Pm2 Sisters Academy 2015-08-11
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Bernhard Gander, Ensemble Modern, Attila Csihar, Kevin Paradis Oren
Bernhard Gander, Ensemble Modern, Attila Csihar, Kevin Paradis 20OOZING EARTH Oren Ambarchi, Attila Csihar, Stephen O’Malley GRAVETEMPLE 20 MUSIK Ort Halle E im MuseumsQuartier Warm up! Einführungen, Lectures und Gespräche 13. September, 18.30 Uhr, Crossing over: Neue Termin 13. September, 20 Uhr Musik meets Metal, Gespräch mit Bernhard Gander Dauer 2 Std. 30 Min., inkl. 1 Umbaupause und Attila Csihar, in englischer Sprache, Portikus im Haupthof des MuseumsQuartier Wir bitten Sie, während dieser kurzen Pause den Saal nicht zu verlassen. Der erste Engel blies seine Posaune. Da fielen Hagel und Feuer, die mit Blut vermischt waren, auf das Land. Es verbrannte ein Drittel des Landes, ein Drittel der Bäume und alles grüne Gras. OFFENBARUNG 8,7 The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the Earth: and the Mit Musik von Bernhard Gander, Oozing Earth, for voice, extreme-metal drummer and ensemble third part of trees was burnt up, Interpretiert von Attila Csihar / Stimme, Kevin Paradis / Schlagzeug, Ensemble Modern (Dietmar Wiesner / Flöte, Christian Hommel / Oboe, Hugo Queirós / Klarinette, Johannes Schwarz / Fagott, Saar Berger / and all green grass was burnt up. Horn, Sava Stoianov / Trompete, Mikael Rudolfsson / Posaune, Ueli Wiget / Klavier, Hermann Kretzschmar / Klavier, David Haller / Perkussion, Rainer Römer / Perkussion, Jagdish Mistry / Violine, Giorgos Panagiotidis / Violine, Megumi Kasakawa / Viola, Paul Beckett / Viola, Eva Böcker / Violoncello, REVELATION 8:7 Michael Maria Kasper / Violoncello, Paul Cannon / Kontrabass, Norbert Ommer / Klangregie) Dirigent Bas Wiegers Und Musik von Gravetemple (Attila Csihar, Oren Ambarchi, Stephen O’Malley) Lichtkonzept Raphael Haider, Marlene Posch durchgeführt vom Team Wiener Festwochen Uraufführung Oozing Earth, März 2020, cresc… Biennale für aktuelle Musik Frankfurt Rhein Main 2 DE / EN 3 DER ULTIMATIVE ABGESANG AUF DIE MENSCHHEIT unfreiwilligen Propheten. -
Oslo, Norway – 31
OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come. -
Pressemappe Donaufestival 2018
Krems / Austria Presseinformation 27.04.-29.04. & 04.-06.05.2018 donaufestival 2018 Endlose Gegenwart donaufestival 2018 .................................................................................................................................................. 2 ARTISTS A-Z ............................................................................................................................................................. 5 Kleiner Leitfaden durch das Programm .................................................................................................................. 9 PERFORMANCE ................................................................................................................................................... 9 ART & INSTALLATION ........................................................................................................................................ 11 SOUND .............................................................................................................................................................. 13 STOCKHOLM-SYNDROM I - IV ........................................................................................................................... 14 FILM & VIDEO .................................................................................................................................................... 15 TALK.................................................................................................................................................................. -
Mysticism, Implicit Religion and Gravetemple's Drone Metal By
1 The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal by Owen Coggins 1.1 On 18th April 2013, an extremely slow, loud and noisy “drone metal” band Gravetemple perform at the Roadburn heavy metal and psychedelic rock festival in Tilburg in the Netherlands. After forty-five minutes of gradually intensifying, largely improvised droning noise, the band reach the end of their set. Guitarist Stephen O’Malley conjures distorted chords, controlled by a bank of effects pedals; vocalist Attila Csihar, famous for his time as singer for notorious and controversial black metal band Mayhem, ritualistically intones invented syllables that echo monastic chants; experimental musician Oren Ambarchi extracts strange sounds from his own looped guitar before moving to a drumkit to propel a scattered, urgent rhythm. Momentum overtaking him, a drumstick slips from Ambarchi’s hand, he breaks free of the drum kit, grabs for a beater, turns, and smashes the gong at the centre of the stage. For two long seconds the all-encompassing rumble that has amassed throughout the performance drones on with a kind of relentless inertia, still without a sonic acknowledgement of the visual climax. Finally, the pulsating wave from the heavily amplified gong reverberates through the corporate body of the audience, felt in physical vibration more than heard as sound. The musicians leave the stage, their abandoned instruments still expelling squalling sounds which gradually begin to dissipate. Listeners breathe out, perhaps open their eyes, raise their heads, shift their feet and awaken enough to clap and shout appreciation, before turning to friends or strangers, reaching for phrases and gestures, often in a vocabulary of ritual, mysticism and transcendence, which might become touchstones for recollection and communication of their individual and shared experience. -
AGALLOCH and ANAAL NATHRAKH at the INFERNO FESTIVAL 2012!
AGALLOCH and ANAAL NATHRAKH at the INFERNO FESTIVAL 2012! The american avant garde folk metal band AGALLOCH and Britains most necro black metal band ANAAL NATHRAKH are the next band on the bill for the INFERNO festival 2012. Together with the legendary BORKANAGAR, ARCTURUS and WITCHERY the 2012 edition of the INFERNO METAL FESTIVAL will be extreme. The countdown to the true black easter has begun - Get ready for four unholy days - and a hell of lot of bands! THE INFERNO METAL FESTIVAL has become a true black Easter tradition for metal fans, bands and music industry from all over the world with nearly 50 concerts every year since the start back in 2001. The festival offers exclusive concerts in unique surroundings with some of the best extreme metal bands and experimental artists in the world, from the new and underground to the legendary giants. At INFERNO you meet up with fellow metalheads for four days of head banging, party, black- metal sightseeing and expos, horror films, art exhibitions and all the unholy treats your dark heart desires. THE INFERNO METAL FESTIVAL invites you all to the annual black Easter gathering of metal, gore and extreme in Oslo, Norway from April 4. -7.april 2011. - Four days and a hell of a lot of bands! AGALLOCH: Agalloch is an American metal band formed in 1995 in Portland, Oregon. The band is led by vocalist and guitarist John Haughm and so far have released four limited EPs, four full-length albums. Inspired from bandS like ULVER and KATATONIA, Agalloch performs a progressive and avant-garde style of folk metal that encompasses an eclectic range of tendencies including neofolk, post-rock, black metal and doom metal. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
The Election Machine Generating Danish Democracy
The Election Machine Generating Danish Democracy PhD dissertation Anne Kathrine Pihl Vadgaard IT University of Copenhagen, 2016 Manuscript for PhD dissertation Submitted to the IT University of Copenhagen, March 2016 Title: The Election Machine – Generating Danish Democracy Author: Anne Kathrine Pihl Vadgaard Contact: [email protected] Supervisor: Christopher Gad, IT University of Copenhagen Co-supervisor: Steffen Dalsgaard, IT University of Copenhagen Contents List of illustrations……………………………………………………………. v Acknowledgements.………………………………………………………........ vii Introduction: The Election Machine………………………………………. 11 Towards a study of democratic practices………………………………… 14 Democracy in action……………………………………………………… 20 Locating elections………………………………………………………… 23 The election as a machine………………………………………………… 28 An ethnography of elections……………………………………………… 41 Structure of the thesis………………………………………………….…. 47 1. The Electoral Centre………………………………………………………. 51 Election day planning……………………………………………………. 56 Managing electoral unpredictability……………………………………... 68 … when it (finally) happens……………………………………………... 76 Mundane Infrastructuring of the unruly election………………………… 81 2. The Politics of the Proposition……………………………………...…… 85 Compiling and complicating…………………………………………...… 87 Chains of responsibility………………………………………………….. 95 Disengaged responsibility………………………………………...……… 99 The politics of the proposition…………………………………………… 103 Taking the proposition seriously………………………………….……… 108 3. The Quest for Valhalla ……………………………………………………. 113 Valhalla…………………………………………………………………… -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
Le Black Métal : Un Genre Musical Entre Transgression Et Transcendance Camille Bera
Le Black Métal : un genre musical entre transgression et transcendance Camille Bera To cite this version: Camille Bera. Le Black Métal : un genre musical entre transgression et transcendance. Art et histoire de l’art. Normandie Université, 2018. Français. NNT : 2018NORMR087. tel-03030244 HAL Id: tel-03030244 https://tel.archives-ouvertes.fr/tel-03030244 Submitted on 30 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE Pour obtenir le diplôme de doctorat Spécialité Musicologie Préparée au sein de l’Université de Rouen Le Black Metal : un genre musical entre transgression et transcendance Présentée et soutenue par Camille Béra Thèse soutenue publiquement le 29 novembre 2018 devant le jury composé de Professeur des universités en musicologie, M. Pierre-Albert CASTANET Directeur de thèse université de Rouen Maître de Conférences en sociologie, Mme Odile BLIN Examinatrice université de Rouen Maître de Conférences en sociologie, M. Gérôme GUIBERT Examinateur université Paris 3 Sorbonne Nouvelle Professeur des universités en musicologie, M. Martin LALIBERTÉ Rapporteur université Paris-Est Marne-la-Vallée Professeur des universités en musicologie, M. Christophe PIRENNE Rapporteur université de Liège Thèse dirigée par Pierre-Albert CASTANET, GRHis. -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
Sunn O))) Was Formed in 1998 by Stephen O'malley and Greg
Sunn O))) was formed in 1998 by Stephen O’Malley and Greg Anderson. They were initially based in Seattle, shortly before moving to Los Angeles, and O'Malley now resides in Paris. The band have become known for their very recognisable “drone metal” sound, and extremely loud live performances. Widely considered pioneering, their music can be described as very slow, with distorted guitars, and an emphasis on texture rather than rhythm. Their name, pronounced "sun", is a reference to the Sunn amplifier brand, and their logo is that of the amplifier’s too. Over their seven solo studio albums and scores of EPs, live albums and other releases, Sunn O))) have collaborated and recorded with artists across the globe, including Scott Walker, Attila Csihar (Mayhem), Kim Thayil (Soundgarden), Japan’s Boris, Norway’s Ulver, Nurse With Wound, Petra Hayden, Julian Cope (The Teardrop Explodes), John Wiese, Oren Ambarchi, Malefic, Julian Priester, Eyvind Kang, Dylan Carlson, Stuart Dempster, and many more. Their early releases were met with acclaim across various underground music scenes, and steadily their profile has risen, becoming something of a household name in the alternative music, and arts worlds. The band have played across the world at many prestigious festivals and venues, in the past year at David Byrne’s Meltdown at the Southbank Centre in London, and curating a four day program at Le Guess Who? Festival in Utrecht. Other notable appearances include Barcelona’s Sonar (2009), Krakow’s Unsound (2009), CTM Berlin (2013), Japan’s Earthdom (2007) and Leave Them All Behind (2012), North Carolina’s Hopscotch (2012), Australia’s Totally Huge New Music Festival (2007) and All Tomorrow’s Parties/The Nightmare Before Christmas (2003, 2004, 2007 and 2009) and Supersonic (2007 and 2009) in the UK. -
Norwegian a Long Way to Go for a Pun
the Inside this issue: NORWEGIAN A long way to go for a pun. Literally. american story on page 16 Volume 128, #11 • June 2, 2017 Est. May 17, 1889 • Formerly Norwegian American Weekly, Western Viking & Nordisk Tidende $3 USD Something smells fishy This issue brings you a clutch of watery tales— from restoring historical ships (p18) to preparing gravlax (p13) to a little-known but much-eaten species (p20) and surprising codfish connections (p23), there’s something fishy going on! WHAT’S INSIDE? Nyheter / News 2-3 Hva er hemmeligheten ved « Business den dovne, honningsøte vellyst 4-5 som fyller et menneske den Opinion 6-7 første dag av en båtreise? » Sports 8-9 – Agnar Mykle Research & Science 10 Arts & Entertainment 11 Taste of Norway 12-13 Norway near you 14-15 Travel 16-17 Norwegian Heritage 18-19 Norsk Språk 20-21 Fiction 22 Roots & Connections 23 Bulletin Board 24 $1 = NOK 8.395 updated 05/26/2017 In comparison 04/26/2017 8.5936 11/26/2016 8.5852 05/26/2016 8.2713 Photo: Terje Rakke / Nordic life / Visitnorway.com 2 • June 2, 2017 Nyheter fra Norge theNORWEGIANamerican Nyheter Krever motor i vikingskipkopi Rogfast blir Norges største veiprosjekt noensinne Sjøfartsdirektoratet men- 23. mai vedtok Stortinget byggingen av er kopien av Oseberg- Rogfast, som skal bli verdens lengste og dypeste undersjøiske veitunnel. Arbeidet skipet er et passasjerskip er ikke startet ennå, men Statens vegvesen håper å komme i gang i løpet av høsten, HENRIK BØE sier Tor Geir Espedal, prosjektleder i Stat- NRK ens vegvesen for Rogfast. Rogfast blir — Vi har allerede avlyst avtaler for 250 uten tvil et gigantprosjekt.