Night Lights Capitol EAP-1-801 Nat “King” Cole Released C
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Big Band Arrangers of the Swing Era Selected List
Big Band Arrangers of the Swing Era Selected list Band leader Arrangers Tex Beneke Henry Mancini Jimmy Dorsey Tutti Camarata Sonny Burke Tommy Dorsey Paul Weston Sy Oliver Axel Stordahl Benny Goodman Eddie Sauter Buster Harding Fletcher Henderson Horace Heidt Frank DeVol Woody Herman Heil Hefti Ralph Burns Igor Stravinsky Harry James Leroy Holmes Dave Mathews Isham Jones Gordon Jenkins Hal Kemp John Scott Trotter Elliot Lawrence Gerry Mulligan Ray McKinley Eddie Sauter Red Norvo Eddie Sauter Artie Shaw Ray Conniff Johnny Mandel Buster Harding Charlie Spivak Nelson Riddle Claude Thornhill Gil Evans Leader/Arranger Arranger Count Basie Buster Smith Jimmy Mundy Andy Gibson Herschel Evans Cab Calloway Foots Thomas Harry White Duke Ellington Billy Strayhorn Earl Hines Jimmy Mundy Budd Johnson Stan Kenton Pete Rugolo Bill Holman Andy Kirk Mary Lou Williams Earl Thompson Glen Miller Bill Finegan Billy May Claude Thornhill Gil Evans Bill Borden Gerry Mulligan Chick Webb Edgar Sampson Charlie Dixon Andy Gibson Herschel Evans Leader/Arranger Les Brown Benny Carter Larry Clinton Will Hudson Elliot Lawrence Russ Morgan Ray Noble Boyd Raeburn Raymond Scott Musicians in Bands that were Important Arrangers Leader Arranger Instrument Bob Crosby Bob Haggart bass Matty Matlock saxophone Deane Kincaide saxophone Jimmy Dorsey Tutti Camarata trumpet Joe Lipman piano Woody Herman Heil Hefti trumpet Ralph Burns piano Hal Kemp John Scott Trotter piano Gene Krupa Gerry Mulligan saxophone Jimmy Lunceford Sy Oliver trumpet Glen Miller Henry Mancini piano Artie Shaw Ray Conniff trombone Johnny Mandel trombone Charlie Spivak Nelson Riddle trombone . -
Excellent Beast
Nat "King" Cole, alphabetically by title Artist Title Arranger Album Inventory Call # Cole, Nat "King" A Media Luz Carmichael, Ralph SC + P 11832 Cole, Nat "King" Adelita Riddle, Nelson Cole Espanol SC + P 8241 Cole, Nat "King" Adelita Carmichael, Ralph xVln 11844 Cole, Nat "King" Adios Mariquita Linda Carmichael, Ralph SC + P 11833 Cole, Nat "King" After the Ball Carmichael, Ralph Those Lazy-Hazy-Crazy Days SC + P 12046 Cole, Nat "King" Again Cavanaugh, Dave Looking Back SC + P 8431 Cole, Nat "King" Ain't Misbehavin' Jenkins, Gordon Love Is the Thing SC + P 12003 Cole, Nat "King" Ain't She Sweet Riddle, Nelson SC 4819 Cole, Nat "King" All By Myself Hendricks, Belford Ramblin' Rose SC + P 11937 Cole, Nat "King" Always You Hefti, Neal? 1401 SC + P 2697 Cole, Nat "King" Am I Blue? Jenkins, Gordon Where Did Everyone Go? SC + P 12009 Cole, Nat "King" Andalucia (The Breeze and I) Carmichael, Ralph xNat 11844 Cole, Nat "King" Answer Me, My Love Riddle, Nelson SC 13206 Cole, Nat "King" Anytime, Anyday, Anywhere Cavanaugh, Dave Welcome To The Club SC 8231 Cole, Nat "King" Aqui Se Habla Amor Carmichael, Ralph More Cole Espanol SC + P 11834 Cole, Nat "King" Are You Disenchanted? Riddle, Nelson Wild Is Love Prod 10191 Cole, Nat "King" Arrivederci Roma Cavanaugh, Dave Cole Espanol SC + P 8234 Cole, Nat "King" At Last Jenkins, Gordon Love Is the Thing SC + P 11995 Cole, Nat "King" Autumn Leaves Carmichael, Ralph SC + P 11301 Cole, Nat "King" Avalon May, Billy? Welcome To The Club Prod 8411 Cole, Nat & George Shearing Azure-Te Carmichael, Ralph Cole Sings, Shearing Plays SC + P 11813 Cole, Nat "King" Baby Won't You Please Come Home Cavanaugh, Dave Welcome To The Club SC + P 8226 Cole, Nat "King" Baby, Won't You Say You Love Me? 889 Nat, Gtr 2686 Cole, Nat "King" Back To Joe's Jenkins, Gordon Where Did Everyone Go? SC + P 12007 Cole, Nat "King" Ballad of Cat Ballou Carmichael, Ralph SC + P 12826 Cole, Nat "King" Ballerina Riddle, Nelson SC + P 7384 Cole, Nat "King" Beale St. -
Hits from the 1940S
Hits from the 1940s ¯ Boogie Woogie Bugle Boy – Andrews Sisters ¯ Chattanooga Choo Choo – Glenn Miller ¯ Cool Water – Sons of the Pioneers ¯ Don’t Fence Me In – Bing Crosby/Andrews Sisters ¯ Don’t Get Around Much Anymore – Ink Spots/Duke Ellington ¯ Don’t Sit Under the Apple Tree – Glenn Miller/Andrews Sisters ¯ I Love You (For Sentimental Reasons) – Nat King Cole/Dinah Shore ¯ I’ll Be Seeing You – Bing Crosby/Liberace ¯ I’m Looking Over a Four Leaf Clover – Art Mooney ¯ Jingle Jangle Jingle – Kay Kysor/Gene Autry ¯ Peg O’ My Heart – Harmonicats ¯ Sentimental Journey – Doris Day/Les Brown ¯ Star Dust – Artie Shaw ¯ Stormy Weather – Lena Horne ¯ Swinging on a Star – Bing Crosby ¯ Take the “A” Train – Duke Ellington ¯ The White Cliffs of Dover – Vera Lynn/Kay Kysor/Glenn Miller ¯ This Land is Your Land – Woody Guthrie ¯ When You Wish Upon a Star – Cliff Edwards/Glenn Miller/Guy Lombardo ¯ You Are My Sunshine – Gene Autry/Bing Crosby/Lawrence Welk You may find the original versions of many of these songs on You Tube. Many are also available to purchase through ITunes. Most artists referenced here had multiple hits. So once you start searching for the songs listed here you will no doubt find many others to enjoy. For lyrics try AZLyrics.com or songlyrics.com where you can copy and paste lyrics for your personal use only. www.SingingHeartToHeart.com Mary Sue Wilkinson . -
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase. -
The Chronicle
THE CHRONICLE ROSEBUD RETIREMENT VILLAGE MONTHLY NEWSLETTER JULY 2018 One for all you girls in the Village Clint Eastwood in 1962 about the time he was playing Rowdy Yates in Rawhide Message from Deb – July 2018 It was with much pleasure that we welcomed two new Residents to our Village in June. We send a very warm welcome to Eleanor Ashton and Margot O’Rourke. We do hope you settle in quickly to your new home and the Village and enjoy the variety of activities available. Residents will have noticed quite a bit of activity in the Village. Apologies if this is causing any inconvenience and at times deterring from the look of the Village. However, with various tradesmen, concrete trucks, deliveries and skips at least we can prove that the Village is on the improve. Currently there is various work being undertaken on seven Units, with another four scheduled to follow. I think this is a very exciting time and the Units are looking fabulous on completion. The building team is very efficient and cohesive and their work is of a high standard. They are also very obliging and helpful to deal with. The Resident Forum agreed to make changes to the garden entrance of the Village. I will be meeting with a representative from Wise Employment to have a Work for the Dole worker to assist with gardening works. A worker will be available for 25 hours a week over six months, with Eric Lee supervising the worker. My priorities are the entrance, the rockery, the lake area and a garden in Floral Court. -
20. MÄRZ 2006 NAT KING COLE Stardust the Complete Capitol
LIEFERBAR: 20. MÄRZ 2006 KÜNSTLER NAT KING COLE TITEL Stardust The Complete Capitol Recordings 1955-1959 LABEL Bear Family Records KATALOG # BCD 16342 PREIS-CODE KL EAN-CODE 4000127 163424 ISBN-CODE 3-89916-152-1 FORMAT 11-CD-Box (LP-Format) mit 208-seitigem gebundenem Buch GENRE Pop ANZAHL TITEL 298 SPIELDAUER 809:24 • Die erste von zwei umfangreichen Box-Sets, die das umfassende Gesamtwerk dokumentieren • Nat King Cole ist neben Elvis Presley, Frank Sinatra und Bing Crosby einer der vier bekanntesten Sänger der Musikgeschichte und der bis heute bekannteste afro-amerikanische Pop-Superstar! • Die erste Box deckt die Einspielungen für Capitol Records von 1955 bis 1959 ab, enthält 298 Aufnahmen und umfasst ganze 16 Alben. • Bekanntes und unbekanntes, obskures und seltenes. • Erstmalig sind die Titel von der Compilation "Looking Back" nach seinem Tod 1965 OHNE die damals dazu gemischte Rhythmus-Sektion zu hören! INFORMATIONEN Nat King Cole war der populärste Sänger seiner Zeit und – gemeinsam mit Bing Crosby, Frank Sinatra und Elvis Presley – einer der vier bekanntesten Sänger der Geschichte. Was Coles Erfolgs-Story noch bemerkenswerter macht: Er begann seine Karriere nicht im Pop-Bereich, sondern als einer der versiertesten Jazz-Pianisten, die es je gab. Bereits als er den Übergang vom Jazz zum Pop vollzog, hatte er mehr Platten verkauft und mehr Hits gelandet als jeder andere Künstler der Nachkriegszeit – und übertraf dabei sogar Frank Sinatra. Außerdem war Cole der erste afro-amerikanische Pop-Superstar, und auch hier ist er bis heute die Nr. 1. Coles Bariton-Stimme war weich und wohlklingend – viele seiner größten Erfolge feierte er mit Liebesliedern. -
Great Escape Vol. 5
THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Vol. 1 No. 5 November/December 2007 Presented by: www.dixieswing.com Buddy Hughes: One Night on the Stand with Thornhill By Bob Knack While rummaging through my record room recently, I the most exciting band ever.” In the review, DB magazine came across a dusty cardboard box containing a morsel of real reported that Vannerson had recently left the band leaving treasure. It was an October 21, 1946 copy of Downbeat Thornhill without a personal manager or press agent making it Magazine, with the headline, “Claude Thornhill, Band of the difficult for the band to compete for bookings. Year”. The article highly praised the Thornhill band reviewed “After playing some smaller eastern ballrooms and “live” at the Hotel Pennsylvania in New York City. theatres,” Buddy continues, “the appearance at the It saved the highest accolades for the guy singer, Pennsylvania was a big event for the band, and had the Buddy Hughes, saying he had “the freshest, best voice to be attention of show business and band personalities who packed heard with a band”. I asked my friend and Glen Ellyn, Illinois the place for the big night”. “I was introduced by my manager resident, Buddy to reminisce about this night and his time with to Mildred Bailey, Paula Kelly and the Modernaires, Les Brown the CT band, and, as always, he brought the era back to mind (with his arranging pad in hand), singer Buddy Clark and many with his stories as if it were yesterday. -
MARCH 20, 2006 ARTIST NAT KING COLE TITLE Stardust The
SHIPPING DATE: MARCH 20, 2006 ARTIST NAT KING COLE TITLE Stardust The Complete Capitol Recordings 1955-1959 LABEL Bear Family Records CATALOG # BCD 16342 PRICE-CODE KL EAN-CODE 4000127 163424 ISBN-CODE 3-89916-152-1 FORMAT 11-CD Box-Set (LP-size) with 208-page hardcover book GENRE Pop TRACKS 298 PLAYING TIME 809:24 SALES NOTES Nat King Cole (1919-1965) was the most popular male singer of his generation, and, along with Bing Crosby, Frank Sinatra and Elvis Presley, one of the four best known male vocalists of all time. Making Cole's story all the more remarkable, he began his career not as a pop singer but as one of the greatest of all jazz pianists. Yet by the time he had made the transition from jazz to pop, he had sold more records and racked up more hit singles than anyone in the immediate post-war era, even Frank Sinatra. He was also the first Afro-American pop music superstar - and still the greatest. Cole's baritone voice was sweet and pretty, and most of his greatest successes were with love songs. Still, he had the greatest time of any singer ever, and was equally well-versed in swinging rhythm numbers and blues. In his combination of tenderness and bluesy energy, Cole was a founding father of rhythm and blues and a major influence on the soul movement – as cited by Charles Brown, Ray Charles and many other later stars. Like Frank Sinatra, he collaborated closely with the greatest pop orchestrators of all time, particularly Gordon Jenkins, Billy May and in particular, Nelson Riddle. -
Los Angeles: Recorded Magic (1945-1960)
Los Angeles: Recorded Magic (1945-1960) Essential Questions How did advances in technology impact jazz? How did Los Angeles (LA) become a segregated city? How did Los Angeles (LA) become a city of recorded jazz? What is West Coast bop? How does it reflect the black jazz scene in segregated LA? What is West Coast jazz? How is it a product of postwar Southern California? How does the music and literature of Los Angeles reflect its history and culture? How do you listen to jazz? The importance of listening Obtaining a jazz vocabulary Understanding and appreciating major movements in jazz Understanding and appreciating the life and sounds of jazz innovators Historical context of jazz Objectives: 1. Determine how advances in technology impacted jazz and the recording industry. 2. Rank the local, state and federal policies that contributed to the segregation of Los Angeles. 3. Explain how the music and of Los Angeles reflected its segregated population. 4. Analyze West Coast jazz and bop in historical context. Historical Context: Postwar Los Angeles (Marcie Hutchinson) Based on Why Jazz Happened by Marc Myers (social history of jazz) Introduction Profound impact of technology on the history of jazz Radio, records, the phonograph, the jukebox, film Music more accessible, more convenient, pleasing to the ear Postwar Period Jazz transformed from dance music to a sociopolitical movement Major jazz styles: bebop, jazz-classical, cool, West Coast jazz, hard bop, jazz-gospel, spiritual jazz, jazz- pop, avant-garde jazz and jazz-rock fusion Jazz reshaped from 1945-1972 Grip of 3 major record companies (Victor, Columbia, Decca) weakened by labor actions Increased competition from new labels Jazz musicians gain greater creative independence due to competition. -
BIG BAND JUMP TRIVIA QUIZ NEWSLETTER ★ LETTERS to the EDITOR About BLUE SKIES PARODY, JA-DA, JOHNNY MERCER, the EBERLY/EBERLE BROTHERS & OTHERS
IN THIS ISSUE: k An interview with FRAN WARREN k Reviews of BIG BOOKS AND RECORDS to consider BAND ☆ A '50S BIG BAND JUMP TRIVIA QUIZ NEWSLETTER ★ LETTERS TO THE EDITOR about BLUE SKIES PARODY, JA-DA, JOHNNY MERCER, THE EBERLY/EBERLE BROTHERS & OTHERS BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE PAID Atlanta, GA 30355 Atlanta, GA Permit No. 2022 BIG BAND JIMP N EWS LETTER VOLUME LXVII1 BIG BAND JUMP NEWSLETTER MAY-JUNE 2000 FRAN WARREN INTERVIEW The Background We were given Fran Warren’s number by the Society Of Singers, a group dedicated to the well-being of vocalists who are, for whatever reason, down on their luck. It turns out she has been active in the Society for some years, keeping it moving in the east, while its main offices are in Los Angeles. Most of us became familiar with the name Fran Warren when Claude Thornhill’s recording of SUNDAY KIND OF LOVE (1947) came out, but she was on the road with Charlie Barnet and with Art Mooney’s original orchestra before that, and had been singing profession- ally with local bands since her early teenage years. She was born Frances Wolfe in the Bronx on March 4, 1928, but was given the name Warren by her friend Billy Eckstine early in her career, the name having been taken from a brand of wine popular in Harlem at Fran sings the time. “Why don’t you sing with the group?” because I was We’re always curious about the reasons anyone fol always singing. -
Nat King Cole
Nat King Cole Background information Birth name Nathaniel Adams Coles Also known as Nat Cole Born March 17, 1919 Montgomery, Alabama, U.S. Died February 15, 1965 (aged 45) Santa Monica, California, U.S. Genres Vocal jazz, swing, traditional pop Occupation(s) Vocalist, pianist Instruments Piano, vocals, organ Years active 1935–1965 Labels Capitol Associated acts Natalie Cole, Frank Sinatra, Dean Martin Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer who first came to prominence as a leading jazz pianist. He was widely noted for his soft, baritone voice, which he used to perform in big band and jazz genres and which he used to become a major force in popular music for 3 decades producing many hit songs for Cole. Cole was one of the first African Americans to host a national television variety show, The Nat King Cole Show, and has maintained worldwide popularity since his death from lung cancer in February 1965. Early life Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. Cole had three brothers: Eddie, Ike, and Freddy, and a half-sister, Joyce Coles. Ike and Freddy would later pursue careers in music as well. When Cole was four years old, he and his family moved to Chicago, Illinois, where his father, Edward Coles, became a Baptist minister. Cole learned to play the organ from his mother, Perlina Coles, the church organist. His first performance was of "Yes! We Have No Bananas" at age four. He began formal lessons at 12, eventually learning not only jazz and gospel music, but also Western classical music, performing, as he said, "from Johann Sebastian Bach to Sergei Rachmaninoff". -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.