Jacking the Dial: Radio, Race, and Place in "Grand Theft Auto" Author(s): Kiri Miller Source: Ethnomusicology, Vol. 51, No. 3 (Fall, 2007), pp. 402-438 Published by: University of Illinois Press on behalf of Society for Ethnomusicology Stable URL: http://www.jstor.org/stable/20174544 Accessed: 17-04-2017 23:33 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of Illinois Press, Society for Ethnomusicology are collaborating with JSTOR to digitize, preserve and extend access to Ethnomusicology This content downloaded from 130.253.29.96 on Mon, 17 Apr 2017 23:33:25 UTC All use subject to http://about.jstor.org/terms Vol. 51, No. 3 Ethnomisicology Fall 2007 Jacking the Dial: Radio, Race, and Place in Grand Theft Auto Kiri Miller / Brown University In carjackedDecember a convertible of 2005 that looked I watched like it might and be suitable took for notespimping. as a man named James The clean-cut white guy behind the wheel was in the wrong part of town. As James tossed him from the car and drove away, the DJ on the local country station spoke through the car stereo: "It's like Kant said: you can be an ac tive originator of experience or a passive recipient of perception.