64948-Memory-Folder.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

64948-Memory-Folder.Pdf In everything he did and with anything he said Tyler Lambert usually did so with a beaming grin across his face and with playful, bantering jesters. Those are the very things that were so likable about him and just a few of the many things that people came to love about Tyler. Whatever the situation, he always looked on the bright side. Even when he may have been experiencing a bad day, he was always more concerned about those around him. Now experiencing a new journey, may his love continue to shine bright and be made clearer in his absence. For those he has left behind, he will be remembered with love and wonderful times shared, if even for the brief time he was with us. The end of the 1980s found many anticipating the new decade ahead and what the future would bring. There was hope for a more prospering economy while the world of electronics and computers seemed to be increasing by the minute. The handheld Nintendo Game Boy was fi rst introduced to gamers and young boys everywhere were captivated when Teenage Mutant Ninja Turtles hit store shelves. The “Prozac Nation” was well underway and “crack” found its way on many American streets. It was during this time of anticipation and ever changing culture when Tyler A. Lambert-Quinn was fi rst introduced to the world around him. Born at Bronson Hospital in Kalamazoo, Michigan on September 17, 1988, he was the third child and fi rst son born to Chris and Julie (Quinn) Lambert. Tyler spent most of his growing up years in the Otsego and Kalamazoo areas of Michigan with his sisters Kami and Kara, and later became the proud big brother to Patrick and Brad. Raised as a well mannered and respectful boy, Tyler was a good kid and never caused his parents much trouble. He enjoyed boyhood adventures with his many friends, and even from a young age was well liked by many. Never one to talk back, he always did what he was told, never giving grief or argument. He loved his role as older brother and throughout his life tried to set a good example for his younger brothers. Well into his teens and beyond, Tyler loved to cook, especially creating new and exciting recipes which he always persuaded his family to try. Having attended the local schools, Tyler shared many great friendships throughout his early school years and beyond high school graduation. When transitioning into his teenage years, Tyler and a few friends discovered an underground music venue which had a huge impact on him. Expressive and forward thinking, he loved the hip hop music styles of the bands and turned into a genuine Juggalo within the fan base community of Psychopathic Records. Beginning with the rap group Insane Clown Posse’s inception in Farmington Hills, Michigan, the music was a creative form of expression for Tyler and those within the Hatchetman community. He made many awesome friends and favored most of the groups signed under the label such as I.C.P., Twizdtid, Esham, ABK, and Tech9. Within this venue Tyler found a sense of belonging and connected with those who shared his views. A jokester in his own right, Tyler was the kind of guy who could make anyone laugh anywhere and in any situation. He’d do whatever it took to pull someone to stitches, and was so good at it! Even while watching the most dramatic, intense movie ever, he could still fi nd something funny to get everyone cracking up. With a sense of humor that blended well with his loving personality, Tyler was just a great person to know and love. He treated everyone as his own and could light up a room with his bright smile and positive manner. As an encourager, he set an example for all and instilled in others a desire to follow their dreams and never give up. A great son, brother, grandson and nephew, he leaves a wealth of treasured memories along with his great love of family. He was an awesome friend and will be deeply remembered for all he was and for all he gave, if even for just a moment in time. At the age of 22, Tyler A. Lambert-Quinn died unexpectedly on Saturday, December 18, 2010 in Kalamazoo. The service for Tyler will be held Wednesday, December 29, 2010, 11:30 AM at the Oshtemo United Methodist Church. He is survived by his parents; siblings: Kami Fein, Kara Cooper, Patrick and Bradley Lambert; two nieces, his nephew, grandmother and great- grandmother; aunts and uncles, many cousins and friends. Please visit Tyler’s personal web page at www.lifestorynet.com where you can submit a favorite memory or photo and sign his online guest book. Life Story Funeral Home, Betzler-Kalamazoo; 6080 Stadium Drive, 375-2900. Visit LifeStoryNet.com to connect with your friends and family, share stories, and sign the guestbook. Life Story Funeral Homes® are the exclusive providers of the Life Story Experience™. Finally, there is a funeral home worth asking for..
Recommended publications
  • Panel Discussion, “Of Subjugation and Human Consciousness, Dubois in Africa and Fanon in the U.S.” Between Michele Lewis, the Robert E
    Excerpt from the panel discussion, “Of Subjugation and Human Consciousness, DuBois in Africa and Fanon in the U.S.” between Michele Lewis, the Robert E. Lee Chair of Sociology at University of California, Berkeley and Fran Touissaint, Performance Studies Chair of University of Mississippi at Jackson. This conversation took place as part of the symposium, “Humans after Labor” hosted by the University of Michigan in Ann Arbor, in November of 2014. Moderated by August Vollbrecht and plenary from Andrew Mehall. This excerpt is from 1:03:52 to 1:17:41 and focuses on face paints contemporary role of masking in relation to rap music. August Vollbrecht: I think we have to go back to the clown the contemporary understanding of the clown and it’s understanding in America. It presupposes minstrelsy and-- Andrew Mehall: And brings us back to the more local concerns and ICP and how they’re taking it from an earlier Black, Detroit model, Esham more specifically the cover of Homey Don’t Play-- ​ ​ AV: Which is 1991 and predates face paint in Dead Presidents, that’s 1993, drawn from an earlier model ​ ​ which is from Bloods, and that came from recorded interviews of returning Black Vietnam vets. ​ ​ Fran Touissaint: Black Skin, White Mask! I see where the title comes from! (audience laughter) Michele Lewis: Cue the Rolling Stones robbing Bo Diddley at gunpoint! (audience laughter) FT: Yeah, but only stealing a sawbuck. The contemporary clown, albeit seemingly neutral, is steeped in these racial, gender, and class misrepresentations. Janet Davis talks about this in her book about the American circus.
    [Show full text]
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • Eminem 1 Eminem
    Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.
    [Show full text]
  • Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
    Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat.
    [Show full text]
  • To View the Official Program!
    20 years of the gathering of the juggalos... On this momentous occasion, we Gather together not just to celebrate the 20th Annual Gathering of the Juggalos, but to uphold the legacy of our Juggalo Family. For two decades strong, we have converged at the height of the summer season for something so much more than the concerts, the lights, the sounds, the revelry, and the circus. There is no mistaking that the Gathering is the Greatest Show on Earth and has rightfully earned the title as the longest running independent rap festival on this or any other known planet. And while all these accolades are well-deserved and a point of pride, in our hearts we know...There is so much more to this. A greater reason and purpose. A magic that calls us together. That knowing. The spirit of the tribe. The call of the Dark Carnival. The magic mists that float by as we gaze through the trees into starry skies. We are together. And THAT is what we celebrate here, after 20 long, fresh, hilarious, incredible, tremendously karma-filled years. We call this the Soopa Gathering because we are here to celebrate the superpowers of the Juggalo Family. All of us here together and united are capable of heroics and strength beyond measure. We are Soopa. We are mighty. For we have found each other by the magic of the Carnival—standing 20 years strong on the Dirtball as we see into the eternity of Shangri-La. Finding Forever together, may the Dark Carnival empower and ignite the Hero in you ALL..
    [Show full text]
  • A Solution from Hell American Juggalo Pitchfork'd Cavell As Educator Someone Please Chat Us
    A Solution from Hell American Juggalo Pitchfork’d Cavell as Educator Someone Please Chat Us ! " # $ %&"&' )&*+,,-$ '&* './&" Number Twelve fall 2011 The Shaltzes, The Juggalo IX‚, 2010, archival inkjet print, 24 × 36". American Juggalo Kent Russell ’d been driving for seventeen hours, much of it on two-lane I highways through Indiana and then southern Illinois. Red-green corn sidled closer to the road until it stooped over both shoulders. That early in the morning, a mist was tiding in the east. I figured I had to be close. A couple of times I turned off the state road to drive past family plots where the houses were white, right-angled ideals. On many of these plots were incongruous strips of grass—home- spun cemeteries. I wondered what it would be like to grow up in a place like this. Your livelihood would surround you, waving hello every time the wind picked up. You wouldn’t be able to see your neighbors, but you’d for sure know who they were. You’d go to one of the Protestant churches seeded in the corn, take off your Sunday best to shoot hoops over the garage, and drink an after-dinner beer on your porch swing, certain of your regular Americanness. And one day you’d get buried feet from where you lived, worked, and died. Doubt about the trip unfurled inside me as the odometer crawled on. I couldn’t have told you why I was doing this. Back on IL-1 I looked to my right and saw an upside-down SUV in the corn.
    [Show full text]
  • And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
    POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ MAR 1992-02-22 P --------- 1992-02-22 / MAR CP010555 / CS06592 Fugazi, The Ex at Maritime Hall Artist: Ron Donovan Venue: Maritime Hall Promoter: Firehouse Items: Original poster MAR / CP010555 / CS06592 Performers: 1992-02-22: Maritime Hall Fugazi / Ex / Thrones ------------------------------ MAR-MAR-EX 1994-04-30 P-1 --------- 1994-04-30 / MAR MAR-EX CP014508 / MARM314 Chet Helms, Steve Miller Blues Band at Set: Family Dog at Maritime Hall Notes: Helms Tribute, the first rock show at Maritime Hall. I recieved a call around March of '94 from Bruce Dauser, a printer who had called me once after seeing my posters in the Art of Rock. He then had stopped at my booth at the '63 Hall of Flowers(SF) poster show. Bruce's call was the beginning of a close friendship, working together with Chet Helms on many Family Dog posters. Bruce had gotten word that Boots Hughston was looking for a poster artist for the Helms Tribute Benefit that he was promoting. There already were several posters being done, including ones by Wes Wilson and Alton Kelley; but rock superstar Steve Miller had just signed on and they wanted a poster to have him included on the complete lineup.
    [Show full text]
  • ABQ Free Press, April 8, 2015
    VOL II, Issue 7, April 8, 2015 New Mexico’s second-largest newspaper What Makes Steven Michael Quezada Tick? PAGE 11 Achoo! Clyde Tingley’s Curse on ABQ PAGE 16 Space Women PAGE 14 It’s Spring: Go Plant Rio Rancho Red-light Something! PAGE 19 Cameras Likely Illegal PAGE 5 Are You one of ABQ’s ‘Young Turks’? Page 6 PAGE 2 • April 8, 2015 • ABQ FREE PRESS www.freeabq.com NEWS www.abqarts.com Editor: [email protected] ABQ Free Press Pulp News Associate Editor, News: [email protected] Associate Editor, Arts: comPilEd By ABq frEE PrEss stAff [email protected] New Mexico’s second-largest newspaper VOL II, Issue 7, April 8, 2015 Uphill fight of $800. “I’m actually more comfort- Advertising: [email protected] able being kind of poor,” he said. A female rap duo calling themselves With the start of the regular season, On Twitter: @FreeABQ “The Bombaebs” is speaking out Norris will move into a teammate’s IN THIS ISSUE against India’s rape culture. “We’re house as a concession to his new now known as the land of rapes,” Editor role as a major-leaguer. Blue Jays’ says TV host Pankhuri Awasthi, in a Dan Vukelich General Manager Alex Anthopoulos You Tube video performed with artist (505) 345-4080. Ext. 800 said he’s OK with Norris’s ascetic Uppekha. The two Mumbai women’s NEWS lifestyle. “The only thing we worried message includes the following: Associate Editor, News about was that he’d get mugged,” ABQ Free Press Pulp News .............................................................................................................Page 2 “Stop that tweet / And actually get Dennis Domrzalski Anthopoulos old the Toronto Globe on your feet / And help reform this (505) 306-3260 ABQ Free Press local briefs ..........................................................................................................
    [Show full text]
  • Ad Pages Template
    INVENTING OUR OWN KIND OF OBSCURITY SINCE 1992 PHOTO BY BRIGITTE SIRE VOLUME 24 | ISSUE 16 | APRIL 16-22, 2015 | FREE [2] WEEKLY ALIBI APRIL 16-22 , 2015 APRIL 16-22 , 2015 WEEKLY ALIBI [3] CRIB NOTES alibi BY AUGUST MARCH VOLUME 24 | ISSUE 16 | APRIL 16-22 , 2015 Crib Notes: April 16, 2015 EDITORIAL 1 Albuquerque’s new Superintendent of MANAGING EDITOR/MUSIC EDITOR: Public Schools is none other than Samantha Anne Carrillo (ext. 243) ____________________. [email protected] FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] a) Dr. Brad Allison FOOD EDITOR/FEATURES EDITOR : b) Dr. Luis Valentino Ty Bannerman (ext. 260) [email protected] c) Dr. Analee Maestas ARTS & LIT EDITOR/ WEB EDITOR : Lisa Barrow (ext. 267) [email protected] d) Ms. Hanna Skandera CALENDARS EDITOR/COPY EDITOR: Mark Lopez (ext. 239) [email protected] A district judge recently CONTRIBUTING WRITERS: 2 Cecil Adams, Sam Adams, Steven Robert Allen, Captain _____________________. America, Gustavo Arellano, Rob Brezsny, Shawna Brown, Suzanne Buck, Eric Castillo, David Correia, Mark a) Took Bernalillo County District Fischer, Erik Gamlem, Gail Guengerich, Nora Hickey, Kristi D. Lawrence, Ari LeVaux, Mark Lopez, August Attorney Kari Brandenburg off a March, Genevieve Mueller, Amelia Olson, Geoffrey landmark police shooting case Plant, Benjamin Radford, Jeremy Shattuck, Mike Smith, M. Brianna Stallings, M.J. Wilde, Holly von Winckel b) Declared New Mexico a sovereign kingdom PRODUCTION c) Enforced a court mandate requiring ART DIRECTOR: Jesse Schulz (ext. 229) [email protected] that pizza be served at all weddings PRODUCTION MANAGER : d) Spent hours gathering ideas from Archie Archuleta (ext.
    [Show full text]
  • The Best of Sum 41 Flac
    1 / 5 The Best Of Sum 41 Flac "Fatlip" is perhaps the best example of how Sum 41 has made an effort to ... Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF.. Download Sum 41 Torrents from Our Search Results, GET Sum 41 Torrent or Magnet via Bittorrent clients. ... Sum 41 - Does This Look Infected [Bonus Tracks] (Mercury ‎063 559-0) [FLAC] ... Sum 41 - The Best Of Sum 41 (2008) - Punk Rock.. ... -Plays-The-Best-Of-Lerner-And-Loewe 2021-03-10T19:31:28.669Z weekly 0.9 ... 0.9 https://www.hdtracks.com/album/60463695c2188c32e9622f2f/The-Best-2 ... 0.9 https://www.hdtracks.com/album/603e52fdcd8f0452822c7b51/Sum-of-Its- ... https://www.hdtracks.com/album/60142c286d41bf7823e243cc/At-Onkel-P-s- .... 8 hours ago — Closed Casket (03:41) Download: FLAC – Florenfile. 320 kbps ... This album by far is one of Wickit Godfather Esham's best albums. Closed .... ... This Look Infected ? '2002 (Punk Rock) - FLAC FILE. ... 01 - The Hell Song.flac FLAC file, 24 MB · 02 - Over My Head (Better Off Dead).flac FLAC file, 19 MB. Dave Matthews Band discography download FLAC free. Artist : Dave Matthews ... The Best Of What's Around.flac. Dave Matthews Band ... #41.flac. Dave Matthews Band - 6. Say Goodbye.flac. Dave Matthews Band - 7. Drive In, Drive Out.flac.. Download FLAC Download MP3. More. Sum 41 is a Canadian rock band from Ajax, Ontario, active since 1996. In 1999, the band signed an international record ... Apr 5, 2009 — (worldwide) or 8 Years of Blood, Sake and Tears: The Best of Sum 41 2000-2008 (Japan) is a greates hits album by Sum 41.
    [Show full text]
  • Automatic Generation of Rap Lyrics Using Sequence-To-Sequence Learning
    DeepLyricist: Automatic Generation of Rap Lyrics using Sequence-to-Sequence Learning Nils Hulzebosch Student ID: 10749411 A thesis presented for the degree of Bachelor Artificial Intelligence 18 ECTS Faculty of Science University of Amsterdam Netherlands July 2, 2017 M.Sc. Mostafa Dehghani Dr. Sander van Splunter University of Amsterdam University of Amsterdam [email protected] [email protected] First supervisor Second supervisor Abstract This thesis demonstrates the use of sequence-to-sequence learning for the automatic generation of novel English rap lyrics, with the goal of generating lyrics with similar qualities to those of humans in terms of rhyme, idiom, structure, and novelty. The sequence-to-sequence model tries to learn the best parameters for generating target sequences given source sequences, and is trained on over 1.6 million source-target pairs, containing lyrics from 348 different rap artists. The automatic evaluations of each of the four characteristics show that idiom and structure have the best performance, whereas rhyme and novelty should be improved to be in a similar range of human lyrics. Future research could focus on using hierarchical models to improve the learning and generation of rhyme, structure, and possibly novelty, and implementing a sampled probability to increase the uniqueness of generated lyrics. 1 Contents Acknowledgements 4 1 Introduction 5 2 Related work 6 3 Characteristics of rap lyrics 7 3.1 Rhyme . .7 3.2 Rhyme schemes . .9 3.3 Song structure . 10 3.4 Idiom . 11 3.5 Novelty . 12 4 Evaluation Methodology 12 4.1 Rhyme . 12 4.1.1 Modified rhyme density . 13 4.1.2 End rhyme score .
    [Show full text]
  • T-Pain E-40 Boss Hogg Outlawz Gorilla Zoe Pitbull Unk
    OZONE MAGAZINE NEVER MIND WHAT HATERS SAY, IGNORE ‘EM TIL THEY FADE AWAY THEY FADE TIL ‘EM IGNORE SAY, HATERS WHAT NEVER MIND MAGAZINE OZONE YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE T-PAIN E-40 BOSS HOGG OUTLAWZ GORILLA ZOE PITBULL UNK REMEMBERING SHAKIR STEWART OZONE MAG // YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE T-PAIN E-40BOSS HOGG OUTLAWZ GORILLA ZOE PITBULL REMEMBERING UNK SHAKIR & MORE STEWART 28 // OZONE WEST // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric N. Perrin ASSOCIATE EDITOR // Maurice G. Garland monthly sections interviews GRAPHIC DESIGNER // David KA 15 10 THINGS I’M HATIN’ ON 34 BLEU DAVINCI ADVERTISING SALES // Che Johnson, Richard Spoon 22 ARE U A G? 52-53 BOSS HOGG OUTLAWZ PROMOTIONS DIRECTOR // Malik Abdul 72 BOARD GAME 68-69 GORILLA ZOE SPECIAL EDITION EDITOR // Jen McKinnon 73 CAFFEINE SUBSTITUTES 54-55 PASTOR TROY LEGAL CONSULTANT // Kyle P. King, P.A. 74 CD REVIEWS 62-63 PITBULL SUBSCRIPTIONS MANAGER // Adero Dawson 26 CHAIN REACTION 70-71 ROB G ADMINISTRATIVE // Kisha Smith 24 CHIN CHECK 60-61 UNK INTERNS // Jee’Van Brown, Kari Bradley, Torrey 44 DJ BOOTH Holmes 28 DOLLAR MENU features CONTRIBUTORS // Anthony Roberts, Bogan, Char- 12 FEEDBACK lamagne the God, Chuck T, Cierra Middlebrooks, 36 OZONE SPORTS Edward Hall, Jacquie Holmes, J Lash, Jason Cordes, 22 HOOD DEEDS 64-66 SHAKIR STEWART Johnny Louis, Keadron Smith, Keith Kennedy, K.G. 51 INDUSTRY 101 Mosley, King Yella, Luis Santana, Luxury Mindz, Marcus DeWayne, Matt Sonzala, Maurice G.
    [Show full text]