Galileo Galilei - Wikipedia
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Hunting the White Elephant. When and How Did Galileo
MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science PREPRINT 97 (1998) Jürgen Renn, Peter Damerow, Simone Rieger, and Michele Camerota Hunting the White Elephant When and how did Galileo discover the law of fall? ISSN 0948-9444 1 HUNTING THE WHITE ELEPHANT WHEN AND HOW DID GALILEO DISCOVER THE LAW OF FALL? Jürgen Renn, Peter Damerow, Simone Rieger, and Michele Camerota Mark Twain tells the story of a white elephant, a present of the king of Siam to Queen Victoria of England, who got somehow lost in New York on its way to England. An impressive army of highly qualified detectives swarmed out over the whole country to search for the lost treasure. And after short time an abundance of optimistic reports with precise observations were returned from the detectives giving evidence that the elephant must have been shortly before at that very place each detective had chosen for his investigations. Although no elephant could ever have been strolling around at the same time at such different places of a vast area and in spite of the fact that the elephant, wounded by a bullet, was lying dead the whole time in the cellar of the police headquarters, the detectives were highly praised by the public for their professional and effective execution of the task. (The Stolen White Elephant, Boston 1882) THE ARGUMENT In spite of having been the subject of more than a century of historical research, the question of when and how Galileo made his major discoveries is still answered insufficiently only. It is mostly assumed that he must have found the law of fall around the year 1604 and that only sev- 1 This paper makes use of the work of research projects of the Max Planck Institute for the History of Science in Berlin, some pursued jointly with the Biblioteca Nazionale Centrale in Florence, the Istituto e Museo di Storia della Scienza, and the Istituto Nazionale die Fisica Nucleare in Florence. -
Science in the Domestic Sphere
Masterpieces of Science edited by Filippo Camerota introduction by Paolo Galluzzi Museo Galileo’s new permanent exhibition Supervision Emanuele Masiello, Soprintendenza per i Beni Building renovation and technical installations Architettonici, Paesaggistici, Storici, Artistici have been made possible through an agreement ed Etnoantropologici per le province di Firenze, protocol between the Ministero per i Beni Pistoia e Prato e le Attività Culturali and the Regione Toscana. General coordination The exhibition set-up and display systems have Teresa Saviori been financed by the Ente Cassa di Risparmio _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ di Firenze. Graphic design RovaiWeber design Video guides hardware and software have been President acquired through the City of Florence Integrated Building restoration Ginolo Ginori Conti Urban Plan for Sustainable Development. COBAR – Costruzioni Barozzi, Altamura (BA) CIEM – Costruzione Impianti Elettrici Board of Trustees The interactive exhibits have been funded Manutenzione, Scandicci (FI) Carlo Bossi, Comune di Firenze by the Ministero dell’Istruzione, dell’Università Professional Security – Sistemi elettronici Guido Chelazzi, Università di Firenze e della Ricerca and by Toscana Energia. di sicurezza, Florence Massimo Inguscio, Università di Firenze Decoart – Restauro e conservazione opere Giorgio Van Straten, Ministero dell’Istruzione, The catalogue has been produced thanks to the d’arte, Florence dell’Università e della Ricerca support from the Fondazione Renato Giunti. Museum display production Director Under the patronage of the Comitato Nazionale Laboratorio Museotecnico Goppion, Paolo Galluzzi per le Celebrazioni del IV Centenario delle Trezzano sul Naviglio (MI) scoperte celesti di Galileo. -
The Harper Anthology of Academic Writing
The Harper P\(\·::�·::::: ...:.:: .� : . ::: : :. �: =..:: ..·. .. ::.:·. · ..... ·.' · .· Anthology of . ;:·:·::·:.-::: Academic Writing S T U D E N T A U T H 0 R S Emily Adams Tina Herman Rosemarie Ruedi Nicole Anatolitis Anna Inocencio Mary Ellen Scialabba Tina Anatolitis Geoff Kane Jody Shipka Mario Bartoletti David Katz Susan Shless Marina Blasi Kurt Keifer Carrie Simoneit Jennifer Brabec Sherry Kenney Sari Sprenger Dean Bushek Kathy Kleiva Karen Stroehmann Liz Carr Gail Kottke Heather To llerson Jennifer Drew-Steiner Shirley Kurnick Robert To manek Alisa Esposito Joyce Leddy Amy To maszewski Adam Frankel James Lee Robert Van Buskirk Steve Gallagher Jan Loster Paula Vicinus Lynn Gasier Martin Maney Hung-Ling Wan Christine Gernady Katherine Marek Wei Weerts ·:-::::·:· Joseph L. Hazelton Philip Moran Diana Welles Elise Muehlhausen Patty Werber Brian Ozog Jimm Polli Julie Quinlan Santiago Ranzzoni Heidi Ripley I S S U E V I I 1 9 9 5 The Harper Anthology of Academic Writing Issue VII 1995 \Y/illiam Rainey Harper College T h e Harper Anthology Emily Adams "Manic Depression: a.k.a. Bipolar Disorder" Table (Psychology) 1 Nicole Anatolitis, Tina Anatolitis, Lynn Gasier and Anna Inocencio "Study Hard" of (Reading) 7 Mario Bartoletti "Zanshin: Perfect Posture" Contents (English) 8 Marina Blasi "To Parent or Not to Parent ... That Is the Question (English) 11 Jennifer Brabec "Nature Journal" (Philosophy) 15 Dean Bushek "A Piece of My Life" (English) 17 Liz Carr "Betrayal" (English) 20 Jennifer Drew-Steiner "First Exam: Question Four" (Philosophy) 24 Alisa Esposito "The Trouble with Science" (English) 25 Adam Frankel "Form, Subject, Content" (Art) 27 Table of Contents Steve Gallagher Joyce Leddy "Galileo Galilei" "Is Good Design A Choice?" (Humanities) 28 (Interior Design) 62 Christine Gernady James Lee "Stresses of Office Work, Basic Causes "Scientific Integrity" and Solutions" (Physics) 63 (Secretarial Procedures) 34 Jan Loster Joseph L. -
Qualità: AVANTI TUTTA Dal Temporary Store Alla Fortezza (A Pag
6 GIUGNO 2012 QUALITÀ: AVANTI TUTTA Dal Temporary Store alla Fortezza (a pag. 30) all’apertura del supermercato a Novoli (a pag. 29) I CONTI TORNANO Il Bilancio Consuntivo dell’Unicoop Firenze (a pag. 4) CINQUE PUNTI PREMIO BIONDO DEPRESSO per i soci che ritirano La crisi della coltivazione il giornale alla cassa del grano in Toscana (a pag. 12) Nei punti vendita dal 28 maggio 2012 SOMMARIO Chiuso in tipografia MONDO COOP 13 Sulle orme del passato VARIE ED EVENTUALI il 16/05/2012. Questo numero diffonde 4 I conti tornano La cooperativa archeologica Ichnos 680.000 copie. Bilancio 2011: bene le vendite. Sara Barbanera On line su Forti investimenti per lo sviluppo www.coopfirenze.it Antonio Comerci GUIDA ALLA SPESA 5 Voce per voce 14 Bulbi salutari Stato patrimoniale e Conto Aglio e cipolla, economico al 31 dicembre 2011 tante virtù Monica Galli 36 Maremma...che vini! e Alessandra Terra di vini e sapori Pesciullesi Francesco Giannoni 15 Le micotossine 37 Marineria al museo Sostanze tossiche A Viareggio un museo dedicato negli alimenti alle imprese marinare Monica Galli Stefano Giraldi e Alessandra Pesciullesi 38 Golosa d’ingegno 16 Povero in tavola La frittata, ottima per Il pesce azzurro, un alimento riciclare gli avanzi molto adatto alla dieta estiva Leonardo Romanelli 28 La squadra della qualità Melania Pellegrini 39 Estivi di gran gusto 6 GIUGNO 2012 QUALITÀ: AVANTI TUTTA Le segnalazioni dei clienti 17 Tutti pazzi per la palamita Zucchine e fagiolini Dal Temporary Store alla Fortezza (a pag. 30) all’apertura del supermercato a Novoli (a pag. 3) I CONTI TORNANO Il Bilancio Consuntivo all’ufficio qualità La scheda del pesce “dimenticato” dell’Unicoop Firenze (a pag. -
Novembre Dicembre Ottobre
CALENDARIO Domenica 28 ottobre - ore 15.30 - Galleria dell’Accademia “Aiuta il Davide a liberare i prigioni” Visita guidata alla scoperta dei prigioni di Michelangelo intrappolati nel marmo di Carrara! Incontro con la guida alla biglietteria del museo. La partecipazione dei ragazzi alle OTTOBRE iniziative è gratuita con l’acquisto Sabato 3 novembre - ore 10.00 - Museo Archeologico di almeno un libro. “Riconosci gli dei egizi al Museo Archeologico” La prenotazione è obbligatoria. Visita guidata al Museo Archeologico sulle tracce delle Al termine di ogni iniziativa verrà divinità egizie! Al termine della visita, in libreria, i bambini saranno invitati a ricostruire le fi gure divine incontrate offerta una colazione o merenda. durante il percorso museale. Incontro con la guida alla biglietteria del museo. NOVEMBRE Le iniziative in calendario vengono effettuate Sabato 10 novembre - ore 15.00 - My Accademia da operatori della Sezione Didattica del Polo “Oggi scopro … le sorprese del Museo Museale Fiorentino, Galileo” della Soprintendenza Archeologica e Racconto della storia degli strumenti scientifi ci e del Museo Galileo secondo la metodologia costruzione di modelli funzionanti! ed i percorsi ideati dagli stessi istituti. Domenica 11 novembre - ore 15.30 - Museo di San Marco “San Marco: Stanze aperte e porte chiuse” Visita guidata per comprendere l’uso e la funzione di ambienti oggi sconosciuti. Scopriamo insieme luoghi abitati da monaci e non solo, dove le ore erano scandite da preghiera e studio, ma anche da attività artistiche… sempre con uno sguardo aperto alla vita della città! Incontro con la guida alla biglietteria del museo. Sabato 17 novembre - ore 15.00 - My Accademia “La Scienza fa spettacolo, dal Museo Galileo alla Libreria My Accademia!” Un assaggio delle attività del Museo Galileo: un animatore in costume illustra alcune dimostrazioni scientifi che con la presenza di un’ospite misteriosa. -
Sources: Galileo's Correspondence
Sources: Galileo’s Correspondence Notes on the Translations The following collection of letters is the result of a selection made by the author from the correspondence of Galileo published by Antonio Favaro in his Le opere di Galileo Galilei,theEdizione Nazionale (EN), the second edition of which was published in 1968. These letters have been selected for their relevance to the inves- tigation of Galileo’s practical activities.1 The information they contain, moreover, often refers to subjects that are completely absent in Galileo’s publications. All of the letters selected are quoted in the work. The passages of the letters, which are quoted in the work, are set in italics here. Given the particular relevance of these letters, they have been translated into English for the first time by the author. This will provide the international reader with the opportunity to achieve a deeper comprehension of the work on the basis of the sources. The translation in itself, however, does not aim to produce a text that is easily read by a modern reader. The aim is to present an understandable English text that remains as close as possible to the original. The hope is that the evident disadvantage of having, for example, long and involute sentences using obsolete words is compensated by the fact that this sort of translation reduces to a minimum the integration of the interpretation of the translator into the English text. 1Another series of letters selected from Galileo’s correspondence and relevant to Galileo’s practical activities and, in particular, as a bell caster is published appended to Valleriani (2008). -
From Pope Urban VIII to Bishop Étienne Tempier: the Strange History of the “Doctrine of Double Truth”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by AIR Universita degli studi di Milano LUCA BIANCHI From Pope Urban VIII to Bishop Étienne Tempier: the Strange History of the “Doctrine of Double Truth” 1. “TWO CONTRADICTING TRUTHS, EXISTING SIDE BY SIDE – ONE RELIGIOUS, THE OTHER SCIENTIFIC” In 1947, when Bertold Brecht was finishing the so-called ‘American’ version of his Life of Galileo, the distinguished American scriptwriter Barrie Stavies also produced in New York a play on Galileo, titled Lamp at Midnight. Des- tined to an extraordinary success, translated in about thirty languages, produced in different countries and even adapted for the small screen in the 1960s, this work is not a masterpiece. It presents – like Brecht’s play – a one-sided and rather anachronistic picture of Galileo’s conflict with his contemporaries. Galileo is described as the champion of freedom of thought and the advocate of scientific knowledge, opposed by a legion of enemies (Aristotelian philosophers, Scholastically-trained theologians and Church authorities), who are all shown as dogmatic defenders of the tradi- tional worldview. This is not to say that Stavies did not rely on a systema- tic, though hasty, reading of seventeenth-century sources: he even used some minor works such as the Dianoia astronomica, optica, physica publi- shed in 1611 by Francesco Sizzi, which is probably the silliest work ever written against Galileo’s astronomic discoveries. Nonetheless, the charac- ter of Cardinal Maffeo Barberini (the -
Birth and Life of Scientific Collections in Florence
BIRTH AND LIFE OF SCIENTIFIC COLLECTIONS IN FLORENCE Mara Miniati 1 RESUMO: em Florença. Este artigo descreve as trans- formações ocorridas entre os séculos 18 e O artigo centra-se na história das coleções 19 na vida cultural da capital da Toscana: as científicas em Florença. Na era dos Medici, artes e ciências foram promovidos, e os flo- Florença foi um importante centro de pes- rentinos cultivados estavam interessadas no quisa científica e de coleções. Este aspecto desenvolvimento recente da física, na Itália e da cultura florentina é geralmente menos no exterior. Nesse período, numerosas co- conhecido, mas a ciência e coleções científi- leções científicas privadas e públicas de Flo- cas foram uma parte consistente da história rença existentes, que eram menos famosas, da cidade. O recolhimento de instrumentos mas não menos importantes do que as co- científicos era um componente importante leções Médici e Lorena se destacaram. Final- das estratégias políticas dos grão-duques flo- mente, o artigo descreve como as coleções rentinos, convencidos de que o conhecimen- florentinas se desenvolveram. A fundação to científico e controle tecnológico sobre do Instituto e Museu de História da Ciência a natureza conferiria solidez e prestígio ao deu nova atenção aos instrumentos cientí- seu poder político. De Cosimo I a Cosimo ficos antigos. Sua intensa atividade de pes- III, os grão-duques Médici concederam o seu quisa teve um impacto sobre a organização patrocínio e comissões sobre gerações de do Museu. Novos estudos levaram a novas engenheiros e cientistas, formando uma co- atribuições aos instrumentos científicos, as leção de instrumentos matemáticos e astro- investigações de arquivamento contribuiram nômicos, os modelos científicos e produtos para um melhor conhecimento da coleção, naturais, exibidos ao lado das mais famosas e os contactos crescentes com instituições coleções de arte na Galleria Uffizi, no Pala- italianas e internacionais feitas do Museu zzo Pitti, e em torno da cidade de Florença tornaram-no cada vez mais ativo em uma e outros lugares da Toscana. -
On the Alleged Use of Keplerian Telescopes in Naples in the 1610S
On the Alleged Use of Keplerian Telescopes in Naples in the 1610s By Paolo Del Santo Museo Galileo: Institute and Museum of History of Science – Florence (Italy) Abstract The alleged use of Keplerian telescopes by Fabio Colonna (c. 1567 – 1640), in Naples, since as early as October 1614, as claimed in some recent papers, is shown to be in fact untenable and due to a misconception. At the 37th Annual Conference of the Società Italiana degli Storici della Fisica e dell'Astronomia (Italian Society of the Historians of Physics and Astronomy, SISFA), held in Bari in September 2017, Mauro Gargano gave a talk entitled Della Porta, Colonna e Fontana e le prime osservazioni astronomiche a Napoli. This contribution, which appeared in the Proceedings of the Conference (Gargano, 2019a), was then followed by a paper —actually, very close to the former, which, in turn, is very close to a previous one (Gargano, 2017)— published, in the same year, in the Journal of Astronomical History and Heritage (Gargano, 2019b). In both of these writings, Gargano claimed that the Neapolitan naturalist Fabio Colonna (c. 1567 – 1640), member of the Accademia dei Lincei, would have made observations with a so-called “Keplerian” or “astronomical” telescope (i.e. with converging eyepiece), in the early autumn of 1614. The events related to the birth and development of Keplerian telescope —named after Johannes Kepler, who theorised this optical configuration in his Dioptrice, published in 1611— are complex and not well-documented, and their examination lies beyond the scope of this paper. However, from a historiographical point of view, the news that someone was already using such a configuration since as early as autumn 1614 for astronomical observations, if true, would have not negligible implications, which Gargano himself does not seem to realize. -
Galileo Galilei: Un Hombre Contra La Oscuridad
Rev.R.Acad.Cienc.Exact.Fís.Nat. (Esp). Vol. 107, Nº. 12, pp 5578, 2014 XVI. Programa de Promoción de la Cultura Científica y Tecnológica. GALILEO GALILEI: UN HOMBRE CONTRA LA OSCURIDAD. FERNANDO BOMBAL GORDÓN *. * Real Academia de Ciencias Exactas, Físicas y Naturales. Valverde 22, 28004 Madrid. Facultad de Matemáticas. Universidad Complutense. 28040 Madrid. Prefiero descubrir un solo hecho, por pequeño que sea, a discutir largamente los grandes temas sin descubrir nada en absoluto. GALILEO GALILEI. Galileo Galilei (1564-1642) es probablemente el “La filosofía está escrita en ese grandísimo libro personaje que mejor evoca el proceso de cambio y —me refiero al Universo— que tenemos abierto ante evolución que marca la transición de la concepción los ojos, pero no se puede comprender si antes no se medieval del mundo al nacimiento de la Ciencia mo- aprende el idioma y a interpretar los caracteres en que está escrito. Está escrito en el lenguaje de las matemá derna en el Occidente europeo. ticas y sus caracteres son triángulos, círculos y otras figuras geométricas, sin las cuales es imposible entender una sola palabra. Sin ese lenguaje, navegamos en un oscuro laberinto”. incluidas en su obra Il Saggiatore (El Ensayador, 1623; una polémica dirigida contra la dialéctica de los jesui- tas) se consideran como la declaración funda cional del método científico. La defensa a ultranza de sus ideas sobre el diseño racional de la Naturaleza, le hizo enfrentarse al oscu- rantismo de su tiempo y le han convertido en el para- digma de la libertad de pensamiento. De sus descubrimientos, sus ideas y su vida en la apasionante Italia de la época trata esta Conferencia. -
GALILEO CREATION and COSMOGONY a Study on the Interplay Between Galileo’S Science of Motion and the Creation Theme [M-STO/05, M-FIL/06]
DOCTORAL DISSERTATION GALILEO CREATION AND COSMOGONY A Study on the Interplay between Galileo’s Science of Motion and the Creation Theme [M-STO/05, M-FIL/06] Ph.D. Candidate Ph.D. Coordinator IVAN MALARA Prof. ANDREA PINOTTI Registration number: R11933 JOINT PH.D. SUPERVISORS Università degli Studi di Milano Prof. LUCA BIANCHI Doctoral course in Philosophy and Human Sciences – XXXIII Cycle Prof. ELIO NENCI (Dipartimento di Filosofia “Piero Martinetti”) Gent Universiteit Prof. MAARTEN VAN DYCK Academic Year 2019/2020 È chiaro che il pensiero dà fastidio anche se chi pensa è muto come un pesce anzi è un pesce e come pesce è difficile da bloccare perché lo protegge il mare Com’è profondo il mare LUCIO DALLA, Com’è profondo il mare (1977) Non ’mbrischiare a calia ca ’nzudda (Calabrian saying) Table of contents Abstract English .........................................................................................................VII Italian ..........................................................................................................VIII Dutch.............................................................................................................IX Introduction .............................................................................................................XI PART ONE: CREATION I. Anno 1607: Galileo and Castelli 1. Galileo in 1607..............................................................................................3 2. Castelli in 1607. The epistulae Cavenses....................................................... -
STUDENT HANDBOOK a GUIDE to MAXIMIZE YOUR SACI EXPERIENCE Front and Back Cover Images: Details of Michelangelo’S Sistine Chapel
STUDIO ARTS COLLEGE INTERNATIONAL STUDENT HANDBOOK A GUIDE TO MAXIMIZE YOUR SACI EXPERIENCE Front and back cover images: details of Michelangelo’s Sistine Chapel. SACI STUDENT HANDBOOK A Guide to Maximize Your SACI Experience Studio Arts College International Palazzo dei Cartelloni Via Sant’Antonino 11 50123 Florence - ITALY T (+39) 011 055 289948 F (+39) 011 055 2776408 [email protected] www.saci-florence.edu 4 CONTENTS Welcome..................................................7 SACI Mission Statement............................8 SACI Facilities.............................................9 School Regulations and Policies.............10 Housing................................................14 Other SACI Services..................................17 Visitors...............................................18 SACI Academic Information.....................20 Course Information....................20 Financial Information...............22 SACI Field Trips.........................................24 Florence’s Schedule.................................26 Health and Safety ...................................27 Fitness Facilities.......................27 Medical Information.................28 Safety Information....................31 Communication.....................................35 Telephone...............................35 Faxes, Photocopies, and IDs......37 Email and Internet....................37 Mail.....................................38 Money Transactions.................................39 Getting Around in Florence.....................41