DOCSLIB.ORG

Multi You Hear Thorn Tatillinl, IQ

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

DISTRICT ATTORNEY SUPREME COURT CIF THE STATE'OF CALIFORNIA THE PEOPLE OF THE STATE OF CALIFORNIA, Plaintiff-Respondent, vs. NO. 30110 CHARLES MANSON, SUSAN ATKINS, LESLIE VAN HOUTEN AND PATRICIA KRENWINKEL, Defendants-Appellants. APPEAL FROM THE SUPERIOR COURT OF LOS ANGELES COUNTY •., ,• • - HON. CHARLES H. OLDER, JUDGE PRESIDING - • • REPORTER'S TRANSCRIPT ON APPEAL '1* 1. F 4 • APPEARANCES For Plaintiff-Respondent: THE STATE ATTORNEY GENERAL 600 State Building Los Angeles, California 90012 • For Defendant-Appellant IRVING KANAREK4 Esq. Charles Manson: For Defendant-Appellant DAVE SHINN, Esq. • Susan Atkins: For Defendant-Appellant LESLIE VAN HOUTEN Leslie Van Houten: In Propria Persona For Defendant-Appellant PATRICIA KRENWINKEL Patricia Krenwinkelt In Propria Persona J. Hollombe, CSR Murray Mehlman, CSR VOLUME 16 Official Rqporters 211 West Temple Street Pages 4501 to 4800 Los Angeles, California 90012 ARCHIVES 000002 -7,- 4501 1..02 return verdicts of first-degree murder against each of these 1 defendants. 2 I do not have to tell you folks the enormous 3 importance and magnitude of this trial. I also don't have 4 to tell you that it is going to be a long trial. As my 5 associate, Aaron Stovitz, has said, borrowing from 6 Tennessee Williams, "It is going to be a long, hot summer." 7 There is an old Chinese proverb to which I have 8 always subscribed to the effect that "The palest ink is 9 better than the best memory." Since this trial is going to 10 be a long trial with a great number of witnesses, I strongly 11 urge that you take notes during this trial so that later 12 on in the jury room during your deliberations you will be 13 able to refresh your memory as to what each witness 14 testified to. Without notes it is almost an impossible task 15 to remember even the highlights of each witness' testimony 16 much less the details. 17 Mr. Stovitz and I feel confident, ladies and 18 gentlemen, that you will give your whole, undivided attention 19 to all of the evidence at this trial so that you will be 20 able to give the people of the State of California and these 21 defendants the fair and impartial trial and fair and 22 Impartial verdict to which they are both entitled. 23 Thank you very much. 24 MR. STOVITZ: May we have a brief recess before 25 calling our first witness, your Honor? 26 ARCHIVES 000003 4502 MR. VITZGERAXD1 May we approach the bench? 1 THE COURT:, Yes,, you may Air. Fitzgerald, 110 3 4 8 10 11 12 14 15' 16 17 18 19 20 21 22 23 • 25 20 ARCHIVES 000004 4503 4e.4 i. (1.7hereupons, all counsel approach the bench and 2 the following proceedings occurred at the bench outside of the hearing of the jury3) 4 . , KR. mum; Your Honor, X make a motion. first that 5 - we adjourn these p3!oceedingt and have the court reporter 6 type up thlis opening statement so that we can edit it. 7 o not take shorthand. So that we can edit it and go 8 through and make precise points at this point to the 9 Court concerning the misconduct of the prosecutor in 10 connection with his opening statement* 11 • • He misconceives the purpose .of ant opening. 12 otatenento Re has first,. may I have a ruling on that 13 motion/ COURT: Yes« That 'motion will be dettlecl, NCR:. Then, your Honor, I ask that the Jury adMenished not to Jonsicier the opening statement for 17 any purpose whatsoever in View of , the fact that it c onteini 18 atZlitaert 10 an improper' ,openius statement, and • 19 including, his reference to roe about grows discourte0Y. • 20' " I ask' your o or t<11 admonish the jury' that none o that is to be can id *red for any purpose in 22' loonnection with the ease. 23 *re admonishment not. sufficing, X itok Eor 24, a intStriai because of- the pre judicial statements* • 25 MR). VXTZGERAtat I wilt join in the. motion for a -26 mistrial* ARCHIVES 000005 4504 M.. SUINN: Join. , 2 MIGHESt . oin.f. • 3 14R. ruzaplaill)t I think Mr. Bugliosi went beyond the perthissible, houndS in Outlining' for the jury the evidencel that his opening statement was argument; that It degenerated into nameasilitt and into drawing rather extensive evidentiary conclusions and, in that respect*. really invaded the `province of the jury. I. think that, in addition, contrary to his 10 representations to the Court that are contained at page 11 • 44,2 of the transcript, Mr. Augliosi did mention- the 12' .attempted Oemistion. of other offenses when he spoke in 13 his Opening statement of Linda Xasabian going with 14 Charles Manson and some of the other defendants to the location of Venice for the purpose a killing 'another 15 -laumOn being. 17 Furthermore, I think that he has suggested 18 to this jury that, these defendants are guilty of the ' 19 murder of an eight-and-ahalfiqrionth old foetus child. 20 Mr. Bugliosi is well aware that the 'California 2i• supreme Cpt_lt has recently ruled that foetus children 22 do not hare the states o human beluga and cannot be 23 murdered. 24 I think that for all. these reasons his opening 25 statement, is improper and I would join in Mr. Kanareki a 26 motion for a mistrial. ARCHIVES 000006 45q At the very least, I would ask that this jury be admonished that statements of counsel in opening 3 statement are Iltot evidence and are not to he considered 4 by them AS evidence.. Mt. SHIM Join. R. MAREK: I will join with Mr. Fitzgerald in 7 his comments, except with reference to his last statement. riven though X asked the Curt to do that, to admonish them, the fact of the matter is that what the to District Attorney has done is grounds for a mistrial, and. mere admonition will not do it. 12 'we ask for a mistrial. 43 411.101iES: X would join, your Honor, with both 14 Nr# Xanarekls motion and, Mr. Fitzgerald' s statement. MUNN: Join too. 16 • Ma. DITGLIOSIt. I 'represent again to the Court that 17 eye*. sIngl,a solitary thing we said, we are going to put 18 -on witnesses to testify to it. ,can use my own adjectives-. 21 2Z ;, ;3 '24 .24 . 26• ARCHIVES 000007 if%)6 1 For instance., witnesses will testify that, in 2 effect, Manson intended to just about take over the world. NOw, Z cat Ose the term nmegltmaniad° to describe that sitdation. With respect to other crimes* referring to the 6 HinMan murder, T never said that we are not going to offer any evidence of the Hinman murder at this trial. I said that mr, Stovitz and z had not determined whether we Were going. to offer evidence of the Hinman Murder. I certainly wadn't talkinaabout the conduct of the defendants on the 11 tight of the ta Bianca murders. 12 We intend to offer evidence that not only did 13 they go to the ChurChl. but theywebt to two other homes prior to going to the La 'Bianca residence. 14. • 15 at no 'time, meant to COnvey.that-we were ', -16 .not going to •offer evidence of the murderous conduct on the . 17 night of the La Bianca murders. Is THE COURT: I found nothing improper about the oPeOng- 19 statement except those specific portions which' I admOnish - 20 the jury to disregard. 21 Do the 4efendants wish to take an opening 22 statement At this time/ 23 MR. FITZGERALD: We would, in open court before the 24 jury, ask leave of the Court for the opportunity to reserve any opening statement, if we might. -26 - " THE COURT: 431l right. ARCHIVES 000008 1 Then I mill ask you that now before we reCes0; 2 and then the People Can call their first witness after the • 3 recess. 4 MR. SHINN; Your Honor, we have one more problem. 5 Some of the attorneys and the-defendants cannot 6 see the witness stand. 4r. Manson cannot see the witness 7 Stand from where he is- sitting. e THE COURT: He will; have to moto back to where he can 9 see 11t. 10 MR. SHINN; YoUr Honor, the edge 'Of the bench: biotka -11 the view 'c)fr, your Honor, .12, THE COURT: I can't help- that. 13: KR. SINN.- Your Honor; we have- a,right to .see- the .14 witnesses testify. 15 : TUE COURTS If you will wait aminute0.X will tell you. - . 16 He will have to moVe'baCk to where he can see 17 it. It is very simple. 18 (Whereupon; all counsel return tot their 19 reSpective places at counsel table and the following' 20 proceedings occurred in open court within the presence and , 21. hearing of the juryt) THE COURT:. Do the defendants wish to make an 23 opening statement at this time? 24 MR., YITMER4110; The defendants; all.Orthemt.your 25 Vonoro. would ask leave of the Court to reserve the making Of, .26 an opening statement until such- time as the prosecution ARCHIVES 000009 11508 has concluded'its case and the defendants begin their presentation. # 2 'ME COURT: Very-well. The Court will recess for 15 minutes. 5 -Ladie$ and4ntlemen1 reiind-you -that it is- yo duty not to converse-among yourselves or with anyone else 1 on any subject relating to this case bOr'to fortaor 7 express any opinion regarding the case until it is finally Submitted td you. < , .5 minutes recess. (Recess.) . 11 12.
Recommended publications
  • “'The Paranoia Was Fulfilled' – an Analysis of Joan Didion's

    “'The Paranoia Was Fulfilled' – an Analysis of Joan Didion's

    “‘THE PARANOIA WAS FULFILLED’ – AN ANALYSIS OF JOAN DIDION’S ESSAY ‘THE WHITE ALBUM’” Rachele Colombo Independent Scholar ABSTRACT This article looks at Joan Didion’s essay “The White Album” from the collection of essays The White Album (1979), as a relevant text to reflect upon America’s turmoil in the sixties, and investigate in particular the subject of paranoia. “The White Album” represents numerous historical events from the 1960s, but the central role is played by the Manson Murders case, which the author considers it to be the sixties’ watershed. This event–along with many others–shaped Didion’s perception of that period, fueling a paranoid tendency that reflected in her writing. Didion appears to be in search of a connection between her growing anxiety and these violent events throughout the whole essay, in an attempt to understand the origin of her paranoia. Indeed, “The White Album” deals with a period in Didion’s life characterized by deep nervousness, caused mainly by her increasing inability to make sense of the events surrounding her, the Manson Murders being the most inexplicable one. Conse- quently, Didion seems to ask whether her anxiety and paranoia are justified by the numerous violent events taking place in the US during the sixties, or if she is giving a paranoid interpretation of com- pletely neutral and common events. Because of her inability to find actual connections between the events surrounding her, in particular political assassinations, Didion realizes she feels she is no longer able to fulfill her main duty as a writer: to tell a story.
  • Soddoma: Cantos of Ulysses

    Soddoma: Cantos of Ulysses

    Soddoma: Cantos of Ulysses Chris Mansel Argotist Ebooks 2 Cover image by Rich Curtis Copyright © Chris Mansel 2010 ll rights reserved rgotist Ebooks 3 Dedicated to $ake Berry 4 Soddoma: Cantos of Ulysses 5 Through the slave quarters and to the river below, cross sections of freshening earth* 1. Shaft scene Syphilitic skeletons borne in blood menstrual pillars of Sodom coitus breath scars thorns milk interprets the scrotal consummating corpse labia drunk and made holy clitoridectomies penis sheaths paleolithic barriers scavenging decomposition narrow receiving bowl. Bushmen read the koka shastra, wandering wombs dilate the reproductive cycle* 6 2. ,enus in furs -edged yogic castration, umbilical suckling male hymen e.aculatory ducts the membranous urethra pastoralists, con.ugated estriols femini/ed 0double castration1 dislect of deep incised consumption an infant2s se3ual attributes cranial4uteral childbirth masturbation swallows. 5haling asps three miles by four, heavens corpse spinal venerated. It2s flaccid genital beard, 0it2s1 0madness to be confined7Rimbaud1 7 8. Coffin birth Menstruation 0ovum1 migration e3plicit breath sutras tenderness, thick wash rape 0decay1 copulation abortifacients peyote insufficient mitochdrial DN homologue of the penis 0masculine machinery1 the debauchery of an open wound herded to the dead. 8 4. Flesh allows sins without the body Departing drew squalor copula weightless heat sweating petals de7centered borne wallow plurality of unrecorded raindrops rhythms tastes screams branches nausea erections vomiting animal bearers agony clutter the pineal eye smell is monogamous; intimate doctrine of a menstrual matter. 9 5. The absurdity of rigor mortis Blood bathed lips of a reptilian beings drag Basilidan stones spreading the dust from her ribcages to make another opening in her entrails 0the presence of unnecessary practice > peremptory e3pulsion1 the .aws of the clitoris are pried open by hideous animals 0ecstasy e3cludes the worker1 inundated with hair.
  • The Big Goodbye

    The Big Goodbye

    Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in.
  • Murder, Media, and Mayhem: the Metamorphosis of California Murder Cases to International Media Sensations

    Murder, Media, and Mayhem: the Metamorphosis of California Murder Cases to International Media Sensations

    Murder, Media, and Mayhem: The Metamorphosis of California Murder Cases to International Media Sensations By: Olivia Cusimano Advisor: Richard Perry Undergraduate Legal Studies Honors Thesis University of California, Berkeley 1 “Sometimes the power of the media, the power of the movie, can be very subtle and great.” -James Blatt, Attorney for Jesse James Hollywood I would like to take a moment to thank all those who helped me take an idea grown while watching Investigation Discovery on the couch and develop it into this project. From the initial guidance of Professor Musheno and Christina Carbone to the astute guidance of my advisor, Professor Perry, I am forever thankful. My family, too, has supported me mentally and even intellectually. To my Aunt Diane, I owe you so much for your direction and insight. I never would have parsed out a coherent thesis without our conversations at The Natural Café. Additionally, a never-ending thanks to those who supported me, made sure I didn’t give up, and listened to my unending laments without disowning me: Kent, Mike, Brendan, Safeena, Dani the entire Student Advocate’s Office, and everyone else who spent any iota of time listening to my laments. 2 Table of Contents I. Abstract……………………………………………………………………...…….4 II. Introduction……………………………………………………………………...5 III. Literature Review………………………………………………………………6 IV. Methodology…………………………………………………………………...17 V. Findings and Analysis………………………………………………………….21 i. Charles Manson………………………………………………………... ii. Scott Peterson…………………………………………………………… iii. Jesse James Hollywood………………………………………………… VI. Synthesis and Limitations…………………………………………………….. VII. Conclusions…………………………………………………………………….. VII. Works Cited…………………………………………………………………….. 3 I. Abstract This project seeks to explore how and why certain cases are sensationalized, by tracing the movement of the cases through various media outlets.
  • Manson Shows Headline to Jury; Mistrial Bid Fails

    Manson Shows Headline to Jury; Mistrial Bid Fails

    0 1970, The Washington Poet Co. 43(1 Year • No. ,243 anything about it. And I wouldn't believe it." One alternate, asked what he thought of the headline, said "I didn't vote for Nixon in the first place." It brought one of the few laughs in a tense courtroom day. The afternoon session of the trial had just got under way when:the 35-year-old codefend- ant picked up a copy of The Los Angeles Times and held it in his hands so that the jurors 30 feet across the room could see it clearly. "Your honor!" shouted Dep- uty District Attorney Aaron Stovitz, first to notice what Manson was doing. A sheriffs deputy snatched the newspaper from Manson's hands. Manson was seated as he held up the banner line paper United Press International and he smiled and fingered his beard as it was taken away Jurors' bus has blackienr, windows to prevent their seeing anything prejudicial. L from him. His three young (,-% '4 5. iu- women codefendants giggled. Linda Kasabian, key prose- cution witness who had been Manson Shows Headline under cross-examination, turned to her attorney and said: To Jury; Mistrial Bid Fails i See MANSON, A4, Col. 3 By Jack V. Fox leader. Then Manson took United Press International things into his own hands and LOS ANGELES, Aug. 4— brought about an incident Charles Manson sneaked a which sent lawyers scurrying newspapei Into the Tate mur- back into the judge's cham- MANSON, From Al der trial today and held uP be- bers to discuss this newest in- fore the jury the headline cident.
  • Didion, Joan the White Album

    Didion, Joan the White Album

    Didion, Joan The White Album Didion, Joan, (2009) "The White Album" from Didion, Joan, The White Album pp. 11 -48, New York: Farrar, Straus and Giroux © Staff and students of Strathclyde University are reminded that copyright subsists in this extract and the work from which it was taken. This Digital Copy has been made under the terms of a CLA licence which allows you to: * access and download a copy; * print out a copy; Please note that this material is for use ONLY by students registered on the course of study as stated in the section below. All other staff and students are only entitled to browse the material and should not download and/or print out a copy. This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Licence are for use in connection with this Course of Study. You may retain such copies after the end of the course, but strictly for your own personal use. All copies (including electronic copies) shall include this Copyright Notice and shall be destroyed and/or deleted if and when required by Strathclyde University. Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is permitted without the consent of the copyright holder. The author (which term includes artists and other visual creators) has moral rights in the work and neither staff nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any other derogatory treatment of it, which would be prejudicial to the honour or reputation of the author.
  • Denzel Curry * Xavier Dolan * Laurie Anderson * MTL Music Fest History * Bibiko Charles Leblanc Table of Cult Mtl Contents Is

    Denzel Curry * Xavier Dolan * Laurie Anderson * MTL Music Fest History * Bibiko Charles Leblanc Table of Cult Mtl Contents Is

    AUGUST 2019 • Vol. 7 No. 11 7 No. Vol. 2019 • AUGUST • CULTMTL.COM FREE * Denzel Curry * Xavier Dolan * Laurie Anderson * MTL music fest history * Bibiko Charles Leblanc table of Cult Mtl contents is... We spoke to Miami rapper Denzel Curry about moving Lorraine Carpenter up in the world. editor-in-chief [email protected] Photo by Julian Cousins Alex Rose film editor [email protected] Nora Rosenthal arts editor [email protected] Clayton Sandhu to-do list 7 contributing editor (food) city 8 Chris Tucker :rant line™ 8 art director :persona mtl 8 :inspectah dep 9 Advertising [email protected] Contributors: food & drink 10 Johnson Cummins Ryan Diduck Bibiko 10 Sruti Islam Rob Jennings Darcy MacDonald Al South music 12 Denzel Curry 12 Festivals 14 :hammer of the mods 15 film 16 General inquiries + feedback [email protected] The Death and Life of John F. Donovan 16 MACHINOÏD On Screen 18 FACE CACHÉE arts 18 Laurie Anderson 18 Cult MTL is a daily arts, film, music, food Dance class 2 2 and city life site. Visit us at :play recent 23 ARTOMOBILIA cultmtl.com Cult MTL is published by Cult MTL Media Inc. FINAL SHOWING! ALÉATOIRE and printed by Imprimerie Mirabel. Entire contents are © Cult MTL Media Inc. MACHAWA , OIL ON CANVAS 24X36 in. HOURS: AUGUST 02–30 Monday Closed Tuesday 12h-18h Wednesday 12h-18h ART GALLERY Thursday 12h-18h Friday 12h-18h Saturday 12h-17h 5432 ST-LAURENT Sunday 12h-17h MONTREAL artbycharlesleblanc.com JUNE 2019 • Vol. 7 No. 9 • WWW.CULTMTL.COM 3 + tax Rafael Nadal, Canadians Milos Raonic and Denis Shapovalov and hometown hero Felix Auger-Aliassime.
  • The Wrongful Conviction of Charles Milles Manson

    The Wrongful Conviction of Charles Milles Manson

    45.2LEONETTI_3.1.16 (DO NOT DELETE) 3/12/2016 2:40 PM EYE OF THE BEHOLDER: THE WRONGFUL CONVICTION OF CHARLES MILLES MANSON Carrie Leonetti I. Imagine two crime stories. In the first, a commune of middle class, law-abiding young people living on the outskirts of Los Angeles were brainwashed by a dominating cult leader who ordered his followers to commit murders to usher in an apocalyptic race war. In his subsequent trial, the leader of the “kill-coven”1 engaged in outrageous behavior because he thought that mainstream society was inferior to him and incapable of understanding. In the second, a group of young, middle-class hippies, caught up in the summer of 1969, heavy drug use, and group contagion, committed the same murders. Afraid of the death penalty and having to face public responsibility for their actions, the murderers accused a mentally ill drifter, a delusional schizophrenic, whom the group had adopted as a mascot, of directing the murders. The only significant evidence implicating the drifter in their crimes was their claim that they were “following” him. The claims were given in exchange for leniency and immunity from prosecution for capital murder. Even prosecutors who charged the drifter conceded that he had not actively participated in the murders, proceeding to trial instead on the theory that he had commanded the others to commit the murders like “mindless robots.” The police and prosecutors went along because they wanted to “solve” and “win” the biggest case of their lives. The drifter’s Associate Professor, University of Oregon School of Law.
  • Charles Manson Court Testimony

    Charles Manson Court Testimony

    Charles Manson Court Testimony Symphonic Haskel unyoke mistrustingly while Aziz always stand-up his accedence vituperated weak-kneedly, he farced so paraphrastically. Slovenian and libidinous Corby bastes her pacifism mistitles delusively or interlock scientifically, is Alexei snowless? Multilateral Michele dating rascally. These same events and subjects were transmitted into large public domain by radio and television broadcasts. He even though he sleeping when you thought processes of. The testimony was an apparent from crowe threatened to be positive of significant question is just playing russian roulette, ladies and charles manson court testimony. Manson accepted the offer. PHOTOS Charles Manson and Manson Family Murders. Thursday that testimony alone and court testimony. The court had entered a diminished capacity to die in the problem confronted with charles manson court testimony, will happen to be questionable, precisely the evidence included the footage shows! We are not directed to anything in the record to show that these witnesses were under subpoena or that they were forever unavailable to appellants. Manson got out the jury trial, once a compassionate release could have you get made a ranch? Images, umm, Manson told Van Houten and other members of quality family death last bit was too messy and he are going to show anyone how exactly do it. To court finds it stopped off of charles manson court testimony about giving his wife of. Investigation into your hamburger and charles manson told them and charles manson called to be any evidence of a level of his knees in american part. The Manson Family foyer That as've Been Turned Into a.
  • Tate Murders Victim´S Wounds

    Tate Murders Victim´S Wounds

    Tate Murders Victim´s Wounds Case Study Charles Manson – Manson Family Tate Murders • TATE FIRST HOMICIDE INVESTIGATION PROGRESS REPORT • DR 69-059 593 • DECEASED : FOLGER, Abigail Anne, CC N o . 69-8794 • FRYKOWSKI, Wojiciech, CC N o . 69-8793 • PARENT, Steven Earl , CC N o . 69-8792 • POLANSKI, Sharon Marie, CC No. 69-8796 • SEBRING, Thomas John CC N o , 69-8795 • DATE AND TIME OCCURRED: August 9 , 1969, 2400-0415 hours • LOCATION OF OCCURRENCE : 10050 Cielo Drive • DIVISION OF OCCURRENCE: West Los Angeles Division • TO: Lt . R. J. Helder, Supervisor of Investigations, Robbery-Homicide Victims Steven Parent • Parent was wearing a red, white and blue plaid shirt, blue denim pants, white socks and black shoes. Parent's left wrist was bare; however, a wrist watch, later identified as his, was found in the left rear passenger seat. The band was severed. Parent had a laceration, indicative of a defense wound, on the palm of his left hand between the little and ring fingers. The wound runs vertical with his arm and the band on the wrist watch was undoubtedly severed when Parent received this wound. This was the only laceration that was apparent on Parent's body. It appeared that Parent had been shot (=shot wound) in the face, left arm and chest. At that time an extreme degree of rigor mortis was evident throughout all parts of the body. Post-mortem lividity was evident in the buttocks area of Parent's body, the back of his neck and the calves of his legs, which is consistent with the position that the body was discovered in .
  • Klipsun Magazine, 1995, Volume 32, Issue 02-January

    Klipsun Magazine, 1995, Volume 32, Issue 02-January

    Western Washington University Western CEDAR Klipsun Magazine Western Student Publications 1-1995 Klipsun Magazine, 1995, Volume 32, Issue 02 - January Nick Davis Western Washington University Follow this and additional works at: https://cedar.wwu.edu/klipsun_magazine Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Davis, Nick, "Klipsun Magazine, 1995, Volume 32, Issue 02 - January" (1995). Klipsun Magazine. 159. https://cedar.wwu.edu/klipsun_magazine/159 This Issue is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Klipsun Magazine by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Si* ..- • .... ■ ■'■—• ■■ mm^^^m^mmK0^Ht§m§9mti0m .. i^f'S?/ M^Wfi .ssaSlfe^ ilii §0^ ... ill aftli ■,iip:i!i-'nV.v-- ISIS t^mam klipsun magazine Editor: Writers: Nick Davis Mara Applebaum Managing Editor: Rich Boyer Ryan McMenamin Angela Cassidy Photo Editor: Tabitha Clark Kristine Donahoe Cassandra Burdsal Tim Farley Story Editors: Rebecca Hover Eowyn LeMay Ivey Haidee Jezek Kevin Perron Tina Jo Koontz R. Nina Ruchirat Jason E Lind Illustrator: JeffMisel Bryan Frank Nori Mitsuse Graphics and Design: Hilary Parker Ryan McMenamin Mark Rensink Adviser: Holly Schmidt Carolyn Dale Janette Shadduck Shelley Sharp Business Manager: Nicole Simpson Teari Brown Mike Stiles Tara Thomas Noah Walden Letter from the Editor: Welcome to the first issue of Klipsun for 1995. former political cartoonist for The Seattle Times. Unfortunately for me, this happens to be my last issue as During the groundwork for the story, not only did he editor-in-chief, but hey, what an issue to go out on! Both graciously agree to the interviews, he also agreed to produce an the writing and editorial staffs worked hard to produce this original piece of art to adorn the cover of Klipsun.
  • Read Complete Interview In

    Read Complete Interview In

    i n t e r v i e w Dk tHe dichotoMy of evil The Manson Girl Who Got Away Wi N McCOrmack She could have been a stone-cold killer A house on Romero Canyon Road, in the that time of director Roman Pola ´nski and Montecito section of santa Barbara, Cali- his wife, actress sharon Tate. When the fornia, the evening of saturday, August , police arrived that morning, they found, 1. There were five of us present: four in the living room of the mansion, the of us—myself, Richard, Jan, and Ruth (my bodies of sharon Tate and Jay sebring, girlfriend that summer)—were Junior Fel- an internationally known hair designer lows at the Center for the study of Demo- who was Tate’s former lover and now a cratic institutions in santa Barbara, and friend to both her and Pola ´nski, and on there was Jan’s wife, Barbara. We were all the front lawn the bodies of Abigail Fol- in our early to mid-twenties. As dusk fell ger, a Folger-coffee heiress, and her lover, over the eucalyptus and lemon trees sur- Wojciech Frykowski, a playboy and friend rounding the house, we dropped acid. As it of Pola ´nski from his filmmaking days in turned out, this was not the right night for Poland. Two of these victims—sebring this group of people to do that. and Frykowski—had been shot. All four All afternoon the news had been filled of them had been stabbed multiple times. with reports of a grisly and bizarre quin- Frykowski had also been struck on the tuple murder that had taken place after head with a blunt instrument.