Velvyt Chikan Label Private Limited

Total Page:16

File Type:pdf, Size:1020Kb

Velvyt Chikan Label Private Limited +91-8048372646 Velvyt Chikan Label Private Limited https://www.indiamart.com/velvyt-chikan-label-private-limited/ WOMEN KURTI P r o d u c t s & S e r v i c e s P r o d u c t s & S e r v i c e s The Chikan Label Pure Cotton The Chikan Label Pure Cotton Green Chikankari Aari Kurti Red Chikankari Anarkali Ghaas Patti Kurti The Chikan Label Pure Cotton The Chikan Label Pure Cotton Orange Chikankari Anarkali Grey Chikankari Anarkali Ghaas Patti Kurti Ghaas Patti Kurti WOMEN CHIKAN KURTIS P r o d u c t s & S e r v i c e s The Chikan Label Pure The Chikan Label Pure The Chikan Label Pure The Chikan Label Pure Georgette Red Chikankari Georgette White Chikankari Angarkha Kurta Ghaas Patti Kurti The Chikan Label Pure The Chikan Label Pure Georgette Grey Chikankari Georgette Black Chikankari Ghaas Patti Kurti Ghaas Patti Kurti WOMEN BOTTOMS P r o d u c t s & S e r v i c e s The Chikan Label Pure The Chikan Label Pure Georgette Chikankari Peach Georgette Chikankari Beige Gota Patti Sharara Garara Gota Patti Sharara Garara Palazzo Palazzo The Chikan Label Pure The Chikan Label Pure Georgette Chikankari Grey Georgette Chikankari Pink Gota Patti Sharara Garara Gota Patti Sharara Garara Palazzo Palazzo CHIKANKARI ANGARKHA KURTA P r o d u c t s & S e r v i c e s The Chikan Label Pure The Chikan Label Pure Georgette Pink Chikankari Georgette White Chikankari Angarkha Kurta Angarkha Kurta The Chikan Label Pure The Chikan Label Pure Cotton Georgette Yellow Chikankari Pink Chikankari Aari Kurti Angarkha Kurta OTHER PRODUCTS P r o d u c t s & S e r v i c e s Ladies Palazzo Chikan Kurti Chikan Kurti Chikan Cotton Kurti P r o OTHER PRODUCTS: d u c t s & S e r v i c e s The Chikan Label Pure Cotton The Chikan Label Pure Black Chikankari Anarkali Georgette Pink Chikankari Ghaas Patti Kurti Ghaas Patti Kurti The Chikan Label Pure Chikan Kurti Georgette Chikankari Green Gota Patti Sharara Garara Palazzo F a c t s h e e t Nature of Business :Manufacturer Total Number of Employees :11 to 25 People CONTACT US Velvyt Chikan Label Private Limited Contact Person: Hardik Deol Office Number 497, Bahadurpur Lucknow - 226022, Uttar Pradesh, India +91-8048372646 https://www.indiamart.com/velvyt-chikan-label-private-limited/.
Recommended publications
  • TENT HANGING, Cotton Painted, Printed and Dyed, Mughal. Late 17Th Or Early 18Th Century
    TENT HANGING, cotton painted, printed and dyed, Mughal. late 17th or early 18th century. V+A Part of a floorspread, resist- and mordant-dyed cotton, Mughal, late17th-early 18th century. V+A Mughal flowering plant motifs appear in other arts as well... here marble carvings on walls of Taj Mahal, Agra Cotton floorspread embroidered with silk thread. Mughal, early 18th century. V+A Handpainted, printed + dyed palampores, 18th ce, V+A HANDPAINTING + PRINTING ON TEXTILES TYPICALLY DONE IN TWO WAYS: WOODEN BLOCK (below) OR KALAM (above) Block carver in Sanganeer, Rajasthan Blockprinting workshops in Sanganer, Rajasthan RIGHT: The ties at the side have been made into a decorative feature in themselves, with carefully designed floral motifs made to fit the lappets. Man's robe (jama) made of printed, painted and dyed cotton, possibly made in Burhanpur, 18th century LEFT: This robe is said to have belonged to Tipu Sultan of Mysore (d.1799), although there is only anecdotal evidence for this. The late Mughal style of the robe and its decoration do tally with an 18th-century date. 1658 Mughal painting of nobleman wearing Muslin Jama This man's robe is of the type called a jama, which crosses over the chest and fastens at the side. This example is exceptional in the amount of cloth used for its gathered skirt: it has a circumference at the hem of 65 metres of cloth, and the skirt is made up of 277 triangular panels. It was given to the India Museum (which was amalgamated into the South Kensington Museum, later the V&A) by the Maharaja of Bharatpur in Rajasthan in 1855.
    [Show full text]
  • Ancient Civilizations Huge Infl Uence
    India the rich ethnic mix, and changing allegiances have also had a • Ancient Civilizations huge infl uence. Furthermore, while peoples from Central Asia • The Early Historical Period brought a range of textile designs and modes of dress with them, the strongest tradition (as in practically every traditional soci- • The Gupta Period ety), for women as well as men, is the draping and wrapping of • The Arrival of Islam cloth, for uncut, unstitched fabric is considered pure, sacred, and powerful. • The Mughal Empire • Colonial Period ANCIENT CIVILIZATIONS • Regional Dress Harappan statues, which have been dated to approximately 3000 b.c.e. , depict the garments worn by the most ancient Indi- • The Modern Period ans. A priestlike bearded man is shown wearing a togalike robe that leaves the right shoulder and arm bare; on his forearm is an armlet, and on his head is a coronet with a central circular decora- ndia extends from the high Himalayas in the northeast to tion. Th e robe appears to be printed or, more likely, embroidered I the Karakoram and Hindu Kush ranges in the northwest. Th e or appliquéd in a trefoil pattern. Th e trefoil motifs have holes at major rivers—the Indus, Ganges, and Yamuna—spring from the the centers of the three circles, suggesting that stone or colored high, snowy mountains, which were, for the area’s ancient inhab- faience may have been embedded there. Harappan female fi gures itants, the home of the gods and of purity, and where the great are scantily clad. A naked female with heavy bangles on one arm, sages meditated.
    [Show full text]
  • Chapter 2 Review of Literature…
    Chapter 2 Review of Literature… Review of Literature….. CHAPTER- II REVIEW OF LITERATURE 2.1 Conceptual review 2.1.1 History of Kachchh 2.1.1.1 The State 2.1.1.2 Origin of name 2.1.2 History of rulers of Kachchh 2.1.3 Assortment of Textiles in Court of Western India 2.1.3.1 Brocades 2.1.3.2 Silks 2.1.3.3 Mashru 2.1.3.4 Bandhani 2.1.3.5 Laheriya 2.1.3.6 Textile Crafts for Royal wardrobe 2.1.4 History of Indian Royal Garments for Men 2.1.4.1 Upper garments 2.1.4.1.1 Jama 2.1.4.1.2 Angarkha 2.1.4.1.3 Chogha 2.1.4.1.4 Atamsukh 2.1.4.1.5 Chapkan 2.1.4.1.6 Achkan 2.1.4.1.7 Bagalbandi 2.1.4.1.8 Sadri 2.1.4.1.9 Angarkhi 2.1.4.2 Lower garments: Paijama 2.1.4.3 Headdress 2.1.4.3.1 Pagh 2.1.4.3.2 Patka [13] Review of Literature….. 2.1.5 History of Indian Royal Garments for Women 2.1.5.1 Upper garments 2.1.5.1.1 Choli 2.1.5.1.2 Kanchali 2.1.5.1.3 Angia 2.1.5.1.4 Peshwaz 2.1.5.1.5 Kurta 2.1.5.1.6 Saris 2.1.5.2 Lower garments 2.1.5.2.1 Paijama 2.1.5.2.2 Ghaghra 2.1.5.3 Headdress: Odhani 2.1.6 Children’s costume 2.1.7 Ceremonies and festivals of Rulers of Kachchh 2.2 Empirical review 2.2.1 Studies related to traditional costumes of rulers of India 2.1 Conceptual Review 2.1.1 History of Kachchh 2.1.1.1 The State Kachchh is the Princely State with 17 gun salute, 19 guns local.
    [Show full text]
  • View/Download
    VISION Government Polytechnic, Aurangabad will be world class technical institute pursuing for excellence, catering to the needs of global community, striving for its harmonious development by inculcating lifelong learning skills to serve for the socio economic development having concerned for ecology and social harmony MISSION To create multi disciplinary best citizens to suit local, state, National and International needs having scientific temperament , moral ethics , values and multi facetted proactive personality by providing excellent education system ii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme has been implemented with effect from 2011-2012. This Curriculum Document contains pages from to and from to Head of In Charge Principal Dress Designing and Curriculum Development Cell Government Polytechnic Garment Manufacturing Government Polytechnic Aurangabad Aurangabad Aurangabad iii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme of Govt. Polytechnic Aurangabad (An Autonomous Institute of Govt. of Maharashtra), which has been implemented with effect from 2011-12 academic year, is equivalent to Diploma in Dress Designing and Garment Manufacturing Programme Implemented by Maharashtra State Board of Technical Education, therefore Equivalence is hereby granted. Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Secretary Chairman ( ) ( ) iv Index SR. CONTENTS COURSE PAGE CODE NO. NO. 1. Scope of Diploma In Dress Designing & Garment Mfg. ------ 8-12 2. Strategy adopted for Curriculum Development ------------- 13-16 3. Sample Path -10th Pass -------------- 17 4. Level Wise Course Structure --------------- 18-24 5. Semester Wise Course Structure -------------- 25-30 6. Basic Drawing-I [BDR-I ] 5D101 31-32 7.
    [Show full text]
  • Traditional Clothes of the Country(Joint
    Message froM PRESIDENT Dear Rotaractors, Warm Rotaract Greetings from Rotaract Club of Thane North (RID 3142- India) We are glad sharing an editorial space with you and find great pleasure introducing the Traditional attire of our country. As you know India is a diverse country and has 29 states and 7 union territories. Every state has their own diverse language and traditional attire. We even have diversity in religion maximum people following Hinduism and the rest being Islam, Christianity and Sikhism; leave aside the other tribes which have their own traditional attire. Living in such a diversified country it is difficult to write about the entire traditional clothing, but here I will just try giving you a glimpse of the same. For men, traditional clothes are the Achkan/Sherwani, Bandhgala, Lungi, Kurta, Angarkha, Jama and Dhoti or Pajama. Additionally, recently pants and shirts have been accepted as traditional Indian dress by the Government of India. In India, women's clothing varies widely and is closely associated with the local culture, religion and climate. Traditional Indian clothing for women in the north and east are saris worn with choli tops; a long skirt called a lehenga or pavada worn with choli and a dupatta scarf to create an ensemble called a gagra choli; or salwar kameez suits, while many south Indian women traditionally wear sari and children wear pattu langa. Saris made out of silk are considered the most elegant. Mumbai, formerly known as Bombay, is one of India's fashion capitals. In many rural parts of India, traditional clothes is worn.
    [Show full text]
  • Signature of Desert …
    Signature of Desert …. A Project Report On Hand Embroidery Craft, Jethwai, Jaisalmer The Intigrated design and Technical development Project in Hand Embroidery Craft Sanction order No. J-12012/152(1)/2014-15/DS/NR/(INTG) (ST) Dated 26-03-2012 Dated 7th October 2015 to 6th March 2016 At Village : Jethwai, jaisalmer (Raj.) Organized by Export Promotion Council For Handicrafts Sponsered by Office of The Development Commissioner of Handicrafts Ministry of Textiles. Govt. of India Submitted By Tripti Singh Empanelled Textile Designer O/o The DC Handicrafts CONTENTS MARKET RESEARCH ACKNOWLEDGEMENT PREFACE Pre market survey Methodology INSPIRATION Market scenerio INTRODUCTION Proposed marketing mix Range of prototypes A Brief Introduction of… DESIGN DEVELOPMENT O/o The Development commissioner Handicrafts Export Promotion council for Handicrafts Artisan’s training programme Various stages of project BACKGROUND List of prototype Background of Project Prototypes with details Proposal POST MARKET SURVERY Basic objectives of the proposal Study of different market DESIGN TECHNOLOGY AND DEVELOPMENTS OF PROJECT AND DETAILS Discussion with customers ABOUT CLUSTER DESIGNER’S REPORT The venue village Jethawai Achievements Report Jaisalmer New Elements Added ABOUT THE CRAFT AND PROCESS Feed back by Artisans Problems Identified Embroidery craft in india Marketing Possibilities Traditional embroidery of desert Suggestions Aknowledgment Jodhpur, Handicrafts, Marketing and Service Extension Center, Jodhpur O/o the DC (H).I would like to express my Lots of effort has gone into making of this Integrated Design special thanks to our Project coordinator Mrs Reeta Rohilla and Technical Development project. I would like to give my and Senior Designer Amla Shrivastava , Mr. Raviveer sincere thanks to all those who helped in the completion of Choudhary Handicrafts Promotion Officer, Jodhpur and Mr.
    [Show full text]
  • Final 9 August 230 Pm
    My ityoffers //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// ENJOY DELIGHTFUL OFFERS IN YOUR CITY WITH YOUR AMERICAN EXPRESS® CARD Click on the below tabs to know more about the offers AHMEDABAD BANGALORE CHANDIGARH CHENNAI COIMBATORE DEHRADUN DELHI FARIDABAD GHAZIABAD GOA GURGAON HOWRAH HYDERABAD INDORE JAIPUR KOLKATA MOHALI MUMBAI NOIDA PANCHKULA PUNE RISHIKESH SURAT UDAIPUR VADODARA American Express® Terms and Conditions • This offer is open to all American Express Cardmembers whose Accounts are valid and in good standing. An American Express Cardmember ("Cardmember") for the purpose of this offer means a person holding a Card, issued either by American Express or by the following licensed network partners in India: ICICI Bank and IndusInd Bank. • This programme is being offered by the participating service establishment only and shall be valid for the period mentioned in the offer. • All the offers in this programme will be fulfilled at the merchants’ end only. • This offer is being made purely on a “best effort” basis. The Cardmembers are not bound in any manner to participate in this offer and any such participation is purely voluntary. • American Express is neither responsible for availability of services nor guarantees the quality of the goods/services and is not liable for any defect or deficiency of goods or services so obtained/availed of by the Card members under this offer. Any disputes with regard to the quality of goods/services availed shall be taken up with the merchant/service establishment directly. American Express shall have no liability whatsoever with regard to the same. • American Express shall not be liable whatsoever for any loss/damage/claims that may arise out of use or non-use of any goods or services availed by the Card members under this offer.
    [Show full text]
  • Fashion Text Book
    Fashion STUDIES Text Book CLASS-XII CENTRAL BOARD OF SECONDARY EDUCATION Preet Vihar, Delhi - 110301 FashionStudies Textbook CLASS XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110 301 India Text Book on Fashion Studies Class–XII Price: ` First Edition 2014, CBSE, India Copies: "This book or part thereof may not be reproduced by any person or agency in any manner." Published By : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 Design, Layout : Multi Graphics, 8A/101, W.E.A. Karol Bagh, New Delhi-110005 Phone: 011-25783846 Printed By : Hkkjr dk lafo/ku mísf'kdk ge] Hkkjr ds yksx] Hkkjr dks ,d lEiw.kZ 1¹izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kkRed x.kjkT;º cukus ds fy,] rFkk mlds leLr ukxfjdksa dks% lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /eZ vkSj mikluk dh Lora=krk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj 2¹jk"Vª dh ,drk vkSj v[kaMrkº lqfuf'pr djus okyh ca/qrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/ku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~ }kjk bl lafo/ku dks vaxhÑr] vf/fu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶izHkqRo&laiUu yksdra=kkRed x.kjkT;¸ ds LFkku ij izfrLFkkfirA 2- lafo/ku (c;kyhloka la'kks/u) vf/fu;e] 1976 dh /kjk 2 }kjk (3-1-1977) ls ¶jk"Vª dh ,drk¸ ds LFkku ij izfrLFkkfirA Hkkx 4 d ewy dÙkZO; 51 d- ewy dÙkZO; & Hkkjr ds izR;sd ukxfjd dk ;g dÙkZO; gksxk fd og & (d) lafo/ku
    [Show full text]
  • Indian Costumes
    A. BISWAS t PUBLICATIONS DIVISION Digitized by the Internet Archive in 2018 with funding from Public.Resource.Org https://archive.org/details/indiancostumesOObisw . * <* INDIAN COSTUMES A. BISWAS PUBLICATIONS DIVISION MINISTRY OF INFORMATION AND BROADCASTING GOVERNMENT OF INDIA First print : 1985 (Saka 1906) Reprint: 2003 (Saka 1924) © Publications Division ISBN : 81-230-1055-9 Price : Rs. 110.00 Published by The Director, Publications Division, Ministry of Information and Broadcasting, Government of India, Patiala House, New Delhi-110 001 SALES EMPORIA • PUBLICATIONS DIVISION • Patiala House, Tilak Marg, New Delhi-110001 (Ph. 23387069) • Soochna Bhavan, CGO Complex, Lodhi Road, New Delhi-110003 (Ph. 24367260) • Hall No. 196, Old Secretariat, Delhi-110054 (Ph. 23890205) • Commerce House, Currimbhoy Road, Ballard Pier, Mumbai-400038 (Ph. 22610081) • 8, Esplanade East, Kolkata-700069 (Ph. 22488030) • Rajaji Bhawan, Besant Nagar, Chennai-600090 (Ph. 24917673) • Press Road, Near Govt. Press, Thiruvananthapuram-695001 (Ph. 2330650) • Block No. 4,1st Floor, Gruhakalpa Complex, M.G. Road, Nampally, Hyderabad-500001 (Ph. 24605383) • 1st Floor, /F/ Wing, Kendriya Sadan, Koramangala, Bangalore-560034 (Ph. 25537244) • Bihar State Co-operative Bank Building, Ashoka Rajpath, Patna-800004 (Ph. 22300096) ® 2nd floor, Hall No 1, Kendriya Bhawan, Aliganj, Lucknow - 226 024 (Ph. 2208004) • Ambica Complex, 1st Floor, Paldi, Ahmedabad-380007 (Ph. 26588669) • Naujan Road, Ujan Bazar, Guwahati-781001 (Ph. 2516792) SALES COUNTERS • PRESS INFORMATION BUREAU • CGO Complex, 'A' Wing, A.B. Road, Indore (M.P.) (Ph. 2494193) • 80, Malviya Nagar, Bhopal-462003 (M.P.) (Ph. 2556350) • B-7/B, Bhawani Singh Road, Jaipur-302001 (Rajasthan) (Ph. 2384483) Website : http://www.publicationsdivision.nic.in E-mail : [email protected] or [email protected] Typeset at : Quick Prints, Naraina, New Delhi - 110 028.
    [Show full text]
  • Elucidation of the Indian Salwar Kameez
    IJASOS- International E-Journal of Advances in Social Sciences, Vol. II, Issue 6, December 2016 ELUCIDATION OF THE INDIAN SALWAR KAMEEZ Monisha Kumar1 and Amita Walia2 1Assist. Prof., Dar Al Hekma University, Saudi Arabia, [email protected] 2Assist. Prof. Dr., University of Delhi, India, [email protected] Abstract In the recent years the Salwar Kameez has become an integral part of women’s costume in the Indian subcontinent. Yet only a few are aware of its true origin. Even though the bifurcated and stitched garments were popularly worn during the slave dynasty, these costumes became more predominant and influential by the advent of the Mughals. The present day Salwar Kameez, also popular as one of the traditional Indian costumes today, traces back its origin to the Persian influence which was brought to India by the Mughals who followed Islam. This exchange of cultures with reference to the Salwar Kameez is an interesting aspect for study which focuses on the connection of these two different worlds. The Salwar Kameez has since then been transformed into various styles to develop it as a trendy yet comfortable costume for the modern Indian woman. The costume, once worn only by the Muslim women across the subcontinent, is now popular among the women of all faith and ages. This research aims to study the introduction of the Salwar Kameez in the Indian subcontinent and its gradual acceptance into the Indian culture. The author also studies the style adaptations of the Salwar Kameez in the various Indian states as well as in the subcontinent. The exchange of styles across the subcontinent is also studied and analyzed by the author.
    [Show full text]
  • Traditional Costumes and Ornaments of Uttarakhand
    Traditional Costumes and Ornaments of Uttarakhand The state of Uttarakhand can be broadly divided into the two divisions of Kumaon and Garhwal. The traditional costumes of the people belonging to the two divisions are quite similar. However, it has also been described separately in great detail. Head-dress: The men wear a cap or a piece of cloth tied around their head like a turban . The women cover their head with a scarf-like piece of cloth called dupatta or orni . Costumes: The men traditionally wear a loin-cloth called dhoti or lungi with a long loose shirt called kurta . They may also wear kurta with pyjama (a pair of loose pants tied by a drawstring around the waist). The women generally wear ghagra (an oriental long skirt), choli (an Indian blouse) and orni (a cloth covering the head and the upper body, attached to the waist). Young girls often wear salwar (similar to pyjamas but narrow at the ankles), kameez (knee-length loose shirt) and dupatta (a length of cloth used as a scarf by women of the Indian subcontinent). Some women also wear a sari . Affluent people wear woolen coats during winter. Ornaments: The men generally wear rings on their fingers. Some may also wear a gold chain around their neck. Married women smear kumkum on their forehead and wear silver toe-rings called bichhuwas . They also wear copper or silver anklets. In Garhwal, married women wear a black beaded necklace called chareu . Women are very fond of jewellery and wear small nose-studs called keels , gold nose-rings called nath , gold ear-rings, and Nath various types of necklaces.
    [Show full text]
  • Study and Documentation of Paithani Sarees & Dress Materials
    Study and documentation of Paithani Sarees & Dress Materials Sponsored under the project: “Strategies & Preparedness for Trade & Globalisation in India” A project of Ministry of Commerce & Industry UNCTAD and DFID Prepared by Textiles Committee Ministry of Textiles Government of India Mumba i Study and documentation of Paithani Sarees & Dress Materials Sponsored under the project: “Strategies & Preparedness for Trade & Globalisation in India” A project of Ministry of Commerce & Industry UNCTAD and DFID Prepared by Textiles Committee Ministry of Textiles Government of India Mumbai © Textiles Committee, June, 2008 This is an official document prepared by the Textiles Committee. All rights reserved. Unless otherwise specified, no part of this publication may be reproduced or utilized in any form or by means, electronic or mechanical, including photocopying and microfilm, without permission in writing from the Textiles Committee at the address given below: Director, Market Research Textiles Committee, Ministry of Textiles, Government of India, P. Balu Road, Prabhadevi Mumbai – 400 025 India Telephone 91+ 22 + 66527515/16 Telefax 91+ 22 + 66527509/653 Email [email protected] Website www.textilescommittee.gov.in CONTENTS Chapter 1 Socio-Economic Profile of Maharashtra 1 1.1 History and Location 1 1.2 Gross State Domestic Product 2 1.3 State Income 3 Chapter 2 Handloom Industry in Maharashtra 6 2.1 Introduction 6 2.2 Post Independence Policy on Handlooms 7 2.3 Handlooms in Maharashtra 9 Chapter 3 The Historical Background of Paithan 14 Chapter
    [Show full text]