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The Rough Guide to Naples & the Amalfi Coast
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A Literary Journey to Rome
A Literary Journey to Rome A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Christina Höfferer All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7328-4 ISBN (13): 978-1-4438-7328-4 CONTENTS When the Signora Bachmann Came: A Roman Reportage ......................... 1 Street Art Feminism: Alice Pasquini Spray Paints the Walls of Rome ....... 7 Eataly: The Temple of Slow-food Close to the Pyramide ......................... 11 24 Hours at Ponte Milvio: The Lovers’ Bridge ......................................... 15 The English in Rome: The Keats-Shelley House at the Spanish Steps ...... 21 An Espresso with the Senator: High-level Politics at Caffè Sant'Eustachio ........................................................................................... 25 Ferragosto: When the Romans Leave Rome ............................................. 29 Myths and Legends, Truth and Fiction: How Secret is the Vatican Archive? ................................................................................................... -
The Motivation for the Patronage of Pope Julius Ii
THE MOTIVATION FOR THE PATRONAGE OF POPE JULIUS II Christine Shaw As the head of the Western Church, Giuliano della Rovere, Pope Julius II (1503-13), has had his critics, from his own day to ours, above all for his role as ‘the warrior pope’. The aspect of his rule that has won most general approval has been his patronage of the arts. The complex iconography of some of the works Julius commissioned, particularly Raphael’s frescoes in the Vatican Stanze, and the scale of some of the projects he initiated – the rebuilding of St Peter’s, the development of the via Giulia, the massive and elaborate tomb Michelangelo planned to create for him – have provided fertile soil for interpretation of these works as expressions of Julius’s own ideals, aspirations, motives and self-image. Too fertile, perhaps – some interpretations have arguably become over-elaborate and recherchés. The temptation to link the larger than life character of Julius II with the claims for the transcendent power and majesty of the papacy embodied in the ico- nography and ideology of the works of art and writings produced in Rome during his pontificate, whether or not they were commissioned by the pope, has often proved irresistible to scholars. Some of the works associated with Julius can be read as expressions of certain conceptions of papal authority, and of the Rome of the Renaissance popes as the culmination of classical and Jewish, as well as early Christian history. But should they be read as Julius’s conception of his role as pope, his programme for his own papacy? Just because others identified him with Julius Caesar, or with Moses, does that mean that he saw himself as Moses, as a second Julius Caesar? There were plenty of learned men in Rome, ready to elabore theories of papal power which drew on different traditions and to fit Julius into them, just as they had fitted earlier popes and would fit later popes into them. -
Welcome to the World of Visions Educational Travel. Outstanding
Tour: Roman Pilgrimage: A Culture & Faith Tour Destination: Rome & Pompeii, Italy Availability: Year-round Roman Pilgrimage - Sample Itinerary A Culture & Faith Tour Day Morning Afternoon Evening Time Elevator: 1 Travel to Rome by flight, transfer to Hotel; check-in and relax Dinner at Hotel History of Rome 2 Breakfast Ancient Rome Guided Tour: Coliseum, Roman Forum & Palatine Hill Gladiator School* Dinner at Hotel 3 Breakfast Guided Tour: Vatican Museums, Sistine Chapel, St. Peter's Basilica & Castel Sant'Angelo Pizza Cooking Class* 4 Breakfast Guided Walking Tour of Naples & Naples Underground Guided Tour of Pompeii Dinner at Hotel Attend Mass at Local Saint John Lateran Basilica & The The Roman Ghost & Mystery 5 Breakfast Dinner at Hotel Roman Chapel Basilica of Saint Mary Major Catacombs Tour* 6 Breakfast Guided Tour: Ostia Antica Guided Walking Tour: Baroque Rome Dinner at Hotel 7 Breakfast Transfer to airport; fly home * Indicates activities that may be added on at extra cost, per your request Welcome to the world of Visions Educational Travel. Outstanding destinations filled with history, humanities, and a world outside of the classroom brought to you as only Visions can! As with all sample itineraries, please be aware that this is an “example” of a schedule and that the activities included may be variable dependent upon dates, weather, special requests and other factors. Itineraries will be confirmed prior to travel. Rome…. Modern and old, past and present go side by side; all the time. You can decide to follow the typical paths or you can be lucky enough to go off the usual tracks. -
ROME : ART and HISTORY OPENAIR 2020-2021, 2Nd Semester Meeting 1 – 13.03.2021 the Eternal City
University of Rome Tor Vergata School of Global Governance Prof. Anna Vyazemtseva ROME : ART AND HISTORY OPENAIR 2020-2021, 2nd semester Meeting 1 – 13.03.2021 The Eternal City 10 am – 5 pm :, The Palatine (Domus Augustana, Horti Farnesiani), Roman and Imperial Forums, The Colosseum, Vittoriano Complex, Musei Capitolini. 1 - 2pm:Lunch Meeting 2 – 20.03.2021 Introduction to the Renaissance 10 am – 5 pm: St. Peter’s Basilica, Vatican Museums (Sistine Chapel by Michelangelo, Stanze by Raphael). 1 - 2pm: Lunch Meeting 3 – 27.03.2021 Architecture and Power: Palaces of Rome 10 am – 5 pm: Villa Farnesina, Via Giulia, Palazzo Farnese, Palazzo Spada-Capodiferro, Palazzo della Cancelleria, Palazzo Mattei, Palazzo Venezia 1 - 2pm: Lunch Meeting 4 – 10.04.2021 Society, Politics and Art in Rome in XV-XVIII cc. 10 am – 5 pm: Santa Maria del Popolo, Piazza di Spagna, Barberini Palace and Gallery, Fon tana di Trevi, San Carlino alle Quattro Fontane, Sant’Andrea al Quirinale, Palazzo del Quirinale 1 - 2pm:Lunch Meeting 5 – 14.04.2021 The Re-use of the Past 10 am – 5 pm: Pantheon, Piazza di Pietra, Piazza Navona, Baths of Diocletian, National Archeological Museum Palazzo Massimo alle Terme. 1 - 2pm: Lunch Meeting 6 – 08.03.2021 Contemporary Architecture in Rome 10 am – 5pm: EUR district, MAXXI – Museum of Arts of XXI c. (Zaha Hadid Architects), Ara Pacis Museum. 1 – 2 pm: Lunch Proposals and Requirements The course consists of 6 open air lectures on artistic heritage of Rome. The direct contact with sites, buildings and works of art provides not only a better comprehension of their historical and artistic importance but also helps to understand the role of heritage in contemporary society. -
Italy 2016 Itinerary
Italy 2016 with Dr. Marc Shapiro July 26 - August 3, 2016 ITINERARY (subject to change) Tuesday 26 July : Rome Arrival in Rome airport, followed by transfer to the hotel. Begin sightseeing (from the hotel) at 1 PM in the former ghetto area of Rome. Rome is the oldest Jewish community in the Diaspora, and its ghetto remained longer than anywhere else in Europe. As part of our tour, we will see the Jewish Mu- seum, the Great Synagogue, and the Trastevere, where there is evidence of the medieval Jewish com- munity. We will also visit the Campo Di Fiori where, on Rosh Ha-Shanah 1553, the Talmud was burned. In the evening, enjoy a welcome dinner. Accommodations : Hotel Ponte Sisto Wednesday 27 July : Rome Breakfast. This morning begins with a visit to the Arch of Titus and its famous Menorah that, as we will learn, does not correspond to other ancient descriptions. We will then visit the Colosseum, with its legacy of horrors and bravery as slaves fought for their lives to the roars of spectators cheering and booing. This massive structure was actually built with slaves brutally seized after putting down the Jewish Revolt in Eretz Yisrael. Continue to the ruins of the Roman Forum, an international center filled with great palaces and all the pomp that we connect with names like Caesar, Nero and Ci- cero. Later, drive to the Spanish Steps and soon find yourself in the romantic setting of the glorious Trevi Fountain, beloved spot for many great films made in “Roma.” After lunch, enjoy the afternoon at leisure to explore Rome on your own or join an optional tour of the Vatican Museum. -
Patronage and Dynasty
PATRONAGE AND DYNASTY Habent sua fata libelli SIXTEENTH CENTURY ESSAYS & STUDIES SERIES General Editor MICHAEL WOLFE Pennsylvania State University–Altoona EDITORIAL BOARD OF SIXTEENTH CENTURY ESSAYS & STUDIES ELAINE BEILIN HELEN NADER Framingham State College University of Arizona MIRIAM U. CHRISMAN CHARLES G. NAUERT University of Massachusetts, Emerita University of Missouri, Emeritus BARBARA B. DIEFENDORF MAX REINHART Boston University University of Georgia PAULA FINDLEN SHERYL E. REISS Stanford University Cornell University SCOTT H. HENDRIX ROBERT V. SCHNUCKER Princeton Theological Seminary Truman State University, Emeritus JANE CAMPBELL HUTCHISON NICHOLAS TERPSTRA University of Wisconsin–Madison University of Toronto ROBERT M. KINGDON MARGO TODD University of Wisconsin, Emeritus University of Pennsylvania MARY B. MCKINLEY MERRY WIESNER-HANKS University of Virginia University of Wisconsin–Milwaukee Copyright 2007 by Truman State University Press, Kirksville, Missouri All rights reserved. Published 2007. Sixteenth Century Essays & Studies Series, volume 77 tsup.truman.edu Cover illustration: Melozzo da Forlì, The Founding of the Vatican Library: Sixtus IV and Members of His Family with Bartolomeo Platina, 1477–78. Formerly in the Vatican Library, now Vatican City, Pinacoteca Vaticana. Photo courtesy of the Pinacoteca Vaticana. Cover and title page design: Shaun Hoffeditz Type: Perpetua, Adobe Systems Inc, The Monotype Corp. Printed by Thomson-Shore, Dexter, Michigan USA Library of Congress Cataloging-in-Publication Data Patronage and dynasty : the rise of the della Rovere in Renaissance Italy / edited by Ian F. Verstegen. p. cm. — (Sixteenth century essays & studies ; v. 77) Includes bibliographical references and index. ISBN-13: 978-1-931112-60-4 (alk. paper) ISBN-10: 1-931112-60-6 (alk. paper) 1. -
Borromini and the Cultural Context of Kepler's Harmonices Mundi
Borromini and the Dr Valerie Shrimplin cultural context of [email protected] Kepler’sHarmonices om Mundi • • • • Francesco Borromini, S Carlo alle Quattro Fontane Rome (dome) Harmonices Mundi, Bk II, p. 64 Facsimile, Carnegie-Mellon University Francesco Borromini, S Ivo alla Sapienza Rome (dome) Harmonices Mundi, Bk IV, p. 137 • Vitruvius • Scriptures – cosmology and The Genesis, Isaiah, Psalms) cosmological • Early Christian - dome of heaven view of the • Byzantine - domed architecture universe and • Renaissance revival – religious art/architecture symbolism of centrally planned churches • Baroque (17th century) non-circular domes as related to Kepler’s views* *INSAP II, Malta 1999 Cosmas Indicopleustes, Universe 6th cent Last Judgment 6th century (VatGr699) Celestial domes Monastery at Daphne (Δάφνη) 11th century S Sophia, Constantinople (built 532-37) ‘hanging architecture’ Galla Placidia, 425 St Mark’s Venice, late 11th century Evidence of Michelangelo interests in Art and Cosmology (Last Judgment); Music/proportion and Mathematics Giacomo Vignola (1507-73) St Andrea in Via Flaminia 1550-1553 Church of San Giacomo in Augusta, in Rome, Italy, completed by Carlo Maderno 1600 [painting is 19th century] Sant'Anna dei Palafrenieri, 1620’s (Borromini with Maderno) Leonardo da Vinci, Notebooks (318r Codex Atlanticus c 1510) Amboise Bachot, 1598 Following p. 52 Astronomia Nova Link between architecture and cosmology (as above) Ovals used as standard ellipse approximation Significant change/increase Revival of neoplatonic terms, geometrical bases in early 17th (ellipse, oval, equilateral triangle) century Fundamental in Harmonices Mundi where orbit of every planet is ellipse with sun at one of foci Borromini combined practical skills with scientific learning and culture • Formative years in Milan (stonemason) • ‘Artistic anarchist’ – innovation and disorder. -
Discover Rome | Small Group Tour for Seniors | Odyssey Traveller
Australia 1300 888 225 New Zealand 0800 440 055 [email protected] From $7,750 AUD Single Room $8,850 AUD Twin Room $7,750 AUD Prices valid until 30th December 2021 15 days Duration Italy Destination Level 1 - Introductory to Moderate Activity Discover Rome | Cultural and History Small Group Tour for Seniors Dec 23 2021 to Jan 06 2022 Discover Rome: Small Group Cultural and History Hour Odyssey offers easy, convenient, and relaxed escorted small group tours across Italy, Western Europe and beyond. We explore Italy’s fairy- tale natural beauty, its ancient Roman, and Imperial heritage, its World Heritage Sites, and this world famous city all with some truly spectacular scenery along the way. This and more is all waiting to be explored on one of Odyssey’s small group tours of Italy, foccussed on Rome, designed for the senior traveller, and led by experienced, and enthusiastic like minded people Discover Rome | Cultural and History Small Group Tour for Seniors 30-Sep-2021 1/11 https://www.odysseytraveller.com.au Australia 1300 888 225 New Zealand 0800 440 055 [email protected] . On this 15-day small group winter tour, you experience the wonders of Rome, arguably the most fascinating city in Italy in December and January. As the capital city, the home of the Papacy, and the once- grand centre of a vast, ancient empire, Rome remains a cultural and historical mecca for the discerning traveller. This is great time to be in Rome both for Christmas and for New Year’s Day. Discover the cultural beginnings of faith, art, war, and technology with visits to the capital’s churches, monuments, and museums on this fully escorted small group tour. -
Best Sculpture in Rome"
"Best Sculpture in Rome" Créé par: Cityseeker 11 Emplacements marqués Wax Museum "History in Wax" Linked to the famed Madame Tussaud's in London, the Museo delle Cere recreates historical scenes such as Leonardo da Vinci painting the Mona Lisa surrounded by the Medici family and Machiavelli. Another scene shows Mussolini's last Cabinet meeting. There is of course a chamber of horrors with a garrotte, a gas chamber and an electric chair. The museum by _Pek_ was built to replicate similar buildings in London and Paris. It is a must visit if one is ever in the city in order to take home some unforgettable memories. +39 06 679 6482 Piazza dei Santi Apostoli 68/A, Rome Capitoline Museums "Le premier musée du monde" Les musées Capitoline sont dans deux palais qui se font face. Celui sur la gauche des marches de Michelange est le Nouveau Palais, qui abrite l'une des plus importantes collections de sculptures d'Europe. Il fut dessiné par Michelange et devint le premier musée public en 1734 sur l'ordre du pape Clément XII. L'autre palais, le Conservatori, abrite d'importantes peintures by Anthony Majanlahti comme St Jean Baptiste de Caravaggio et des oeuvres de titian, veronese, Rubens et Tintoretto. Une sculpture d'un énorme pied se trouve dans la cours, et faisait autrefois partie d'une statue de l'empereur Constantin. Une des ouvres fameuses est sans aucun doute la louve, une sculpture étrusque du 5ème siècle avant J-C à laquelle Romulus et Rémus furent ajoutés à la Renaissance. +39 06 0608 www.museicapitolini.org/s info.museicapitolini@comu Piazza Campidoglio, Rome ede/piazza_e_palazzi/pala ne.roma.it zzo_dei_conservatori#c Museo Barracco di Scultura Antica "Sculpturally Speaking" The Palazzo della Piccola Farnesina, built in 1523, houses the Museo Barracco di Scultura Antica, formed from a collection of pre-Roman art sculptures, Assyrian bas-reliefs, Attic vases, Egyptian hieroglyphics and exceptional Etruscan and Roman pieces. -
Roman Baroque COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B Roman Baroque COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice some factors in the Baroque the cycle of taste: freedom from classical rigidity, and the enlarged vocabulary of Mannerism a return of public confidence and a boost in church activity and patronage the Counter-Reformation and the improvement of Rome The Ecstasy of St Teresa, by Gianlorenzo Bernini, 1645-52 William Fleming, Arts & Ideas (Fort Worth [Texas] 1991), p 353 He held a long javelin of gold, with an iron tip which had a flame coming out of it. Suddenly, he pierced me to the inmost fibre of my being with it and it seemed to me that, as he drew it out, he dragged me with it; but I felt entirely consumed by the love of God. The pain was so great that it drew moans from me, even though the ecstasy that went with it was so great that I would not have had the pain withdrawn ... THETHE TRANSITION:TRANSITION: 15701570--16301630 Il Gesú, Rome, begun by G B da Vignola, c 1568, and completed to cornice level by the time of his death in 1573 Scala 9122 Il Gesú, plan Nikolaus Pevsner, An Outline of European Architecture (Harmondsworth [Middlesex] 1968 [1943]), p 233 Il Gesú: Vignola's façade design, c 1573; Giacomo della Porta's façade, completed 1584 engraving by Mario Cartaro, in Giacomo de Rossi, Insignium Romae Templorum, 1684; Scala 9111 Il Gesú: Giacomo della Porta's façade, completed 1584 Rolf Toman [ed], Baroque Architecture Sculpture Painting (Cologne 2007 [2004]), p 14 some Baroque characteristics 1. -
Trastevere (Map P. 702, A3–B4) Is the Area Across the Tiber
400 TRASTEVERE 401 TRASTEVERE rastevere (map p. 702, A3–B4) is the area across the Tiber (trans Tiberim), lying below the Janiculum hill. Since ancient times there have been numerous artisans’ Thouses and workshops here and the inhabitants of this essentially popular district were known for their proud and independent character. It is still a distinctive district and remains in some ways a local neighbourhood, where the inhabitants greet each other in the streets, chat in the cafés or simply pass the time of day in the grocery shops. It has always been known for its restaurants but today the menus are often provided in English before Italian. Cars are banned from some of the streets by the simple (but unobtrusive) method of laying large travertine blocks at their entrances, so it is a pleasant place to stroll. Some highlights of Trastevere ª The beautiful and ancient basilica of Santa Maria in Trastevere with a wonderful 12th-century interior and mosaics in the apse; ª Palazzo Corsini, part of the Gallerie Nazionali, with a collection of mainly 17th- and 18th-century paintings; ª The Orto Botanico (botanic gardens); ª The Renaissance Villa Farnesina, still surrounded by a garden on the Tiber, built in the early 16th century as the residence of Agostino Chigi, famous for its delightful frescoed decoration by Raphael and his school, and other works by Sienese artists, all commissioned by Chigi himself; HISTORY OF TRASTEVERE ª The peaceful church of San Crisogono, with a venerable interior and This was the ‘Etruscan side’ of the river, and only after the destruction of Veii by remains of the original early church beneath it; Rome in 396 bc (see p.