CASH BOX Coin Machine Industry!

Total Page:16

File Type:pdf, Size:1020Kb

CASH BOX Coin Machine Industry! THE CONFIDENTIAL WEEKLY OF THE FHE CASH BOX coin machine industry! WurlTTzer ^ Impressive impovements in ^Vurlitzer's sound system give the Wurlitzer Model 1015 clarity of reproduction and authenticity of tone far and away r ahead of anything ever attained in the commercial phonograph field. Hi Awotkesi Read&n Wluf Vi Just as Wurlitzer's national advertising attracts people to look for the Sign s of the Musical Note to find America’s Favorite Nickel's Worth of Fun, Wur- litzer tone holds r them there and brings them back again . hear it and . you'll appreciate why. The Rudolph Wurlitzer* Company, North Tonawanda, New ^ork. *The Name That Means Music To Millions. ri Wurlitzer’s " Triple Action Advertising Campaign will reach Everybody ... Everywhere WurlTTzer Ol A+ft&Uc&i fycui&ute fiicJzeiX hiJo^itU tf-un EXTEND ITS What does AMI mean? Boyd Alley, our Virginia distributor, says it means: "Always More Income!" AUTOMATIC INSTRUMENT COMPANY — Vol. So. 7, 35, Serial ISumber 243 Week of May 20, 1946 H W/M/SS/M/ A New operator! Commission Basis By Bill Gersh As all members of the coin machine industry today For example, in certain well organized cities the know The Cash Box — originally introduced and is now average operator can obtain $5 and even $10 “front sponsoring the crusade to get operators to switch from money” and then split the difference on a 50/50 basis. their present and antiquated 50%-50% commission basis But, the larger majority simply won’t do it. They claim to a new, better and more profitable 70%-30% basis. they fear competitors who will use this as an opportunity to steal their locations. Reports also continue to come in During the war years, when The Cash Box was born, that some operators are still offering anywhere from it predicted the coming of a new and more expensive $200 to $1,000 as a bonus to obtain a desired location. equipment era. It also reasoned with the members of the trade, during those years, that they could not profit- Of course, during the war there was a sudden tendency ably continue in business on their present 50/50 basis by some operators to go to 10c per play, plays for 25c. for the simple reason that prices were rising with such 3 Yet, a survey conducted among music spots, proved that rapidity that regardless of the fact they did not have to most of the proprietors were not too happy this buy new equipment—their overhead continued to rise with arrangement, especially in alarmingly and that this threatened a post-war period territories where it was just being initiated. when, as receipts fell, they would require a greater share of the collections to assure themselves profits. Regardless of what method the operator adopts—he must simply During the wartime period it was an extremely difficult adopt a better commission basis as rapidly task as he to sell this idea to the average operator. The flush possibly can, if he intends to outlast the higher cost of of money was too great. It overwhelmed all thought. It equipment—the tremendous increase in overhead drowned out all pleas. Yet there were some, here and and the keen competition which is surely going to be right there thruout the country, who heard the pleas being on top of him when production normalizes itself. made by The Cash Box and who began to arrange for a bettei commission basis so that they would be prepared for the post-war era. That post-war period is now here. It daily finds more and more coinmen thruout the country joining in The Cash Box crusade to obtain a better percentage of gross collections. These men have, at last, come to agree with The Cash Box, as they note the higher prices of the new equipment, the tremendous increases in their general overhead, and the fact that unless they once again want to become “machine poor”, they had best rapidly arrange to protect themselves by organizing themselves into groups for obtaining a better commission basis. Now there are coinmen who write The Cash Box and claim that even 70% is not enough to cover the present cost of operation. But, surely, these men will agree that it is much better than the 50% they are now receiving. Therefore, tho it is only a rather conservative rise, in comparison to the tremendous overhead increase, it is at least assuring them a better part of their present take— PUBLICATION OFFICES 381 which may mean the difference between profit and loss FOURTH AVENUE, NEW YORK 16, NEW YORK to them. ALL PHONES: MUrray Hill 4-7797 CHICAGO OFFICE 32 W. RANDOLPH ST., As is well known there are other methods for obtain- CHICAGO 1, ILLINOIS HELEN PALMER. Mgr. ALL PHONES: DEarborn 0045 ing a better percentage of the gross. Some are in use by certain communities where strong associations exist. Yet LOS ANGELES OFFICE 422 W. even in these cities there are many who simply won't 11th ST., LOS ANGELES 15, CALIFORNIA l MARSHALL MICON. Mgr. ALL PHONES: PRospect adopt that which is best for them. 2687 J . ' « . * j*. <• * - • - • . - - . • - rc. • . ; ' ’ - - • ' i! : 44 -«></> .. ' • •'// v. i?fl : . ... ' >i it • ! * V" ; i • . '! d if I I SI i. i ' - it ; : )M7. The Cash Box Page 4 Week of May 20, 1946 SEENO CHANGE u tansTsrs sumFOR ’46 Used Machine Sales Revive as Trade Foresees No Big Boom Production Until '47 CHICAGO — The soft coal strike are concerned. They reason that it Many of these men are of the belief which hit this town its hardest blow will give them the opportunity of that the situation will gradually has scattered all production sched- accumulating so much more finances right itself and that all in the field ules to the four winds. until they have to expend this money will come out of this slump to enjoy Manufacturers who formerly be- on the purchase of new equipment. greater profits from finer machines. In short, as one noted operator lieved that they would be able to There is much discussion prevalent catch up and perhaps be in full scale, stated, “It’s a breathing spell for us.” here regarding the fact that prices high speed production sometime this Mainly, tho, most of the trade feel of machines are going up because of fall of ’46, are now of the belief somewhat let down. Many are very the increases granted to the raw ma- that they set have been back any- bitter over the series of events which terials producers which are being where from three to six months. have followed in the wake of John passed down the line to the fabrica- This has brought about the belief L. Lewis’ soft coal strike. As one tors who are charging them off to here that there will not be any real noted distrib here pointed out, “We the manufacturers. full scale production of coin ma- went to very in a great expense But, this was more or less ex- chines until very late in ’46, and renovating and improving our show- pected by the trade and those opera- probably early in ’47, with most of rooms and offices, hiring more me- tors who have been questioned are the equipment which was introduced chanics and office help and generally frank in stating that they expected so far this year —getting complete spending a great deal of money in prices would go up, especially when attention at the 1947 convention. the belief that we would soon be they noted the wage increases Along with this has come the be- getting as many new machines as granted labor unions all over the lief among coinmen generally, who we required.” nation. continue to visit here regularly, that As in all other parts of the na- In short, then, the status of the the status of the entire industry will tion, the manufacturers here are industry, especially in its manufac- remain unchanged for the balance very much upset. They were having turing ceneter here in Chicago, is of this year. their difficulties obtaining materials going to remain more or less sta- This revived interest in the and sufficient has skilled labor. Now tionary. The time has come for the used machines market. Many distribs with this set-back and the further industry to realize that it must ar- jobbers neglecting this fact that it and who were has also set-back the range now for better conditions for division of their business, because of raw materials producers they are itself to overcome a great many of their belief that new machines would away down in the mouth. the factors which have gradually begin to arrive in ever larger quan- The entire situation is one which arisen to cut into its take. This is tity are plunging back into — now no member of this industry ever be- the most important problem, all be- the buying selling of used and lieved would happen. Since it has lieve, with which the industry is during equipment — just as they did happened, and since it appears that faced. the war period. the coming months will feel the ef- Beyond that—the only thing which In discussions with operators thru- fect of this strike even more seri- can be further reported—is that the out this area (as well as those who ously than these past weeks, sales trade continues on courageously, op- visit the city at regular intervals) arrangements will probably change timistically and with head held high there does not seem to be any tears to meet this situation.
Recommended publications
  • BIG BAND JUMP TRIVIA QUIZ NEWSLETTER ★ LETTERS to the EDITOR About BLUE SKIES PARODY, JA-DA, JOHNNY MERCER, the EBERLY/EBERLE BROTHERS & OTHERS
    IN THIS ISSUE: k An interview with FRAN WARREN k Reviews of BIG BOOKS AND RECORDS to consider BAND ☆ A '50S BIG BAND JUMP TRIVIA QUIZ NEWSLETTER ★ LETTERS TO THE EDITOR about BLUE SKIES PARODY, JA-DA, JOHNNY MERCER, THE EBERLY/EBERLE BROTHERS & OTHERS BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE PAID Atlanta, GA 30355 Atlanta, GA Permit No. 2022 BIG BAND JIMP N EWS LETTER VOLUME LXVII1 BIG BAND JUMP NEWSLETTER MAY-JUNE 2000 FRAN WARREN INTERVIEW The Background We were given Fran Warren’s number by the Society Of Singers, a group dedicated to the well-being of vocalists who are, for whatever reason, down on their luck. It turns out she has been active in the Society for some years, keeping it moving in the east, while its main offices are in Los Angeles. Most of us became familiar with the name Fran Warren when Claude Thornhill’s recording of SUNDAY KIND OF LOVE (1947) came out, but she was on the road with Charlie Barnet and with Art Mooney’s original orchestra before that, and had been singing profession- ally with local bands since her early teenage years. She was born Frances Wolfe in the Bronx on March 4, 1928, but was given the name Warren by her friend Billy Eckstine early in her career, the name having been taken from a brand of wine popular in Harlem at Fran sings the time. “Why don’t you sing with the group?” because I was We’re always curious about the reasons anyone fol­ always singing.
    [Show full text]
  • Bensman, Marvin R.; Walker, Dennis Sources of Broadcast Audio
    DOCUMENT RESUME ED 109 724 CS 5,01 094 AUTHOR Bensman, Marvin R.; Walker, Dennis TITLE Sources of Broadcast Audio Programming. PUB DATE 75 NOTE 332p. EDRS PRICE MF-$0.76 HC-$17.13 PLUS POSTAGE DESCRIPTORS *Broadcast Industry; Instructional Materials; *Phonograph Records; *gadio; Resource Materials IDENTIFIERS *DiscographieS _ABSTRACT This publication'is the result of a search conducted for sources of,recordings of old radio programs. Section 1 consists of an annotated list of broadcast programs available on commercial phonograph records. Section 2 consists of an annotated listing of associations concerned with the preservation of recorded broadcast material, organizations which sell programs, newsletters and publications by individuals who collect and trade old radio prograts, and institutions which ha *e collections which are available to some degree for research and teaching purposes. Section 3 is a computerized- catalog of over 100 private collections which was devised to locate specific programs as well as to give some idea of the depth of the material available from such sources. (TS) ****************************************************4i***************** Documents acquired by ERIC Include manyinformal unpublished * materials not available from other sources. ERIC wakes everyeffort * * to obtain the best copy available. nevertheless, items ofmarginal * * reproducibility are often encountered and this affects thequality * * of the microfiche and hardcopy reproductions ERIC makesavailable * * via the ERIC Document Reproduction Service
    [Show full text]
  • Ew Year Brings Crisis Lo Bands; Woody and Ithers Chop Payrolls HE N EW Year Has Brought Rad- Cal Changes in the Music Profes- Ion
    IE ULW HO ¥ R O M JA N U A R Y , 1947 ew Year Brings Crisis lo Bands; Woody and Ithers Chop Payrolls HE N EW year has brought rad- cal changes in the music profes- ion. Several of the nation’s most opular maestri have junked their ands; others have disbanded tem- orarily and are awaiting reorgan- :ations with less expensive side- len. Cutting Payrolls Popular Woody Herman, Les Brown and snny Goodman are now in Holly- Dod without bands, but all hope to organize shortly with payrolls cut >m around $5,000 to $3,000. Good­ in is using a studio group (see page for his radio show. Harry James hopes to reorganize in e January after two months without orchestra. Tommy Dorsey also is ing off. Ditto Benny Carter. Jerry aid just reorganized completely. Jack agarden dropped his ork and formed mall combo. There is talk that Jimmy rsey soon will break up his aggrega- Bandleaders Are Worried The new year finds bandleaders wor­ d. The trend, for the first time in ■^HAT L IL T IN ’ Tilton gal, Martha, is back home in California to stay awhile, e years, is toward smaller orchestras, and already she is being featured regularly on the NBC Sunday “ Meet Me at d sidemen who will work for $100 Parky’s’’ program emanating from Hollywood. Opie Cates, the Arkansas her than $200 and $250 a week, maestro who raises hogs at his California ranch, conducts the orchestra piness in ballrooms, hotels and night behind La Belle Tilton’s animated chirpings on the program.
    [Show full text]
  • Universal to Roll New Pic Onjazz
    N EW S FROM HOLLYWOOD bhhmhhhhhhhhhhhhhmHmrHHHMI VOL. 3, NO. 4 A PRIL, 1945 SIXTEEN PACES Universal to Margaret O'Brien Will Record Roll New Pic Children's Albums for Capitol On Jazz Contracts were being signed as The Capitol went to press which will QELAYED by the strike within the find little Margaret O’Brien recording exclusively for the Capitol label motion picture industry in March, shortly. The diminutive actress, who was awarded a miniature Oscar Henry Blankfort’s production of a statuette at the Academy Awards presentation March 1 5 for being the full-length musical film which em­ “ best child actress of 1944,” has phasizes jazz and several outstand­ never before made records. ing jazz musicians is expected to It was Margaret who walked off with get the green light this month at the picture “ Meet Me in St. Louis,” and Universal with Coleman Hawkins, M il­ again in “ Music for Millions” (both pro­ dred Bailey and Josh W h ite slated for duced by MCM) she won raves for her important spots. masterful acting. Critics describe her as Blankfort, who wrote the screenplay the most gifted juvenile ever to be with Peggy Phillips, revealed that the film ed. picture’s title is “ Hear That Trumpet Capitol will feature Margaret in a Talk." The story concerns five young series of dramatic skits aimed at chil­ Navy men, all musicians who love jazz. dren. Special material is being written John Hoffman w ill be the directo r. for her phenomenal talent, and an or­ chestra will accompany her on the disc- Blankfort, who helped produce the ings, Capitol officials declared.
    [Show full text]
  • February 2018 (Edited for Web)
    Rex Allen, Big Band Leader: “The Biggest Thrill In The World.” Musical News by Alex Walsh pg 4 January - February 2018 | Vol. 90, No. 1 For The Benefit Of All by Kale Cumings, President We arrived in San existence, it has been the relationships Of course we face many challenges: Francisco well I’ve made with the community of the economic and social pressures after midnight. I musicians here in San Francisco in our society, the increasing gulf wasn’t sure the that have sustained me through the between the richest and poorest, and U-haul could reality of a working musician’s life. the unprecedented transformation of make it up the When I played my first orchestral the employer/employee relationship. seemingly— job and observed the protections and For the working musician, these to a born compensation that were already in pressures add enormous difficulty In This Issue. Midwesterner— place for me, I realized I benefited to an already demanding profession. vertical street to our new Potrero Hill greatly from the tireless and diligent In working to find solutions to these Kale Cumings Article apartment. With our used Audi still work of the many people who came problems, what is not possible for a Beth Zare Article hitched to the back, we stopped in a before me. I am grateful for the many lone individual becomes a reality for New & Reinstated Members deserted parking lot south of Market years of thoughtful leadership from a group of engaged and concerned Members Suspended / Dropped / to unhitch the car. After spending people currently with the union and people working together.
    [Show full text]
  • Ralph Edwards Productions Production Records PASC.0336
    http://oac.cdlib.org/findaid/ark:/13030/kt767nf2nr No online items Finding Aid for the Ralph Edwards Productions production records PASC.0336 UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2020 July 27. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Ralph Edwards PASC.0336 1 Productions production records PASC.0336 Contributing Institution: UCLA Library Special Collections Title: Ralph Edwards Productions production records Creator: Ralph Edwards Productions Identifier/Call Number: PASC.0336 Physical Description: 156.5 Linear Feet(313 boxes) Date (inclusive): 1940-circa 2001 Abstract: The collection consists of materials pertaining to the various Ralph Edwards Productions projects such as Truth or Consequences , This is Your Life, and Name That Tune . Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • Night Lights Capitol EAP-1-801 Nat “King” Cole Released C
    Capitol Albums, 801 to 900 and Label 57 Night Lights Capitol EAP-1-801 Nat “King” Cole Released c. March, 1957. Time to Dream Capitol T-802 Les Paul and Mary Ford Released March, 1957. A Swingin’ Affair! Capitol W-803 Frank Sinatra Released May, 1957. Polynesian Holiday Capitol T-804 Harry Owens and his Royal Hawaiians Released March, 1957. Polka! Capitol T-805 Steve Adamczyk Polka Band Released May, 1957. Hollywood or Bust Capitol EAP-1-806 Dean Martin Released February, 1957. Solo Session Capitol T-807 Ken Errair Released April, 1957. Aloha Capitol T-808 The King Sisters Released March, 1957. Honky Tonk Street Parade Capitol T-809 Joe “Fingers” Carr Released August, 1957. Kenton With Voices Capitol T-810 Stan Kenton Released June, 1957. Label 56. Gene Vincent and the Blue Caps Capitol T-811 Gene Vincent and the Blue Caps Released March, 1957. Dancers’ Choice Capitol T-812 Les Brown and his Band of Renown Released April, 1957. Around the World Capitol EAP-1-813 Nat “King” Cole Released September (?), 1957. Hey… Let Yourself Go! Capitol T-814 Nelson Riddle Released April, 1957. Chasing Shadows Capitol T-815 Jackie Davis Released April, 1957. Music for the Love Hours Capitol W-816 Jackie Gleason Released April, 1957. Unreleased/unknown Capitol 817 Spirituals Capitol T-818 Tennessee Ernie Ford Released April, 1957. Gilded Hawk Capitol T-819 Coleman Hawkins Released May, 1957. Label 56. Swing Low Sweet Spiritual Capitol T-820 Jack Teagarden Released May, 1957. Unreleased/unknown Capitol 821 The Magic of Believing Capitol T-822 Beryl Davis, Connie Haines, Jane Russell Released July, 1957.
    [Show full text]
  • Great Escape Vol. 1
    THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Vol. 1 No. 2 May/June 2007 Presented by: www.dixieswing.com In this expanded issue: Our tribute to radio legend Eddie Hubbard-page 5 Quotable Jazzmen Vol. 2: Eddie Condon By Bob Knack© “As it enters the ear, does it come in like broken glass or broadcast, and later issued on LP. I have all those does it come in like honey?” That was Eddie Condon, records. As he introduced the band he once said, “We guitarist, bandleader and nightclub owner. He was born would now like to play our first set, and don’t worry folks, in Goodland, Indiana on November 16, 1905 and until these boys won’t annoy you too much”. his death on the fourth of August, 1973 remained one of On the June 24, 1944 broadcast, Condon the music world’s most quotable jazzmen. announced, “Fred Robbins, our regular announcer, is Condon moved to Chicago and during the out sick. He’ll be back next week with some new germs.” twenties played with the likes of Bix Beiderbecke, Frank On another, as the band finished a conspicuously Teschemacher, Jimmy McPartland, Bud Freeman, Dave raucous arrangement of “The Lady’s in Love with You”, Tough, Gene Krupa (“His drums went through us like a Eddie exclaimed, “That’s some pretty violent love, I triple bourbon.”) and other members of the Austin High might say!” As he was introducing Willie “The Lion” School Gang.
    [Show full text]
  • I 7 : 0 F 1 ! M :M J W $J£¿ ^Tr 1 "1 £—- *• '¿Affä CAPITOL NEWS PAGE 3 G Q Ik to L News Oops! Kenton Insists Published Monthly by CAPITOL PUBLICATIONS, INC
    S ^ - \ j \ ! i p . i i 7 : 0 f 1 ! M :M j W $j£¿ ^tr 1 "1 £—- *• '¿affä CAPITOL NEWS PAGE 3 G q ik to l news Oops! Kenton Insists Published Monthly by CAPITOL PUBLICATIONS, INC. Sunset ond Vine, Molly wood 28,C olif. Printed in U. S. A. Surface 'Innovations’ Will Tour Stan Kenton helped dissolve the snow and ice of the December EDITED BY DAVE DEXTER, JR. blizzards when he got on the telephone in December and warmed m up the wires with a call to the Cap News offices in Hollywood. "That | This Was News — New Year's Day, 1941 story," he yelled, "on page 3 sounds like I've junked our 1951 'In n o ­ vations' tour with a concert orchestra, and it's dead wrong. We are Some said he had flipped, hiring an unknown, but Che; definitely going out next Sept 15, with even more fiddles than we Barnet defied his managers and snagged Lena Horne to used last winter and with even more ambitious music. with his band. She was called Helena then. The ndi , . I ii rUTPut misthis in your wieei,sheet," ixemunKenton uiueieu.ordered. "Wevve have already sent mou rned for Hal Kemp, who died in a car crash near Mac;; . \ , . , n • l - l /m . F-----t ^n^irn $3,000 in advance money to rent the halls m which we'll do our Cal., just four days before Christmas. Frank Sinatra,! .; concerts. And we intend to have a better tour than last year's. Make Stafford, Connie Haines and the Pied Pipers were singing .
    [Show full text]
  • JUBILEE PART 4 Programs 301-433
    JUBILEE PART 4 Programs 301-433 GMA 15-D AFRS/SSD SERIES H-11 BLUE 2014 Third Edition GREEN 2005 Second Edition Updated: August 4, 2015 Prepared by: Dennis M. Spragg 301 AFRS program announcer: Bud Widom Master of Ceremonies: Bud Widom Venues: 01: NBC Hollywood; 02-03: “Just Jazz” concert, Unknown location Pre-recording dates: 01: unknown; 02-03: c. July 1948 Date of dubbing: Label information: Notes: (1) At least some copies of Jubilee 301 are reported to show control numbers D-29259 (side 1) and D-29260 (side 2) respectively. Side 1, wax info: (A) H-11-301 - Part 1 Time 16:30 01 Introduction & theme: One O‘Clock Jump 02 Central Avenue Breakdown -p MB 03 Yancey Boogie 03 J. J. Boogie 03 Swannee River Boogie Side 2, wax info: (A) H-11-301 - Part 2 Prog. time 29:15 Fill to 30:30 03 St. Louis Woman (St. Louis Blues) 02 Hamp‘s Boogie Woogie - p MB 01 Signoff & theme: One O‘Clock Jump - 01 Count Basie and his Orchestra No details - 02 Lionel Hampton and his Orchestra Charlie Shavers, trumpet; Willie Smith, alto sax; Lionel Hampton, vibes & piano; Milton Buckner, piano; Barney Kessel, guitar; Slam Stewart, string bass; Jackie Mills, drums. - 03 Pete Johnson Pete Johnson, piano, acc. by Barney Kessel, guitar; Harry Babasin, string bass; Don Lamond, drums 302 AFRS program announcer: Bud Widom Master of Ceremonies: Bud Widom Venues: various - see each entry Pre-recording dates: 01: unknown; 02 & 03: various - see each entry Date of dubbing: Label information: Notes: Side 1, wax info: D-29263 01 Introduction & theme: One O‘Clock Jump (nc) 02 Emanon
    [Show full text]
  • Abbott & Costello Radio
    VERSION 2.7 Abbott & Costello Radio Log Date: 5/31/2009 Page:1 ABBOTT & COSTELLO RADIO LOG Illustration 1: Abbott and Costello on Kate Smith VERSION 2.7 Abbott & Costello Radio Log Date: 5/31/2009 Page:2 Table of Contents Introduction........................................................................................................................................................3 CBS Kate Smith Show (38/2/3 - 40/6/28).......................................................................................................5 NBC It©s Time To Smile (40/7/3 - 40/9/25).....................................................................................................6 NBC The Chase and Sanborn Program (41/4/6 - 42/6/28)..............................................................................9 NBC Years sponsored by Camel Cigarettes (42/10/8 - 47/6/26)...................................................................25 ABC Years cooperatively sponsored (47/10/1 - 49/6/9)................................................................................70 ABC Abbott & Costello Kid©s Show (47/12/6 - 49/3/26)..............................................................................89 Appearances on Other Radio Shows................................................................................................................91 VERSION 2.7 Abbott & Costello Radio Log Date: 5/31/2009 Page:3 Abbott and Costello Radio Show Log by Bruce Forsberg [email protected] Introduction This document is a radio log that catalogs all appearances
    [Show full text]