Motion Picture Relief Fund - ITEM 537
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Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
Finlandia Lions Great Lakes Christian Crusaders
Finlandia Lions # Name HT YR POS Hometown - Last School 1 Bailey Froberg 5-5 JR G L’Anse, Mich. – Gogebic College 2 Molly Berg* 5-3 SR G Hancock, Mich. – Hancock HS 3 Toria Nagy* 5-5 SO G Sault Ste. Marie, Mich. – Sault Area HS 4 Harlee Froberg* 5-11 SO G Houghton, Mich. – Houghton HS 11 Katie Loman* 5-8 SO G Ishpeming, Mich. – Ishpeming HS 12 Martina Jahfetson 5-5 FR G Baraga, Mich. – Baraga HS 13 Casana Ryynanen 5-10 FR F Houghton, Mich. – Houghton HS 20 Taylor Pertile* 5-5 SR G Hancock, Mich. – Hancock HS 22 Mariah Austin* 5-8 SO G Negaunee, Mich. - Lakeland 24 Carsyn Osterman 5-7 SO G/F Baraga, Mich. – Baraga HS 25 Mia Glenn* 5-10 SR F Las Vegas, Nev. – Valley HS 44 Katie Lundeen* 5-10 SO F Maple, Wis. – Northwestern HS Head Coach: Mariah LaPointe-Dunham Assistant Coach: Allen Dehority, Brandi Hainault Great Lakes Christian Crusaders # Name Pos. YR HT Hometown - Last School 1 Careya Pace G FR 5-2 Akron, OH / East HS 3 Randi Fitzgerald G FR 5-4 Detroit, Mich. / Warren Fitzgerald 4 Valerie Kopper G SR 5-3 San Carlos, Costa Rica / Costa Rica Institute of Tech. 12 Mystic Striker G SO 5-7 Fort Belknap Indian Reservation, Mont./ Harlem HS 32 Linnell Buegar G FR Monrovia, Liberia 44 Tilly Guild F SO 5-10 Grand Ledge, Mich. - Grand Ledge HS Head Coach: Richard Westerlund Finlandia vs. Great Lakes Christian THE MATCH-UP: Finlandia will take on Great PASS THE BALL: Molly Berg is moving her way Lakes Christian. -
CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection -
The Manchurian Candidate (1962) Directed by John Frankenheimer
Why Don’t You Pass the Time by Playing a Little Solitaire? By Fearless Young Orphan The Manchurian Candidate (1962) Directed by John Frankenheimer I saw it: August 19, 2010 Why haven’t I seen it yet? For the longest time, I didn’t even know what it was supposed to be about, or that it was supposed to be any good. It seemed like one of those movies that is famous for its confusing title. I even saw the 2004 remake first, and then this little beauty turned up on my list of classics. Candidate A platoon of American soldiers stationed in Korea comes under attack. Most of the platoon is rescued by Raymond Shaw (Laurence Harvey), who displays such valiant behavior that he is awarded the Congressional Medal of Honor upon his return. This is good news for his mother, the Mrs. Iselin who is married to Senator Iselin (who, Raymond assures everyone adamantly, is only Raymond’s stepfather). Mrs. Iselin would like her husband to become the Vice President of the United States, and it certainly doesn’t hurt matters to have a hero in the family. Angela Lansbury, icy and quite beautiful, eats this role alive; she may be one of the most evil and frightening characters I’ve ever seen in a film. What is amusing about her is that we know from the moment we hear her speak that she is a villain, long before we know exactly what the hell she’s up to. Her son hates and fears her; he can’t get away from her fast enough. -
A Comedy Revolution Comes to Starlight Indoors This Winter
FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell A Comedy Revolution Comes to Starlight Indoors This Winter Playing November 5-17 only! “SMART, SILLY AND “SPAMILTON IS SO “THE NEXT BEST THING CONVULSIVELY FUNNY” INFECTIOUSLY FUN THAT IT TO SEEING HAMILTON!” - The New York Times COULD EASILY RUN AS LONG - New York Post AS ITS INSPIRATION!” – The Hollywood Reporter KANSAS CITY, Mo. – As the weather cools off, the stage house heats up with the 2019-20 Starlight Indoors series, sponsored by the Missouri Lottery. Now in its fifth season, this year’s lineup of hilarious Off-Broadway hits opens November 5-17 with the North American tour of Spamilton: An American Parody, making its Kansas City premiere. Tickets are on sale now. Created by Gerard Alessandrini, the comic mastermind behind the long-running hit Forbidden Broadway, which played the 2017-18 Starlight Indoors series, Spamilton: An American Parody is a side-splitting new musical parody based on a blockbuster hit of a similar name. After numerous extensions of its run in New York, this hilarious production made a splash in Chicago, Los Angeles and London. Now, Spamilton: An American Parody brings a singing, dancing and comedy revolution to Kansas City. “Spamilton pays a hilarious tribute to its inspiration and is smart, sharp and funny to its core— everything you’d want and more from a spoof of Broadway’s most popular musical,” Caroline Gibel, director of indoor programming at Starlight, said. “The best part is, you don’t have to have seen Hamilton to enjoy Spamilton. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
National Register of Historic Places Continuation Sheet
NPS Form 10-900-a OMB Approval No. 1024-0018 (8-86) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Section number ——— Page ——— SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 99000550 Date Listed: 5/14/99 Hollywood Cemetery Los Angeles CA Property Name County State N/A Multiple Name This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstanding the National Park Service certification included in the nomination documentation. —,——.—————-j /Lx7—————————————— 7 ^ / Signature/^ofvche Keeper Date of Action Amended Items in Nomination: Name of Property: The Historic Name of the property should be: Hollywood Cemetery. [This reflects the name of the resource during its primary period of significance; the name Hollywood Memorial Park Cemetery is moved to the Common Name.] This information was confirmed with M. Lortie of the CA SHPO. DISTRIBUTION: National Register property file Nominating Authority (without nomination attachment) NFS Form 10-900 (Rev. 10-90) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. -
XXXI:4) Robert Montgomery, LADY in the LAKE (1947, 105 Min)
September 22, 2015 (XXXI:4) Robert Montgomery, LADY IN THE LAKE (1947, 105 min) (The version of this handout on the website has color images and hot urls.) Directed by Robert Montgomery Written by Steve Fisher (screenplay) based on the novel by Raymond Chandler Produced by George Haight Music by David Snell and Maurice Goldman (uncredited) Cinematography by Paul Vogel Film Editing by Gene Ruggiero Art Direction by E. Preston Ames and Cedric Gibbons Special Effects by A. Arnold Gillespie Robert Montgomery ... Phillip Marlowe Audrey Totter ... Adrienne Fromsett Lloyd Nolan ... Lt. DeGarmot Tom Tully ... Capt. Kane Leon Ames ... Derace Kingsby Jayne Meadows ... Mildred Havelend Pink Horse, 1947 Lady in the Lake, 1945 They Were Expendable, Dick Simmons ... Chris Lavery 1941 Here Comes Mr. Jordan, 1939 Fast and Loose, 1938 Three Morris Ankrum ... Eugene Grayson Loves Has Nancy, 1937 Ever Since Eve, 1937 Night Must Fall, Lila Leeds ... Receptionist 1936 Petticoat Fever, 1935 Biography of a Bachelor Girl, 1934 William Roberts ... Artist Riptide, 1933 Night Flight, 1932 Faithless, 1931 The Man in Kathleen Lockhart ... Mrs. Grayson Possession, 1931 Shipmates, 1930 War Nurse, 1930 Our Blushing Ellay Mort ... Chrystal Kingsby Brides, 1930 The Big House, 1929 Their Own Desire, 1929 Three Eddie Acuff ... Ed, the Coroner (uncredited) Live Ghosts, 1929 The Single Standard. Robert Montgomery (director, actor) (b. May 21, 1904 in Steve Fisher (writer, screenplay) (b. August 29, 1912 in Marine Fishkill Landing, New York—d. September 27, 1981, age 77, in City, Michigan—d. March 27, age 67, in Canoga Park, California) Washington Heights, New York) was nominated for two Academy wrote for 98 various stories for film and television including Awards, once in 1942 for Best Actor in a Leading Role for Here Fantasy Island (TV Series, 11 episodes from 1978 - 1981), 1978 Comes Mr. -
Funny Games and the History of Hostage Noir
ANN NO STOCKS SAVAGE NO SPORTS TRIBUTE ™ ALL NOIR www.noircity.com www.filmnoirfoundation.org VOL. 4 NO. 1 CCCC**** A PUBLICATION OF THE FILM NOIR FOUNDATION BIMONTHLY 2 CENTS MARCH / APRIL 2009 BLACK AND WHITE AND READ ALL OVER IN MEMORIAM DAHL, DEADLINES ANN SAVAGE DOMINATE NC7 By Haggai Elitzur Special to the Sentinel n e l or January, San Francisco’s weather was l A . unusually warm and sunny, but the atmos- M d phere was dark and desperate indoors at the i v F a Castro Theatre, as it always is for the NOIR CITY D film festival. On this, the festival’s seventh outing, Eddie Muller and Arlene Dahl onstage at the Castro most of the selections fell into the theme of news- paper noir. tive MGM when Warner Bros. was tardy in re- upping her contract. Arlene Dahl: Down-to-Earth Diva Dahl described meeting a large group of This year’s special guest was the still-beauti- friendly stars, including Gary Cooper, on her very ful redhead Arlene Dahl, whose two 1956 features first day on the Warner Bros. lot. She also offered screened as a double bill. Wicked as They Come some brief details about her two-year involvement By Eddie Muller was a British production featuring Dahl as a social with JFK, which was set up by Joe Kennedy him- Special to the Sentinel climber seducing her way across Europe. Slightly self. It was a spellbinding interview with a great Scarlet, a Technicolor noir filmed by John Alton, star; Dahl made it clear that she loved the huge ANN SAVAGE CHANGED MY LIFE . -
Looking at Hollywood with Ed Sullivan
P.~. Tw. Chic ••• Saaday Trihaae Looking at Hollywood with Ed Sullivan l DclYid Ni.•.•n Rudy Vcd1ee D. FClirbcmb Jr. RlchGrd Gr •• ne Jimmy St.wGrt Joe Sch.nck on the coast and he has loads brothers, three of them, are don't believe that there will be of dough. Or how about some- married. So are Jack Haley, Jack any reaction whatsoever. The thing in writers or directors- Benny, George Burns, Frank studio bosses are of the opinion Norman Krasna, Rouben Ma· McHugh, Al Jolson, Bert Wheel· that a performer who is married moulian, Bob Risklnd, Carl er, Bob Hope, Fred Allen, Frank happily is better liked by the Laemmle Jr., Eddie Sutherland, Morgan, George Jessel. Their public and gains solid prestige. Austin Fairman? Uh-huh, you marriage rating is high. want Gable or Robert Taylor- Perhaps we shouldn't indulge • • • you will have to take that up in any such broad generality. There are one hundred argu- with Miss Lombard or Miss W. C. Fields, Edgar Bergen, Mil· ments in support of this idea. Stanwyck, ma'am. Can I Inter- ton Berle, and Edward Everett Gable was tremendous at the est you in a nice, swingy band Horton are comics who are root- box office while he was married. leader? Guy Lombardo, Abe loose and fancy-free. So, too, is So was W1lliam Powell. Bing Lyman, Skinnay Ennis. Hal Ken Murray. Charlie Butter- Crosby as a married man and Kemp? No, a lady came and worth is getting a divorce, or a father has gained in popular- got him just the other day. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.