DOCSLIB.ORG

GTA SA PS3 MANUAL TW.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GTA SA PS3 MANUAL TW.Pdf WARNING: PHOTOSENSITIVITY/EPILEPSY/SEIZURES READ BEFORE USING YOUR PlayStation®3 COMPUTER ENTERTAINMENT SYSTEM. 3 CONTENTS 02 GETTING STARTED 03 CONTROLS 05 TRAVEL SERVICES 07 FACTS + ACCOMMODATION 10 HOSPITAL + PERSONAL SAFETY SERVICES 13 MONEY + SHOPPING 3 3 14 GAMBLING 3 16 SPORT + EATING OUT 3 17 PERSONAL GROOMING SERVICES Local radio 18 PERSONALS listings can be found throughout this guide 22 LEGAL PlayStation®3 System Software Update This disc contains update data for the PlayStation®3 system software, which is required to start the game. If a screen prompting you to update the system software is displayed when you start the game, you must update before playing. PlayStation®3系統軟件更新 本光碟內含啟動遊戲所需的PlayStation®3系統軟件的更新資料。若在啟動遊戲時畫面出現需要更新系統軟件的訊息，即代表必須先執行更新，才可啟動遊戲。 Trademark Information / 商標資訊 "2","PlayStation"," 0 " and "DUALSHOCK" are registered trademarks or trademarks of Sony Computer Entertainment Inc. "Ú","Ô" and "Sony Entertainment Network" are registered trademarks or trademarks of Sony Corporation. 01 "Blu-ray Disc™" and " Blu-ray™" are trademarks of the Blu-ray Disc Association. BLAS XXXXX DUALSHOCK®3 ANALOG CONTROLLER CONTROLS GETTING STARTED CONFIGURATIONS port indicators USB Connector Starting a game: Before use, carefully read the instructions supplied L2 button R2 button with the PlayStation®3 computer entertainment system. The L1 button R1 button documentation contains information on setting up and using your system as well as important safety information. K button Check that the MAIN POWER switch (located on the system rear) is directional H button ON FOOT turned on. Insert the Grand Theft Auto: San Andreas disc with the buttons ON BICYCLE label facing up into the disc slot. Select the icon for the software title J button IN VENICLE under Grand Theft Auto: San Andreas in the PlayStation®3 system’s L button FIRST PERSON home menu, and then press the H button. Refer to this manual for SHOOTING information on using the software. left stick/ right stick/ SWIMMING L3 button R3 button AIRCRAFT Quitting a game: During gameplay, press and hold down the PS button SELECT button START button on the wireless controller for at least 2 seconds. Then select “Quit Game” from the screen that is displayed. PS button To remove a disc, touch the eject button after quitting the game. CONTROLS: ON FOOT K button ENTER VEHICLE left stick CHARACTER MOVEMENT Saved data for PlayStation®3 format software ACTIVATE MINI GAME SECONDARY ATTACK Saved data for PlayStation®3 format software is saved on the system’s PICK UP OBJECT B button CROUCH hard disk. H button ATTACK/FIRE WEAPON right stick CAMERA MOVEMENT The data is displayed under “Saved Game Utility” in the Game menu. J button HOLD RUN N button LOOK BEHIND J button SECONDARY ATTACK C button GANG ACTIVE MODE (FOLLOW) JUMP/CLIMB/BLOCK button GANG DISMISS /GANG PASSIVE MODE L button V (WAIT) BUY PROPERTY/ANSWER & HANG UP button TALK NEGATIVE RESPONSE W button PHONE, CENTER CAMERA/FIRE WEAPON X Q button CYCLE WEAPON (LEFT) Z button GANG RECRUIT/TALK POSITIVE RESPONSE/ VIEW STATS E button CYCLE WEAPON (RIGHT) button CHANGE CAMERA PERSPECTIVE R button TARGET button PAUSE/ MAP MENU CONTROLS: ON BICYCLE R button HOLD PEDAL Q button LOOK LEFT L button BRAKE Q button + E button LOOK BEHIND W button HOLD REVERSE J button BUNNYHOP E button LOOK RIGHT button CHANGE CAMERA PERSPECTIVE 03 CONTROLS: ON BICYCLE SAN ANDREAS CONTROLS button PAUSE/MAP MENU left stick CHARACTER MOVEMENT SAN ANDREAS is one of the country’s most diverse visitor right stick CAMERA MOVEMENT destinations, known for its huge size and incredible variety. Although justly celebrated for its 3 wildly different main cities each with its CONTROLS: IN VEHICLE own style and attractions to offer – Los Santos with its celebrities and sprawling ghettos, San K button EXIT VEHICLE R button ACCELERATE Fierro with its eclectic artist community, and Las Venturas with the glitz and glamour of casinos H button CAR WEAPON/NITROUS C button CYCLE RADIO STATIONS - it has so much more beyond that; such as L button HAND BRAKE V button CYCLE RADIO STATIONS mountains, ghost towns, dense forests and hot, DUB/REGGAE dry deserts. Take time to visit the whole state Q button LOOK LEFT B button HORN and support local businesses. DJS: MARSHALL PETERS: LOWELL “SLY” DUNBAR JOHNNY LAWTON: ROBERT “ROBBIE” SHAKESPEARE ON FOOT E button LOOK RIGHT button PAUSE MENU AIRPORTS IMAGING VOICE, SPECIAL GUEST STARS: DJ GRINGO AND PAT MCKAY ON BICYCLE RAIL SERVICE IMAGING PRODUCTION: JAY WRIGHT PRODUCTIONS W button BRAKE/REVERSE N button TRIGGER VEHICLE SUB-MISSION PRODUCTION MUSIC: SLY & ROBBIE AIRPORTS COMPTON’S MOST WANTED • HOOD TOOK ME IN VENICLE ACCOMMODATION UNDER HELMET • UNSUNG Written by Michael Bryant / Courtesy of Epic Records Written by Paige Hamilton / Courtesy of Interscope Records left stick CAR STEERING/CAMERA right stick TURRET CONTROL KOOL G RAP & DJ POLO • ROAD TO THE FIRST PERSON Need to put some distance between you and your NIGHTLIFE DEPECHE MODE • PERSONAL JESUS SHOOTING RICHES ZAPP • I CAN MAKE YOU DANCE DR. DRE • NOTHIN’ BUT A “G” THANG MANUAL CAMERA Written by Marlon Lu’ree Williams & Nathaniel Thomas Wilson / Written by Larry Troutman & Roger Troutman / Courtesy of Warner Bros Written by Otha Leon Haywood, Frederick Douglas Knight, & Calvin Written by Martin Lee Gore / Courtesy of Warner Bros. Records associates? The fastest way out of town is by plane FOGHAT • SLOW RIDE • MACEO & THE MACKS • CROSS THE TRACKS Q button + E button LOOK BEHIND Courtesy of Warner Bros. Records HOSPITALS Records Broadus / Courtesy of Death Row Records SHABBA RANKS WICKED INNA BED SWIMMING CHANGE CINAMATIC CAMERA from your nearest airport. There are 3 airports in the Written by David Peverette / Courtesy of Rhino Records FAITH NO MORE • MIDLIFE CRISIS Written by Cleveland Constaintine Browne, Wycliffe Johnson, & Rexton (WE BETTER GO BACK) Written by Michael Andrew Bordin, Roddy Christopher Bottum, Bill Written by Joe Houston / Courtesy of Polydor Records BIG DADDY KANE • WARM IT UP KANE KOOL & THE GANG • HOLLYWOOD SWINGIN’ CREEDENCE CLEARWATER REVIVAL • GREEN RIVER TOO SHORT • THE GHETTO Ralston Fernando Gordon / Courtesy of VP Records San Andreas area, don’t expect them to take air miles. Written by Antonio M. Hardy / Courtesy of Warner Bros Records PERSONAL SAFETY Written by Robert E. Bell, Ronald Bell, George Brown, Robert Mickens, David Gould, James Martin Glanco, & Michael Allen Patton / Courtesy AIRCRAFT Written by John Fogerty / Courtesy of Fantasy Inc Written by Alfred Eaton, Donny Hathaway, Lee Hutson, Sr., & Todd • • Clades E. Smith, Dennis R. Thomas, Richard Westfield / Courtesy of of Warner Bros. Records BUJU BANTON BATTY RIDER HARLEM UNDERGROUND BAND SMOKIN’ Anthony Shaw / Courtesy of Jive Records Written by David Willard Anthony Kelly & Mark Thony Myrie / Courtesy SPOONIE GEE • THE GODFATHER MONEY Polygram Records HEART • BARRACUDA CHEEBA CHEEBA Written by Gabriel M. Jackson / Courtesy of Tuff City Records DANZIG • MOTHER of Mercury Records Written by Ann L. Winley & Paul C. Winley / Courtesy of Paul Winley Written by Ann Wilson & Nancy Wilson / Courtesy of Epic Records NWA • ALWAYZ INTO SOMETHIN’ • Written By Glenn Danzig / Courtesy of Def American Records Records • OHIO PLAYERS LOVE ROLLERCOASTER Written by Tracy Lynn Curry, Lorenzo Jerald Patterson, Burke J. Reeves, AUGUSTUS PABLO • KING TUBBY MEETS THE CONTROLS: FIRST PERSON SHOOTING MASTA ACE ME & THE BIZ SHOPPING Written by Willy Beck & Leroy Bonner / Courtesy of Mercury Records KISS • STRUTTER Written by Duval Clear & Marlon Williams / Courtesy of Warner Bros & Andre Romell Young / Courtesy of Priority Records LIVING COLOUR • CULT OF PERSONALITY ROCKERS UPTOWN LSX is now the fourth Written by Paul Stanley & Gene Simmons / Courtesy of Polygram Written by William Calhoun, Corey Glover, & Vernon Reid / Courtesy of THE CHAKACHAS • JUNGLE FEVER (RELEASE TO RETURN TO Records RICK JAMES • COLD BLOODED Records Written by Horace Michael Swaby / Courtesy of Mango Records Written by Bill Ador / Courtesy of Polydor Records button + W button SHOOT R button GAMBLING • Epic Records H NORMAL CONTROL) busiest airport in the Written by Rick James / Courtesy of Motown Records ICE CUBE CHECK YO SELF (THE MESSAGE SLICK RICK • CHILDREN’S STORY DENNIS BROWN • REVOLUTION world. The airport is made TOTO • HOLD THE LINE REMIX) PRIMAL SCREAM • MOVIN’ ON UP BOB JAMES • NAUTILUS Written by Ricky Walters / Courtesy of Island Def Jam Recordings SPORTS Written by David F. Paich / Courtesy of Columbia Records Written by Ice Cube/Oshea Jackson, Larry Muggerad, Clifton Written by Dennis Emanuel Brown / Courtesy of VP Records Q button ZOOM IN B button DUCK up of five gates that are MAZE • TWILIGHT Written by Bobby Gillespie, Andrew Innes, & Robert Young Clearie / Written by Robert M. James / Courtesy of Tappan Zee Records LOS SANTOS AIRPORT Written by Frankie Beverly / Courtesy of Capitol Records Nathaniel, Edward Fletcher, & Melvin Glover Robinson / Courtesy of • PUBLIC ENEMY • REBEL WITHOUT A PAUSE ROD STEWART • YOUNG TURKS Courtesy of Warner Bros Records and Sony Music (UK) WILLIE WILLIAMS ARMAGIDEON TIME connected by a U-shaped EATING OUT Priority Records Wrtten by Donat Roy Jackie Mittoo & Wilbert Keith Williams / Courtesy BOOKER T & THE MGS • GREEN ONIONS Written by James Henry Boxley III, Carlton Douglas Ridenhour, Normal L. THE ISLEY BROTHERS • BETWEEN THE SHEETS Written by Carmine Appice Jr., Duane S. Hitchings, Kevin Stuart James • Written by Stephen Lee Cropper, Al Jackson Jr., Booker T. Jones, Lewie two-level main terminal. Savigar, & Rod Stewart / Courtesy of Warner Bros Records GUNS N’ ROSES WELCOME TO THE JUNGLE of Roadrunner Records E button ZOOM OUT left stick MOVE SCOPE Rogers, & Eric T. Sadler / Courtesy of Island Def Jam Recordings Written by Ernest Isley, Marvin Isley, O. Kelly Isley, Rudolph Berard Isley, KID FROST • LA RAZA Written by Steven Adler, Saul Hudson, W. Axl Rose, Izzy Stradlin, & Steinberg / Courtesy of Atlantic Recording Corp. PERSONAL Written by Antonio Gonzalez, Arturo R. Molina Jr., & Gerald S. Wilson / • ERIC B. & RAKIM • I KNOW YOU GOT SOUL & Christopher H.
Load more

Recommended publications
  • Now We Are All Sons of Bitches
    Now We Are All Sons of Bitches MICHAEL BONTATIBUS “Wake up, Mr. Freeman. Wake up and smell the ashes,” the enigmat- ic G-Man murmurs as he leers into the camera, finishing an eerie opening monologue—and so begins Half-Life 2, Valve Corporation’s flagship game. The last time we saw Gordon Freeman, the protagonist, the same rigid and mysterious (though more poorly animated, since the prequel was released six years earlier) G-Man was handing him a job offer after witnessing the former scientist transform into a warrior, bent on escaping from the besieged Black Mesa Research Facility alive. Now, suddenly, Freeman finds himself on a train. No context.1 Is it a prison train? The three other individuals on it wear uniforms like those the inmates wore in Cool Hand Luke. The train soon stops at its destination, and we realize that it is a prison train, in a way—Freeman has arrived at the Orwellian “City 17,” where the ironically named Civil Protection abuses and oppresses, where antagonist Dr. Breen preaches poet- ic propaganda from large monitors hung high above the town. In the years since scientists at the facility accidentally opened a gateway between dimen- sions and allowed a bevy of grotesque creatures to spill into our universe, Earth has been taken over by the Combine, an alien multiplanetary empire. Breen is merely Earth’s administrator—and we realize that the ashes the G- Man spoke of were the ashes of the prelapsarian world. It’s classic dystopia, complete with a Resistance, of which Freeman soon finds himself the “mes- sianic” leader (HL2).
    [Show full text]
  • TESIS: Grand Theft Auto IV. Impacto Y Contexto En Los Videojuegos Como
    UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO FACULTAD DE ESTUDIOS SUPERIORES ACATLÁN Grand Theft Auto IV. Impacto y contexto en los videojuegos como parte de la cultura de masas Tesis para obtener el título de: Licenciado en Comunicación PRESENTA David Mendieta Velázquez ASESOR DE TESIS Mtro. José C. Botello Hernández UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. Grand Theft Auto IV Impacto y contexto en los videojuegos como parte de la cultura de masas Agradecimientos A mis padres. Gracias, papá, por enseñarme valores y por tratar de enseñarme todo lo que sabías para que llegara a ser alguien importante. Sé que desde el cielo estás orgulloso de tu familia. Mamá, gracias por todo el apoyo en todos estos años; sé que tu esfuerzo es enorme y en este trabajo se refleja solo un poco de tus desvelos y preocupaciones. Gracias por todo tu apoyo para la terminación de este trabajo. A Ariadna Pruneda Alcántara. Gracias, mi amor, por toda tu ayuda y comprensión. Tu orientación, opiniones e interés que me has dado para la realización de cualquier proyecto que me he propuesto, así como por ser la motivación para seguir adelante siempre.
    [Show full text]
  • The Videogame Style Guide and Reference Manual
    The International Game Journalists Association and Games Press Present THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL DAVID THOMAS KYLE ORLAND SCOTT STEINBERG EDITED BY SCOTT JONES AND SHANA HERTZ THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL All Rights Reserved © 2007 by Power Play Publishing—ISBN 978-1-4303-1305-2 No part of this book may be reproduced or transmitted in any form or by any means – graphic, electronic or mechanical – including photocopying, recording, taping or by any information storage retrieval system, without the written permission of the publisher. Disclaimer The authors of this book have made every reasonable effort to ensure the accuracy and completeness of the information contained in the guide. Due to the nature of this work, editorial decisions about proper usage may not reflect specific business or legal uses. Neither the authors nor the publisher shall be liable or responsible to any person or entity with respects to any loss or damages arising from use of this manuscript. FOR WORK-RELATED DISCUSSION, OR TO CONTRIBUTE TO FUTURE STYLE GUIDE UPDATES: WWW.IGJA.ORG TO INSTANTLY REACH 22,000+ GAME JOURNALISTS, OR CUSTOM ONLINE PRESSROOMS: WWW.GAMESPRESS.COM TO ORDER ADDITIONAL COPIES OF THE VIDEOGAME STYLE GUIDE AND REFERENCE MANUAL PLEASE VISIT: WWW.GAMESTYLEGUIDE.COM ACKNOWLEDGEMENTS Our thanks go out to the following people, without whom this book would not be possible: Matteo Bittanti, Brian Crecente, Mia Consalvo, John Davison, Libe Goad, Marc Saltzman, and Dean Takahashi for editorial review and input. Dan Hsu for the foreword. James Brightman for his support. Meghan Gallery for the front cover design.
    [Show full text]
  • Chinatown Wars Kevin George
    International Journal of English Literature and Social Sciences, 5(2) Mar-Apr 2020 |Available online: https://ijels.com/ The Dark Side of GTA: Chinatown Wars Kevin George Department of English, K.E College, Mannanam, Kerala, India Abstract—Released way back in 2009, Grand Theft Auto: Chinatown Wars is an action-adventure videogame, developed for a console meant for teenagers. However, the videogame drew flak for its inclusion of certain controversial mini-games and missions involving drugs like cocaine and heroin. This short essay/review will focus on the corruptive influence of something as trivial as a videogame and how it works insidiously as a lure to a world of crime, which young minds find irresistible. Keywords—Addiction,Arson, Delusions of power,Drug-dealing, GTA: Chinatown Wars. INTRODUCTION adolescent innocence as portrayed in his novel The Lord of I was having a hard time coming to terms with the the Flies. ‘Influence’ plays a big role and so does the quarantine in India (and the world over). Usually, I would milieu. The pandemic (COVID19) which is wreaking find solace in reading philosophy and literature or I would havoc on our planet has made their lives insular and more binge on my favourite films or series. But, the headlines susceptible to ‘influence’ (at least for now) and things and podcasts made sure that my usual sangfroid was kept aren’t much different (from the novel). The teenagers who at bay. My penchant for etymology compels me to spent hours playing games like GTA: Chinatown Wars, (I mention the origins of the word ‘sangfroid’.
    [Show full text]
  • On Liberty It’S Our Best Best Of
    On Liberty It’s Our Best Best of... Issue Ever A guide to the city’s top Sights Entertainment Restaurants Bars Important Health Warning About Playing Video Games Table of Contents Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain 02 Installation visual images, including flashing lights or patterns that may appear in video games. 04 Game Controls Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive epileptic seizures” while watching 08 Letter from the Editor video games. 10 Places Best Sights These seizures may have a variety of symptoms, including lightheadedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, 12 Entertainment Best Place to Chill confusion, or momentary loss of awareness. Seizures may also cause loss of consciousness or convulsions that can lead to injury from falling down or striking 14 Restaurants Best Burger nearby objects. 16 Bars Best Brew Immediately stop playing and consult a doctor if you experience any of these 18 Feature Dating in the City symptoms. Parents should watch for or ask their children about the above symptoms—children and teenagers are more likely than adults to experience these 20 Technology Top Gadgets seizures. The risk of photosensitive epileptic seizures may be reduced by taking the following precautions: Sit farther from the screen; use a smaller screen; play in a well- 22 Credits lit room; and do not play when you are drowsy or fatigued. 32 Warranty If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing.
    [Show full text]
  • Acquiring Literacy: Techne, Video Games and Composition Pedagogy
    ACQUIRING LITERACY: TECHNE, VIDEO GAMES AND COMPOSITION PEDAGOGY James Robert Schirmer A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2008 Committee: Kristine L. Blair, Advisor Lynda D. Dixon Graduate Faculty Representative Richard C. Gebhardt Gary Heba © 2008 James R. Schirmer All Rights Reserved iii ABSTRACT Kristine L. Blair, Advisor Recent work within composition studies calls for an expansion of the idea of composition itself, an increasing advocacy of approaches that allow and encourage students to greater exploration and more “play.” Such advocacy comes coupled with an acknowledgement of technology as an increasingly influential factor in the lives of students. But without a more thorough understanding of technology and how it is manifest in society, any technological incorporation is almost certain to fail. As technology advances along with society, it is of great importance that we not only keep up but, in fact, reflect on process and progress, much as we encourage students to do in composition courses. This document represents an exercise in such reflection, recognizing past and present understandings of the relationship between technology and society. I thus survey past perspectives on the relationship between techne, phronesis, praxis and ethos with an eye toward how such associative states might evolve. Placing these ideas within the context of video games, I seek applicable explanation of how techne functions in a current, popular technology. In essence, it is an analysis of video games as a techno-pedagogical manifestation of techne. With techne as historical foundation and video games as current literacy practice, both serve to improve approaches to teaching composition.
    [Show full text]
  • Pdf (Accessed 2.10.14)
    Notes 1 Introduction: Video Games and Storytelling 1. It must be noted that the term ‘Narratological’ is a rather loose application by the Ludologists and the implications of this are pointed out later in this chapter. 2. Roland Barthes states that the ‘infinity of the signifier refers not to some idea of the ineffable (the unnameable signified) but to that of a playing [ ...] theText is plural’. Source: Barthes, R., 1977. Image, Music, Text, in: Heath,S.(Tran.), Fontana Communications Series. Fontana, London. pp. 158–159. 3.In Gaming Globally: Production, Play, and Place (Huntemann and Aslinger, 2012),theeditors acknowledgethat ‘while gaming maybe global, gaming cultures and practices vary widely depending on the power and voice of var- ious stakeholders’ (p. 27). The paucity of games studies scholarship coming from some of the largest consumers of video games, such as South Korea, China and India, to name a few, is markedly noticeable. The lack of represen- tation of non-Western conceptions of play culture and storytelling traditions is similarly problematic. 4. Chapter 8 will engage with this issue in more detail. 5. ‘(W)reading’ is preferred over the more commonly used neologism ‘wread- ing’toemphasise the supplementarity of the reading and writingprocesses and also to differentiate it from earlier usage that might claim that the two processes are the same thing. 3 (W)Reading the Machinic Game-Narrative 6. For whichhe is criticisedby Hayles (see Chapter 2). 7. Landow respondstothis by rightly stating that Aarseth misreads his original comment where heclaims that ‘the reader whochooses among linksortakes advantage of Storyspace’s hypertext capabilities shares some of the power of theauthor’(Landow, p.
    [Show full text]
  • Evolve E-Gaming Index ETF MACROECONOMIC HIGHLIGHTS
    SPECIAL COMMENTARY Evolve E-Gaming Index ETF HERO invests in equity securities of companies listed domestically and globally with business activities in the electronic gaming industry. As at March 17, 2020 TICKER: HERO (Hedged) UPDATE: During this pandemic crisis, global equities have fallen nearly 30% since the peak of the markets on February 19th. Companies in the portfolio are less affected by this crisis, as revenue for today’s gaming manufacturers are mainly generated online with digital purchases. In addition, online viewership of e-gaming is expected to grow. Take Two Interactive, the owner of Rockstar’s Grand Theft Auto and NBA 2K games, has recently reported that consumer spending on in-game purchases was up. Take Two Interactive’s online revenue grew 54% YoY. MACROECONOMIC HIGHLIGHTS: The eGaming and eSports world did not go unaffected by the growing reality of coronavirus concerns in February. On February 18, Tencent Esports announced that the top two Honor of Kings competitions – China’s King Pro League (KPL) Spring Split and international tournament KPL Global Tour (KPLGT) Spring Split – would move fully online and not be played in front of live audiences due to the coronavirus outbreak. According to the announcement, the decision was made to avoid gathering massive crowds, and ensure the health and safety of fans, players, and related staff.i Nintendo announced that the coronavirus was likely to disrupt production of the Nintendo Switch, Joy-Con controllers, and Ring Fit Adventure game. 96% of Nintendo, Sony, and Microsoft consoles are made in China.ii Sales data released in February showed, however, that Nintendo Switch sales (both unit and dollar) in January 2020 once again outsold the PlayStation 4 and Xbox One.
    [Show full text]
  • Take-Two Interactive Software Annual Report 2020
    Take-Two Interactive Software Annual Report 2020 Form 10-K (NASDAQ:TTWO) Published: May 22nd, 2020 PDF generated by stocklight.com UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10-K ☒ Annual Report Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 For the fiscal year ended March 31, 2020 OR ☐ Transition Report Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 For the transition period from to . Commission file number 001-34003 TAKE-TWO INTERACTIVE SOFTWARE, INC. (Exact name of registrant as specified in its charter) Delaware 51-0350842 (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 110 West 44th Street New York, New York 10036 (Address of principal executive offices) (Zip Code) Registrant's Telephone Number, Including Area Code: (646) 536-2842 Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading symbol Name of each exchange on which registered Common Stock, $.01 par value TTWO NASDAQ Global Select Market Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ý No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes o No ý Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • 2019 Annual Report
    TAKE-TWO INTERACTIVE SOFTWARE, INC. 2019 ANNUAL REPORT ANNUAL INC. 2019 SOFTWARE, INTERACTIVE TAKE-TWO TAKE-TWO INTERACTIVE SOFTWARE, INC. 2019 ANNUAL REPORT Generated significant cash flow and ended the fiscal year with $1.57$1.57 BILLIONBILLION in cash and short-term investments Delivered total Net Bookings of Net Bookings from recurrent $2.93$2.93 BILLIONBILLION consumer spending grew 47% year-over-year increase 20%20% to a new record and accounted for units sold-in 39% 2424 MILLIONMILLIONto date 39% of total Net Bookings Tied with Grand Theft Auto V as the highest-rated game on PlayStation 4 and Xbox One with 97 Metacritic score One of the most critically-acclaimed and commercially successful video games of all time with nearly units sold-in 110110 MILLIONMILLIONto date Digitally-delivered Net Bookings grew Employees working in game development and 19 studios 33%33% 3,4003,400 around the world and accounted for Sold-in over 9 million units and expect lifetime Net Bookings 62%62% to be the highest ever for a 2K sports title of total Net Bookings TAKE-TWO INTERACTIVE SOFTWARE, INC. 2019 ANNUAL REPORT DEAR SHAREHOLDERS, Fiscal 2019 was a stellar year for Take-Two, highlighted by record Net Bookings, which exceeded our outlook at the start of the year, driven by the record-breaking launch of Red Dead Redemption 2, the outstanding performance of NBA 2K, and better-than- expected results from Grand Theft Auto Online and Grand Theft Auto V. Net revenue grew 49% to $2.7 billion, Net Bookings grew 47% to $2.9 billion, and we generated significant earnings growth.
    [Show full text]
  • Inside the Video Game Industry
    Inside the Video Game Industry GameDevelopersTalkAbout theBusinessofPlay Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman Downloaded by [Pennsylvania State University] at 11:09 14 September 2017 First published by Routledge Th ird Avenue, New York, NY and by Routledge Park Square, Milton Park, Abingdon, Oxon OX RN Routledge is an imprint of the Taylor & Francis Group, an Informa business © Taylor & Francis Th e right of Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman to be identifi ed as authors of this work has been asserted by them in accordance with sections and of the Copyright, Designs and Patents Act . All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Names: Ruggill, Judd Ethan, editor. | McAllister, Ken S., – editor. | Nichols, Randall K., editor. | Kaufman, Ryan, editor. Title: Inside the video game industry : game developers talk about the business of play / edited by Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman. Description: New York : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [] | Includes index. Identifi ers: LCCN | ISBN (hardback) | ISBN (pbk.) | ISBN (ebk) Subjects: LCSH: Video games industry.
    [Show full text]
  • San Andreas Police Department 03 Controls: on Bicycle San Andreas
    LOCAL BUSINESS ADVERTISER’S GUIDE WARNING Before playing this game, read the Xbox 360® console, Xbox 360 Kinect® Sensor, and accessory manuals for important safety and health information. www.xbox.com/support. Important Health Warning: Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to WELCOME TO certain visual images, including flashing lights or patterns that may appear in video games. Even people with no history of seizures or epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” while watching video games. Symptoms can include light-headedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents, watch for or ask children about these symptoms—children and teenagers are more likely to experience these seizures. The risk may be reduced by being farther from the screen; using a smaller screen; playing in a well-lit room, and not playing when drowsy or fatigued. If you or any CONTENTS relatives have a history of seizures or epilepsy, consult a doctor before playing. 02 MOST WANTED 03 CONTROLS 05 TRAVEL SERVICES 07 FACTS + ACCOMMODATION 10 HOSPITAL + PERSONAL SAFETY SERVICES 13 MONEY + SHOPPING 14 GAMBLING 16 SPORT + EATING OUT 17 PERSONAL GROOMING SERVICES 18 PERSONALS Local
    [Show full text]