2014 Director’S Letter David Johnson
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Wardlaw Family
GENEALOGY OF THE WARDLAW FAMILY WITH SOME ACCOUNT OF OTHER FAMILIES WITH WHICH IT IS CONNECTED DATE MICROFILM GENEALOGICAL DEPARTMENT ITEM ON ROLL CAMERA NO CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS CATALOGUE NO. iKJJr/? 7-/02 ^s<m BY JOSEPH G. WARDLAW EXPLANATION OF CHARACTERS The letters A, B, C, D, E, F, G, H denote the generations beginning with Robert (Al). The large figures indicate the heads of families, or those especially mentioned in their generation. Each generation begins with 1 and continues in regular sequence. The small figures show number, according to birth, in each particular family. Children dying in infancy or early youth are not mentioned again in line with their brothers and sisters. As the work progressed, new material was received, which, in some measure, interfered with the plan above outlined. Many families named in the early generations have been lost in subsequent tracing, no information being available. By a little examination or study of the system, it will be found possible to trace the lineage of any person named in the book, through all generations back to Robert (Al). PREFACE For a number of years I mave been collecting data con cerning the Wardlaw and allied families. The work was un dertaken for my own satisfaction and pleasure, without thought of publication, but others learning of the material in my hands have urged that it be put into book form. I have had access to MSS. of my father and his brothers, Lewis, Frank and Robert, all practically one account, and presumably obtained from their father, James Wardlaw, who in turn doubtless received it from his father, Hugh. -
Journalist Jensen Cites Westmoreland and Sharon in Lecture Dean
swssnacstssc WOMBIWaCW^IMM^iMMM^IMM^^ Long-Distance Letter "Other Views" Letter Advice From Montana Advice to USG page 8 page 8 Volume 6, Number 4 College At Lincoln Center, Fordham University, New York March 6-March 26, 1985 University Clericals Dean Search Committee Prepare For Spring BeginsWork By Marie Reres other times, you have to beat the bushes to find Negotiations somebody who can hit the long ball." One of the constraints that the committee is The Search Committee to select a new dean for By Robert Dunne than Fordham. He added that the Fordham-Local the College at Lincoln Center is "still in the working under is that Dean Shea's resignation will 153 contract seemed to be the model to which the preliminary stage" according to Acting Vice Presi- take effect on July 1. "We have to honor that date Clerical staff and the University administrative other Local 153 memberships aspired. Since the dent for Academic Affairs and head of the com- because Dean Shea has given long and noble ser- council are preparing for upcoming negotiations last contract was signed in 1982, Fordham clericals mittee, the Rev. Richard E. Doyle, S.J. The Search vice as dean and it would be unfair to ask him to slated to begin later this semester. Both? sides have had increases of 9 percent in 1982 and 8 per- Committee held its first meeting on February 22. stay past that date because we haven't finished our appear to have different priorities of issues to cent in 1983 and '84. Fr. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Evening Star. (Washington, D.C.). 1934-12-09 [P A-7]
wyn), with Franchot Tone, May Rob- dlo), with Leslie Howard and Bette son and Karen Morley. Davis. MELLOTT OPPOSES "There's Always Tomorrow" (Uni- "Registered Nunse Scolds Americans versal). with Frank Morgan and Bin- "Sadie McKee". (Metro-Goldwyn), nie Barnes. with Joan Crawford and Gene Ray- CUT IN LIQUOR TAX, mond. "Trans-Atlantic Merry-Go-Round" — (United Artists), with Gene Raymond "The Scarlet Empress" ι Paramount), and Nancy Carroll. with Marlene Dietrich. Treasury Official Strikes Blow at ED HOWE, "Way of the West." "She Had to Choose." "White Lies." "Side Streets" (First National), with Movement to Reduce Retired editor the At- of "We Live Again" (Samuel Gold- Aline MacMahon and Paul Kelly. chison (Kans.) Globe and $2-a-Gallon Make It a Masses to Be wyn), with Anna Sten and Frederic "Springtime for Henry." Levy. All Attending the "Sage of Potato Hill," March. "White Gold" (Fox), with John says better behavior is one Boles and Claire Trevor. Films Termed By the Associated Press. Asked to Pledge In- of the Nation's greatest Improper. "The Woman in His Life" (Metro- needs "even if it has to be Class C: Goldwyn-Mayer), with Otto Kruger The drive to cut liquor taxes has Christmas and Una Merkel. suffered a blow from the decency Ban. pounded into some peo- "Affair of a Gentleman" (Univer- Treasury. Lasting Youth of ple." Despite failing eye- sal), with Paul Lukas, Lelia Hyams "The Russia" (Sov-Am). Substitut'ng for Secretary Morgen- his 81 the and Patricia Ellis. him out of which he will sight and years, thau in a radio speech Friday night, —giving something get attending mass in the philosopher can still do "The Affairs of Cellini" Za- Every person (Daryl Art'eur J. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
In the End... All You Really Have Is Memories
I THE NEW YORK SUN, TUESDAY, MAY 23, 1933. Broadway After Dark Picture Plays and Players The New Talkie Th/ee Revivals and a Revue Next Week— James Dunn and Sally Eilers to Co-Star for . 'J Mist Thelma Todd at Both Blondes ill 'Ghosts' Tonight—Random Dramatics. the Sixth Time in 'Sally and Jimmy.' 9 i 'Cheating Blondes. j By WARD MOREHOUSE. ' By EILEEN CREELMAN. By JOHN S. COHEN Jr. Four productions—possibly five—will come to Broadway The popular co-starring team of Janet Gaynor and The new talkie at the old Roxy is called "Cheating playhouses next week. They include the Players Club Charles Farrell has apparently broken up for good in Blondes," the blondes in the case being Miss Thelma Todd revival of "Uncle Tom's Cabin," the Frank Fay-Barbara spite of protesting fans. Fox has planned often enough in a dual role of twin sisters. As far as I could tell, Stanwyck revue and an exhumation of Edward Locke's to separate James Dunn and Sally Eilers too. Each time neither one of the two went in for cheating as it is popu four-character piece "The Climax," first done on this an announcement of this brings in enough letters to make larly known. Instead, Miss Todd, as both of them, seemed island a quarter of a century ago. The line-up for the studio heads reconsider. "Bad Girl" made stars of young to be bent on overplaying or underplaying—in the wrong new week runs like this: .- Mr. Dunn, then an unknown, and of Miss Eilers who, places—and on being generally uninteresting in a role in MonJav May 29.-"Uncle Tom's cle-play, a Continental product, although she had made plenty of films, was far from Cabi!.,'1 »t the Alvin; "The Pirates calls for a tremendous cast and an which she had an opportunity to be at least twice as good •f Penzance," at the St. -
All Quiet on the Western Front (1930) Teenage German Soldiers Pass from Idealism to Despair in This Deeply-Felt Movie Version of Erich Maria Remarque's Anti-War Novel
APUSH Movie List The movie descriptions below are from netflix.com. The descriptions and ratings are believed to be accurate. Make sure that you have your parents permission for view the movie that you have selected for your movie report. www.moviemistakes.com www.filmsite.org All Quiet on the Western Front (1930) Teenage German soldiers pass from idealism to despair in this deeply-felt movie version of Erich Maria Remarque's anti-war novel. This Academy Award-winning film (including for Best Picture) was banned in countries going to war years after its release, and unlike most "message" films that date themselves almost immediately, director Lewis Milestone's film has lost little of its original impact. Unrated. All the President’s Men (1976) The film that launched a thousand journalism school students, All the President's Men chronicles how reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) brought down Richard M. Nixon. The duo connected a Washington, D.C., hotel break-in with a Nixon "dirty tricks" team assigned to discredit Democratic rivals. Director Alan J. Pakula ratchets up the tension (no small feat, as the outcome is assured). Rated PG. Amistad (1997) Steven Spielberg directed this story about the 1839 revolt aboard Spanish slave ship La Amistad and the uprising's tragic aftermath. An African-born slave (Djimon Hounsou) leads a mutiny against his brutal captors. Because the ship is in American waters, a U.S. court must decide the slaves' fate. In an eloquent courtroom speech, ex-president John Quincy Adams (Anthony Hopkins) argues for the Africans' freedom. -
Official Ballot
OFFICIAL BALLOT AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. AFI’s 100 Years…100 CHEERS America's Most Inspiring Movies AFI has compiled this ballot of 300 inspiring movies to aid your selection process. Due to the extraordinarily subjective nature of this process, you will no doubt find that AFI's scholars and historians have been unable to include some of your favorite movies in this ballot, so AFI encourages you to utilize the spaces it has included for write-in votes. AFI asks jurors to consider the following in their selection process: CRITERIA FEATURE-LENGTH FICTION FILM Narrative format, typically over 60 minutes in length. AMERICAN FILM English language film with significant creative and/or production elements from the United States. Additionally, only feature-length American films released before January 1, 2005 will be considered. CHEERS Movies that inspire with characters of vision and conviction who face adversity and often make a personal sacrifice for the greater good. Whether these movies end happily or not, they are ultimately triumphant – both filling audiences with hope and empowering them with the spirit of human potential. LEGACY Films whose "cheers" continue to echo across a century of American cinema. 1 ABE LINCOLN IN ILLINOIS RKO, 1940 PRINCIPAL CAST Raymond Massey, Gene Lockhart, Ruth Gordon DIRECTOR John Cromwell PRODUCER Max Gordon SCREENWRITER Robert E. Sherwood Young Abe Lincoln, on a mission for his father, meets Ann Rutledge and finds himself in New Salem, Illinois, where he becomes a member of the legislature. Ann’s death nearly destroys the young man, but he meets the ambitious Mary Todd, who makes him take a stand on slavery. -
Sunday Morning, Nov. 15
SUNDAY MORNING, NOV. 15 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 VER COM Good Morning America (N) (cc) KATU News This Morning - Sun (cc) 28134 That’s So Raven That’s So Raven This Week With George Stepha- Paid 4318 NASCAR Count- 2/KATU 2 2 65776 21134 36554 nopoulos (N) (cc) (TVG) 30711 down 9568028 Paid 40979 Paid 33592 CBS News Sunday Morning (N) (cc) (TVG) 33399 Face the Nation The NFL Today (Live) (cc) (TVG) NFL Football Cincinnati Bengals at Pittsburgh Steelers. (Live) (cc) 6/KOIN 6 6 (N) (TVG) 67950 26399 313196 Newschannel 8 at Sunrise at 6:00 Newschannel 8 at 7:00 (N) (cc) 57660 Meet the Press (N) (cc) 11467 Paid 19912 Paid 49554 Figure Skating: Skate America 8/KGW 8 8 AM (N) (cc) 31450 76405 Betsy’s Kinder- Make Way for Mister Rogers Dinosaur Train Thomas & Friends Bob the Builder Rick Steves’ Travels to the Nature Black Mamba. (cc) (TVPG) Secrets of the Dead Airmen and 10/KOPB 10 10 garten 77047 Noddy 53370 44496 (TVY) 89283 12301 (TVY) 62842 Europe 91554 Edge 39202 85467 the Headhunters. (TVPG) 98931 FOX News Sunday With Chris Wallace Good Day Oregon Sunday (N) 91028 Fox NFL Sunday (Live) (cc) (TVPG) NFL Football (Live) (cc) 975950 12/KPTV 12 12 (cc) (TVPG) 14080 71863 Christians & Jews Paid 83776 Turning Point Day of Discovery In Touch With Dr. Charles Stanley Paid 24626 Paid 46134 Paid 74 028 Paid 97370 Inspiration Ministry Campmeeting 22/KPXG 5 5 68931 16592 (TVG) 41329 (cc) (TVG) 583844 848283 Jentezen Franklin Dr. -
Martin Scorsese Presents Republic Rediscovered
Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures February 1–15 and August 9–23, 2018 The Roy and Niuta Titus Theaters Screening Schedule That Brennan Girl. 1946. USA. Directed by Alfred Santell. Screenplay by Doris Anderson, based on the story by Adela Rogers St. Johns. Music by George Antheil. With James Dunn, Mona Freeman, William Marshall, June Duprez. 95 min. DCP. Raised as a grifter by her single mother, a San Francisco girl (Mona Freeman, in the role that should have made her a star) learns to adjust her priorities when she is left a young war widow, with a child of her own to take care of. Unaccountably overlooked, this resonant, formally inventive film was the final work of the director Alfred Santell as well as the last leading role of Oscar-winner James Dunn. Thursday, February 1, 7:00 (T1) Friday, February 9, 5:00 (T1) Thursday, February 15, 5:00 (T2) Hellfire. 1949. USA. Directed by R. G. Springsteen. Screenplay by Dorrell McGowan, Stuart McGowan. With Bill Elliott, Marie Windsor, Forrest Tucker, Jim Davis, H. B. Warner. 90 min. DCP. A chance encounter with a preacher sets gunfighter Bill Elliott on a mission to build a church, which he intends to fund with the reward money he’ll get for bringing in lady outlaw Marie Windsor. Republic staff cinematographer Jack A. Marta uses the studio’s unique two-color Trucolor process to create a stylized world of shifting orange and blue. Friday, February 2, 5:00 (T1) Tuesday, February 6, 7:15 (T2) Tuesday, February 13, 6:45 (T1) Driftwood. -
LTE About Elia Kazan FINAL
Contact: Donna Williams, WNET.ORG 212.560.8030, [email protected] American Masters A Letter to Elia About Elia Kazan On March 21, 1999, and for the first time in its long and illustrious history, the Academy Awards® ceremony occurred on a Sunday. Over 45 million people watched on television. While glamorous nominees and other Hollywood elites walked the fabled red carpet into L.A.’s Dorothy Chandler Pavilion, perhaps the most accomplished and influential attendee entered discreetly through a back door. Introduced by one of the greatest actors of our time, Robert De Niro, and one of the greatest directors of our time, Martin Scorsese, one of the greatest directors of all time prepared to return to the OSCAR® stage to receive the iconic gold statuette for the first time since 1954. After a video retrospective featuring the man and his work, Elia Kazan was escorted onto the stage by his wife, Frances, to receive an honorary OSCAR® recognizing and celebrating his lifetime of extraordinary achievement in film. Not everyone applauded. Even fewer rose to their feet. But the ovation lasted for nearly a full minute—an eternity in an OSCARS® television broadcast. Although his history was controversial and his relationship with Hollywood was at times ambivalent, no one could deny the genius of his visionary and influential body of work in film. Kazan graciously thanked the Academy of Motion Picture Arts and Sciences for its courage and generosity in bestowing such an honor. He embraced an emotional Scorsese and DeNiro, then humbly concluded, “I think I could just slip away.” Kazan the honoree was not always so reserved and retiring. -
60Th Anniversary Screenings UCLA Film & Television Archive Billy
60th Anniversary Screenings UCLA Film & Television Archive Billy Wilder Theater Saturday, October 1 at 7:30 p.m. Sunday, October 2 at 7:00 p.m. Sunday, October 16 at 7:00 p.m. Premiering 60 years ago on CBS on October 4, 1956, the landmark dramatic anthology Playhouse 90 stands today as a timeless example of the electronic medium of television being elevated to a legitimate art form. Arriving on the airwaves as the last of the hour-long live anthologies from New York were being phased out of network primetime schedules, Playhouse 90 infused a final burst of vitality to the moribund studio-bound dramatic format, upping the ante with an extra 30 minutes of running time for expanded narratives. Originating from the state-of-the-art CBS Television City facilities in Hollywood, the ambitious series quickly became a showcase for broadcasting’s top creative talent, including then still-emerging writer Rod Serling and battle-tested live TV director John Frankenheimer. Over the course of its innovative four season run the series would enjoy wide critical acclaim, including Emmys for Best New Program Series in 1957 and Outstanding Program Achievement in the Field of Drama in 1960. In commemoration of the 60th Anniversary of Playhouse 90, join us and our special guests as we take a fond look back at a curated selection of rarely seen installments of this television milestone, including the series debut and final original broadcast. Saturday, October 1 at 7:30 p.m. In-person introduction by Emmy award-winning writer and director Matthew Weiner, creator of Mad Men.