DSD64 2015-09-18.Xlsx Id Label Serial Title Genre Content

Total Page:16

File Type:pdf, Size:1020Kb

DSD64 2015-09-18.Xlsx Id Label Serial Title Genre Content DSD64 2015‐09‐18.xlsx id label serial title genre content media 4264 2L 2L‐035‐SACD Concertos & Fairytales ‐ PK Svensen, MalmГ¶ Symfoniorkester Classical Stereo/Multichannel Hybrid 4202 2L 2L‐037‐SACD Mare ‐ Aurora Quartett Classical Stereo/Multichannel Hybrid 4201 2L 2L‐038‐SACD Mozart: Violin Concertos ‐ Marianne Thorsen, TrondheimSolistene Classical Stereo/Multichannel Single Layer 4603 2L 2L‐039‐SACD Nordheim ‐ Cikada Duo Classical Stereo/Multichannel Hybrid 5307 2L 2L‐050‐SABD Divertimenti ‐ TrondheimSolistene Classical Stereo/Multichannel Hybrid 5661 2L 2L‐051‐SABD SONaR ‐ Ellen Sejersted BГёdtker Classical Stereo/Multichannel Hybrid 6328 2L 2L‐055‐SACD Black Bird ‐ Fredrik Fors, Sveinung Bjelland Classical Stereo/Multichannel Hybrid 5982 2L 2L‐059‐SACD Kleiberg: Treble & Bass ‐ Reuss Classical Stereo/Multichannel Hybrid 7015 2L 2L‐074‐SACD Tanaka: Crystalline ‐ Signe Bakke Classical Stereo/Multichannel Hybrid 7739 2L 2L‐075‐SABD Himmelkvad ‐ Nordic Voices Classical Stereo/Multichannel Hybrid 6817 2L 2L‐076‐SABD KIND ‐ Ensemble 96 Classical Stereo/Multichannel Hybrid 6885 2L 2L‐077‐SABD harmOrgan ‐ Sigmund Groven, Iver Kleive Classical Stereo/Multichannel Hybrid 8573 2L 2L‐088‐SABD NODEBOG Classical Stereo/Multichannel Hybrid 9401 2L 2L‐100‐PABD Remote Galaxy by Flint Juventino Beppe Classical Stereo/Multichannel Unknown 5883 2L 2L‐RR1‐SABD The Nordic Sound Demos/Samplers Stereo/Multichannel Hybrid 5185 4AD SADCD 2705 Dead Can Dance: Dead Can Dance Pop/Rock Stereo Hybrid 5184 4AD SADCD 2706 Dead Can Dance: Garden of the Arcane Delights Pop/Rock Stereo Hybrid 5186 4AD SADCD 2707 Dead Can Dance: Spleen and Ideal Pop/Rock Stereo Hybrid 5183 4AD SADCD 2708 Dead Can Dance: Within the Realm of a Dying Sun Pop/Rock Stereo Hybrid 5181 4AD SADCD 2709 Dead Can Dance: The Serpent's Egg Pop/Rock Stereo Hybrid 5182 4AD SADCD 2710 Dead Can Dance: Aion Pop/Rock Stereo Hybrid 5179 4AD SADCD 2711 Dead Can Dance: Into the Labyrinth Pop/Rock Stereo Hybrid 5187 4AD SADCD 2712 Dead Can Dance: Toward the Within Pop/Rock Stereo Hybrid 5180 4AD SADCD 2713 Dead Can Dance: Spiritchaser Pop/Rock Stereo Hybrid 704 A&M Records 694936032 The Police: Reggatta de Blanc Pop/Rock Stereo Single Layer 702 A&M Records 694936072 The Police: Every Breath You Take Pop/Rock Stereo/Multichannel Hybrid 706 A&M Records 694936082 The Police: Live! Pop/Rock Stereo Single Layer 2034 A&M Records 242836 SA Sting: Brand New Day Pop/Rock Stereo/Multichannel Hybrid 705 A&M Records 493 647‐2 The Police: Synchronicity Pop/Rock Stereo Single Layer 1411 A&M Records 493 707‐2T‐Rex: Electric Warrior Pop/Rock Stereo/Multichannel Hybrid 708 A&M Records 6,06949E+11 The Police: Ghost In The Machine Pop/Rock Stereo Hybrid 707 A&M Records 6,06949E+11 The Police: Zenyatta Mondatta Pop/Rock Stereo Hybrid 1112 A&M Records B0000248‐36 John Hiatt: Bring the Family Pop/Rock Stereo/Multichannel Hybrid 1269 A&M Records B0001017‐26 Peter Frampton: Frampton Comes Alive! Pop/Rock Stereo/Multichannel Single Layer 2474 A&M Records B0002996‐36 Carpenters: The Singles 1969‐1981 Pop/Rock Stereo/Multichannel Hybrid 2258 A&M Records B0003057‐36 Sheryl Crow: Globe Sessions Pop/Rock Stereo/Multichannel Hybrid 2557 A‐Records SAAL 73236 Gezz: Jazz Pop‐Uped Jazz Stereo/Multichannel Hybrid 1360 ABKCO 18771‐9666‐2 The Rolling Stones: Sympathy for the Devil Remix Pop/Rock Stereo/Multichannel Hybrid 474 ABKCO 882 287‐2 The Rolling Stones: England's Newest Hitmakers (US) Pop/Rock Stereo Hybrid 475 ABKCO 882 288‐2 The Rolling Stones: 12 x 5 Pop/Rock Stereo Hybrid 476 ABKCO 882 289‐2 The Rolling Stones: The Rolling Stones Now! Pop/Rock Stereo Hybrid 477 ABKCO 882 290‐2 The Rolling Stones: Out Of Our Heads (US) Pop/Rock Stereo Hybrid 478 ABKCO 882 291‐2 The Rolling Stones: Out Of Our Heads (UK) Pop/Rock Stereo Hybrid 479 ABKCO 882 292‐2 The Rolling Stones: December's Children (And Everybody's) Pop/Rock Stereo Hybrid 480 ABKCO 882 293‐2 The Rolling Stones: Big Hits: High Tide and Green Grass (US) Pop/Rock Stereo Hybrid 481 ABKCO 882 294‐2 The Rolling Stones: Aftermath Pop/Rock Stereo Hybrid 482 ABKCO 882 295‐2 The Rolling Stones: Aftermath (UK) Pop/Rock Stereo Hybrid 483 ABKCO 882 296‐2 The Rolling Stones: Got Live If You Want It! Pop/Rock Stereo Hybrid 484 ABKCO 882 297‐2 The Rolling Stones: Between the Buttons (US) Pop/Rock Stereo Hybrid 485 ABKCO 882 298‐2 The Rolling Stones: Between the Buttons (UK) Pop/Rock Stereo Hybrid 486 ABKCO 882 299‐2 The Rolling Stones: Flowers Pop/Rock Stereo Hybrid 487 ABKCO 882 300‐2 The Rolling Stones: Their Satanic Majesties Request Pop/Rock Stereo Hybrid 488 ABKCO 882 301‐2 The Rolling Stones: Beggars Banquet Pop/Rock Stereo Hybrid 489 ABKCO 882 302‐2 The Rolling Stones: Through the Past, Darkly (Big Hits, Vol. 2) (US) Pop/Rock Stereo Hybrid 491 ABKCO 882 304‐2 The Rolling Stones: Get Yer Ya‐Ya's Out Pop/Rock Stereo Hybrid 492 ABKCO 882 305‐2 The Rolling Stones: Hot Rocks 1964‐1971 Pop/Rock Stereo Hybrid 493 ABKCO 882 306‐2 The Rolling Stones: More Hot Rocks (Big Hits and Fazed Cookies) Pop/Rock Stereo Hybrid 494 ABKCO 882 307‐2 The Rolling Stones: Singles Collection: The London Years Pop/Rock Stereo Hybrid 495 ABKCO 882 311‐2 The Rolling Stones: Metamorphosis Pop/Rock Stereo Hybrid 2260 ABKCO 93252 The Animals: Retrospective Pop/Rock Stereo Hybrid 1175 ABKCO 9807706 Sam Cooke: Keep movin' on Vocal Stereo Hybrid 1172 ABKCO 9807707 Sam Cooke: Ain't That Good News Vocal Stereo Hybrid 2499 Accord (Universal) 4761052 GГ©rard Grisey: Le noir de l'etoile ‐ Les Percussions de Strasbourg Classical Stereo/Multichannel Hybrid 2498 Accord (Universal) 4761280 Matalon: Le Scorpion ‐ Les Percussions de Strasbourg Soundtrack Stereo/Multichannel Hybrid 2409 ACT ACTSACD 9800‐2 Lars Danielsson: Libera Me Jazz Stereo/Multichannel Hybrid 4483 ACT ACTSACD 9806‐2 EsbjГ¶rn Svensson Trio: Tuesday Wonderland Jazz Stereo/Multichannel Hybrid 3451 Aeolus AE‐10451 Vierne: Complete Organ Symphonies Vol. 1 ‐ Daniel Roth Classical Stereo/Multichannel Hybrid 2493 Alba Records ABCD 199 Piazzolla InTime ‐ InTime Quintet/Tampere Philharmonic Orchestra Classical Stereo/Multichannel Hybrid 6478 Alba Records ABCD 295 To The Stars, TBB Live! ‐ Tampere Big Band Unassigned Stereo/Multichannel Hybrid 6894 Alba Records NCD 41 A Journey into Christmas ‐ Vox Aurea Classical Stereo/Multichannel Hybrid 3991 Albany TROY‐855 Precipice: Modern Marimba ‐ Bartlett Classical Stereo/Multichannel Hybrid 8412 Alia Vox AVDVD9896 Bach: Mass in B minor, Live in Fontfroide Abbey ‐ Savall Classical Stereo/Multichannel Hybrid 2414 Alia Vox AVSA9818 Bach: Die Kunst der Fugue ‐ Savall Classical Stereo/Multichannel Hybrid 1179 Alia Vox AVSA9831 Lope de Vega: Entremeses del Siglio de Oro ‐ Savall Classical Stereo Hybrid 2591 Alia Vox AVSA9840 Couperin: Les Concerts Royaux ‐ Savall Classical Stereo/Multichannel Hybrid 3211 Alia Vox AVSA9844 Altre Follie ‐ Savall Classical Stereo/Multichannel Hybrid 3467 Alia Vox AVSA9845 Boccherini: Fandango & Sinfonias ‐ Savall Classical Stereo/Multichannel Hybrid 3502 Alia Vox AVSA9846 Mozart: Serenata Notturna, Eine kleine Nachtmusik ‐ Savall Classical Stereo/Multichannel Hybrid 4296 Alia Vox AVSA9850 Christophorus Columbus: Les Paradis Perdus ‐ Savall Classical Stereo/Multichannel Hybrid 4801 Alia Vox AVSA9854 Haydn: Seven Last Words ‐ Savall Classical Stereo/Multichannel Hybrid 6243 Alia Vox AVSA9873 Le Royaume OubliГ© ‐ Savall Classical Stereo/Multichannel Hybrid 8382 Alia Vox AVSA9894 PRO PACEM Textes, art & Musiques pour la paix Classical Stereo/Multichannel Hybrid 9198 Alia Vox AVSA9902 BALВ∙KAN: Miel & sang (Honey & blood) ‐ Savall Classical Stereo/Multichannel Hybrid 6402 Alia Vox Heritage AVSA9871A+B Bach: Brandenburg Concertos ‐ Savall Classical Stereo/Multichannel Hybrid 6912 Alia Vox Heritage AVSA9872A‐E Marais: Pieces de Viole ‐ Savall Classical Stereo/Multichannel Hybrid 6996 Alia Vox Heritage AVSA9880 Mozart: Requiem, Maurerische Trauermusik ‐ Savall Classical Stereo/Multichannel Hybrid 4411 Alpha Alpha 108 Diego Ortiz: Ad Vesperas ‐ Cantar Lontano Classical Stereo/Multichannel Hybrid 6398 Alpha Alpha 650 Cintegabelle ‐ Yves Rechsteiner Classical Stereo/Multichannel Hybrid 6864 Alpha Alpha 651 LunГ©ville (France 1742) ‐ FrГ©dГ©ric Desenclos Classical Unknown Hybrid 2267 Alpha ALPHASA503 La Tarantella ‐ L'Arpeggiata/Pluhar Classical Stereo/Multichannel Hybrid 9888 Alucard Music ALUGG 042 Gentle Giant: The Power and The Glory Pop/Rock Stereo/Multichannel Unknown 2865 Ambient Records ? Helmet of Gnats Jazz Stereo/Multichannel Hybrid 4579 American clavГ© EWSAC‐1007 Kip Hanrahan: Coup de tete Jazz Unknown Hybrid 6354 American clavГ© EWSAC‐1013 Piazzolla: Tango, Zero Hour World Stereo Hybrid 6248 American clavГ© EWSAC‐1019 Piazzolla: The Rough Dancer and The Cyclical Night Jazz Stereo Hybrid 6355 American clavГ© EWSAC‐1021 Piazzolla: La Camorra World Stereo Hybrid 398 Analogue Productions APJ 1135 Chet Baker: Chet Jazz Stereo Hybrid 405 Analogue Productions APJ 7079 Sonny Rollins: Saxophone Colossus Jazz Mono Hybrid 406 Analogue Productions APJ 7530 Sonny Rollins: Way Out West Jazz Stereo Hybrid 408 Analogue Productions APJ 8089 Vince Guaraldi Trio: Jazz Impressions of Black Orpheus Jazz Stereo Hybrid 4875 Analogue Productions APJ 82020 Hugh Masekela: Hope Jazz Stereo Hybrid 394 Analogue Productions APJ 9376 Bill Evans Trio: Sunday At The Village Vanguard Jazz Stereo Hybrid 396 Analogue Productions APJ 9399 Bill Evans Trio: Waltz For Debby Jazz Stereo Hybrid 395 Analogue Productions APJ 9428 Bill Evans Trio: Moonbeams Jazz Stereo Hybrid 397 Analogue Productions APJ 9433 Cannonball Adderley: Know
Recommended publications
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • Until the End of the World Music Credits
    (Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc.
    [Show full text]
  • Immigrant Musicians on the New York Jazz Scene by Ofer Gazit A
    Sounds Like Home: Immigrant Musicians on the New York Jazz Scene By Ofer Gazit A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Benjamin Brinner, Chair Professor Jocelyne Guilbault Professor George Lewis Professor Scott Saul Summer 2016 Abstract Sounds Like Home: Immigrant Musicians On the New York Jazz Scene By Ofer Gazit Doctor of Philosophy in Music University of California, Berkeley Professor Benjamin Brinner, Chair At a time of mass migration and growing xenophobia, what can we learn about the reception, incorporation, and alienation of immigrants in American society from listening to the ways they perform jazz, the ‘national music’ of their new host country? Ethnographies of contemporary migrations emphasize the palpable presence of national borders and social boundaries in the everyday life of immigrants. Ethnomusicological literature on migrant and border musics has focused primarily on the role of music in evoking a sense of home and expressing group identity and solidarity in the face of assimilation. In jazz scholarship, the articulation and crossing of genre boundaries has been tied to jazz as a symbol of national cultural identity, both in the U.S and in jazz scenes around the world. While these works cover important aspects of the relationship between nationalism, immigration and music, the role of jazz in facilitating the crossing of national borders and blurring social boundaries between immigrant and native-born musicians in the U.S. has received relatively little attention to date.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • From Guy Warren to Kofi Ghanaba: a Life of Transatlantic (Dis)Connections
    Individual Life From Guy Warren to Kofi Ghanaba: A Life of Transatlantic (Dis)Connections Robin D. G. Kelley “ here has never been anybody in the history of Jazz music like me . I am Tto Jazz music what Kwame Nkrumah was to modern African politics.”1 These bold words belong to the late Kofi Ghanaba, the Ghanaian-born drum- mer who pioneered jazz-African fusion music during the era of decolonization. Anyone familiar with Ghanaba and his music, whether as the wise African in Haile Gerima’s celebrated film “Sankofa,” or as the young, dynamic percussion- ist Guy Warren who had taken London, Chicago, and New York by storm in the 1950s, will immediately recognize his legendary hubris. But there is a grain of truth here beyond his conceit. Their lives might be read as parallel stories of two important Ghanaian-born intellectuals whose transatlantic travels between the United States, the United Kingdom, and West Africa profoundly shaped their politics, ideas, and identities. Both men studied at Achimota College in the Gold Coast; both men spent time in the United Kingdom where they encountered an African diasporic community whose politics and art widened their horizons; and both men spent several years in the United States, which they initially envi- sioned as a land of freedom and possibility in an era when the United Kingdom’s imperial fortunes were declining and the so-called American Century was beginning. Nkrumah first arrived in London in 1935, just after Italy invaded Ethiopia. Although he was passing through en route to the United States, Nkrumah fell in with a group of like-minded activists mobilizing against the occupation and demanding that the League of Nations protect Ethiopia’s sovereignty.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Been Surfing Lately? and Eccentric.Com A2 (C) Observer & Eccentric | Sunday, December 29,2002 LOCAL NEWS
    Sprawl comes to holiday display - Local news, A2 Your hometown newspaper Safe serving Canton for 28 years New Year's CANTON drinks can be elegant and alcohol SUNDAY free. December 29,2002 B1 75 cents VOLUME 28 NUMBER 52 www.observerandeccentrlc.com ©2002 HOMETOWN COMMUNICATIC Teaching sisters get u \ i -\u classes i together BY TONY BRUSCATO The Canton Public Library STAFF WRITER and all township offices will be closed New Year's Eve Salem High School students spent an hour this and New Year's Day. past week reading "Curious George," "The Cat in the They will resume normal Hat" and "The Berenstein Bears" before going out hours of operation on Jan, for recess and crawling on the playscape and choos- 2. ing teams for a game of football in the snow. Summit on the Park will Nearly 60 of Lauren Cummings' students partici- be open from ? a,m, to 1 p.m. pated in a field trip to Edison Elementary in New Year's Eve and New Westland, spending time reading, talking and play- 's Day. ing with fifth graders as part of an exchange pro- gram between the two schools. • Heeled "The younger kids see our kids as role models and Participants in this year's PHOTOS BY TOM HAWLEY OBSERVER leaders, and they like to hear about sports and other leadership Canton Program Plymouth Salem junior Mike Lanius (left) reads The True Story of the 3 Little Pigs to fifth-grader Emmett Vinson. activities at the high school," said Cummings. "Even are planning to produce a though it's only an hour, they develop a bond and video history of the town- connection with the younger kids.
    [Show full text]
  • Hcmf.Co.Uk Box Office 01484 430528 #Hcmf2019 Friday 15 – Sunday 24
    Friday 15 – Sunday 24 November 2019 hcmf.co.uk Box Office 01484 430528 #hcmf2019 UK UK PREMIERE FESTIVAL DIARY W WORLD PREMIERE DATE NO EVENT TIME VENUE Fri 15 Nov Exhibition Launch: Claudia Molitor W 4pm Market Gallery, Temporary Contemporary, Queensgate Market edges ensemble: Grapefruit 5pm Temporary Contemporary, Queensgate Market Pre-Concert Talk: Naomi Pinnock + Ann Cleare 6pm St Paul’s Hall 1 Sonar Quartett + Juliet Fraser W UK 7pm St Paul’s Hall 2 The Riot Ensemble: Ann Cleare Portrait UK 9.30pm Huddersfield Town Hall Hanna Hartman: Solo Works UK 11.15pm Bates Mill Photographic Studio Sat 16 Nov Mini Pop-Up Art School 10am - 12pm Temporary Contemporary Queensgate Market Meet the Composer: Hanna Hartman 11am Phipps Hall 3 Ellen Arkbro + Marcus Pal W 1pm St Paul’s Hall 4 Iced Bodies UK 4pm Bates Mill Blending Shed 5 The Riot Ensemble W UK 7pm St Paul’s Hall 6 Decay / Sofia Jernberg 9.45pm Bates Mill Photographic Studio Sun 17 Nov Meet the Composer: Heiner Goebbels 11am Phipps Hall 7 Norrbotten NEO UK 1pm St Paul’s Hall 8 Hanna Hartman: Hurricane Season W 5pm Bates Mill Photographic Studio 9 Jenny Hval: The Practice Of Love 7pm Bates Mill Blending Shed 10 Heiner Goebbels + Gianni Gebbia 9pm St Paul’s Hall Isidore Isou: Juvenal Symphony No 4 UK 11pm Huddersfield Town Hall Mon 18 Nov Launch Event: cageconcert 10am - 5pm Richard Steinitz Building Atrium Installation: Georgia Rodgers W 11am - 5pm SPIRAL Studio, Richard Steinitz Building Group Chat W 11.30am Richard Steinitz Building Atrium John Butcher W 12pm Phipps Hall The Hermes Experiment
    [Show full text]
  • Model Music Curriculum: Key Stages 1 to 3 Non-Statutory Guidance for the National Curriculum in England
    Model Music Curriculum: Key Stages 1 to 3 Non-statutory guidance for the national curriculum in England March 2021 Foreword If it hadn’t been for the classical music played before assemblies at my primary school or the years spent in school and church choirs, I doubt that the joy I experience listening to a wide variety of music would have gone much beyond my favourite songs in the UK Top 40. I would have heard the wonderful melodies of Carole King, Elton John and Lennon & McCartney, but would have missed out on the beauty of Handel, Beethoven and Bach, the dexterity of Scott Joplin, the haunting melody of Clara Schumann’s Piano Trio in G, evocations of America by Dvořák and Gershwin and the tingling mysticism of Allegri’s Miserere. The Model Music Curriculum is designed to introduce the next generation to a broad repertoire of music from the Western Classical tradition, and to the best popular music and music from around the world. This curriculum is built from the experience of schools that already teach a demanding and rich music curriculum, produced by an expert writing team led by ABRSM and informed by a panel of experts – great teachers and musicians alike – and chaired by Veronica Wadley. I would like to thank all involved in producing and contributing to this important resource. It is designed to assist rather than to prescribe, providing a benchmark to help teachers, school leaders and curriculum designers make sure every music lesson is of the highest quality. In setting out a clearly sequenced and ambitious approach to music teaching, this curriculum provides a roadmap to introduce pupils to the delights and disciplines of music, helping them to appreciate and understand the works of the musical giants of the past, while also equipping them with the technical skills and creativity to compose and perform.
    [Show full text]
  • Christmas Photo Album
    CONTENTS My Christmas Memories .................................................................................................................... 6 CHRISTMAS SINGLES Researching Billboard’s Christmas Singles Charts............................................................................ 8 User’s Guide .................................................................................................................................... 11 ARTIST SECTION.............................................................................................................. 15 An alphabetical listing, by artist, of every Christmas song in chronological sequence that charted on Billboard’s singles charts from 1920 through 2004. SONG TITLE SECTION ................................................................................................. 67 An alphabetical listing, by song title, of every Christmas song that charted on Billboard’s singles charts from 1920 through 2004. Christmas Timeline .......................................................................................................................... 74 Christmas Singles Wrap-up ............................................................................................................. 76 Top Hits By Category....................................................................................................................... 77 CHRISTMAS PHOTO ALBUM A special four-color bonus section of 286 photos of various Christmas picture sleeves, record labels and album covers. ...................................................
    [Show full text]
  • Pasic 2001 Marching Percussion Festival
    TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed.
    [Show full text]