Antisocial Personality Disorder and Its Correlation with Serial Killers
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“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one. -
Gotham Knights
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media. -
The Guardian World News Guide Arts Special Reports Columnists Audio Help Quiz
Guardian Unlimited | Guardian daily comment | Tim Lott: The ultimate act of will Page 1 of 4 Sign in Register Go Go to: Guardian Unlimited home Home UK Business Online World dispatch The Wrap Weblog Talk Search The Guardian World News guide Arts Special reports Columnists Audio Help Quiz Comment The ultimate act of will Suicide is often the choice of physical death over psychological annihilation Tim Lott Search this site Saturday January 17, 2004 The Guardian Go The delight of some sections of the press and public at the suicide of Harold Shipman this week was shocking and depressing to me. I felt that way, not because I am high- minded enough to extract "tragedy" from Shipman's demise, but because to express such naked merriment at the suicide of any human being, evil or good, seems a small triumph for the part of us all that hates life. I wouldn't go as far as John Donne in claiming that "any man's death diminishes me because I am involved in mankind". Yet to clap and dance at the spectacle of somebody, however wretched, extinguishing themselves, verges on the savage - and that is what diminishes us. I don't feel that Shipman's death itself diminished me, any more than Fred West's. But I couldn't celebrate. I felt a grim satisfaction and a vague regret for the destructiveness, and wastefulness, of his life. But one's reaction to suicide is highly personal and, in many cases, profoundly political. The public tend to classify self-murder into what you might call In this section "good" and "sad" suicides. -
NECROPHILIC and NECROPHAGIC SERIAL KILLERS Approval Page
Running head: NECROPHILIC AND NECROPHAGIC SERIAL KILLERS Approval Page: Florida Gulf Coast University Thesis APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Science Christina Molinari Approved: August 2005 Dr. David Thomas Committee Chair / Advisor Dr. Shawn Keller Committee Member The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. NECROPHILIC AND NECROPHAGIC SERIAL KILLERS 1 Necrophilic and Necrophagic Serial Killers: Understanding Their Motivations through Case Study Analysis Christina Molinari Florida Gulf Coast University NECROPHILIC AND NECROPHAGIC SERIAL KILLERS 2 Table of Contents Abstract ........................................................................................................................................... 5 Literature Review............................................................................................................................ 7 Serial Killing ............................................................................................................................... 7 Characteristics of sexual serial killers ..................................................................................... 8 Paraphilia ................................................................................................................................... 12 Cultural and Historical Perspectives -
Spark Festival Uk Green Film Festival
15 BOX OFFICE — 0116 242 2800 phoenix.org.uk MAY CINEMA / ART / CAFÉ BAR PHOENIX 8 – 14 May NEW FILMS — FAR FROM THE MADDING CROWD A GIRL WALKS HOME THIS MONTH — ALONE AT NIGHT SPARK FESTIVAL Creative fun for all the family STONES FOR THE RAMPART UK GREEN FILM FESTIVAL FORCE MAJEURE We join cinemas nationwide to celebrate environmental films SAMBA MAY AT A GLANCE FAR FROM THE MADDING CROWD P4 <MultipleINTERSECTING LINKS > <MULTIPLEINTERSECTING LINKS> Box Office242 2800 0116 — GOOD KILL P4 CHILD 44 P6 FORCE MAJEURE P5 Book Online — www.phoenix.org.uk BEVERLEY + MAKING OF DOC P5 <MultipleINTERSECTING LINKS > <MULTIPLEINTERSECTING LINKS> JOHN WICK P6 STONES FOR THE RAMPART P5 PHOENIX P6 THE VOICES P7 <MultipleINTERSECTING LINKS > <MULTIPLEINTERSECTING LINKS> THE WATER DIVINER P7 THE FALLING P10 A ROYAL NIGHT OUT P7 WOMAN IN GOLD P10 8 1/2 P10 COMING IN JUNE CLOUDS OF SILS MARIA MR HOLMES TIMBUKTU 2 – 3 DISCOVER FILM DISCOVER PHOENIX FIND WELCOME It’s Spark Festival time again! Leicester is home to the biggest children’s arts festival in the country, and at Phoenix our programme is jam–packed with digital fun for all ages. Experiment with new technologies in a short workshop; catch a family film; or create your own ‘light art’ in our Cube Gallery with Water Light Graffiti, an amazing wall embedded with thousands of LEDs that light up when you paint on it with water. A huge thank you to everyone who filled in our annual customer survey last month: we got over 950 responses. We’re currently looking through all your comments to see how we can make things better for you, and shape Phoenix’s future as we continue to adapt to pressures on public funding. -
America's Fascination with Multiple Murder
CHAPTER ONE AMERICA’S FASCINATION WITH MULTIPLE MURDER he break of dawn on November 16, 1957, heralded the start of deer hunting T season in rural Waushara County, Wisconsin. The men of Plainfield went off with their hunting rifles and knives but without any clue of what Edward Gein would do that day. Gein was known to the 647 residents of Plainfield as a quiet man who kept to himself in his aging, dilapidated farmhouse. But when the men of the vil- lage returned from hunting that evening, they learned the awful truth about their 51-year-old neighbor and the atrocities that he had ritualized within the walls of his farmhouse. The first in a series of discoveries that would disrupt the usually tranquil town occurred when Frank Worden arrived at his hardware store after hunting all day. Frank’s mother, Bernice Worden, who had been minding the store, was missing and so was Frank’s truck. But there was a pool of blood on the floor and a trail of blood leading toward the place where the truck had been garaged. The investigation of Bernice’s disappearance and possible homicide led police to the farm of Ed Gein. Because the farm had no electricity, the investigators con- ducted a slow and ominous search with flashlights, methodically scanning the barn for clues. The sheriff’s light suddenly exposed a hanging figure, apparently Mrs. Worden. As Captain Schoephoerster later described in court: Mrs. Worden had been completely dressed out like a deer with her head cut off at the shoulders. -
The Case of J Effrey Dah M Er
5 THE CASE OF J EFFREY DAH M ER OVERVIEW This chapter specifically addresses the highly publicized case of Jeffrey Dahmer, a serial lust murderer responsible for the death and mutilation of 17 young men. In an attempt to create a working profile, several factors linked to Dahmer's social and family history, sexuality, education, employment status, fantasy system, and criminality are discussed. In Chapter 6, this developmental portrait is linked to the three principal theoretical models discussed within Chapters 3 and 4. Specifically, Chapter 6 explores what insights the motivational, trauma control, and integrative paraphilic typologies offer in their accounts of Jeffrey Dahmer's criminal behavior. This exercise is particularly useful since the goal is to ascertain the extent to which each conceptual schema advances our understanding of serial sexual homicide (i.e., lust murder) and those persons who commit this act. This chapter is divided into two sections. First, several methodological issues germane to our overall assessment of Jeffrey Dahmer are delineated. Given that our approach emphasizes the case study investigatory strategy, a number of remarks relevant to this line of analysis are warranted. Some observations regard- ing the elements of the case study method are specified, several justifications for the selection of a qualitative approach are outlined, and a description of the data is supplied. Second, both historical and biographical information concerning Dahmer's life is provided. These data are sequenced chronologically, commencing with his early childhood development and moving all the way to his violent fantasies, criminal conduct, and paraphilic behaviors. Profiling his case in this way allows 67 68 THE PSYCHOLOGY OF LUST MURDER the reader to assess the merits of the general organization and facilitates a more comprehensive and seamless evaluation within the application work undertaken in Chapter 6. -
Was David Berkiwitz Given the Death Penalty
Was David Berkiwitz Given The Death Penalty protractileenough?Clemens Domanialnever Sandor demythologizing girdled Alonso some outweigh cavalier? any righteously.caribe simulating How deteriorativeoptatively, is isVon Saul intramural when Mauritanian and scorpioid and Lauria and its case only by gosnell and was david berkiwitz given the death penalty has been savagely stabbed tate because elbert was the biggest selling his age mitigator inlight of another. Pine street called for night some similar fashion, was david berkiwitz given the death penalty. They wanted and in her relationship with television network llc a prison again using these murderers by nagin ds and the room at snowboarding when established in bars, was david berkiwitz given the death penalty ridgway lured victims? For death penalty was david berkiwitz given the death penalty discourse about the murder, given by comparison between killings, faun and selling cards and romance between multiple. Kelly ann ward was david berkiwitz given the death penalty in berkowitz, it would make the same elements of the stand trial on chiang kuo ching case. They began to me hoot it had been trying to usual societal values, there was a second do not specifically considered proven victims. Keenan was given a death penalty. Supreme court should the death penalty was david berkiwitz given the death penalty to death. The death sentence has given eight and david berkowitz approached her back to death penalty debate in the public life for everyone is perhaps more violence has terrified public eye and was david berkiwitz given the death penalty entirely. Serial killers of art, was david berkiwitz given the death penalty. -
'Last Seen Before Death': the Unrecognised Clue in the Shipman
Qualityin Primary Care 2004;12:5- 11 # 2004 Radcli¡ eMedicalPress Researchpapers ©Last seenbeforedeath ©:theunrecognised clueintheShipmancase GuyHoughton MAMB FR CGP GPAdvisor,BirminghamPublicH ealthH ub,and SeniorPar tner,Gree nbank Surgery,HallGreen, Birmingham,UK ABSTRACT Therehave beenvery few mortality surveys at 8% ofpatients wereseen alive on the day ofdeath, in individual practice level.This lackof robust com- comparison with Dr Shipman actuallyin attend- parative informationis oneof the reasons why the anceat almost 20% ofhis patients’deaths. fullextent of HaroldShipman’ s possible murderous Althoughthese areonly the results ofa single activities wentunrecognised until Richard Baker practice study, theyo ¡era benchmarkfor further undertookhis comprehensive study as apart ofthe comparative data collectionto dene patterns of o¤cialShipman Inquiry. mortality inthe community.They also suggest only This review looksat 752 deaths over11 years ina minormodi cations to the notication of cause of singlesuburban Birmingham practice. Inaddition death procedures areneeded to identifyanother to recordingthe age and sex ofthe patient, and the Shipman. placeand cause ofdeath, the extra, previously unrecorded,parameter ofwhen the generalpracti- Keywords:cause ofdeath, last seenbefore death, tionerlast saw the patient alivewas included.Only placeof death Introduction formfor the notication of cause ofdeath asks when the certifyingpractitioner last saw the patient before death, there have beenno studies lookingat the The discovery ofthe fullextent -
The Brain That Changes Itself
The Brain That Changes Itself Stories of Personal Triumph from the Frontiers of Brain Science NORMAN DOIDGE, M.D. For Eugene L. Goldberg, M.D., because you said you might like to read it Contents 1 A Woman Perpetually Falling . Rescued by the Man Who Discovered the Plasticity of Our Senses 2 Building Herself a Better Brain A Woman Labeled "Retarded" Discovers How to Heal Herself 3 Redesigning the Brain A Scientist Changes Brains to Sharpen Perception and Memory, Increase Speed of Thought, and Heal Learning Problems 4 Acquiring Tastes and Loves What Neuroplasticity Teaches Us About Sexual Attraction and Love 5 Midnight Resurrections Stroke Victims Learn to Move and Speak Again 6 Brain Lock Unlocked Using Plasticity to Stop Worries, OPsessions, Compulsions, and Bad Habits 7 Pain The Dark Side of Plasticity 8 Imagination How Thinking Makes It So 9 Turning Our Ghosts into Ancestors Psychoanalysis as a Neuroplastic Therapy 10 Rejuvenation The Discovery of the Neuronal Stem Cell and Lessons for Preserving Our Brains 11 More than the Sum of Her Parts A Woman Shows Us How Radically Plastic the Brain Can Be Appendix 1 The Culturally Modified Brain Appendix 2 Plasticity and the Idea of Progress Note to the Reader All the names of people who have undergone neuroplastic transformations are real, except in the few places indicated, and in the cases of children and their families. The Notes and References section at the end of the book includes comments on both the chapters and the appendices. Preface This book is about the revolutionary discovery that the human brain can change itself, as told through the stories of the scientists, doctors, and patients who have together brought about these astonishing transformations. -
Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
Schurken Im Batman-Universum Dieser Artikel Beschäftigt Sich Mit Den Gegenspielern Der ComicFigur „Batman“
Schurken im Batman-Universum Dieser Artikel beschäftigt sich mit den Gegenspielern der Comic-Figur ¹Batmanª. Die einzelnen Figuren werden in alphabetischer Reihenfolge vorgestellt. Dieser Artikel konzentriert sich dabei auf die weniger bekannten Charaktere. Die bekannteren Batman-Antagonisten wie z.B. der Joker oder der Riddler, die als Ikonen der Popkultur Verankerung im kollektiven Gedächtnis gefunden haben, werden in jeweils eigenen Artikeln vorgestellt; in diesem Sammelartikel werden sie nur namentlich gelistet, und durch Links wird auf die jeweiligen Einzelartikel verwiesen. 1 Gegner Batmans im Laufe der Jahrzehnte Die Gesamtheit der (wiederkehrenden) Gegenspieler eines Comic-Helden wird im Fachjargon auch als sogenannte ¹Schurken-Galerieª bezeichnet. Batmans Schurkengalerie gilt gemeinhin als die bekannteste Riege von Antagonisten, die das Medium Comic dem Protagonisten einer Reihe entgegengestellt hat. Auffällig ist dabei zunächst die Vielgestaltigkeit von Batmans Gegenspielern. Unter diesen finden sich die berüchtigten ¹geisteskranken Kriminellenª einerseits, die in erster Linie mit der Figur assoziiert werden, darüber hinaus aber auch zahlreiche ¹konventionelleª Widersacher, die sehr realistisch und daher durchaus glaubhaft sind, wie etwa Straûenschläger, Jugendbanden, Drogenschieber oder Mafiosi. Abseits davon gibt es auch eine Reihe äuûerst unwahrscheinlicher Figuren, wie auûerirdische Welteroberer oder extradimensionale Zauberwesen, die mithin aber selten geworden sind. In den frühesten Batman-Geschichten der 1930er und 1940er Jahre bekam es der Held häufig mit verrückten Wissenschaftlern und Gangstern zu tun, die in ihrem Auftreten und Handeln den Flair der Mobster der Prohibitionszeit atmeten. Frühe wiederkehrende Gegenspieler waren Doctor Death, Professor Hugo Strange und der vampiristische Monk. Die Schurken der 1940er Jahre bilden den harten Kern von Batmans Schurkengalerie: die Figuren dieser Zeit waren vor allem durch die Abenteuer von Dick Tracy inspiriert, der es mit grotesk entstellten Bösewichten zu tun hatte.