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Nicole Kidman Robert Downey Jr
presenta FILM D’APERTURA Nicole Kidman Robert Downey Jr. FUR un ritratto immaginario di Diane Arbus un film di Steven Shainberg www.furmovie.com USCITA NAZIONALE : 20 OTTOBRE 2006 Durata: 122 minuti FUR CAST ARTISTICO Diane Arbus NICOLE KIDMAN Lionel Sweeney ROBERT DOWNEY, JR. Allan Arbus TY BURRELL David Nemerov HARRIS YULIN Gertrude Nemerov JANE ALEXANDER Grace Arbus EMMY CLARKE Sophie Arbus GENEVIEVE McCARTHY Jack Henry BORIS McGIVER Tippa Henry MARCELINE HUGOT Althea MARY DUFFY CAST TECNICO Regia STEVEN SHAINBERG Sceneggiatura ERIN CRESSIDA WILSON Liberamente ispirato al romanzo “Diane Arbus: una biografia” di PATRICIA BOSWORTH Edito in Italia da RIZZOLI Produttori WILLIAM POHLAD LAURA BICKFORD BONNIE TIMMERMANN ANDREW FIERBERG Produttori esecutivi EDWARD R. PRESSMAN ALESSANDRO CAMON MICHAEL ROBAN Fotografia BILL POPE, ASC Scenografie AMY DANGER Montaggio KEIKO DEGUCHI KRISTINA BODEN Co-produttori GERRY ROBERT BYRNE MARY JANE SKALSKI PATRICIA BOSWORTH VINCENT FARRELL, III Line Producer ADAM BRIGHTMAN Musiche CARTER BURWELL Supervisione alle musiche BETH AMY ROSENBLATT Costumi MARK BRIDGES Distribuzione NEXO 2 FUR SINOSSI Dopo il pluripremiato SECRETARY, il regista Steven Shainberg crea con la sua nuova opera “FUR - un ritratto immaginario di Diane Arbus” un’incantevole rappresentazione dell’artista visionaria più importante del XX secolo. Proprio come le sue fotografie FUR ci trasporta in mondi estranei ed estremi. Il film esplora la trasformazione di una donna timida in un’artista intensamente originale. Il premio Oscar® Nicole Kidman è Diane Arbus, moglie e madre devota il cui innato talento e le oscure ossessioni si scontrano profondamente con la vita conformista che conduce nella New York del 1958. Il candidato al premio Oscar® Robert Downey Jr. -
PAM WISE, A.C.E. EDITOR Local 700 Member of the Academy of Motion Picture Arts & Sciences
PAM WISE, A.C.E. EDITOR Local 700 Member of the Academy of Motion Picture Arts & Sciences FEATURES THE LAST SONG (Short) Duly Noted Inc./HBO Sponsored Prod: Effie Brown Dir: Sasie Sealy SHOULD’VE BEEN ROMEO Angel Baby Ent. Prod: Gregory Segal, Paul Ben-Victor Dir: Marc Bennett EVERY DAY Ambush Ent. Prod: Miranda Bailey, Amanda Marshall Dir: Richard Levine Cast: Helen Hunt, Liev Schreiber, Brian Dennehy, Eddie Izzard, Carla Gugino *Official Selection: Tribeca Film Festival 2010, Seattle Film Festival 2010 THEN SHE FOUND ME Killer Films Prod: Pamela Koffler, Christine Vachon Dir: Helen Hunt Cast: Helen Hunt, Bette Midler, Colin Firth, Matthew Broderick *Official Selection, Toronto International Film Festival 2007 *Audience Award, Palm Springs International Film Festival 2008 DARK MATTER Myriad Pics. Prod: Mary Salter, Janet Yang Dir: Chen Shi-Zheng Cast: Liu Ye, Meryl Streep, Bill Irwin, Blair Brown *Alfred P. Sloan Feature Film Prize, Sundance Film Festival 2007 TRANSAMERICA IFC Films Prod: Rene Bastian, Linda Moran Dir: Duncan Tucker Cast: Felicity Huffman, Kevin Zegers *Nominated for Best Actress, Academy Awards 2006 SECRETARY Lions Gate Prod: Andrew Fierberg, Amy Hobby Dir: Steven Shainberg Cast: Maggie Gyllenhaal, James Spader *Nominated for Best Feature, Independent Spirit Awards 2003 *Special Jury Prize, Sundance Film Festival 2002 THE QUICKIE Pandora Filmproduktion Prod: Karl Baumgartner Dir: Sergei Bodrov Cast: Vladimir Moshkov, Jennifer Jason Leigh, Dean Stockwell, Lesley Ann Warren, Henry Thomas *Official Selection Moscow International -
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
Wealth-X Laura Jeanne Reese WITHERSPOON Dossier
Laura Jeanne Reese WITHERSPOON Dossier 29 Dec 2020 The materials herein are solely for member's internal business purposes to assist in the acquisition and retention of member's clients (i.e. permitted purpose). Except as required by the law, member will not reveal these materials to any person or entity whose data is contained herein or to persons acting on their behalf. To the maximum extent permitted by law, Wealth-X excludes and disclaims all conditions, terms, representations and warranties relating to the subject matter hereof, whether express or implied, including the implied warranties of satisfactory quality and fitness for a particular purpose. While every attempt is taken to ensure that these materials are kept up to date, Wealth-X cannot guarantee that information contained in them in relation to any person or entity will not have changed or be correct. Laura Jeanne Reese WITHERSPOON Primary Position Producer Source Self-Made Primary Company Pacific Standard Age 44 Estimated Net Worth At least $280 million Birthday 22 Mar 1976 Estimated Liquid Assets At least $220 million Marital Status Married Estimated Household Wealth - Religion Christian (Episcopalian) Estimated Household Liquid Alternate Names Reese Witherspoon Assets Estimated Family's Net Worth Estimated Family's Liquid Assets Wealth Trend Fortune fluctuates with the value of Pacific Standard and with the broad equity and bond markets. Residences Pacific Palisades, California, United States Nashville, Tennessee, United States Malibu, California, United States Hometown New Orleans, Louisiana, United States Biography Witherspoon began modeling at age seven, shooting a television commercial for a florist. After several local commercials, at age 11 she won the Ten-State Talent Fair. -
A Finding Aid to the Cosmos Andrew Sarchiapone Papers, Circa 1860-2011, Bulk 1940-2011, in the Archives of American Art
A Finding Aid to the Cosmos Andrew Sarchiapone Papers, circa 1860-2011, bulk 1940-2011, in the Archives of American Art Hilary Price and Caroline Donadio 2016 April 21 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 5 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 7 Series 1: Biographical Material and Personal Business Records, circa 1949-2011................................................................................................................. 7 Series 2: Correspondence, 1940s-2011................................................................... 9 Series 3: Writings, circa -
Tribeca Film in Partnership with American Express and Entertainment 1 Present
Tribeca Film in Partnership with American Express and Entertainment 1 Present Release: April 22, 2011 – NY/LA/Chicago/Irvine April 29, 2011 – Washington DC/Seattle/Santa Monica May 6, 2011 – Landsdowne, PA/Monterey, CA/Long Beach, CA May 13, 2011 – San Diego May 20, 2011 – Palm Desert, CA With additional marKets TBC VOD - April 20 – June 23 PRESS CONTACT Distributor: Publicity: Tribeca Film ID PR Tammie Rosen Dani Weinstein 212-941-2003 Sara Serlen [email protected] Sheri Goldberg 375 Greenwich Street 212-334-0333 New York, NY 10011 [email protected] 150 West 30th Street, 19th Floor New York, NY 10001 1 SYNOPSIS The Bang Bang Club is the real life story of a group of four young combat photographers - Greg Marinovich, Joao Silva, Kevin Carter and Ken Oosterbroek - bonded by friendship and their sense of purpose to tell the truth. They risked their lives and used their camera lenses to tell the world of the brutality and violence associated with the first free elections in post Apartheid South Africa in the early 90s. This intense political period brought out their best work – two won Pulitzers during the period – but cost them a heavy price. Based on the book of the same name by Marinovich and Silva, the film stars Ryan Phillipe, Malin Akerman and Taylor Kitsch and explores the thrill, danger and moral questions associated with exposing the truth. 2 ABOUT THE DIRECTOR Written and directed by Steven Silver, The Bang Bang Club is a Canada/South Africa co-production from producer Daniel Iron of Foundry Films Inc. -
October 13 - 19, 2019
OCTOBER 13 - 19, 2019 staradvertiser.com HIP-HOP HISTORY Ahmir “Questlove” Thompson and Tariq “Black Thought” Trotter discuss the origins and impact of iconic hip-hop anthems in the new six-part docuseries Hip Hop: The Songs That Shook America. The series debut takes a look at Kanye West’s “Jesus Walks,” a Christian rap song that challenged religion. Premiering Sunday, Oct. 13, on AMC. Join host, Lyla Berg as she sits down with guests Meet the NEW EPISODE! who share their work on moving our community forward. people SPECIAL GUESTS INCLUDE: and places Rosalyn K.R.D. Concepcion, KiaҊi Loko AlakaҊi Pond Manager, Waikalua Loko IҊa that make 1st & 3rd Kevin P. Henry, Regional Communications Manager, Red Cross of HawaiҊi Hawai‘i Wednesday of the Month, Matt Claybaugh, PhD, President & CEO, Marimed Foundation 6:30 pm | Channel 53 olelo.org special. Greg Tjapkes, Executive Director, Coalition for a Drug-Free Hawaii ON THE COVER | HIP HOP: THE SONGS THAT SHOOK AMERICA Soundtrack of a revolution ‘Hip Hop: The Songs That “Hip-hop was seen as a low-level art form, or BlackLivesMatter movement. Rapper Pharrell Shook America’ airs on AMC not even seen as actual art,” Questlove said. Williams, the song’s co-producer, talked about “People now see there’s value in hip-hop, but I the importance of tracing hip-hop’s history in feel like that’s based on the millions of dollars a teaser for “Hip Hop: The Songs That Shook By Kyla Brewer it’s generated. Like its value is like that of junk America” posted on YouTube this past May. -
Photography of Estrangement Arbus, Diane and San Francisco Muse
16 Ways of Looking at a Photograph Further Resources Chapter 10: Photography of Estrangement Arbus, Diane and San Francisco Museum of Modern Art. Diane Arbus: Revelations. New York: Random House, 2003. Arbus, Diane, Marvin Israel, Doon Arbus and Museum of Modern Art (New York, NY). Diane Arbus. 25th anniversary ed. New York, N.Y: Aperture Foundation, Inc, 1997. Arbus, Diane, Thomas W Southall and Helen Foresman Spencer Museum of Art. Diane Arbus, Magazine Work: Exhibition. Millerton, N.Y: Aperture, 1984. Armstrong, Carol. "Biology, Destiny, Photography: Difference According to Diane Arbus." October, vol. 66, 1993, pp. 29 - 55. Baird, Lisa A.. "Susan Sontag and Diane Arbus: The Siamese Twins of Photographic Art." Women's Studies, vol. 37, no. 8, 2008, pp. 971 - 986. Bickford, Laura, Andrew Fierberg, Steven Shainberg, Erin Cressida Wilson, Carter Burwell, Patricia Bosworth, Sneak Reviews DVD Collection (University of Virginia) et al. Fur: An Imaginary Portrait of Diane Arbus. Edited by Deguchi, Keiko (Film and Boden, Kristina (Film. Burbank, CA: New Line Home Entertainment, 2007. Gross, Frederick. Diane Arbus's 1960s: Auguries of Experience. Minneapolis: University of Minnesota Press, 2012. Klein, Michele Gerber. "DIANE ARBUS: The FIRST CHAPTER JEFF ROSENHEIM With Michèle Gerber Klein." Brooklyn Rail, 2016, pp. 1 - 11. Koestenbaum, Wayne. "Diane Arbus and Humiliation." Studies In Gender & Sexuality, vol. 8, no. 4, 2007, pp. 345 - 347. Lee, Anthony W and John Pultz. Diane Arbus: Family Albums. New Haven, CT: Yale University Press, 2003. Lubow, Arthur. Diane Arbus: Portrait of a Photographer. New York, NY: Ecco, an imprint of HarperCollins Publishers, 2016. Mann, Sally. Sally Mann: Still Time. -
The New Mexico Film Office Announces 7 Productions Filmed in New Mexico
Michelle Lujan Grisham Governor Alicia J. Keyes Cabinet Secretary Amber Dodson Director FOR IMMEDIATE RELEASE: CONTACT: Jennifer Esquivel March 12, 2021 505-469-2915 [email protected] The New Mexico Film Office Announces 7 Productions Filmed In New Mexico SANTA FE, NM – The New Mexico Film Office announces seven productions filmed in New Mexico. "We are thrilled to announce these seven projects that have recently filmed or are set to soon begin filming in New Mexico. It is great to see projects of all types and sizes taking advantage of the New Mexico film tax incentive program and we are here to equally support independent and local New Mexico filmmakers," Amber Dodson, New Mexico Film Office Director, said. Twalette: Twalette is an independent silent short comedy, being shot in 4K on the Black Magic Pocket Cinema Camera. Twalette is produced by Terrace Studios, LLC and will begin filming in Albuquerque in April of 2021. The film is directed by James Liakos ( A Day In the Park, The Recovery) and produced by Tracy Jordan (screenwriter Hot Yoga, Pierogi) "New Mexico offers so much more than the vast desert landscapes it is known for. Incentives, locations, skills and talents of the local crew and actors, costs, and a welcoming business climate all add up to make New Mexico an ideal place for filmmaking,” Jordan said. The production will employ 8 New Mexico crew members, 6 New Mexico principal actors, and 2 New Mexico extras. Twalette, starring Ashley Ward (Monsters of God, Unbound 3.0) and Zain Walker (Voices Unheard), is the story of two plain and shy individuals who undergo accidental transformations to look like supermodels. -
From Pigskins to Sheepskins the Role of Masculinity in Achieving the American Dream
Lunds universitet Andreas Lindbäck Språk- och litteraturcentrum FIVM01 Filmvetenskap Handledare: Lars Gustaf Andersson 2011-06-07 From Pigskins to Sheepskins The role of masculinity in achieving the American dream pig·skin /ˈpɪgˌskɪn/ Nouni Informal A football. sheep·skin /ˈʃipˌskɪn/ Nounii Informal A diploma. From Pigskins to Sheepskins Table of Contents Introduction..................................................................................................................2 Aim & Method ..................................................................................................................... 4 Summary of Films................................................................................................................ 5 American Dream..........................................................................................................7 Types of Masculinities ...............................................................................................11 A Reluctant Leader............................................................................................................ 13 Expected Behavior ............................................................................................................. 17 Missed Opportunities ........................................................................................................ 19 Doing what is Required ..................................................................................................... 21 Brotherhood on the Field ..........................................................................................25 -
Where Diane Arbus Went
"PTOTOGRAPHY Where Diane Arbus Went A comprehensive retrospectiveprompts the author to reconsiderthe short yetpowerfully influential career of aphotographer whose 'Yfascinationwith eccentricity and masquerade brought her into an unforeseeable convergence with her era, and made her one of its essential voices." BY LEO RUBINFIEN _n Imagesfrom Diane Arbus's collage wall, including a number ofplctures tornfrom the pages of newspapers, magazines and books, several of her own roughprintsand a framedE.J. Bellocqphotograph printed by Lee Friedlander(center, at right). © 2003 The Estate ofDlaneArbus,LLC. All works this articlegelatin silver,prints. "I .1 or almostfour decades the complex, profound dedicated herself to her personal work, and by She described her investigations as adventures vision ofDianeArbus (1923-1971) has had an the decade's end she and her husband separated, that tested her courage, and as an emancipa- enormous influence on photographyand a broad though they remained married until 1969, and tion from her childhood's constrainingcomfort. one beyond it and the generalfascination with were close until the end of her life. Her essential At the same time, she worked as she wandered her work has been accompanied by an uncommon interestswere clear ofler 1956, andfor the next six freely in New York City, where ordinarypeople interest in her self Her suicide has been one, but years she photographedassiduously with a 35mm gave her some of her greatestpictures. Proposing just one, reasonfor the latter yetfor the most part camera, in locations that included Coney Island, projects to the editors of magazines that ificluded the events of her life were not extraordinary. carnivals, Huberts Museum and Flea Circus of Harper's Bazaar, Esquire and Londons Sunday Arbus's wealthy grandparentswere the found- 42nd Street, the dressing rooms offemale imper- 'Times Magazine, she was able to publish many of ers of Russek0, a Fifth Avenue department store. -
Performance and Participation in Media Fandom Sebastiaan Gorissen University of New Mexico - Main Campus
University of New Mexico UNM Digital Repository Communication ETDs Electronic Theses and Dissertations Spring 5-4-2017 Common among wizards, popstars, and cowboys: Performance and participation in media fandom Sebastiaan Gorissen University of New Mexico - Main Campus Follow this and additional works at: https://digitalrepository.unm.edu/cj_etds Part of the Communication Commons Recommended Citation Gorissen, Sebastiaan. "Common among wizards, popstars, and cowboys: Performance and participation in media fandom." (2017). https://digitalrepository.unm.edu/cj_etds/101 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Communication ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Sebastiaan Gorissen Candidate Communication & Journalism Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Dr. David Weiss , Chairperson Dr. Judith Hendry , Chairperson Dr. Richard Schaefer i COMMON AMONG WIZARDS, POPSTARS, AND COWBOYS: PERFORMANCE AND PARTICIPATION IN MEDIA FANDOM BY SEBASTIAAN GORISSEN BACHELOR OF ARTS | MEDIA & CULTURE UNIVERSITY OF AMSTERDAM 2013 MASTER OF ARTS | FILM STUDIES UNIVERSITY OF AMSTERDAM 2014 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS COMMUNICATION The University of New Mexico Albuquerque, New Mexico July, 2017 ii ACKNOWLEDGEMENTS I would like to acknowledge Dr. Judith Hendry and Dr. David Weiss, my advisors and committee chairs, for their invaluable support. Their insights, comments, questions, and critiques have been instrumental in crafting this thesis, and helped me strive for improvement with every draft of every chapter.