Abbott & Costello Radio
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Hold That Ghost in Late 1941 Milton Berle Was Said to Have Quipped, "Things Are Slow in Hollywood
Those Slap-Happy Screamsters Go A’haunting! Saturday, October 23 at 2 & 8 pm only Abbott and Costello’s Hold That Ghost In late 1941 Milton Berle was said to have quipped, "Things are slow in Hollywood. Abbott and Costello haven't made a picture all day." And he was right. fter the smash success of their first starring feature,Buck Privates, (1941) burlesque and Aradio comics Bud Abbott and Lou Costello were the number one box office attraction in the country--and literally saved Universal Studios from bankruptcy. In fact, the only movie that outgrossed Buck Privates at the time was Gone with the Wind. Anxious to keep the team working, Universal Studios had already completed production on their next film, a non-music spoof of two popular film genres of the era--the Haunted House movie and Gangster melodrama--then titled Oh Charlie! (a reference to a running gag in the film where a dead gangster's body keeps turning up). But when the huge box office returns fromBuck Privates began rolling in, Universal temporarily shelved Oh Charlie! to put the team in an- other service themed follow-up, In the Navy. When they returned to Oh Charlie! , Universal discovered test audiences for the film wondered why the Andrews Sisters, who had been in the two previous hits, were absent in this one. So additional re-shoots were required to include the trio, now making it a horror/ comedy, with a couple of songs thrown in. The title was eventually changed to Hold That Ghost and became the third smash hit for Abbott and Costello that year, continuing a string of successes that would keep them among the top box office attractions for the next ten years and would also serve as the inspiration for another classic, 1948's Abbott and Costello Meet Frankenstein. -
Who's on First
ABBOTT & COSTELLO WHO’S ON FIRST? "Who's on First?" is descended from turn-of-the-century burlesque sketches like "The Baker Scene" (the shop is located on Watt Street) and "Who Died" (the owner is named Who). In England, in the variety halls (Britain's equivalent of vaudeville theatres), comedian Will Hay performed a routine in the early 1930s (and possibly earlier) as a schoolmaster interviewing a schoolboy named Howe who came from Ware but now lives in Wye. By the early 1930s, a "Baseball Routine" had become a standard bit for burlesque comics across the United States of America[citation needed]. Abbott and Costello honed the sketch, using the nicknames of then-contemporary baseball players like Dizzy and Daffy Dean (and their alleged French cousin, "Goofé") to set up the premise. In 1938 burlesque producer John Grant, working with Abbott and Costello, asked Will Glickman, a staff writer on The Kate Smith Hour radio show, to sharpen and amplify the Baseball Routine for performance on the show. This version, with extensive wordplay based on the names of contemporary baseball players, became known as "Who's on First?" By 1944, Abbott and Costello had the routine copyrighted. Abbott and Costello performed "Who's on First?" numerous times in their careers, rarely performing it the same way twice. Once, they did the routine at President Roosevelt's request. The routine was featured in the team's 1940 film debut, One Night in the Tropics. The duo reprised the bit in their 1945 film The Naughty Nineties, and it is that version which is considered their finest recorded rendition. -
744 101St Chase and Sandborn Show Anniversary Show
744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO WITH JUDY GARLAND 1/6/1944 NBC 30 VG+ COM 2492 ABBOTT AND COSTELLO WITH HAROLD PERRY 1/20/1944 NBC 30 VG+ COM 4073 ABBOTT AND COSTELLO WITH THE GREAT GILDERSLEEVE 1/20/1944 NBC -
Baseball News Clippings
! BASEBALL I I I NEWS CLIPPINGS I I I I I I I I I I I I I BASE-BALL I FIRST SAME PLAYED IN ELYSIAN FIELDS. I HDBOKEN, N. JT JUNE ^9f }R4$.* I DERIVED FROM GREEKS. I Baseball had its antecedents In a,ball throw- Ing game In ancient Greece where a statue was ereoted to Aristonious for his proficiency in the game. The English , I were the first to invent a ball game in which runs were scored and the winner decided by the larger number of runs. Cricket might have been the national sport in the United States if Gen, Abner Doubleday had not Invented the game of I baseball. In spite of the above statement it is*said that I Cartwright was the Johnny Appleseed of baseball, During the Winter of 1845-1846 he drew up the first known set of rules, as we know baseball today. On June 19, 1846, at I Hoboken, he staged (and played in) a game between the Knicker- bockers and the New Y-ork team. It was the first. nine-inning game. It was the first game with organized sides of nine men each. It was the first game to have a box score. It was the I first time that baseball was played on a square with 90-feet between bases. Cartwright did all those things. I In 1842 the Knickerbocker Baseball Club was the first of its kind to organize in New Xbrk, For three years, the Knickerbockers played among themselves, but by 1845 they I had developed a club team and were ready to meet all comers. -
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
Electronically Filed Docket: 14-CRB-0010-CD/SD (2010-2013) Filing Date: 12/29/2017 03:37:55 PM EST Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS 2010-2013 CABLE ROYALTY YEARS VOLUME I OF II WRITTEN TESTIMONY AND EXHIBITS Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Alesha M. Dominique D.C. Bar No. 990311 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] [email protected] Attorneys for MPAA-Represented Program Suppliers December 29, 2017 Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS FOR 2010-2013 CABLE ROYALTY YEARS The Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and/or distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”),1 in accordance with the procedural schedule set forth in Appendix A to the December 22, 2017 Order Consolidating Proceedings And Reinstating Case Schedule issued by the Copyright Royalty Judges (“Judges”), hereby submit their Written Direct Statement Regarding Distribution Methodologies (“WDS-D”) for the 2010-2013 cable royalty years2 in the consolidated 1 Lists of MPAA-represented Program Suppliers for each of the cable royalty years at issue in this consolidated proceeding are included as Appendix A to the Written Direct Testimony of Jane Saunders. -
West Side Story"
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-6-2014 12:00 AM Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story" Andrew M. Falcao The University of Western Ontario Supervisor Paul Coates The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Andrew M. Falcao 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Falcao, Andrew M., "Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story"" (2014). Electronic Thesis and Dissertation Repository. 2091. https://ir.lib.uwo.ca/etd/2091 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. TRAGEDY, ECSTASY, DOOM: MODERNIST MOODS OF “WEST SIDE STORY” (Thesis format: Monograph) by Andrew Michael Falcao Graduate Program in Global Film Cultures A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Andrew M. Falcao 2014 i Abstract This thesis looks to reposition West Side Story (Jerome Robbins/Robert Wise, 1961) as an example of (neo-)modernist art. Placing the film within its context of Hollywood musicals, I see West Side Story as a particularly rich locus in which to study the genre’s modernist impulses. -
House Elections Under Way Two Entrants Vie for Leader
^ The Daily Skiff nn llnluarcitu Fnrl Worth THAI ™ TuesdaV. Nowombor 15. 1977 Vol. 76, No. 43 Texas Christian University, Fort Worth, Texas ■i———■*■ *T « House elections under way Two entrants vie for leader Editor's note: Information on the candidates and their platforms was taken from their application form, which was supplied to the Daily Skiff by the House Elections Committee. Two candidates will be running for the offices of president, vice president and secretary of the House of Student Representatives, while the positions of vice president of programming and treasurer will be unopposed in Student House of Representatives elections today. Voting will be held from 8 to 5 in the Student Center, Dan Rogers Hall and Greek Hills Cafeteria. No runoffs will be held. JHONNYE SAINT-ANGELLE Jhonnye Saint-Angelle and Laura Shrode have filed for the office of president ROSEMARY HENRY ANNE MAGNER MICHELLE CAMPBELL {or president Saint-Angelle is a graduate student with a 3.8 overall GPA. He is a town-student for vice president for secretary for treasurer representative to the House this semester. In his campaign platform, he said "1 beleive that the office of president of the student body has a great deal of potential for involving all students in the affairs of campus which affect them. "A problem has been that past presidents have represented only a select group and not all students. This has tended to cause apathy among the remainder of students because they have felt they had no one to whom they could go with campus related problems." He said "as a representative of all students I will provide each TCU student with a voice in policy—to the extent that the office of president of the student body allows it." . -
University Library 11
I ¡Qt>. 565 MAJOR LEAGUE BASEBALL PRINCIPAL PLAY-BY-PLAY ANNOUNCERS: THEIR OCCUPATION, BACKGROUND, AND PERSONAL LIFE Michael R. Emrick A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY June 1976 Approved by Doctoral Committee DUm,s¡ir<y »»itti». UNIVERSITY LIBRARY 11 ABSTRACT From the very early days of radio broadcasting, the descriptions of major league baseball games have been among the more popular types of programs. The relationship between the ball clubs and broadcast stations has developed through experimentation, skepticism, and eventual acceptance. The broadcasts have become financially important to the teams as well as the advertisers and stations. The central person responsible for pleasing the fans as well as satisfying the economic goals of the stations, advertisers, and teams—the principal play- by-play announcer—had not been the subject of intensive study. Contentions were made in the available literature about his objectivity, partiality, and the influence exerted on his description of the games by outside parties. To test these contentions, and to learn more about the overall atmosphere in which this focal person worked, a study was conducted of principal play-by-play announcers who broadcasted games on a day-to-day basis, covering one team for a local audience. With the assistance of some of the announcers, a survey was prepared and distributed to both announcers who were employed in the play-by-play capacity during the 1975 season and those who had been involved in the occupation in past seasons. -
BIG BAND JUMP TRIVIA QUIZ NEWSLETTER ★ LETTERS to the EDITOR About BLUE SKIES PARODY, JA-DA, JOHNNY MERCER, the EBERLY/EBERLE BROTHERS & OTHERS
IN THIS ISSUE: k An interview with FRAN WARREN k Reviews of BIG BOOKS AND RECORDS to consider BAND ☆ A '50S BIG BAND JUMP TRIVIA QUIZ NEWSLETTER ★ LETTERS TO THE EDITOR about BLUE SKIES PARODY, JA-DA, JOHNNY MERCER, THE EBERLY/EBERLE BROTHERS & OTHERS BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE PAID Atlanta, GA 30355 Atlanta, GA Permit No. 2022 BIG BAND JIMP N EWS LETTER VOLUME LXVII1 BIG BAND JUMP NEWSLETTER MAY-JUNE 2000 FRAN WARREN INTERVIEW The Background We were given Fran Warren’s number by the Society Of Singers, a group dedicated to the well-being of vocalists who are, for whatever reason, down on their luck. It turns out she has been active in the Society for some years, keeping it moving in the east, while its main offices are in Los Angeles. Most of us became familiar with the name Fran Warren when Claude Thornhill’s recording of SUNDAY KIND OF LOVE (1947) came out, but she was on the road with Charlie Barnet and with Art Mooney’s original orchestra before that, and had been singing profession- ally with local bands since her early teenage years. She was born Frances Wolfe in the Bronx on March 4, 1928, but was given the name Warren by her friend Billy Eckstine early in her career, the name having been taken from a brand of wine popular in Harlem at Fran sings the time. “Why don’t you sing with the group?” because I was We’re always curious about the reasons anyone fol always singing. -
A Family Affair - the Harley Quinn Story
A Family Affair - The Harley Quinn Story Written by J. Quinzelle Based on the DC Comics characters; Harley Quinn created by Bruce Timm and Paul Dini Copyright © 2017 JC Rodriguez J. Quinzelle This screenplaymay not be used PO BOX 782 or reproduced for any purpose Downey, CA 90241 including educational purposes (562) 341-0545 without the expressed written [email protected] permission of the author. FADE IN: EXT. SUBURBAN HOME, OUTSIDE GOTHAM CITY, THEN - DAY A typical suburban one-floor home under a clear summer sky. The grass is green. Children gather toward an ice cream truck as parents talk. The ice cream truck's jingle is loud. A YOUNG GIRL, around 6-7 years old, in a green t-shirt, purple pants, and a baseball cap, pokes a stick into an anthill on the dried up front lawn of the worn house. She isn't smiling. QUINN (V.O.) When does love stop being love? When the ones we love hurt us most. The kids in front of the ice cream truck get their treats and leave with their parents. A BOY, same age as the girl, walks by the front lawn eating ice cream with a FRIEND of the same age. The friend kicks the mailbox as they stop in front of the house gate as the girl pokes the anthill. BOY That's where the Little Looney and her crazy family live. The boy and his friend call out in a teasing tone. BOY/FRIEND Little Looney! The girl hears. She is visibly hurt by the teasing. -
Abbott and Costello Still Leave Us Laughing
EXPLORER + n n n n ###*L*S###*R*>W, *>NTHE *D, PRESS *Y OF ATLANTIC CITY ###*RTHE PRESS###*L*>W, OF ATLANTIC *>N CITY *D,*S *Y New Jersey comedians About Explorer This summer our Explorer pages, which appear each Monday, look at the lives and achievements of famous New Jersey residents. The Education Abbott and Costello page will return in the fall. Who’s on First Here’s a taste of Abbott and Costello’s most famous routine. Keep in mind that ‘Who,’ ‘What’ and ‘I Don’t Know,’ are names of players on the team. Abbott: they give ball players nowadays very still leave us laughing peculiar names. Costello: Funny names? By DEVIN MCLAUGHLIN For the Press, 609-272-7274 Abbott: Nicknames, pet names. Now, on the St. One of Hollywood’s most popular comedy teams Louis team we have Who’s on first, What’s on had deep roots in the Garden State. second, I Don’t Know is on third — Not only were Bud Abbott and Lou Costello both Costello: That’s what I want to find out; I want you born here, but their wise-cracking humor was full of to tell me the names of the fellows on the St. New Jersey attitude. Louis team. The skinny half of the team, William Alexander Abbott: I’m telling you: Who’s on first, What’s on “Bud” Abbott, was born in Asbury Park, Monmouth second, I Don’t Know is on third. County, in 1897. His parents both worked for the cir- Costello: You know the fellows’ names? cus and he took to show business early, working the Abbott: Yes. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.