DOCSLIB.ORG

Downloads Are Also Available at Cdbaby.Com and György Ligeti and Used for Itunes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

VOLUME 41, NO. 3 SPRING 2016 THE LUTIST QUARTERLY The Virtuosic Compelling Composers Etude Effusions The 2016 Annual NFA Convention Fife in San Diego, California THE OFFICIAL MAGAZINE OF THE NATIONAL FLUTE ASSOCIATION, INC CAROL WINCENC PLAYS BURKART BURKART.COM Carol_FullPageAd_FINISH.indd 1 6/2/15 7:34 PM Pearl’s Alto flute is a truly monumental instrument, The only Alto flute on the market to have our world renowned Pinless mechanism and One Piece Core Bar construction. In addition, the hand position is extremely comfortable, and the headjoint is highly responsive with amazing projection. The exceptionally efficient and highly dependable mechanism is complimented by Pearl’s KEVIN WILLIAMS devotion to exact intonation, wide THE REGIMENT HORNS dynamic spectrum and tonal flexibility. Only from Pearl. Alto Flutes are available with an All Sterling Tube (Model 207) Sterling Silver headjoint (Model 206) or with a Silver Plated headjoint with Sterling Silver Lip Plate (Model 201). Model PFA201SU Shown Above. Available with Straight, Curved, or both headjoints SPRING Table of Contents 2016 The Flutist Quarterly Volume 41, No. 3 Pearl’s Alto flute is a truly monumental instrument, The only Alto flute on the market to have our world renowned Pinless mechanism and One Piece DEPARTMENTS Core Bar construction. In addition, 13 From the President the hand position is extremely comfortable, 15 From the Editor and the headjoint is highly responsive with amazing projection. The exceptionally 16 High Notes efficient and highly dependable 45 Across the Miles mechanism is complimented by Pearl’s KEVIN WILLIAMS devotion to exact intonation, wide 48 From the 2016 Convention 20 30 40 THE REGIMENT HORNS dynamic spectrum and Program Chair tonal flexibility. FEATURES 52 From the Local Arrangements Only from Pearl. Chair 20 The Virtuosic Fife: Not Just a Simple Signal Instrument by William White, Crystal Lee, and William Parks 55 Notes from Around the World In spite of its reputation as a tool for military use, the fife in fact has a virtuosic history that goes beyond battlefield signaling. 57 NFA News 63 Passing Tones 30 A Sampling of Compelling Flute-Centered Composers 66 New Products by Francesca Arnone Six major composers writing for the flute today—Martin Amlin, 68 Reviews Daniel Dorff, Eric Ewazen, Katherine Hoover, Lowell Liebermann, and 80 Honor Roll of Donors Gary Schocker—hew to their own visions and belie easy categories. to the NFA 40 Étude Effusions 82 NFA Office, Coordinators, by Molly Barth Committee Chairs An unapologetic lover of études explores their place in today’s practice, what leading pedagogues think of them, and how they shape the 89 Index of Advertisers performances of those who use them a lot, a little—or not at all. Cover image: U.S. Army Old Guard Fife and Drum Corps marching in Philadelphia. Photo by the United States Army 58 Katherine Hoover: An Artist’s Journey Old Guard Fife and Drum Corps. by Kyle Dzapo The 2016 Lifetime Achievement Award recipient has created a rich, lasting repertoire of compositions for the flute—and beyond. A celebrated composer of “our repertoire,” Katherine Hoover also creates works for other instruments, writes poems, and runs a respected music publishing company. The National Flute Association 60 James Pellerite: The Right Place at the Right Time 70 E. Lake Street, #200 by Zart Dombourian-Eby Chicago, IL 60601 2016 NFA Lifetime Achievement Award recipient James Pellerite founded November 18, 1972, in Elkhart, Indiana has excelled as orchestral flutist, flutemaker, teacher, Native This magazine is published quarterly by the National Flute Association, American flute performer, and publisher. Insatiable curiosity Inc., a nonprofit orgvanization. The statements of writers and advertisers are not necessarily those of the National Flute Association, Inc., which plus an uncanny skill in being at the right place at the right time reserves the right to refuse to print any advertisement. contribute to his colorful resume. Alto Flutes are available with an All Sterling Tube (Model 207) Sterling Silver headjoint (Model 206) or with a ISSN 8756-8667 © 2016 NATIONAL FLUTE ASSOCIATION, INC. Silver Plated headjoint with Sterling Silver Lip Plate (Model 201). Model PFA201SU Shown Above. Available with Straight, Curved, or both headjoints SPRING 2016 THE FLUTIST QUARTERLY 5 NFAONLINE.ORG the flute ad w/burst:Layout 1 2/22/14 12:29 PM Page 1 NOW • Recognized by the National Flute Association and over OFFERING 25 Musician's Associations Concert/Performanceand Tutor Liability • 24/7 Easy Account and Insurance Claim Internet Access “Weddings, DJ’s and other programs • Unique Coverage Not Found available.” Elsewhere • Difference In Value Coverage (Depreciation)* • Right to Repurchase and Keep Undamaged Parts* • Business Interruption Coverage* • Inflation Guard* * Subject to the terms and conditions of the policy. Not all applicants will qualify. CA License #0605696 the flute ad w/burst:Layout 1 2/22/14 12:29 PM Page 1 OFFICERS Carl Hall (2015–2018) Founder, Honorary Life President 1352 Metropolitan Ave. SE Mark Thomas Atlanta, GA 30316-1670 824 Charter Pl. 404-377-6112 Charlotte, NC 28211-5660 [email protected] phone/fax: 704-365-0369 [email protected] Matt Johnston (2014–2017) 165B 16th Ave. President of the Board Seattle, WA 98122 Zart Dombourian-Eby (2014–2016) 425-444-4646 2515 10th Ave. West [email protected] Seattle, WA 98119 206-285-0206 Virginia Broffitt Kunzer (2014–2017) [email protected] OSU Department of Music 132 Seretean Center Vice President of the Board Stillwater, OK 74078-4077 Kyle Dzapo (2014–2016) 405-744-3964 123 SW Jefferson [email protected] #154 Peoria, IL 61602 Wendy Herbener Mehne (2013–2016) 309-497-0126 611 East Miller Rd. [email protected] Ithaca, NY 14850 607-277-0540 Secretary [email protected] Rebecca Johnson (2015–2016) 1010 N. Busey Ave. Mary Stolper (2014–2017) NOW Urbana, IL 61801 310 S. Kenmore Ave • Recognized by the National 217-581-6627 Elmhurst, IL 60126 OFFERING rrjohnson2eiu.edu 630-832-1152 Flute Association and over [email protected] Concert/Performance 25 Musician's Associations and y Treasurer Penny Zent (2014–2016) Elizabeth Watson (2015–2018) Tutor Liabilit 8418 Shadow Oaks 54 Beach St. 24/7 Easy Account and Insurance • College Station, TX 77845 Woburn, MA 01801 Why Resona? Claim Internet Access 979-696-7607 781-935-9522 “Weddings, DJ’s [email protected] [email protected] and other programs available.” • Unique Coverage Not Found Assistant Secretary #ResonaFlutes Elsewhere Paul Taub (2015–2016) #ResonaPiccolos 1513 25th Ave. Seattle, WA 98122 • Difference In Value Coverage (Depreciation)* 206-660-6086 [email protected] #MakeMusic • Right to Repurchase and Keep BOARD OF DIRECTORS Undamaged Parts* Molly Barth (2015–2018) 1225 University of Oregon Eugene, OR 97403-1225 • Business Interruption Coverage* 541-346-3790 [email protected] • Inflation Guard* Jill Felber (2014–2016) 5330 Orchard Park Ln. Santa Barbara, CA 93111 * Subject to the terms and conditions of the policy. 805-696-6480 Not all applicants will qualify. CA License #0605696 [email protected]. edu resonaflutes.com SPRING 2016 THE FLUTIST QUARTERLY 7 NFAONLINE.ORG Resona_3Ads_3.375x10.indd 1 11/18/15 14:36 Award Winning Performers Amazing Clinics & Workshops Exeptional Vendors Oberlin Baroque Performance Institute june 19-july 3, 2016 featuring handel’s op. 3 concerti grossi and bach’s b-minor mass ...because these instruments are made for you. #ResonaFlutes chris krueger #ResonaPiccolos baroque flute, recorder #MakeMusic go.oberlin.edu/bpi resonaflutes.com SPRING 2016 THE FLUTIST QUARTERLY 9 NFAONLINE.ORG Resona_3Ads_3.375x10.indd 2 11/18/15 14:36 www.miyazawa.com Blue Elegant. Fluid. Pure. THE FLUTIST QUARTERLY Anne Welsbacher, Editor Erica Hunter, Copy Editor Kathy Farmer, Christine Beard, Contributing Editors Victoria Stehl, Art Director Steve Wafalosky, Advertising Sales Representative EDITORIAL ADVISORY BOARD Francesca Arnone Assistant Professor of Flute, Baylor University Waco, Texas John Bailey Professor of Flute, University of Nebraska Lincoln, Nebraska Leone Buyse Joseph and Ida Kirkland Mullen Professor of Flute Rice University, Houston, Texas Michelle Cheramy Associate Professor of Music Memorial University of Newfoundland, St. John’s Zart Dombourian-Eby Principal Piccolo, Seattle Symphony Seattle, Washington Susan Goodfellow Associate Professor of Flute, University of Utah Salt Lake City, Utah Ellen Huntington Flutist, Lyrebird Ensemble Flute Instructor, Loyola University, Chicago Mount Prospect, Illinois Amy Likar Flute, Piccolo, and Alexander Technique Oakland, California Betty Bang Mather Professor of Flute Emeritus, University of Iowa Iowa City, Iowa Linda Pereksta Associate Professor of Flute University of Wisconsin Oskosh Oshkosh, Wisconsin Nina Perlove Executive Director, American Classical Music Hall of Fame “Internet Flutist,” realfluteproject.com Adjunct Instructor of Flute, Northern Kentucky University Cincinnati, Ohio Rebecca Quigley Flutist and Studio Teacher Westchester, New York Eldred Spell Professor of Flute, Western Carolina University Cullowhee, North Carolina Michael Stoune Associate Director of Graduate Studies, ...because School of Music Texas Tech University, Lubbock, Texas music is your passion. Paul Taub Professor of Music, Cornish College of the Arts Flutist, Executive Director, Seattle Chamber Players Seattle, Washington #ResonaFlutes Nancy Toff Music Historian New York, New York #ResonaPiccolos Michael Treister, MD Orthopaedic
Recommended publications
  • View the 2019 Conductors Guild NYC Conference Program Booklet!

    View the 2019 Conductors Guild NYC Conference Program Booklet!

    The World´s Only Manufacturer of the Celesta CELESTA ACTION The sound plate is placed above a wooden resonator By pressing the key the felt hammer is set in moti on The felt hammer strikes the sound plate from above CELESTA MODELS: 3 ½ octave (f1-c5) 4 octave (c1-c5) 5 octave (c-c5) 5 ½ octave Compact model (c-f5) 5 ½ octave Studio model (c-f5) (Cabinet available in natural or black oak - other colors on request) OTHER PRODUCTS: Built-in Celesta/Glockenspiel for Pipe Organs Keyboard Glockenspiel „Papageno“ (c2-g5) NEW: The Bellesta: Concert Glockenspiel 5½ octave Compact model, natural oak with wooden resonators (c2-e5) SERVICES: worldwide delivery, rental, maintenance, repair and overhaul Schiedmayer Celesta GmbH Phone Tel. +49 (0)7024 / 5019840 Schäferhauser Str. 10/2 [email protected] 73240 Wendlingen/Germany www.celesta-schiedmayer.de President's Welcome Dear Friends and Colleagues, Welcome to New York City! My fellow officers, directors, and I would like to welcome you to the 2019 Conductors Guild National Conference. Any event in New York City is bound to be an exciting experience, and this year’s conference promises to be one you won’t forget. We began our conference with visits to the Metropolitan Opera for a rehearsal and backstage tour, and then we were off to the Juilliard School to see some of their outstanding manuscripts and rare music collection! Our session presenters will share helpful information, insightful and inspiring thoughts, and memories of one of the 20th Century’s greatest composers and conductors, Pierre Boulez. And, what would a New York event be without a little Broadway, and Ballet? An event such as this requires dedication and work from a committed planning committee.
  • Pan-March-2020.Pdf

    Pan-March-2020.Pdf

    PANJOURNAL OF THE BRITISH FLUTE SOCIETY MARCH 2020 “This is my Flute. There are many like it, but this one is mine” Juliette Hurel Maesta 18K - Forte Headjoint pearlflutes.eu Principal Flautist of the Rotterdam Philharmonic Orchestra contents The British Flute Society news & events 24 President 2 BFS NEWS William Bennett OBE 4 NOTES FROM THE CHAIR 6 NEWS Vice President 11 FLUTE CHOIR NEWS Wissam Boustany 13 TRADE NEWS 14 EVENTS LISTINGS Honorary Patrons 16 INTERNATIONAL EVENTS Sir James Galway 23 FLUTE CHOIR FOCUS: and Lady Jeanne Galway WOKING FLUTE CHOIR 32 Conductorless democracy in action. Vice Presidents Emeritus Atarah Ben-Tovim MBE features Sheena Gordon 24 ALEXANDER MURRAY: I’VE GONE ON LEARNING THE FLUTE ALL MY LIFE Secretary Cressida Godfrey examines an astonishing Rachel Shirley career seven decades long and counting. [email protected] 32 CASE FOR MOVEMENT EDUCATION Musicians move for a living. Kelly Mollnow 39 Membership Secretary Wilson shows them how to do it freely and [email protected] efficiently through Body Mapping. 39 WILLIAM BENNETT’S The British Flute Society is a HAPPY FLUTE FESTIVAL Charitable Incorporated Organisation Edward Blakeman describes some of the registered charity number 1178279 enticing treats on offer this summer in Wibb’s feel-good festival. Pan 40 GRADED EXAMS AND BEYOND: The Journal of the EXPLORING THE OPTIONS AVAILABLE 40 British Flute Society The range of exams can be daunting for Volume 39 Number 1 student and teacher alike. David Barton March 2020 gives a comprehensive review. 42 STEPHEN WESSEL: Editor A NATIONAL TREASURE Carla Rees Judith Hall gives a personal appreciation of [email protected] the flutemaker in the year of his retirement.
  • The Commissioned Flute Choir Pieces Presented By

    The Commissioned Flute Choir Pieces Presented By

    THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document.
  • Dayton C. Miller Flute Collection

    Dayton C. Miller Flute Collection

    Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction...........................................................................................................................................................iii Biographical Sketch...............................................................................................................................................vi Scope and Content Note......................................................................................................................................viii Description of Series..............................................................................................................................................xi Container List..........................................................................................................................................................1 FLUTES OF DAYTON C. MILLER................................................................................................................1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright
  • Intraoral Pressure in Ethnic Wind Instruments

    Intraoral Pressure in Ethnic Wind Instruments

    Intraoral Pressure in Ethnic Wind Instruments Clinton F. Goss Westport, CT, USA. Email: [email protected] ARTICLE INFORMATION ABSTRACT Initially published online: High intraoral pressure generated when playing some wind instruments has been December 20, 2012 linked to a variety of health issues. Prior research has focused on Western Revised: August 21, 2013 classical instruments, but no work has been published on ethnic wind instruments. This study measured intraoral pressure when playing six classes of This work is licensed under the ethnic wind instruments (N = 149): Native American flutes (n = 71) and smaller Creative Commons Attribution- samples of ethnic duct flutes, reed instruments, reedpipes, overtone whistles, and Noncommercial 3.0 license. overtone flutes. Results are presented in the context of a survey of prior studies, This work has not been peer providing a composite view of the intraoral pressure requirements of a broad reviewed. range of wind instruments. Mean intraoral pressure was 8.37 mBar across all ethnic wind instruments and 5.21 ± 2.16 mBar for Native American flutes. The range of pressure in Native American flutes closely matches pressure reported in Keywords: Intraoral pressure; Native other studies for normal speech, and the maximum intraoral pressure, 20.55 American flute; mBar, is below the highest subglottal pressure reported in other studies during Wind instruments; singing. Results show that ethnic wind instruments, with the exception of ethnic Velopharyngeal incompetency reed instruments, have generally lower intraoral pressure requirements than (VPI); Intraocular pressure (IOP) Western classical wind instruments. This implies a lower risk of the health issues related to high intraoral pressure.
  • Musicweb International December 2020 NAXOS RELEASES: LATE

    Musicweb International December 2020 NAXOS RELEASES: LATE

    NAXOS RELEASES: LATE 2020 By Brian Wilson It may be that I’ve been particularly somnolent recently, but a particularly fruitful series of Naxos releases in late 2020 has made me take notice of what I’ve been missing earlier this year, so I’ve included some of them, too. Index [page numbers in brackets] ALYABIEV Piano Trios (+ GLINKA, RUBINSTEIN: Russian Piano Trios 1) [5] Corelli’s Band: Violin Sonatas by Corelli and followers [2] FREDERICK II (Frederick The Great): Flute Sonatas [4] GERSHWIN Concerto in F (+ PISTON Symphony No.5, etc.) [11] GLINKA Trio pathétique (see ALYABIEV) [5] GOMPPER Cello Concerto, Double Bass Concerto, Moonburst [15] Michael HAYDN Missa Sancti Nicolai Tolentini; Vesperæ [5] HUMPERDINCK Music for the Stage [7] KORNGOLD Suite, Op.23; Piano Quintet [10] Laudario di Cortona excerpts (see PÄRT) [13] NOVÁK V Tatrách (In the Tatra Mountains); Lady Godiva; O věčné touze (Eternal Longing) [8] - Jihočeská suita (‘South Bohemian Suite’); Toman a lesní panna (‘Toman and the Wood Nymph’) [9] PÄRT And I heard a voice…, etc. ( … and … with SHAW, WOLFE, Laudario di Cortona) [13] PISTON Symphony No.5 (see GERSHWIN) [11] RUBINSTEIN Piano Trio (see ALYABIEV) [5] RUTTER Anthems, Hymns and Gloria for Brass Band [12] SCHMITT La Tragédie de Salomé, etc. [8] SCHUMANN Robert and Clara Music for violin and piano [6] VILLA-LOBOS Complete Symphonies [9] WALTON Piano Quintet and other Chamber Works with Violin and Piano [11] WEINBERG Clarinet Concerto; Clarinet Sonata; Chamber Symphony No.4 [12] WIDOR Organ Symphonies 4 (Nos. 8 and 10) [7] * The Art of Classical Guitar Transcription Christophe Dejour [15] Carmina predulcia (C15 Songbook) [1] Christmas Concertos [2] Heaven Full of Stars (contemporary choral) [13] Stille Nacht: Christmas Carols for Guitar [14] *** Carmina predulcia (‘very sweet songs’) is a recording of music from the fifteenth-century Schedelschen Liederbuch (Schedel Songbook).

  • Chamber Music Society of Lincoln Center New World Spirit Sunday, October 13, 2019 3:00 Pm Photo: Tristan Cook Tristan Photo

    The Chamber Music Society of Lincoln Center New World Spirit Sunday, October 13, 2019 3:00 pm Photo: Tristan Cook Tristan Photo: 2019/2020 SEASON The Chamber Music Society of Lincoln Center GLORIA CHIEN, Piano NICHOLAS CANELLAKIS, Cello CHAD HOOPES, Violin DAVID FINCKEL, Cello KRISTIN LEE, Violin ANTHONY MANZO, Double Bass ARNAUD SUSSMANN, Violin RANSOM WILSON, Flute ANGELO XIANG YU, Violin DAVID SHIFRIN, Clarinet MATTHEW LIPMAN, Viola MARC GOLDBERG, Bassoon PAUL NEUBAUER, Viola Sunday, October 13, 2019, at 3:00 pm Hancher Auditorium, The University of Iowa PROGRAM New World Spirit This concert celebrates the intrepid American spirit by featuring two pairs of composers that shaped the course of American music. Harry T. Burleigh was a star student of Dvorákˇ at the National Conservatory in New York. A talented composer and singer, he exposed the Czech composer to American spirituals and was in turn encouraged by Dvorákˇ to perform his native African American folk music. Two generations later, Copland and Bernstein conceived a clean, clear American sound that conveys the wonder and awe of open spaces and endless possibilities. Southland Sketches for violin and piano (1916) Henry T. Burleigh I. Andante (1866–1949) II. Adagio ma non troppo III. Allegretto grazioso IV. Allegro Chad Hoopes and Gloria Chien Quintet in E-flat Major for two violins, two violas, Antonín Dvorákˇ and cello, Op. 97, (“American”) (1893) (1841–1904) I. Allegro non tanto II. Allegro vivo III. Larghetto IV. Finale: Allegro giusto Arnaud Sussmann, Angelo Xiang Yu, Paul Neubauer, Matthew Lipman, and Nicholas Canellakis INTERMISSION Sonata for Clarinet and Piano (1941–42) Leonard Bernstein I.
  • 2018 Available in Carbon Fibre

    2018 Available in Carbon Fibre

    NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished
  • Constellations Persichetti @ 100 and Music From

    Constellations Persichetti @ 100 and Music From

    2015/16 Season: Constellations Persichetti @ 100 and Music from the Generation He Inspired 31ST SEASON 17 & 18 October, 2015 Curtis Institute of Music Philadelphia, PA Introduction: Vincent Persichetti @ 100 Vincent Persichetti was one of the most widely respected musicians of his generation. A prolific composer, brilliant educator and lecturer, and prodigious pianist, he composed more than 150 works in virtu- ally all genres and for virtually all performing media, while serving for 40 years on the faculty of the Juilliard School, many of them as chairman of the composition department. During his lifetime Persichetti influenced the musical lives of thou- sands of people from all walks of life, and his name came to signify a comprehensive musicianship virtually unparalleled among American composers. Countless young pianists were nurtured on his sonatinas and the Little Piano Book, while many other young instrumental students first experienced serious contemporary music through his works for band; church choirs turned to his Hymns and Respons- es for the Church Year as an inexhaustible resource, while many young composers have found his classic textbook Twentieth Century Harmony to be an indispensable tool; among professional soloists and conductors his sonatas, concertos, and symphonies stood among the masterworks of American music. Throughout his life Persichetti encouraged healthy, creative participation in music at all levels of proficiency, while shunning dogmas that advocated one composition- al approach at the expense of others. He was beloved and admired as a teacher, and was in great demand as a lecturer, using his comprehensive knowledge of the repertoire, extraordinary gift for improvisation, awe-inspiring piano technique, and mischievous wit to captivate audiences.
  • Georgian Country and Culture Guide

    Georgian Country and Culture Guide

    Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager).
  • Wooden Fife Kit

    Wooden Fife Kit

    WOODEN FIFE KIT PARTS LIST: Musicmaker’s Kits, Inc - Unfinished Maple fife P.O. Box 2117 - 2 brass ferrules Stillwater, MN 55082-3117 - cork plug - dowel (3/8” X 18”) - 2 scraps sandpaper (651) 439-9120 (adhesive backed) email: [email protected] - Instructions INSTRUCTIONS _____1. The primary task of this kit is to sand and finish the fife. Sanding the inside of the bore is the most difficult job, so we have included a dowel and some self-adhesive sandpaper to make it easier for you. Peel the wax paper backing off the two pieces of sandpaper and wrap one around each end of the wooden dowel. One scrap is 100 grit (coarser) and the other is 180 grit (finer). _____2. Use the coarser end of the dowel to sand the bare wood inside the bore, moving the dowel back and forth in the direction of the grain (lengthwise). Blow out the sawdust now and then. Switch to the finer sandpaper at the other end of the dowel when you think the coarse paper has done its job. The smoother the bore, the easier it will be to play your fife. _____3. Test the brass ferrules to see if they slide over the ends of the fife. If not, carefully sand the ends of the fife until the brass fits easily all the way to the shoulder of the wood. _____4. Decorate the fife as desired. You may do some painting, wood-burning, lettering, carving and/or staining to suit your tastes. This is a fun project to customize. I think the instrument looks best when stained a deep reddish-brown color.
  • Program Book Final 1-16-15.Pdf

    Program Book Final 1-16-15.Pdf

    4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries.