Disney and have a highly anticipated new album All the Way being released Sept. 27. Young Fairgoers will be making a bee-line to the Grandstand for what’s sure to be a dance- and scream-fest to hear their new hit single “Blame it on September,” hits from their debut album Suddenly Yours -- “Come Down With Love” and “Dance Forever” – as well as “Not Your Birthday,” which was featured on the soundtrack of the Disney movie Prom.
    [Show full text]
  • Open Grave Secrets of the Undead™
    Open Grave Secrets of the Undead™ ROLEPLAYING GAME SUPPLEMENT Bruce R. Cordell • Eytan Bernstein • Brian R. James • Robin Laws • John Snead Open Grave_Ch00.indd 1 10/29/08 10:48:28 AM CREDITS Design Cover Illustration Bruce R. Cordell (lead), Chris Seaman Eytan Bernstein, Brian R. James, Robin Laws, John Snead Graphic Designer Additional Design Emi Tanji, Breanne Miller Logan Bonner, Bart Carroll Interior Illustrations Development Thomas M. Baxa, Mark Behm, Steven Belledin, Daarken, Stephen Radney-MacFarland (lead), Julie Dillon, Tomás Giorello, Goran Josic, Mazin KassisKassis, Peter Schaefer, Mike Mearls Matthias Kollros, Jake Masbruch, Peter McKinstry, Mats Minnigan, Sean Murray, Axel Rator, Wayne Reynolds, Editing Daniel Rudnicki, Amanda Sartor, Angga Satriohadi, Julia Martin (lead), Georgi “Calader” Simeonov, Soutchay Soungpradith, Greg Bilsland, Michele Carter, M. Alexander Jurkat David Sourwine, Anne Stokes, Amelia Stoner, Francis Tsai, Derk Venneman, Anthony Waters, Managing Editing Bruno Werneck, Eric L. Williams Kim Mohan Cartographer Director of R&D, D&D Games/Book Publishing Mike Schley Bill Slavicsek Publishing Production Specialist D&D Story Design and Development Manager Erin Dorries Christopher Perkins Prepress Manager D&D System Design and Development Manager Jefferson Dunlap Andy Collins Imaging Technician Art Directors Sven Bolen Peter Whitley, Jon Schindehette Production Manager Special Thanks to Brandon Daggerhart, keeper of Shadowfell Cynda Callaway Game rules based on the original DUNGEONS & DRAGONS® rules created by E. Gary Gygax and Dave Arneson, and the later editions by David “Zeb” Cook (2nd Edition); Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison (3rd Edition); and Rob Heinsoo, Andy Collins, and James Wyatt (4th Edition).
    [Show full text]
  • Codex FINAL.Indd
    John Snead (order #55137) 66.167.138.169 TALISLANTA FANTASY ROLE PLAYING GAME Codex Magicus DESIGN TEAM CREATIVE DIRECTOR LAYOUT & GRAPHIC DESIGN K. Scott Agnew Kevin Knight PAGE BORDER WRITING & GAME DESIGN Christian St. Pierre Aaron Dembski-Bowden, Mark Williams, K. Scott Agnew, John Snead, Colin Chapman, Max ART DIRECTOR Hattuer, Stephan Michael Sechi K. Scott Agnew COVER ART EDITORS Mark Williams Alison Ménard K. Scott Agnew ILLUSTRATORS Adam Black, PD Breeding-Black, Rich Emond, Ron Spencer, Anson Maddocks, Mark Tedin, Richard Wallace The Talislanta game and fantasy world are the creations of Stephan Michael Sechi. Talislanta is a trademark of SMS, and is used by Morrigan Press Inc. under license. All rights reserved. Codex Magicus is ©2006 by Morrigan Press Inc. and Stephan Michael Sechi . Electronic Edition February 2006. MORRIGAN PRESS INC. 46 WeldonWeldon Street Moncton, New Brunswick E1C 5V8 Canada On the Web: www.morriganrpg.com Email: [email protected] 2 John Snead (order #55137) 66.167.138.169 CHAPTER ONE HISTORY OF THE TALISLANTAN AGES The Archaeus that we walk now is the sum the Great Disaster itself. For those who seek the of all that has come before. In chronicling secrets of the past, fragmented accounts of savants these lost ages and the forgotten empires of and scholars make up the majority of what has antiquity, we delve deeply into what scars survived to the modern age, and now serve as Talislanta bears today. the primary sources of lore. As a result, all dates - Hotan’s History of the World mentioned in the following text are estimates based upon interpretations of the ancient Archaen The Forgotten Age is a series of periods that, calendar.
    [Show full text]